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| Indian Beads A Cultural and Technological Study | Deo, S . B. | | 2000 | Deccan College & Postgraduate Research Institute |
| Indian Costume (Bharatiya Vesabhusa) | G.S. Ghurye | | 1951 | G.R. Bhatkal, Popular Book Depot |
| Etched Beads In India | Moreshwar Gangadhar Dikshit | | 1949 | Deccan College & Postgraduate Research Institute |
| Indo-Greek Jewellery | Chandra, Rai Govinda | | 1973 | Abhinav Publishing |
| Dress and Jewellery of Women: Satavahana to Kakatiya | C.S. Uma Maheshwari | | 1995 | New Era Publications |
| Dress and Jewellery of Women: Satavahana to Kakatiya | C.S. Uma Maheshwari | | 1995 | New Era Publications |
| Jade Collection in the Salar Jung Museum | Dr.M.L.Nigam | | 1979 | Salar Jung Museum Board, Hyderabad |
| Silk Brocades | Agrawal, Yashodhara | | 2006 | Roli Books Pvt Ltd |
| By My Sword and Shield' Traditional weapon of the Indian Warrior | E. Jaiwant Paul | | 1995 | The Lotus Collection |
| Ancient Indian Costume | Roshen Alkazi | | 1996 | Art Heritage |
| Ancient Indian Costume | Roshen Alkazi | | 1996 | Art Heritage |
| Great Diamonds of India | Monisha Bharadwaj | Monisha Ahmed | 2002 | India Book House Private Limited |
| Meissen Porcelain Plauen Lace | Hoffman, Hans-Joachim | | 1983 | GDR Centre for Art Exhibitions |
| Oriental carpets | Michele Campana | Paul Hamlyn | 1969 | The Hamlyn Publishing Group Limited |
| A Knight and His Armour | Oakeshott, R. Ewart | | 1961 | Lutterworth Press |
| Woven Wonders: The Tradition of Indian Textiles | Ashna Mathur | | 2002 | Rupa & Co. |
| Geometric Patterns | | | | Pepin Press |
| Textiles for Temple, Trade and Dowry | Jyotindra Jain | | | Sankriti Museum of Everyday Art, New Delhi |
| Oriental Rugs: A Buyers Guide | Lee Allane | | 1988 | Thames and Hudson Ltd, London |
| Important English Furniture and Decorations | | | 1986 | Sotheby's |
| Indian Kaleen | | | | The Handicrafts and Handlooms Exports |
| Oriental Rugs, Care and Repair | Majid Amini | | 1981 | Orbis Publishing Ltd. |
| Handmade Rugs From Practically Anything | Laury, Jean Ray & Aiken, Joyce | | 1971 | Thomas Nelson Ltd. |
| Carpets and Floor Coverings of India | Kamaladevi Chattopadhyay | | 1969 | Russi Jal Taporevala for D.B. Taporevala |
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| Oriental Carpets | Ulrich Schurmann | | 1979 | Ebeling Publishing Ltd. |
| All Colour Book of Oriental Carpets and Rugs | Stanley Reed | | 1972 | Octopus Books Limited |
| Rugs and Carpets from the Caucasus | Liatif Kerimov, Nonna Stephanian, Tatyana Grigoliya, David Tsitsivili | | 1984 | Allen Lane/ Penguin Books |
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| A Study Of Stone Beads In Ancient India | Niharika | | 1993 | Bharatiya Kala Prakashan |
| The Ring of Truth, Myths of Sex and Jewelry | Wendy Doniger | | 2017 | Speaking Tiger Publishers |
| Kama Sutra | | | 1996 | Lustre Press, Roli Books Pvt. Ltd |
| Erotica: The Art of Loving | Dr. Prakash Kothari | Rachna Kothari | 2010 | VRP Publications |
| Erotica: The Art of Loving | Dr. Prakash Kothari | Rachna Kothari | 2010 | VRP Publications |
| Ancient Indian Massage: Traditional Massage Techniques Based of the Ayurveda | Harish Johari | | 1988 | MRML |
| The Kamasutra of Vatsyayana | Aditya Patankar | | 1988 | Lustre Press |
| The Erotic Sentiment in the Paintings of India and Nepal: The Pillow Book, Volume One | Nik Douglas, Penny Slinger | | 1989 | Park Street Press |
| The Perfumed Garden | Fowkes, Ches Ed. Burton, Sir Richard | | 1989 | Hamlyn |
| The Religion of Love | Lal, Kanwqar | | 1971 | Arts & Letters |
| The Love Teachings of Kama Sutra With Extracts from Koka Shastra, Ananga Ranga and other Famous Indian Works on Love | Sinha, Indra | | 1996 | Bookwise India Pvt Ltd. |
| Kamayoga | Mulk Raj Anand | | 1991 | Arnold Publishers (India) Pvt Ltd. |
| The Perfumed Garden | Fowkes, Ches Ed. Burton, Sir Richard | | 1989 | Hamlyn |
| The Cult of Desire: An Interpretation of Erotic Sculpture of India | Kanwar Lal | | 1966 | Asia Press |
| The Cult of Desire: An Interpretation of Erotic Sculpture of India | Kanwar Lal | | 1966 | Asia Press |
| Temples of Love: Khajuraho | Pramila Poddar, Pramod Kapoor | | 1992 | Lustre |
| Kamasutra | | | 2002 | Oxford University Press |
| Kama Kalpa Or The Hindu Ritual Of Love | P. Thomas | | 1959 | D.B.Taraporevala Sons & Co. Private Ltd. |
| Sexual Secrets | Nik Douglas/Penny Slinger | | 1979 | Arrow Books Limited |
| The Joy of Sex- A Gourmet Guide to Love-making | | Alex Comfort | 1986 | Pocket Books |
| Arts of People 1, From Goddess to Pin-up: Icons of Femininity in Indian Calender Art | | | 2000 | Fukuoka Art Museum |
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| Pundole's: The Works On Paper Sale | | | 2018 | Pundole's |
| Classical And Modern Indian Art | | | 2016 | Pundole's |
| Indian Art: Classical To Modern | | | 2015 | Pundole's |
| The Fine Art Sale: Including Works From The Collections Of Roshan Sabavala And Emanuel Schlesinger | | | 2015 | Pundole's |
| Pundole's: The Fine Art Sale | | | 2017 | Pundole's |
| Art Of The Himalayas: From The Collection Of Roshan Sabavala | | | 2014 | Pundole's |
| Property From The Estate Of The Late Ernevaz K. Dubash | | | 2015 | Pundole's |
| Tree Matters | Gangu Bai, Gita Wolf, B. Geeta | | 2014 | Tara Books Private Limited |
| Tree Matters | Gangu Bai, Gita Wolf, B. Geeta | | 2014 | Tara Books Private Limited |
| Bhimayan | Bhimrao Ramji Ambedkar | | | Navayana |
| The Enduring Ark | Joydeb Chitrakar, Geeta wolf | | 2012 | Tara Books |
| Sita's Ramayan | Samhita Arni, Moina Chitrakar | | 2015 | Tara Books |
| Sultana's Dream | Durga Bai (Illustration) | | 2014 | Tara Books Private Limited |
| 8 ways to draw fish | Luisa Martela with various artists | | | |
| Satrangi: A Gond Expression | | | 2015 | Ojas Art Ward |
| Mattancherry Mix | Sosa Joseph | | | Galerie Mirchandani + Steinruecke |
| The Art of Banking: The art collection of the Internationale Nederland Bank | | | | NMB Bank |
| Aditi | | | 1982 | The Handicrafts and Handlooms Exports Corporation of India Ltd |
| Aditi | | | 1982 | The Handicrafts and Handlooms Exports Corporation of India Ltd |
| Treasure house of Medieval Cairo Life | | | | The Genzah Collection of the Ben Ezra Synogogue |
| Art Exhibit 2016: Masters of Modern Art | | | | Global Art Hub |
| The Museum of Art & Photography | | | | MAP |
| The Prado Guide | | Maria Dolores Jimenez- Blanco | | Museo Nacional Del Prado |
| Catalogue of the exhibition of paintings of Rampur Raza Library held at India Inyernational Centre, New Delhi | Dr. W.H. Siddiqi | | 2006 | Dr. W.H. Siddiqi |
| Varunika Saraf: The Chair in the Cloud | | | 2010 | Galerie Mirchandani + Steinruecke |
| Akshaya Kumar Maitreya Museum Incorporating Raja Rajaram Museum Collection North Bengal University Catalogue Part II (Sculptures) | Pranab Kumar Bhattacharyya | | 2005 | K.P. Bagchi & Company |
| Francisi Awadhi Ta'allugaat | | | | |
| Art Exhibit 2017: Indian Modern and Contemporay Works on Paper (The Highlights) | | | 2017 | Global Art Hub |
| Such Treasure and Rich Merchandize | Annamma Spudich | | 2008 | NCBS |
| Such Treasure and Rich Merchandize | Annamma Spudich | | 2008 | NCBS |
| Revisiting Gandhi: The art of Shelly Jyoti 2009-2018 | Shelly Jyoti | | 2018 | Archana Advertising Pvt. Ltd. |
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| The Handicrafts Of Tamil Nadu | | | | The Tamilnadu Handicrafts Development Corp. Ltd. |
| Handicrafts Of West Bengal | S. Chakraborty, R.K. Bari | | 1991 | Institute of Art And Handicraft |
| Finding My Way | Venkat Raman Singh, Shyam S. Anand | | 2016 | Navayana Publishing |
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| Auspicious Designs: Batik for Peranakan Altar | Lee, Kerlogue, Chiesa, Joseph | | 2015 | Asian Civilisations Museum |
| Crafts Of Jammu, Kashmir & Ladakh | Kamal Sahai (photography) | Jaya Jaitly | 1990 | Mapin Publishing Pvt Ltd |
| Handicrafts of India | Kamaladevi Chattopadhyay | | 1985 | Indian Council For Cultural Relations |
| Handicrafts of India | Kamaladevi Chattopadhyay | | 1975 | Indian Council For Cultural Relations |
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| Pottery Techniques In Peasant India | Baidyanath Saraswati, Nab Kishore Behura | | 1966 | Anthropological Survey Of India |
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| Many Indias | | Dr. Alka Pande (Curator) | 2016 | The Kanha Museum of Life and Art, Gallerie AK, Must Art Gallery |
| Waterlife | Rambharos Jha | | 2015 | Tara Books Pvt. Ltd. |
| Alone In The Forest | Bhajju Shyam, Gita Wolf, Andrea Anastasio | | 2012 | Tara Books |
| Hope Is A Girl Selling Fruit | Amrita Das | | 2013 | Tara Books |
| Tribal Art And Craft | A.K. Das | | 1979 | Agam Kala Prakashan |
| Now That The Trees Have Spoken | Ranjit Hoskote | | 2009 | Pundole Art Gallery |
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| Jangarh Singh Shyam: Drawings & Paintings from the Crites Collection | | | 2015 | Mitchell S. Crites |
| Following My Paint Brush | Dulari Devi, Gita Wolf | | 2010 | Tara Books |
| between Memory and Museum: a dialogue with folk and tribal arts | | Arun Wolf and Gita Wolf | 2015 | Tara Books Private Ltd. |
| Do! | Gita Wolf | | 2014 | Tara Books |
| Pata-Painting Of Orissa | B. Mohanty | | 1984 | Publications Division, Ministry of Information & Broadcasting |
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| Handmade in India: A Geographical Encyclopedia Of Indian Handicrafts | | Aditi Ranjan, M.P Ranjan | 2007 | Mapin Publishing |
| The Night Life of Trees | Bhajju Shyam, Durga Bai, Ram Singh Urveti | | 2015 | Tara Books |
| The Night Life of Trees | Bhajju Shyam, Durga Bai, Ram Singh Urveti | | 2006 | Tara Books |
| Indian Crafts: Development and Potential | D.N. Saraf | | 1985 | Vikas Publishing House |
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| Crafts Atlas of India | Jaya Jaitly | | 2012 | Niyogi Books |
| Gobble You Up! | Gita Wolf | | 2013 | Tara Books Pvt. Ltd. |
| Creation | Bhajju Shyam, Gita Wolf | | 2014 | Tara Books |
| Creation | Bhajju Shyam, Gita Wolf | | 2014 | Tara Books |
| The Fabric of India | | | 2015 | V&A Publishing |
| Paramparik Karigar: Gadwakam, Kalamkari, Mithila Kala, Mitti Kam, Tana Bana | | | 2005 | Paramparik Karigar Publication |
| The Cloth of the Mother Goddess | Jagdish Chitara | | 2015 | Tara Books |
| Aranyakas | Dr Alka Pande | | 2016 | The Kanha Museum of Life and Art |
| Signature: Patterns in Gond Art | | Gita Wolf, Bhajju Shyam, Jonathan Yamakami | 2010 | Tara Books |
| Ganjifa The Playing Cards of India a general survey, with a catalogue of the Victoria and Albert Museum Collection | Rudolf Von Leyden | | 1982 | Victoria & Albert Museum |
| Jangarh Kalam: Contemporary Art of the Adivasis | Udayan Vajpeyi | | 2010 | Art Alive Gallery |
| Tribal Ornaments | | | 2009 | Tribal Research & Development Institute |
| Rerouted Realities: Santosh Kumar Das, Exhibition Catalogue | Kathryn Myers | | 2018 | |
| Village of Painters: Narrative Scrolls from West Bengal | Frank J. Korom | | 2006 | Museum of New Mexico |
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| Satrangi: The Art Of Bheel | Ojas Art | Ojas Art | 2017 | |
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| Beasts of India | | Kanchana Arni and Gita Wolf | 2017 | Tara Books Private Limited |
| Indian Art Series: Madhubani Art | Bharti Dayal | | 2015 | Niyogi Books, Museum of Sacred Art (MOSA) |
| A Picturesque Tour Along the River Ganges and Jumna in India : Consists of twenty four highly finished and coloured views, a map, and vignettes, from original drawings made on the spot; with illustrations, historical and depictive | Lieutenant-Colonel Forrest | | | Rackermann |
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| India of Rajahs | Louis Rousselet | | 1985 | Franco Maria Ricci |
| The Vision Of Kings | Michael Brand | | 1996 | National Gallery Of Australia |
| Maps of Delhi | Pilar Maria Guerrieri | | 2017 | Niyogi Books |
| Adapting the Eye: An Archive Of The British In India, 1770-1830 | | | 2011 | Yale Centre For British Art |
| Indian Painting during the British Period | | | 1986 | Hobhouse Limited |
| Gaekwad Cenotaphs | Gupte, Taramati | | 1947 | Baptist Mission Press |
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| Picturesque Views of India Sita Ram: Lord Hastings's Journey from Calcutta to the Punjab, 1814-15 | J.P. Losty | | | Lustre Press, Roli Books |
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| Indian Painting for the British 1770 - 1880: An Essay by Mildred And W.G. Archer | Mildred And W.G. Archer | | 1955 | Oxford University Press |
| Temple Tents for Goddesses in Gujarat, India | Dr. Eberhard Fischer | | 2014 | Niyogi Books |
| Indigenius Artist India | Sunita Nair | | 2003 | Author, Taj |
| Indian Life and the People in the 19th Century: Company Paintings in the Tapi Collection | J.P. Losty | | 2018 | Roli Books |
| Asian Art Museum of San Francisco- Collection Highlights | Jay Xu | Clare Jacobson | 2018 | Asian Art Museum |
| Armenia- Art, Religion and Trade in the Middle Ages | | Helen C.Evans | | Yale University Press |
| Revisiting Gandhi: The Art Of Shelly Joshi 2009-2018 | Shelly Joshi | | 2018 | Archana Advertising Pvt. Ltd. |
| The Museum Newsletter-Special Issue: Indian and the world- a History in Nine Stories | CSMVS | | 2018 | Chhatrapati Shivaji Maharaj Vastu Sanghrahalaya |
| The Museum Newsletter-Special Issue: Indian and the world- a History in Nine Stories | CSMVS | | 2018 | Chhatrapati Shivaji Maharaj Vastu Sanghrahalaya |
| Spiegel, Der Mensch im Widerschein | Museum Rietberg | | | Wienand |
| Kalamkari Temple Hangings | Anna L. Dallapiccola | | 2015 | Mapin Publishing |
| Armours Delight: The Amarushataka Palm Leaf Manuscript | Eberhard Fischer, Dinanath Pathy | | 2006 | Artibus Asiae |
| Cosmology to Cartography | Dr Vivek Nanda, Dr. Alexander Johnson | | | Narional Museum |
| Indian Textiles | John Gillow and Nicholas Barnard | Thames and Hudson | 2014 | Om Books International |
| Textile motifs of India | | The Pepin Press | Pepin van Roojen | 2008 | Agile Rabbit |
| Indian Texties: The Karun Thakar Collection | John Guy, Rosemary Crill, Karun Thakar | HALI Publications ltd | 2014 | HALI publications ltd. |
| Speaking With Pictures: Folk Art and the Narrative Tradition in India | Roma Chatterji | | 2019 | Routledge India |
| Light Of Asia Buddha Sakyamuni in Asian Art | Pratapaditya Pal | | 1984 | Los Angeles County Museum of Art |
| Views in India, China and on the Shores of the Red Sea Vol. 1 and 2 | From Original Sketches by Commander Robert Elliot | | 1986 | Gian Publishing House |
| Folk Heritage Of Pakistan | | | 1977 | Institute of Folk Heritage |
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| The Collector's Encyclopaedia of English Ceramics | | | 1986 | Abbey Library |
| Living Traditions Of Iran's Crafts | Jasleen Dhamija | | 1979 | Vikas Publishing House |
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| Exploring Mysterious Kathmandu | Katharine Hoag | | | Avalok |
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| Escape To Egypt According to Coptic Tradition | | | 1993 | Lehnert & Landrock |
| Treasures From Italy: Gold And Hardstone Objects From Antiquity And The Renaissance | | | 1995 | National Museum New Delhi |
| Roman and Palaeo-Christian Painting | Geral Gassiot-Talabot | Claude Schaeffner | 1968 | Heron Books |
| Byzantine And Russian Painting | Kostas Papaioannou | Claude Schaeffner | 1968 | Heron Books |
| A History of European Picture Frames | Paul Mitchell, Lynn Roberts | | 1996 | Merrell Holberton Publishers Ltd. |
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| The Encyclopedia of Tibetan Symbols and motifs | Robert Beer | | 1999 | Shambala Publications/Serindia Publications |
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| Moorcroft Pottery: A Guide to the Pottery of William and Walter Moorcroft, 1897-1986 | Paul Atterbury | | 1987 | Richard Dennis and Hugh Edwards |
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| India's Contribution to World Thought and Culture | | Lokesh Chandra | 1970 | Vivekananda Rock Memorial Committee |
| India's Contribution to World Thought and Culture | | Lokesh Chandra | 1970 | Vivekananda Rock Memorial Committee |
| Treasures of indian Art Germany's Tribute to india's Cultural Heritage | | Saryu Doshi | | National Museum |
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| Art Of India Prehistory to the Present | | Frederick M. Asher | 2003 | Encyclopedia Britannica |
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| The Indian Experience | Barret, Ken & Sharma , Suresh (Ed) | | 1982 | Media TransAsia |
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| Ethical Fragrance In Indian Art And Literature | C. Sivaramamurthi | | 1980 | Kanak Publications |
| The Colour Library Of Art- Indian Art- 48 plates in full colour | Margaret-Marie Deneck | | 1967 | Hamlyn |
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| Aesthetic Theories Of India | Dr. Padma Sudhi | | 1988 | Intellectual Publishing House |
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| Approach to Nature in Indian Art and Thought | Sivaramamurthi, C. | | 1980 | Kanak Publications |
| Approach to Nature in Indian Art and Thought | Sivaramamurthi, C. | | 1980 | Kanak Publications |
| Approach to Nature in Indian Art and Thought | Sivaramamurthi, C. | | 1980 | Kanak Publications |
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| Private Mythology: Contemporary Art from India | | | 1998 | The Japan Foundation Asia Centre |
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| Contemporary Indian Art: Glenbarra Art Museum Collection | | Masanori Fukuoka (Director) | 1993 | Glenbarra Art Museum |
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| Contemporary Expressions: Art Of The Jogi Family | Tulika Kedia | | 2016 | Limited Editions |
| The Vertical Women, Reminisscences of B. C. Dayal (1902-1947) | | Santo Datta | 1998 | National Gallery of Modern Art |
| Roerichs: Collections of paintings with Karnataka chitrakala parishath | | | 1997 | Karnataka Chittrakala Parishad |
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| K.H. Ara: A Private Collection | | | 2017 | The Viewing Room |
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| Museum Bhavan | Dayanita Singh | | | Steidl Publishers, Germany |
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| Memories of the First Impressionist Art Dealer (1831-1922) | Paul Durand-Ruel | | 2014 | Flammarion |
| Icones Americaines | | | 2015 | Grand Palias |
| Bengal And Modernity: Early 20th Century Art in India | Landrus, Bhandare, Mitter, Pal, Lahiri | | 2015 | Ashmolean Museum of Art, Oxford |
| Modern Indian Painting | | Rob Dean, Giles Tillotson | 2019 | Mapin |
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| Special Exhibition to Honour the 1400th Anniversary Celebrations of the Hijra Era: Islamic Heritage of India | | | 1981 | National Museum, New Delhi |
| Special Exhibition to Honour the 1400th Anniversary Celebrations of the Hijra Era: Islamic Heritage of India | | | 1981 | National Museum, New Delhi |
| The Bible In the British Museum Interpreting the Evidence | T.C. Mitchell | | 1988 | British Museum |
| Bulletin of the Madras Govt. Museum, Catalogue Of The South Indian Hindu Metal Images In The Madras Govt. Museum Vol. 1, Pt. 2, 1932 | Gravely, F. H. & Ramachandran, T. N. | | 2002 | Commissioner of Museums, Government of Tamil Nadu |
| Dr D R Bannerjee | | 1967 | Publication Division Ministery of I. & B., Govt. of India |
| Treasures of the National Museum | Dr D R Bannerjee | | 1967 | Publication Division Ministery of I. & B., Govt. of India |
| Treasures of the National Museum | Dr D R Bannerjee | | 1967 | Publication Division Ministery of I. & B., Govt. of India |
| Masterpieces of Mathura Museum | Jitendra Kumar | | 1989 | Mathura Museum |
| Masterpieces of Mathura Museum | Jitendra Kumar | | 1989 | Mathura Museum |
| Masterpieces of Mathura Museum | Jitendra Kumar | | 1989 | Mathura Museum |
| Masterpieces in the State Museum Lucknow | Dr S. D. Trivedi | | 1989 | State Museum |
| Masterpieces in the State Museum Lucknow | Dr S. D. Trivedi | | 1989 | State Museum |
| Tibet House Museum | | | 1965 | Tibet House Museum |
| Tibet House Museum | | | 1965 | Tibet House Museum |
| Schatze Indischer Kunst | | | 1984 | Forum Des Niedersachsischen Landesmuseum |
| Beautiful inside my head forever | | | 2008 | Damien Thurst |
| Tenth Anniversary | | | 1999 | Gallerie Ganesha |
| Sacred India | Annc Boger, Joellen K Deoreo | | 1985 | Cleeveland Museum of Arts |
| Sanskriti | | | 1991 | |
| Madras Govt. Museum Guide to The Principal Exhibition in the Govt. Museum, Pudukkothai | M S Chandrashekhar | | 1966 | Government of Madras |
| Handbook of the Madras Government Museum | Satyamurti, S. T. | | 1998 | Commissioner of Museums, Government of Tamil Nadu |
| Guide to Bharat Kala Bhavan | | | 1998 | Banaras Hindu University |
| Guide to Bharat Kala Bhavan | | | 1998 | Banaras Hindu University |
| Museums | Joan Miro | | | Ediciones Aldeasa |
| Tibetan Thankas in the Indian Museum | Sipra Chakravarti | | 1980 | Indian Museum, Calcutta |
| Tibetan Thankas in the Indian Museum | Sipra Chakravarti | | 1980 | Indian Museum, Calcutta |
| A Catalogue on Phulkari Textiles | Devyani Mitra Dutta | | 1985 | Indian Museum Calcutta |
| Victoria and Albert Museum- Indian Art | | | 1969 | London: Her Majesty's Stationery Office |
| Kala: The Journal of Indian Art History Congress Vol.VIII | | Maruti Nandan Tiwari, Kamal Giri | 2003 | Dr. R. D. Choudhary, Indian Art History Congress |
| Masterpieces of Indian Craftsmaship in Marble and Sandstone | Rustam J.Mehta | | 1980 | D.B.Taraporevala Sons & Co. Private Ltd. |
| The Power of Love | Kalpana shah | | 2010 | Tao Art Gallery |
| The K. R. Cama Oriental Institute Seminar On The Shahnameh | | | 2011 | |
| Indien Als Bilderbuch Die Konstruktion Der Pittoresken Fremde: Einhundert indische Gouachen um 1800 aus Lindenaus Kunst-bibliothek | Kraus, Viswanathan Peterson, Jena, Hofman | | 2011 | Lindenau- Museum Altenburg |
| The Foundation Maeght | Connaissance des Arts | | 2014 | Societe Francaise de Promotion Artistique |
| art Issue: Heritage (Centenary Volume 1994-1995) | | Dr. R. N. Mehta | 1996 | Department of Museums, Vadodara |
| Inside the Egyptian Museum | Zahi Hawas | | 2009 | Heitage World Press Ltd. |
| Ackhout: Volta Ao Brasil 1644-2002 (Return to Brazil) | Albert Eckhout | | 2002 | Nationalmuseet |
| Indian Paintings In The Sarabhai Foundation | B.N. Goswamy | | 2010 | Sarabhai Foundation |
| The City Palace Museum Udaipur: Painting of Mewar Court Life | Andrew Topsfield | | 2009 | Mapin Publishing |
| The Emperors' Album | Stuart Cary Welch, Annemarie Schimmel, Marie L. Switochowski, Wheeler M.
| | | |
| The Metropolitan Museum Of Art | Art & Architecture | | | |
| Cézanne en Provence | | | 2006 | Washington National Gallery of Art |
| Museum of Christian Art: Convent of Santa Monica, Goa, India | | | 2011 | Calouste Gulbenkian Foundation |
| Mughal Paintings, Drawings, And Islamic Calligraphy in the Jagdish and Kamla Mittal Museum of India Art | John Seyller, Jagdish Mittal | | 2013 | Jagdish and Kamal Mittal Museum of Indian Art |
| Mughal Paintings, Drawings, And Islamic Calligraphy in the Jagdish and Kamla Mittal Museum of India Art | John Seyller, Jagdish Mittal | | 2013 | Jagdish and Kamal Mittal Museum of Indian Art |
| Sublime Delights Through Works Of Art | | Jagdish Mittal | 2007 | Jagdish and Kamal Mittal Museum of Indian Art |
| Shatabda-Kaumudi | Multiple Authors | | 1964 | Centenary Celebrations Committee, Central Museum, Nagpur |
| Art Musings | Jayasri Burman | | 2014 | Art Musings |
| Prakriti: The Creative Feminine | Tulika Kedia | | 2017 | Must Art Private Limited |
| Frida Kahlo: Making Herself Up | | Claire Wilcox, Circe Henestrosa | 2018 | V&A Publishing |
| Golden Goa | Dr. Mulk Raj Anand, Dr. Jose Pereira, Dr. Richard Lannoy | | 1980 | MARG Publications |
| Bodhgaya: the Sight of Enlightenment | Janice Leoshko | | 1988 | MARG Publications |
| In Praise of Aihole, Badami, Mahakuta, Pattadakal | Dr. Mulk Raj Anand, S. Settar, Carmel Berkson, George Michell | | | MARG Publications |
| A Mirror for Princes from India | | Grube, Ernst J. (Ed. ) | 1991 | MARG Publications |
| Splendours of Vijaynagara Empire: Hampi | | George Michell, Vasundhara Filliozat | 1981 | MARG Publications |
| Homage of Karnataka | | Dr Sarayu Doshi | 1982 | MARG Publications |
| Homage to Shravana Belgola | | Dr Sarayu Doshi | | MARG Publications |
| Changing Visions, Lasting Images: Calcutta Through 300 years | | Pratapaditya Pal | 1990 | MARG Publications |
| The Golden Age | | Karl Khandalavala | 1991 | MARG Publications |
| Splendours of Tamil Nadu | | | 1980 | MARG Publications |
| Lucknow: Then and Now | Rosie Lewellyn-Jones, Mukul Mangalik, Sudipta Dev, Ian Shepherd, Christopher W. London, Neeta Das, Lucian Harris | Rosie Llewellyn-Jones | 2010 | MARG Publications |
| Orchha and Beyond: Design at the Court of Raja Bir Singh Dev Bundela Vol. 63 | Edward Leland Rothfarb | Pratapaditya Pal | 2012 | MARG Publications |
| Chidambaram: Home of Nataraja Vol. 55 | | Vivek Nanda, George Michell | 2004 | MARG Publications |
| Kanara: A Land Apart, The Artistic Heritage of Coastal Karnataka | | George Michell | | MARG Publications |
| Jannat: Paradise in Islamic Art | | Mumtaz Currim | 2012 | MARG Publications |
| Jannat: Paradise in Islamic Art | | Mumtaz Currim | 2012 | MARG Publications |
| The Great Temple At Thanjavur: One Thousand Years, 1010-2010/ Vol. 62. No.1 | George Mitchell, Viswanathan
| | | |
| MARG Publications | Art & Architecture | | | |
| The Great Temple At Thanjavur: One Thousand Years, 1010-2010/ Vol. 62. No.1 | George Mitchell, Viswanathan
| | | |
| MARG Publications | Art & Architecture | | | |
| Indus Civilisation Sites in Delhi: New Discoveries | Dilip Chakrabarti, Madhu Bala, Jagat Pati Joshi, Nayanjot Lahiri, D.P. SHarma, Rakesh Tiwari, Vasant Shinde, V.H. Sonawane, Gregory L. Possehl, Y.M. Chitawala, Kuldeep Bhan | Dilip K. Chakrabarti | 2004 | MARG Publications |
| Indus Civilisation Sites in Delhi: New Discoveries | Dilip Chakrabarti, Madhu Bala, Jagat Pati Joshi, Nayanjot Lahiri, D.P. SHarma, Rakesh Tiwari, Vasant Shinde, V.H. Sonawane, Gregory L. Possehl, Y.M. Chitawala, Kuldeep Bhan | Dilip K. Chakrabarti | 2004 | MARG Publications |
| The Idea of Delhi Vol. 56 | | Romi Khosla | 2005 | MARG Publications |
| Murshidabad: The Forgotten Capital of Bengal | | Rosie Llewellyn-Jones | | MARG Publications |
| Lahore: Paintings, Murals and Calligraphy | Barbara Schmitz | | | MARG Publications |
| Thanjavur's Gilded Gods | Anna L. Dallapiccola | | 2018 | MARG Publications |
| In Pursuit of the Past: Collecting Old Art in Modern India circa 1875-1950 | Pratapaditya Pal | Jyotindra Jain, Naman Ahuja | 2015 | MARG Publications |
| Kizil on the Silk Road: Crossroads of Commerce & Meeting of Minda | | Rajeshwari Ghose | 2008 | MARG Publications |
| Scent upon a Southern Breeze | | Kavita Singh | 2018 | Marg |
| Marg- A Magazine of the Arts- The Weight of a Petal- Ars Botanica | | Jyotindra Jain, Naman Ahuja | 2018/2019 | Marg |
| Marg- A Magazine of the Arts- Cloth and India: 1947-2015 | | Jyotindra Jain, Naman Ahuja | 2016 | Marg |
| Indian Pictorial Education | | | | Photos by the Times of India, Central Publicity Bureau |
| | | | |
| MARG: A Magazine of the Arts Vol. 1 | | Mulk Raj Anand | 1946 | MARG Publications |
| No.1: Planning And Dreaming Editorial | The Editor, Marg | | | |
| No.1: Architecture and You | M.A.R.G. | | | |
| No.1: The Story of a Town (The Growth of Jamshedpur) | M.A.R.G. | | | |
| No.1: Historical Survey (Mohenjodaro) | M.A.R.G. | | | |
| No.1: Worker's Housing | Kanji Dwarkadas | | | |
| No.1: Notes on some Paintings from the Collection of the late B.N. Treasuryvala | Karl Khandalavala | | | |
| No.1: Amrita Sher Gill | Francis Thompson | | | |
| No.1: Reminiscenses of Amrita Sher Gill | Baldoon Dhingra | | | |
| No.1: The Sculpture of Ambernath | R.Van Leyden | | | |
| No.1: Notes on Indian Jewellery | | | | |
| No.1: Book Reviews | Herman Goetz and R.V.I. | | | |
| No.1: Notes- Art In Industry | | | | |
| No.1: The Need for Urban Planning | Percy Marshall of A.R.I.B.A. | | | |
| | | | |
| MARG: A Magazine of the Arts Vol. 2 | | Mulk Raj Anand | | MARG Publications |
| No.1: Reflections on Sculpture: Editorial | George Keyt | | | |
| No.1: A Review of the Greater Bombay Plan | Dr.Otto Koenigsberger | | | |
| No.1: Ahmedabad | Homi Dallas | | | |
| No.1: Jamini Roy | Shahid Suhrawardy | | | |
| No.1: Textiles | Premalata Jayakar | | | |
| No.1: An Approace to Hindu Erotic Sculpture | Alain Danielou | | | |
| No.1: Book Reviews | F.Antia, A.deS., M.R.A. | | | |
| No.1: Notes-Exhibitons an Lectures | | | | |
| No.1: Rajput Plate | | | | |
| No.2: Editorial: Letter to an Englishman | The Editor, Marg | | | |
| No.2: Architecture: New Bearings in Indian Architecture | A.B. Schwarz | | | |
| No.2: Historical- John Company Architecture | Hilary & Ruth Waddington | | | |
| No.2: Landscape Gardening- Gardens and Cement | | | | |
| No.2: Painting: Birds in Moghul Art | Kumar Saraswati | | | |
| No.2: Nicholas Roerich | L.Andreyev | | | |
| No.2: Sculpture: Konarak | | | | |
| No.2: Crafts- Experiments In Ceramic | | | | |
| No:2: Book Reviews- Books Received | | | | |
| No.2: Notes: Exhibitions | | | | |
| No.3: Editorial: Architectural Education | MARG | | | |
| No.3: Architecture: Trees and Open Spaces | | | | |
| MARG: A Magazine of the Arts Vol. 3 | | Mulk Raj Anand, P. Richardson | | MARG Publications |
| No.1: Editorial: Renaissance or Revival | MARG | | | |
| No.1: Architecture: Ceylon's First University | | | | |
| No.1: Painting: Indian Miniatures in the Berling Museum | E.Kuehnel | | | |
| No.1: Crafts: Frayed Fabrics of Old Bengal | Ajit Ghose | | | |
| No.1: Sculpture: Medieval Sinhalese Wrestling | P.E.P. Deraniyagala | | | |
| No.1: Photography: Photography in India and the Far East | Sam Tata | | | |
| No.1: Proposed Academy of Arts | | | | |
| No.2: Editorial: The Problems of Aesthetics | Mlle.J.Auboyer | | | |
| No.2: Planning a New Hospital In India | A.T.W. Simeons | | | |
| No.2: Flexgarh | John Terry | | | |
| No.2: Offices and Stores | S.Moloobhoy | | | |
| No.2: Kanthas of Bengal | Stella Kramrisch | | | |
| No.2: Some Dance Poses in the Chidambaram Temple | Shirin Vajifdar | | | |
| No.2: Kathakali Dance Drama | Fernau Hall | | | |
| No.2: An Introductuiion to Indian Dancing | Ramgopal | | | |
| No.2: Rathin Motra | R.Chatterjee | | | |
| No.2: Jana Gana Mana | | | | |
| No.3: Editorial: An Approach to Modern Indian Architecture | Andrew Boyd | | | |
| No.3: Town Planning in Britain: A Compilation | | | | |
| No.3: On Planning | Patrick Geddes | | | |
| No.3: Maithil Painting | W.G. Archer | | | |
| No.3: Rebel, Artist: Francish Newton | Dr.H.Goetz | | | |
| No.3: Colour While you Work | G.H.Gates Reed | | | |
| No.4: Editorial: The Changing Conceptions of Art | Herbert Reed | | | |
| No.4: The Charter of Athens- The C.I.A.M. Thesis on Town Planning | | | | |
| No.4: Jaipur | Durga Shankar Bajpai | | | |
| No.4: Vande Mataram | | | | |
| No.4: "The Way of Pleasure"- The Kishangarh Paintings | Eric Dickenson | | | |
| No.4: Ganjifa: The Playing Cards of India | R and N. Von Leyden | | | |
| No.4: The Calico Museum | Dr.H.Goetz | | | |
| MARG: A Magazine of the Arts Vol. 4 | | Mulk Raj Anand | 1950, 1951 | MARG Publications |
| No.1: Editorial: Art of Tibet | W.G. Raffe | | | |
| No.1: Solar and Lunar Symbolism | Lama Anagarika Govinda | | | |
| No.1: Some Nepalese & Tibetan Bronzes | Karl Khandalaval | | | |
| No.1: A Painted Scroll From Nepal | Dr.Moti Chandra | | | |
| No.1: A Note on two Nepalese Wooden Sculptures | Karl Khandalavala | | | |
| No.1: Ram Jor: A Modern Tibetan Painting | Alain Danielou | | | |
| No.1:Commentary on Taranatha's Chapter on Buddhist Art | Karl Khandalavala | | | |
| No.2: Editorial: Lalita Kala | Dr.V.S. Agrawala | | | |
| No.2: Design for Living: Present Trends in Architecture | Solus | | | |
| No.2: On Making Our India | Paul Zils | | | |
| No.2: Aldous Huxley on the Taj Mahal | | | | |
| No.2: The Amsterdam Nataraja | John Irwin | | | |
| No.2: Jean Renoir films the RIver | T. Gupta | | | |
| No.2: Three Hoysala Temples | Marcella Hardy | | | |
| No.2: Decline and Rebirth of Medieval Indian Art: Western Indian Painting | Dr.H.Goetz | | | |
| No.3: Editorial: Leaves from Rajasthan | Karl Khanadalvala | | | |
| No.3: The Victory Hall at Bangalore | | | | |
| No.3: The Great Adventure | Eric Mendelsohn | | | |
| No.3: Some Contemporary Artists | | | | |
| No.3: Votive Lamps | V.M. Narasimhan | | | |
| No.3: The Significance of Andolan | Jag Mohan | | | |
| No.3: Editorial: Co-operative Housing | Durga Bajpai | | | |
| No.3: Masterpieces in South Indian & Nepalese Bronze Images | Karl Khandalavala | | | |
| No.3: Two Rare Pallave Metal Images | K.J.K. | | | |
| No.3: Indian Dolls and Toys | Ajit Mookerjee | | | |
| No.3: The Problem of Molaram | Prof. O.C.Gangoly | | | |
| No.3: Cotton Prints of Gujarat and Kathiawar | Pupul Jayakar | | | |
| No.3: Puppets on the Screen | Dr.P.V. Pathy | | | |
| No.3: Exhibition Notes: Bombay and Delhi | | | | |
| MARG: A Magazine of the Arts Vol. 5 | | Mulk Raj Anand | 1951 | MARG Publications |
| No.1: Editorial: Present-Day Art Criticism | J.P. Hodin | | | |
| No.1: The Problems of Bikaner Paintings | W.G. Archer | | | |
| No.1: A Controversy; Letters from Dr.H,Goetz and Mr.K.J. Khanadalavala | | | | |
| No.1: Portraits of Ibrahim Adil Shah II | Dr.Moti Chandra | | | |
| No.1: Action Drawings at Recent Dance Recitals | S.Chavda | | | |
| No.1: Colonel Tod On: The Achalgar Sculpture of a Pramana King | | | | |
| No.1: The Sun Temple | Silloo Bharucha | | | |
| No.1: In my Bad Books | Cyprian Blagden | | | |
| No.2: Editorial: Architecture and Painting | John Summerson | | | |
| No.2: The Crystal and The Fruit | R.Von Leyden | | | |
| No.2: West Asiatic Ancestors of India | Phyllis Ackerman | | | |
| No.2: Five Miniatures: From The Collection of Sir Cowasji Jehangir | Karl Khandalaval | | | |
| No.2: Pattadakal: A Short Historical Note | | | | |
| No.2: A Landmark In Indian Art History | Dr.H.Goetz | | | |
| No.2: Rupa-Sattra | Dr.V.S. Agrawala | | | |
| No.2: Bharata Natya Shastra | P.Srinivasalu Naidu | | | |
| No.3: Editorial | | | | |
| No.3: The Selalhini Sandesa | Totagamuve Sri Rahula | | | |
| No.3: Anuradhapura | C.W. Nicholas & L.C. Van Geyzel | | | |
| No.3:Polonnarua | Elspeth Huxley | | | |
| No.3: Baur Building | P.M. Goldschmid | | | |
| No.3: A Bronze Image | P.E.P. Deraniyagala | | | |
| No.3: A Note on Siha-Giri: And Some Frescoes from Ceylon | | | | |
| No.3: Modern Movement, In Sinhalese Art | Jag Mohan | | | |
| No.3: Contemporary Artists | | | | |
| No.3: Souvenirs from Kandyan Dances | Beryl de Zoete | | | |
| No.3: Sinhala Folk Art and Mask of Ceylon | | | | |
| MARG: A Magazine of the Arts Vol. 6 | | Mulk Raj Anand | | MARG Publications |
| No.1: The Need for Open-Air Theatres | G.D.Sondhi | | | |
| No.1: In Memoriam- Eric Dickinson | Iqbal Singh | | | |
| No.1: Gandhara Art | Eric Dickinson | | | |
| No.1: Indian Painting in the Punjab Hills | Dr.Moti Chandra | | | |
| No.1: Seven Contemporaries | Notes and Reproductions | | | |
| No.1: The Kashmir Shawl | John Lewis | | | |
| No.1: Design in Tradtional Jewellery: 1.The Punjab | | | | |
| No.1: Recent Trends in European Art | J.P. Hodin. | | | |
| No.2: Role of Cottage Industries | Pupul Jayakar | | | |
| No.2: Indian Influence on the American Architecture of the XIX Century | Clay Lancaster | | | |
| No.2: Archaic Indian Terracottas | Dr.Ananda Coomaraswamy | | | |
| No.2: Intermingling of Mogul & Rajput Art | Basil Gray | | | |
| No.2: Masterpieces of Mogul Painting- The Album of Emperor Jehangir | Dr.H.Goetz | | | |
| No.2: Some Action Drawings: Uday Shankar | Eilean Pearcey | | | |
| No.2: A Note on Tibetan Religious Art | Peter Fingesten | | | |
| No.2: Studies in Development of K.H. Ara, M.F. Husain and J.Sabavala | | | | |
| No.2:Design in Traditional Jewellery-2. Bengal | | | | |
| No.2: Some hair Styles of Ancient India | | | | |
| No.3: Editorial: Le Corbusier on Town Planning | | | | |
| No.3: A House at Kandy | | | | |
| No.3: Some Indian Images in the Worcester Art Museum | | | | |
| No.3: The Development of Painting in India In the 16th Century | Basil Gray | | | |
| No.3: A Review of Kangra Paintings | Karl Khandalavala | | | |
| No.3: The Drawings of Homi Bhabha | R.V. Leyden | | | |
| No.3: A Survey of Modern Mexican Art | Guillermo Garces Contreras | | | |
| No.3: The Little Ballet Troupe- Scenes from The Ramayana | | | | |
| No.3: Design in Traditional Jewellery- 3. Central India | | | | |
| No.4: Conversation with Stella Kramrisch | Dorothy Norman | | | |
| No.4: A Note on Le Corbusier | B.Doshi | | | |
| No.4: Urbanism | Le Corbusier | | | |
| No.4: Jane Drew, on the Chandigrah Scheme | | | | |
| No.4: Chandigarh: The First and the Revised Projects | Otto Koenigsberger | | | |
| No.4: The Laud Ragmala Miniatures | | | | |
| No.4: Guler: Birthplace of Kangra Art | M.S. Randhawa | | | |
| No.4: An old Indian Swing | J.Auboyer | | | |
| No.4: Nritya Darpana: A Study In Modern Choreography | Fernau Hall | | | |
| No.4: Report on the I.C.A. Sculture Competition- With a Review and Some letters on the Controversy | | | | |
| No.4: The Calcutta Group | Dr.Klaus Fischer | | | |
| No.4: Exhibitions: Bombay-Delhi | | | | |
| MARG: A Magazine of the Arts Vol. 7 | | Mulk Raj Anand | 1953, 1954 | MARG Publications |
| No.1: The Dust of Prejudice | | | | |
| No.1: The Recent Worls of Frank LLoyd Wright | Wayne Andrews | | | |
| No.1: The Temples of Eastern Bengal | S.Mookerjee | | | |
| No.1: Ballet Costumes- In Akbar's Time | Dr.C.L. Fabri | | | |
| No.1: The Mogul Room, in the Victoria and Albert Museum | John Irwin | | | |
| No.1: Some Terracotta Figurines | Pupul Jayakar | | | |
| No.1: Indian Sculpture- Selections from Madanjeet SIngh Photographs | | | | |
| No.1: Indian Theatre- 2200 years old | K.Deva | | | |
| No.1: Modern Indian Painting- Book Review | | | | |
| No.1: A Report on Modern Religious Art | Joseph Pereira | | | |
| No.2: Editorial: Problems of Art Display | | | | |
| No.2: Mathura of the Gods | C.L. Fabri | | | |
| No.2: Painting Under the Sikhs | Mulk Raj Anand | | | |
| No.2: Three Contemporary Painters | Laxman Pai, S.B. Palsikar, Mohan B.Samant | | | |
| No.2: A Report on Abstract Art | | | | |
| No.2: Special Supplement on Low Cost Housing Exhibition | | | | |
| No.2: Some-Indian Postage Stamps- Saint-Poet, Poet Series | | | | |
| No.2: Exhibitions: Delhi-First Quarter | | | | |
| No.3: Editorial: Air Conditioning | | | | |
| No.3: Picture and Architecture | Erik Thelaus | | | |
| No.3: Sujanpur Tira: The Cradle of Kangra Art | M.S.Randhawa | | | |
| No.3: Three Contemporaries (Abroad) | | | | |
| 1. George Keyt | | | | |
| 2. Akbar Padamsee | | | | |
| 3. Chinatomoni Kar | | | | |
| No.3: Journey Into Rajasthan (Kanswa and Paranagar) | Pupul Jayakar | | | |
| No.3: Rangoli: Some Reproductions from the Book | Bhaktiben Shah | | | |
| No.3: Prithvi Raj Kapoor- An Estimate | Herbert Marshall | | | |
| No.3: Exhibtions Delhi-Second Quarter | | | | |
| No.4: Editorial: On Seeing a Natural Object | | | | |
| No.4: Rajput Portraits | O.C. Ganguly | | | |
| No.4: Chamba Rumals | Mulk Raj Anand | | | |
| No.4: A Review of Pupul Jayakar's Indian Printed Textiles | John Irwin | | | |
| No.4: A Special Supplement on Ellora | | | | |
| No.4: Contemporary Australian Art | Maie Casey | | | |
| No.4: Some Contemporary Painters of Delhi | Jaya Appaswamy | | | |
| No.4: Book Review: Art and Architecture of India | | | | |
| No.4: Exhibitions- Delhi-Third Quarter | | | | |
| No.4: Judgement on the Trial of Akbar Padamsee for Alleged Obscene Paitings | | | | |
| MARG: A Magazine of the Arts Vol. 8 | | Mulk Raj Anand | 1954, 1955 | MARG Publications |
| No.1: Editorial: The Place of Christian Art In India | | | | |
| No.1: The Significance and Originality of Goan Art | Jose Pereira | | | |
| No.1: Thematic Symbols of the Main Emotional Trends in Goan Art: Portfolio | | | | |
| No.1: Aspects of the Religious Architecture in Portuguese India | Mario Taveres Chico | | | |
| No.1: Some Contemporary Painters of Goa: | Albano Francisco Couto | | | |
| No.1: Goan Furniture | Dr.Jorge De Andrade | | | |
| No.1: Goan Minor Arts: Cloth and Gold | Estanislau Lobo | | | |
| No.1: Indo-Portuguese Ivories | | | | |
| No.1: Some Impressions of the Cunbi Dances | Aires Menezes | | | |
| No.1: The Love Song of Goa | Lucio Rodrigues | | | |
| No.1: The Mando Dance | Floriano Barreto | | | |
| No.1: The History and Evolution of Goan Music | Prof.Antsher Lobo | | | |
| No.1: The Mando- A Note on Some of the Musical Charecteristics | Micael Martins | | | |
| No.1: Representative Examples of the Classical Vocal Music of Goa | | | | |
| Section 1: Mandos | | | | |
| Section 2: Hymns and Antiphones | | | | |
| No.1: Baroque And Roccoco in Latin America: Book Review | | | | |
| No.2: Editorial: On Inheriting The Past | | | | |
| No.2: Editorial: On Inheriting The Past | | | | |
| No.2: Anthology | | | | |
| No.2: Chronological Chart of the History of Kashmir | | | | |
| No.2: Portfolio | | | | |
| 1. Cartier Bresson | | | | |
| 2. D.R.D. Wadia | | | | |
| 3. Soli Batliwala | | | | |
| 4. R.R. Bharadwaj | | | | |
| 5. S.Chavda | | | | |
| No.2: Architecture of Kashmir (Hindu & Buddhist) | Percy Brown | | | |
| No.2: Akhnur Terracottas | C.L. Fabri | | | |
| No.2: Mediaeval Sculptures | Dr.H.Goetz | | | |
| No.2: Muhammadan Architecture | J.R. Nichols | | | |
| No.2: Mogul Gardens | | | | |
| No:2: 4 Contemporaries | | | | |
| No.2: Arts and Crafts | John Irwin | | | |
| 1. Shawls | | | | |
| 2. Jewellery | | | | |
| 3. Wood Carving | | | | |
| 4. Brass Ware | | | | |
| No.2: Music | M.L. Aima | | | |
| No.3: Editorial: A Building is an Experience | Emily Polk | | | |
| No.3: Some Nurpur Paintings: A Symposium | W.G. Archer & M.S. Randhawa | | | |
| No.3: Some Ramayana and Bhagwata Drawings of Chamba | Jagdish Mittal | | | |
| No.3: Garhwal Painting: A Review | Prof O.C. Ganguly | | | |
| No.3: The Wall Paintings of Chamba | Jagdish Mittal | | | |
| No.3: Contemporaries, Dhanraj Bhagat, Amarnath Sehgal, Jagdish and Kamala Mittal | | | | |
| No.3: Phulkaris- A Folk Art of the Punjab | Adris Banerji | | | |
| No.3: Glimpses of Mughal Architecture- An Essay | Jadunath Sarkar | | | |
| No.3: Dance Festival- Sketches | Chittaprasad and Tana | | | |
| No.3: Music Festival- Sketches | Tana | | | |
| No.3: Homage to Henri Matisse | M.H. Murcia | | | |
| No.3: City Planning and Architecture in India Today | Richard Neutra | | | |
| No.4: Editorial: Homage to Orissa | | | | |
| No.4: Stanzas from the Gita-Govinda of Jayadeva | | | | |
| No.4: Portfolio: Photos | | | | |
| No.4: A Note on Khandgiri & Udayagiri Caves: Buddhist Art In Orissa | Prof. Nabin Kumar Sahu | | | |
| No.4: Orissan Art In The Evolution of Post Classical Indian Culture | Klaus Fischer | | | |
| No.4: Orissan Temple Architecture: Symposium | Deva Prasad Ghose & Nand Kumar Bose | | | |
| No.4: Sculpture Photos | Bhogilal Mistry & Sunil Janah | | | |
| No.4: Summary Survey of Orissan Paintings | Prof. O.C. Gangoly | | | |
| No.4: Frescoes of Keonjargarh | T.N.Ramachandran | | | |
| No.4: Some Saora Drawings | Courtesy of Verrier Elwin | | | |
| No.4: Prefatory on the survival of Ancient Arts and Crafts in Orisssa | Pandit Sadash Rath Sharma | | | |
| No.4: The Hirakud Dam | M.S. Thirumal Iyengar | | | |
| No.4: New Capital at Bhubaneshwar | R.R. Handa & J.L. Vaz | | | |
| MARG: A Magazine of the Arts Vol. 9 | | Mulk Raj Anand | 1955, 1956 | MARG Publications |
| No.1: Editorial- In Praise of Early Buddhist Art | | | | |
| No.1:: The Continuity of Tradition: Portfolio | | | | |
| No1: Glimpses of Buddhist India | T.W. Rhys Davies | | | |
| No.1: Evolution of Buddhist Architecture & Sculpture In The Time of Satavahanas | Krishna Gairola | | | |
| 1. Preliminary: Historical Note | | | | |
| 2. Architecture: Sanchi, Bhaja, Kondane, Bedsa, Ajanta, Nasik, Kanheri, Amaravati | | | | |
| 3. Sculpture: Bhaja, Kondane, Bedsa, Karle, Kanheri, Sanchi, Ajanta, Amaravati | | | | |
| No.1: Painting: The Charm of Ajanta | S.L. | | | |
| No.1: Frescoes of Ajanta: An Essay | C.L. Fabri | | | |
| No.1: Some motifs from Ancient Indian Jewellery | | | | |
| No.2: Editorial- in Praise of Later Buddhist Art | | | | |
| No.2: Buddha and the Gospel of Buddhism | Alice Getty | | | |
| No:2: Links between Early and Later Buddhist Art | | | | |
| 1. Preliminary | M.R.A. | | | |
| 2. bharhut | Kalapriya | | | |
| 3. Bodh-Gaya | B.Barua | | | |
| 4. Sanchi | Stella Kramrisch | | | |
| No.2: Gandhara and it's Grassroots | Dr.C.L. Fabri | | | |
| No.2. Mathura of the Gods | R. De B Coddington | | | |
| No.2: The Road to Central Asia | | | | |
| 1. Afghanistan | Agasteya | | | |
| 2. Central Asia | N.D. | | | |
| 3. Kashmir | S.D. | | | |
| No.2: The Golden Age of Buddhist Art | | | | |
| 1. Amravati | Douglas Barret | | | |
| 2. Nagarjunakonda | Dr.C Shivaramamurti | | | |
| 3. Gupta Period | Benjamin Rowland | | | |
| 3a. Preliminary | | | | |
| 3b. Architecture | | | | |
| 3c. Sculpture | | | | |
| 3d. Painting: Ajanta | Dr.H.Goetz | | | |
| No.2: Medieval Buddhist Art and It's Offshoots | | | | |
| 1. Preliminary: Pala Sena Period | | | | |
| 2. Nalanda | Prof.A.S. Altekar | | | |
| 3. Nepal | Dr.C.Krishna Gairola | | | |
| 4. TIbet | George Roerich | | | |
| 5. Ceylon | | | | |
| No.3: Editorial: In Praise of Buddhist Art In Burma | | | | |
| No.3: The Cultural Background of Burma | Reginald Le May | | | |
| No.3: Ananda Temple at Pagan | | | | |
| 1. Architecture | Sir Richard Temple | | | |
| 2. Sculpture | Nihar-Ranjan Roy | | | |
| 3. Frescoes | Nihar-Ranjan Roy | | | |
| No.3: The Fantastic World of the Thirrty-Seven Nats | | | | |
| No.3: A Buddhist Building for 20th Century, Burma | Benjamin Polk | | | |
| No.4: Editorial: In Praise of Buddhist Art In Cambodia, Champa, Laos, Siam Borobudur | | | | |
| No.4: Cambodia, Champa and Laos | | | | |
| 1. Preliminary | Tara Ali Baig | | | |
| 2. Notes on Buddhist Sculptures | Jean Boisselier and Victor Golobew | | | |
| No.4: Siam | | | | |
| 1. Preliminary | Prof.George Coedes | | | |
| 2. Buddhist Sculpture in Siam | Reginald Le May | | | |
| No.4: Borobudur | | | | |
| 1. Preliminary; A Brief Historical Survey of Buddhist Art in Indonesia | Dr.H.Goetz | | | |
| 2. The Influence of Tantric Buddhism in Ancient Indonesian Civilization | Dr.P.H. Pott | | | |
| 3. Borobudur Stupa | Dr.C.Shivaramamurti | | | |
| MARG: A Magazine of the Arts Vol. 10 | | Mulk Raj Anand | 1956, 1957 | MARG Publications |
| No.1: Editorial: The Nature of Space | | | | |
| No.1: Murshidabad Painting | Robert Skelton | | | |
| No.1: Indian Temple Sculpture | | | | |
| No.1: Contemporaries | | | | |
| 1.Amina Ahmed | Rita Reignier | | | |
| 2. Jehangir Sabavala | Richard Lannoy | | | |
| 3. Pradosh Das Gupta | M.R.A. | | | |
| 4. Lain Singh Barnodel | C.Krishna Gairola | | | |
| 5. The International Exhibition of Iranian Art at Rome | H.Goetz | | | |
| 6. Art Chronicle: Autumn 1955-56 | Shirin Sabavala | | | |
| American Supplement | | | | |
| No.1: Twentieth Century in the United States | Holger Cahill | | | |
| 1.Painting | | | | |
| 2. Sculpture | | | | |
| No.1: U.S. Embassy Building | | | | |
| No.1: Stanvac Building in Bombay | | | | |
| No.2: Editorial: Heritage of the Punjab | | | | |
| No.2: Ancient Period: Archeaology of the Punjab | Charles Fabri | | | |
| No.2: Medieval Period: Preliminary | | | | |
| 1. Antiquities of the Punjab Hill Districts of Chamba | Hermann Goetz | | | |
| 2. Splendours of Mughal Architecture- Notes | S.A.L. | | | |
| 3. Remnants in the Kangra Valley | Dr. V.Ph.Vogel | | | |
| 4. Synthesis of Hindu and Muslim Influences in the Sikh Shrines- Notes | P.B. | | | |
| No.2: Problems of Painting in the Punjab Hills | W.G. Archer | | | |
| No.2: Specimens of Paintings, Under the Sikhs | Mulk Raj Anand | | | |
| No.2: Conremporary: | | | | |
| 1. Chandigarh Symposium | | | | |
| a. Pierre Jeannert | | | | |
| b. T.J. Manickam | | | | |
| c. Manish M.Rana | | | | |
| 2. Bhakra Nangal Dam | Marg | | | |
| 3. Shamaspur | Marg | | | |
| 4. Jallianwalla Bagh Memorial | Benjamin Polk | | | |
| 5. Paintting and Sculpture | | | | |
| a. Amrita Sher Gill | | | | |
| b. K.C.Aryan | | | | |
| c. Dhanraj Bhagat | | | | |
| d. Satish Gujral | | | | |
| e. Har Kishan Lal | | | | |
| f. Krishan Khanna | | | | |
| g. Kanwal Krishna | | | | |
| h. Ram Kumar | | | | |
| i. Prannath Mago | | | | |
| j. Prashar | | | | |
| k.Bhabesh Sanyal | | | | |
| l.Amarnath Sehgal | | | | |
| m. Shobha Singh | | | | |
| n. Thakur Singh | | | | |
| 6. Pottery | | | | |
| 7. Dance: Bhangra and Giddha | | | | |
| 8. Music: Sheila Bhatia's Opera on Heer Ranja | | | | |
| No.3: Editorial: Homage to Khajuraho | | | | |
| No.3: Portfolio: Life's Daily Round from Dawn to Dusk | | | | |
| No.3: Reflections on the House and Body of God | Stella Kramrisch | | | |
| No.3: Shrines in the Landscape of the Absolute | A.C. | | | |
| No.3: Of Kamakala- Some Notes on the Philosophical Basis of Hindu Erotic Sculpture | Mulk Raj Anand | | | |
| No.4: Editorial: In Praise of Bharata Natyam | | | | |
| No.4: The Spiritual Background of Bharata Natyam | Rukmini Devi | | | |
| No.4: A Brief Historical Survey | E.Krishna Iyer | | | |
| No.4: The Musical Content of Bharata Natyam | Prof. Sambamoorthy | | | |
| No.4: Nritt: | | | | |
| 1. Hastas (Samyukta) | | | | |
| 2. Karanas | | | | |
| 3. Adavus Text by Mohan Khokar & Poses by M.K. Saroja | | | | |
| 4. Nrittya | | | | |
| 1. Hastas (Asamyukta) | | | | |
| 2. Padams | | | | |
| 3. Sabdas | | | | |
| 4. Slokas | | | | |
| No.4: Bhagavata Mela and Kuchipudi | Mohan Khokar | | | |
| No.4: Geneologies of Gurus | E. Krishna Iyer | | | |
| No.4: A Note on the Repertory from Alaripu to Tillana | E.Krishna Iyer | | | |
| MARG: A Magazine of the Arts Vol. 11 | | Mulk Raj Anand | 1957, 1958 | MARG Publications |
| No.1: Editorial: Kathakali-Theatre of Imagination | | | | |
| No,1: The Tradition: A Brief Survey | Mohan Khokar | | | |
| No.1: Angikabhinaya: An Actor Prepares | | | | |
| 1. The Movements of the Eye | | | | |
| 2, Physical Exercise and Massage | | | | |
| 3. Mudras or Hand Gentures | | | | |
| No.1: Rasabhinayas: Navarasas or Moods | | | | |
| No.1: Aharyabhinaya | Ragini Devi | | | |
| 1.Rhythm of the Greenroom | | | | |
| 2. Costumes and Jewellery | | | | |
| No.1: The Orchestra | V.Madhavan Nair | | | |
| No.1: The Play | Rasika | | | |
| No.1: Atta Katha | Dr.S.K.Nair | | | |
| Scenes from Kathakali | | | | |
| 1. Bali's Victory | | | | |
| 2. Duryodhana's Slaughter | | | | |
| 3. Nalacharitam | | | | |
| The Episode of Damayanti and the Golden Swan | Unnayi Varier | | | |
| No.1: Ottam Thullal: The Poor Man's Kathakali | Mohan Khokar | | | |
| No.1: Contemporaries: | | | | |
| a. Vallathol Narayan Menon | | | | |
| b. Chenganoor Raman Pillai | | | | |
| c. Kunchu Kurup | | | | |
| d. Krishnan Nair | | | | |
| e. Vazenkhata Kunchu Nair | | | | |
| f. Mankulam Vishnu Namboodiri | | | | |
| g. Asan Ramunni Nair | | | | |
| h. Champakulam Pachu Pillai | | | | |
| i. Kudamaloor Karunakaran Nair | | | | |
| j. Raghavan Pillai | | | | |
| k. Krishnan Kutty | | | | |
| l. Kurichi Kunjan Panickar | | | | |
| m. Raman Kutty Nair | | | | |
| n. Gopinath | | | | |
| o. Anandashivram | | | | |
| No.1: Mohini Attam | | | | |
| i. Shanta Rao | | | | |
| ii. Mrinalini Sarabai | | | | |
| iii. Roshan Vajifdar | | | | |
| No.2: Editorial: The Heroic Encounter | | | | |
| No.2: Problems of Rajasthani Paintings | | | | |
| 1. The Origin and Development of Rajasthani Painting | Karl Khandalavala | | | |
| 2. Some Pre-Akbari examples of Rajasthani Illustrations | Rai Anand Kishan | | | |
| 3. Rajasthani Portraits | O.C. Gangoly | | | |
| 4. Ragamala Paintings of Rajasthan | Rasika | | | |
| 5. Some Playing Cards of Rajasthan | R.Von Leyden | | | |
| No.2: General Survey of Rajasthani Styles | | | | |
| 1. An Outline of Early Rajasthani Painting | Pramod Chandra | | | |
| 2. Mewar | Hermann Goetz | | | |
| 3. Mewar (with some paintings of Jodhpur from Kumar Sangram Singh) | Hermann Goetz | | | |
| 4. Bundi | Moti Chandra | | | |
| 5. Jaipur | Hermann Goetz | | | |
| 6. Kishangarh | Eric Dickenson | | | |
| 7. Bikaner | Hermann Goetz | | | |
| 8. Kotah | W.G. Archer | | | |
| No.3: Editorial: The Master Builder | | | | |
| No.3: Architecture: | | | | |
| 1. Background of Indo Islamic Architecture- Notes | John Terry | | | |
| 2. Beginnings of Mughal Architecture- Note | Marg | | | |
| 3. Mughal Architecture: Synthesis of Hindu and Islamic Forms- Fatehpur Sikri | | | | |
| No.3: Painting: | | | | |
| 1. Introduction to the Study of Indo-Persian Painting | Shahid Suhrawardy | | | |
| 2. The Background of Mughal Painting | Mulk Raj Anand | | | |
| 3. Miniatures from a 16th Centure Manuscript- "Babur Namah Manuscript" | Professor S.I. Tulayev | | | |
| 4. Scenes from the Akbar Nama | | | | |
| 5. Miniatures from a Manuscript of the Diwan-i-Hafiz | Stewart C.Welch Jr. | | | |
| 6. Miniatures from a Razm Namah | Ernst Cohn-Wiener | | | |
| No.4: Editorial: Problems of Later Mughal Art | | | | |
| No.4: Architecture: | | | | |
| 1. Transition from Stone to Marble | | | | |
| 2. Later Mughal Architecture | Dr.Herman Goetz | | | |
| No.4: Painting: | | | | |
| 1.Jehangir the Epicurean | | | | |
| 2. The Early Muraqqa's of the Emperor Jehangir | Dr.Herman Goetz | | | |
| 3. Portraits | | | | |
| 4. Birds and Animals | | | | |
| 5. Shah Jahan | A. Hidayat | | | |
| 6. The Decline | M.Ashraf | | | |
| 7. Eighteenth Century Mughal Paintings (Some Charecteristics and Some Misconceptions) | Karl Khandalavala | | | |
| MARG: A Magazine of the Arts Vol. 12 | | Mulk Raj Anand | 1958, 1959 | MARG Publications |
| No.1: Editorial: Homage to Konarak | | | | |
| No.1: Portfolio: The Rising Splendour of the Sun | | | | |
| No.1: Reflections on the Wonder and Enigma of Konarak | M.Mansimha | | | |
| No.1: The Sculpture of the Sun Temple- A Study in Styles | Charles Fabri | | | |
| No.1: The Great Delight- An Essay on the Spiritual Background of the Erotic Sculptures of Konarak | Mulk Raj Anand | | | |
| No.2: Editorial: Rajasthani Sculpture | | | | |
| No.2: On the Origins of the Descendants of the Sun: Some Notes on the Historical Background of Rajasthan | Mulk Raj Anand | | | |
| No.2: Remnants Shores Against the Ruin: Portfolio With notes | R.C. Agarwala, U.C. Bhattacharya, S.P. Srivastava, MARG | | | |
| No.2: Early Terracottas: | | | | |
| 1. Sunga, Kushan, Gupta, Suratgarh, Rangmahal, Bharatpur, Bairat, Rairh with Notes | H. Goetz | | | |
| 2. Nagari- Notes | H.D.Sankalia | | | |
| No.2: Medieval Sculptures: | | | | |
| 1. Abaneri | Pupul Jayakar and R.C. Agrawala | | | |
| 2. Atru | L.K. Jha | | | |
| 3.Abu | S.Bharadwaj | | | |
| 4.Baroli | C.Verma | | | |
| 5.Chandravati | H.C.Chaturvedi | | | |
| 6.Chitorgarh | H.Goetz | | | |
| 7. Kiradu | R.C.Agrawala | | | |
| 8.Kishan Vilas | L.K. Jha | | | |
| 9.Nagda (Sas Bahu) | Brij Narayan | | | |
| 10.Osian | Pupul Jayakar | | | |
| 11.Paranagar | Pupul Jayakar | | | |
| 12.Ramgarh | D.S. | | | |
| 13.Ranakpur | P.L.Mathur | | | |
| 14.Sikar | R.C.Agrawala | | | |
| No.3: Editorial: In Praise of Mandu | | | | |
| No.3: Architecture: | | | | |
| 1. Chronological Chart of Mandu | | | | |
| 2. Preliminary: Survey of Important Monuments of Mandu | Ghulam Yazdani | | | |
| 3. The Development of Mandu Architecture | MARG | | | |
| 4. The First Phase: | | | | |
| a.Lat Masjid, Dhar | | | | |
| b.Dilawar Khan's Mosque | | | | |
| c. Mosque of Malik Mughith | | | | |
| 5. The Secon Phase: | | | | |
| a. Jami Masjid | | | | |
| b. Ashrafi Mahal | | | | |
| c. Tower of Victory | | | | |
| d. Hoshangs's Tomb | | | | |
| e. Hindola Mahal | | | | |
| f. Jahaj Mahal | | | | |
| g. Champa Baoli and Ujala Baoli | | | | |
| 6. The Third Phase | | | | |
| a. Baz Bahadur's Palace | | | | |
| b. Rupmati's Pavilions | | | | |
| c. Nilkanth Palace | | | | |
| d. Chisti Khan's Tomb | | | | |
| e. Gada Shah's Shop and Gada Shah's House | | | | |
| No.4: Painting | | | | |
| 1. The Bustan Manuscript of Sultan Nasir Shah Khalji | RIchard Ettinghausen | | | |
| 2. The Ni'mat Nama: A Landmark in Malwa Painting | Robert Skelton | | | |
| 3. Notes on Mandu Kalpasutra | Pramod Chandra | | | |
| No.4: Editorial: In Praise of Kathak | | | | |
| No.4: Historical Survey | | | | |
| 1. Background of Kathak | D.G. Vyas | | | |
| 2. Technical Terms pertaining to Dance in general and used in Kathak | Nirmala Joshi | | | |
| 3. The Schools of Kathak: | | | | |
| a.Lucknow Gharana | Mohan Khokar | | | |
| b.Jaipur Gharana | S.K.Saxena | | | |
| c. Benaras Gharana | Natavara | | | |
| 4. Nautch Girl | Baijnath | | | |
| 5. Raigarh Raja's contrubution to Kathak | Rasdhari | | | |
| 6.'Menaka', Pioneer of Kathak Dance Drama | Shirin Vajifdar | | | |
| No.4: The Techniques of Kathak: | | | | |
| 1. Nritta | M.S.Kalyanpurkar | | | |
| 2.Nritya | Mohan Khokar | | | |
| 3. Hastas in Kathak | Maya Rao | | | |
| No.4: Music, Theme and Costume: | | | | |
| 1. The Role of Rhythm in Kathak | S.K. Saxena | | | |
| 2. Raslila- An Operatic Drama | S.Awasthi | | | |
| 3. The Kathak costumes in Mughal TImes | C.L. Fabri | | | |
| 4. Some songs of Binda Din Maharaj | Nirmala Joshi | | | |
| MARG: A Magazine of the Arts Vol. 13 | | Mulk Raj Anand | 1959, 1960 | MARG Publications |
| No.4: Editorial: Folk Dances of India | Mulk Raj Anand | | | |
| No.4: Regional Dances: | | | | |
| 1.Andhra | Mohan Khokar | | | |
| 2.Assam | Maheshwar Neog | | | |
| 3.Bengal | | | | |
| 4. Bihar | Hari Uppal | | | |
| 5. Gujarat | Banwari | | | |
| 6.Himachal Pradesh | M.K. | | | |
| 7.Kanara | K.S. Karanth | | | |
| 8. Kerala | Mohan Khokar | | | |
| 9. Kashmir | Rasika | | | |
| 10. Maharashtra & Konkan | S.S.Paranjape | | | |
| 11. Madhya Pradesh | Verrier Elwin | | | |
| 12. Orissa | Verrier Elwin | | | |
| 13. Punjab | Balwant Gargi & M.K. | | | |
| 14.Rajasthan | Baijnath | | | |
| 15. Saurashtra | Satyawan | | | |
| 16. Uttar Pradesh | Projesh Banerji | | | |
| No.2: Editorial: Reflections on Orissi Dance | | | | |
| No.2: Introduction to Orissi Dance | Charles Fabri | | | |
| No.2: Historical Survey: Preliminary Note | | | | |
| 1. The Evidence of Dance Sculptures from Orissan Temples | P.Misra | | | |
| 2. Myths, Legends and Historical Facts | Mohan Khokar | | | |
| 3. A Note on Maharis and Gotipuas | M.K. | | | |
| 4. Some Notes on Manuscripts on Orissi Dance | Sadashiv Rath Sharma | | | |
| 5. The Cult of Jagganath | Harekrishna Mahtab | | | |
| No.2: Technique and Repertory | Mohan Khokar | | | |
| 1. A Note on Hastas | Dhirendra Nath Pattnaik | | | |
| No.2: Musical Instruments in Orissi dance and Temple Sculpture | Sadashiv Rath Sharma | | | |
| No.2: Songs in Orissa that are Danced Away | Mayadhar Mansinha | | | |
| No.2: Costumes, Ornaments and Make-Up in Orissi | Dhirendra Nath Pattnaik | | | |
| No.2: Orissi Dance Today and It's Exponents | Nilmadhab Bose | | | |
| No.3: Editorial: Short Films of India | | | | |
| No.3: Historical Survey: | | | | |
| 1. The Background of the short film in India and future of Documentary | Mohan Bhavnani | | | |
| 2. Panorama of the Private Sector of Indian Short Film Industry | Jag Mohan | | | |
| MARG: A Magazine of the Arts Vol. 14 | | Mulk Raj Anand | 1960, 1961 | MARG Publications |
| No.1: Editorial: Photography as an Art Form | | | | |
| No.1: Conversation with Henri Cartier-Bresson | | | | |
| No.1: Indian Photography-50 years | J.N. Unwalla | | | |
| No.1: The Amatuer and His Camera | Shama Kilanjar | | | |
| No.1: Contemporary Trends in Indian Photography | R.J. Chinwalla | | | |
| No.1: Portfolio | | | | |
| 1. Birth | | | | |
| 2, Marriage | | | | |
| 3. Work | | | | |
| 4. Rhythm | | | | |
| 5. Festival | | | | |
| 6. Woman | | | | |
| 7. Love | | | | |
| 8. Marriage | | | | |
| 9. Family | | | | |
| 10. Faith | | | | |
| 11. Pain | | | | |
| 12. Old Age | | | | |
| 13. Death | | | | |
| 14. New Beginning | | | | |
| No.1: Symposium- What Makes a Photograph | | | | |
| No.2: Paintings of Rabindranath Tagore | Mulk Raj Anand | | | |
| No.2: Prelimnary | | | | |
| No.2: The Background | | | | |
| No.2: Rhythm as the Essence of his approach to Paintin | | | | |
| No.2: Unconscious as the Source of his Paintings | | | | |
| No.2: Transition from Child Art to Man Art | | | | |
| 1. (a) Scribble | | | | |
| (b) Forms | | | | |
| (c) Composition | | | | |
| 2. Symbolism | | | | |
| 3. Crystal Form | | | | |
| 4. Expressionism | | | | |
| 5. Supernatural | | | | |
| 6. Transition | | | | |
| No.2: Supplement: | | | | |
| 1. Tradition and creative evolution in Indian Art | Hermann Goetz | | | |
| 2. Book Reviews | | | | |
| 3. Exhibition Notes | | | | |
| No.3: Editorial: Space, Time and Clay | | | | |
| No.3: Evolution of Pottery Forms and Fabrics in India | Z.D. Ansari | | | |
| No.3: Ceramics of the Indus Valley in Gujarat (2500 B.C. to 800 B.C.) | S.R. Rao | | | |
| No.3: The Copper and Stone age Pottery of Maheshwar-Navdatoli | H.D. Sankalia | | | |
| No.3: Northern Black Polished Ware | J.S.Nigam | | | |
| No.3: Decorated Pottery of North India (200 B.C. to 650 A.D.) | J.S. Nigam | | | |
| No.3: a Note on Ceramic Industry in Bihar | Sita Ram Roy | | | |
| No.3: Islamic Pottery | Dr.Mohammed Baqir | | | |
| No.3: A Note on Folk Pottery | | | | |
| No.3: Contemporary Pottery: A Note By Primula Pandit | | | | |
| i. Gurucharan Singh | | | | |
| ii. Ratna Fabri | | | | |
| iii. Primula Pandit | | | | |
| iv. Nirmala Patwardhan | | | | |
| v. Ira Chaudhari | | | | |
| vi. B.K. Barua | | | | |
| vii. Hari Haran | | | | |
| viii. Vimoo Sanghvi | | | | |
| ix. Malti Divecha | | | | |
| No.4: Editorial: In Praise of Manipuri | | | | |
| No.4: Myths, Legends, and History | Mohan Khokar | | | |
| No.4: Technique | Nayana Jhaveri | | | |
| No.4: "Abhinaya" | Guru Bipin Singh | | | |
| No.4: Lai Hairaoba | E. Nilkanta Singh | | | |
| No.4: Rasleela | Ranjana Jhaveri | | | |
| No.4: Sankirtan and Choloms | Surachand Sharma | | | |
| No.4: Tagore and Manipuri Dances | Shantidev Ghosh | | | |
| No.4: Music | Suvarna and Darshana Jhaveri | | | |
| No.4: Manipuri Costume, Ornaments and Make-Up | Ritha Devi | | | |
| No.4: Guru Pranalika | Surachand Sharma | | | |
| No.4: Contemporary Gurus and Artists | E. Nilkanta Singh | | | |
| MARG: A Magazine of the Arts Vol. 15 | | Mulk Raj Anand | 1961, 1962 | MARG Publications |
| No:1: Editorial: New Planned City | | | | |
| No.1: The Master Plan | Le Courbusier | | | |
| a. The Secreteriat | | | | |
| b. High Court | | | | |
| c. The Assembly | | | | |
| No.1: Problems of Chandigarh Architecture | E.Maxwell Fry | | | |
| No.1: Living | | | | |
| a. Sector 22 | Jane B.Drew | | | |
| b. High Cost Housing and Anteriors | U.E. Choudhary | | | |
| c. Low Cost Housing | Jeet Malhotra | | | |
| d. Architectural Control- Shops, Flats, etc. | Aditya Prakash | | | |
| No.1: Working | | | | |
| a. Educational Institutions | B.P. Mathur | | | |
| b. Public Building- Library, Polytechnic, Atomic Energy Monument, Printing Press, Chandigarh Club, etc. | M.N. Sharma, P.Jeanneret, E.Maxwell Fry, and Jeet Malhotra | | | |
| c. Industrial Area | N.S. Lamba | | | |
| No.1: Care of Body and Spirit: Landscape Gardening | M.S. Randhawa | | | |
| No.1: Miscellanous: | | | | |
| a. Engineering in the Service of the Community | G.R. Nangea | | | |
| b. The City Centre | A.R. Prabhawalkar | | | |
| No.1: Aesthetic: Reflections on beauty of Line Shape and form | P. Jeanneret | | | |
| No.2: Editorial: Mathura of the Gods | | | | |
| No.2: Chronology | | | | |
| No.2: Historical Background: Kanishka and the Saka Era | Prof D.D.Kosambi | | | |
| No.2: Origin of the Buddha Image | | | | |
| (a) by Mulk Raj Anand | | | | |
| (b) by Y.Krishan | | | | |
| (c) Portfolio | | | | |
| No.2: The Kusana Art of Mathura | Prof K.D.Bajpai | | | |
| No.2: Kusana Art And The Historic Effigies of Mat (India) and Surkh Kotal (Afghanistan) | C.M. Kieffer | | | |
| No.2: The Gupta Art of Mathura | V.N. Srivastava | | | |
| No.2: Bibliography | | | | |
| No:2: Supplement | | | | |
| a. Book Reviews | | | | |
| b. Exhibition Notes | | | | |
| No.3: Editorial: Homage to Africa: | | | | |
| Discourse I | Tristan Tzara | | | |
| Discourse II | Mukraj Raj Anand | | | |
| Discourse III | James Johnson Sweeney | | | |
| No.3: Tribes of Africa: | | | | |
| I. Sudan: | | | | |
| 1. Bambara | | | | |
| 2. Bobo | | | | |
| 3. Dogon | | | | |
| 4. Mossi | | | | |
| II. Sierra Leone: | | | | |
| Mende | | | | |
| III. Ivory Coast | | | | |
| 1. Baule | | | | |
| 2. Dan | | | | |
| 3. Guro | | | | |
| 4. Senulo | | | | |
| IV. Ghana: Ashanti | | | | |
| V. Dohemey | | | | |
| VI. Nigeria | | | | |
| 1. Ibibio | | | | |
| 2. Ibo | | | | |
| 3. Ijo | | | | |
| 4. Yaruba | | | | |
| VII. Cameroon Grasslands: | | | | |
| 1. Bamende | | | | |
| 2. Bamum | | | | |
| 3. Duala | | | | |
| VIII. Guinea Coast: | | | | |
| 1. Baga | | | | |
| 2. Benin | | | | |
| 3. Ekoi | | | | |
| 4. Fang | | | | |
| 5. Ogoni | | | | |
| 6. Ife | | | | |
| IX. Congo | | | | |
| 1. Azande | | | | |
| 2. Bajokwe | | | | |
| 3.Bakota | | | | |
| 4. Baluba | | | | |
| 5. Bakongo | | | | |
| 6. Basonge | | | | |
| 7. Basuku | | | | |
| 8. Bayaka | | | | |
| 9. Bateke | | | | |
| 10. Bushongo | | | | |
| 11. Basundi | | | | |
| 12. Mangbetu | | | | |
| 13. Ourua | | | | |
| 14. Bena Lulua | | | | |
| 15. Bapende | | | | |
| No.4: Editorial: Homage to the Handlooms | Mulk Raj Anand and Pupul Jayakar | | | |
| No.4: Indian Textiles in Historical Perspective | John Irwin | | | |
| No.4: Traditional Textiles of India: | Pupul Jayakar | | | |
| Introduction | | | | |
| 1; Himroo, Paithan- (Maharashtra) | | | | |
| 2. Patola, Gharchola (Saurashtra) | | | | |
| Dhabla- (Gujarat) | | | | |
| 3. Tasar, Chanderi (Madhya Pradesh) | | | | |
| 4. Daccai Jamdani, Baluchar- (West Bengal) | | | | |
| 5. Bandhani- (Rajasthan) | | | | |
| 6. Phulkari (Punjab) | | | | |
| 7. Vichitrapuri Sari (Orissa) | | | | |
| 8. Varanasi Brocades (Uttar Pradesh) | | | | |
| 9. Telia Rumals of Pochampalli, Chirali, Kalamkari-(Andhra) | | | | |
| 10. Kanchipuram Saris- (Madras) | | | | |
| 11. Manipur, Naga and Assam Fabrics, Bleeding Madras | M.P. Nachimuthu Mudaliar | | | |
| No.4: Contemporary Design Development in Handlooms: | K.G. Subramanyam | | | |
| (a) Contemporary Weaves of Nelly Mehta | | | | |
| (b) Contemporary Designs of Rangjyot | | | | |
| No.4: Symposiums: | | | | |
| 1. Handloom Industry in the Third Plan | W.R. Natu | | | |
| 2. Looms | D.S.V. Iyer | | | |
| 3. Weaver's Service Centres of the All India Handloom Board | Pupul Jayakar | | | |
| 4. Export Organization | S.Ratnam | | | |
| 5. Quality Control | C.S. Ramanathan | | | |
| 6. Internal Marketing | M.Somappa | | | |
| 7. Display | Ratna Fabri | | | |
| 8. Appendix: Important Information on Handloms | | | | |
| MARG: A Magazine of the Arts Vol. 16 | | Mulk Raj Anand | 1962, 1963 | MARG Publications |
| No.1: Editorial: Confusion Worse Confounded | | | | |
| No.1: The Background | | | | |
| No.1: Transformation in the West | | | | |
| No.1: Indian Contemporaries: | | | | |
| 1. Abindranath Tagore | | | | |
| 2. D.P. Roy Chaudhari | | | | |
| 3. Prodosh Das Gupta | | | | |
| 4. Ramkinkar | | | | |
| 5. Chintamani Kar | | | | |
| 6. Shanko Chowdhury | | | | |
| 7. Dhanraj Bhagat | | | | |
| 8. Amarnath Sehgal | | | | |
| 9. S.L.Prashar | | | | |
| 10.Dharmani | | | | |
| 11. Piloo Pochkhanawala | | | | |
| 12. A Davierwalla | | | | |
| 13. Raghvan Kaneria | | | | |
| 14. Raja Ram | | | | |
| 15. Dhanapala | | | | |
| 16. Rajnikanth Panchal | | | | |
| 17. Nagajibhai Patel | | | | |
| 18. Raman Patel | | | | |
| No.2: Editorial | Mulk Raj Anand | | | |
| No.2: Portfolio: Text and Pictures By: | | | | |
| 1. Stuart C.Welch Junior | | | | |
| 2. Richard Ettinghausen | | | | |
| 3. Jagdish Mittal | | | | |
| No.2: Reflections on Deccani Painting | Karl Khandalavala | | | |
| No.2: Part One: | | | | |
| 1. Ahmednagar | Marg | | | |
| 2. Bijapur | | | | |
| Text and Pictures by | | | | |
| (1). Robert C.Welch | | | | |
| (2). Richard Ettinghausen | | | | |
| (3). Robert Skelton | | | | |
| 3. Golconda | Muhammed Ashraf | | | |
| No.2: Part Two | | | | |
| 1. Paintings of the Hyderbad School | Jagdish Mittal | | | |
| 2. Glass Paintings of Hyderbad | J.M. | | | |
| 3. Deccani Painting at the Samasthans of Wanparthy, Gadwal and Shorapur | Jagdish Mittal | | | |
| 4. Kurnool (Cudappa) | M.A. | | | |
| 5. Arcot | M.A. | | | |
| No.2: Chronology: Rulers of Centres of Deccani Painting | V.K. Bawa and Syed Mohiddin | | | |
| No.2: Bibliography | Jagdish Mittal | | | |
| No.2: Book Supplement | | | | |
| 1. Pigments. | | | | |
| 2. Book Reviews: | | | | |
| Stuart C.Welch | | | | |
| Amita Ray | | | | |
| W.G. Archer | | | | |
| B.Das Gupta Mulk Raj Anand | | | | |
| No.3: Editorial | Amita Ray | | | |
| No.3: Portfolio: The Development of Carving from Buddhsit Primitive Art to the Early Medieval Period | | | | |
| No.3: The Lesser Vehicle. The Greater Vehicle and the Worshippers of the Many Gods | Mulk Raj Anand | | | |
| No.3: Sculptures in Aurangabad | Amita Ray | | | |
| No.4: Editorial: Three Answers from the Dalai Lama | | | | |
| 2. The Land and It's People | Raghu Vira | | | |
| 3. The Many Precious Thigs in the Story of Tibetan Lamaism | Mulk Raj Anand | | | |
| The Arts: Preliminary | | | | |
| No.4: Architecture: Solar and Lunar in the Development of Stupa Architecture | Lama Anagarika Govinda | | | |
| No.4: Painting: Preliminary | | | | |
| 1. Buddhist Painting in TIbet | Rahula Sankrityayana | | | |
| 2. Technique in Tibetan Painting | Rahula Sankrityayana | | | |
| 3. Buddha and the sixteen Great Arhats- Seven Thangka's of the Province of Khams in Tibet | George Roerich | | | |
| 4. Chart of Iconography | | | | |
| No,4: Bronzes | | | | |
| No.4: Ritual Objects | | | | |
| No.4:Metalware and Brassware | | | | |
| No.4: Calligraphy and Books | | | | |
| MARG: A Magazine of the Arts Vol. 17 | | Mulk Raj Anand | 1963, 1964 | MARG Publications |
| No.1: Editorial | M.R.A. | | | |
| No.1: Architecture and You | Marg | | | |
| No.1: Reflections on the House, The Stupa, The Temple, The Mausoleum, from the Earliest Times till Today | Mulk Raj Anand | | | |
| No.1: Living | | | | |
| No.1: Working | | | | |
| No.1: Care of Body and Spirit | | | | |
| No.2: Editorial | Kamladevi Chattopadhyaya | | | |
| No.2: Origin and Development of Embroidery in our Land | Kamladevi Chattopadhyaya | | | |
| No.2: The Survey of Embroidery Traditions | Jasleen Dhamija | | | |
| No.2: Place of Embroidery in Indian Crafts | Kamala Dongerkery | | | |
| No.2: The Commercial Embroidery of Gujerat in the 17th Century | John Irwin | | | |
| No.3: Editorial: World of Colour | M.R.A. | | | |
| No.3: Vaishnamvism: Inspiration of Rajput Painting | M.S. Randhawa | | | |
| No.3: Some notes on the Composition of Pahari Murals | Mulk Raj Anand | | | |
| No.3: Technical Notes | K.C. Aryan, T.R. Gairola | | | |
| No.3: Akki | M.S.R. | | | |
| No.3: Chamba | Jagdish Mittal | | | |
| No.3: Dada Siba | B.N. Goswamy | | | |
| No.3: Dharamsal (Hoshiarpur Dist) | B.N. Goswamy | | | |
| No.3: Jammu | Khajuria | | | |
| No.3: Kankhal | Jagdish Mittal | | | |
| No.3: Kulu | Jagdish Mittal | | | |
| No.3: Mandi | M.R.A. | | | |
| No.3: Nadaun | B.N. Goswamy | | | |
| No.3: Nurpur | K.C. Aryan | | | |
| No.3: Sujanpur TIra | M.R.A. | | | |
| MARG: A Magazine of the Arts Vol. 18 | | Mulk Raj Anand | 1964, 1965 | MARG Publications |
| No.1: Editorial: Revival or Transformation | | | | |
| No.1: Glimpses of Evidence of Ancient Handicrafts of Rajasthan Based on Excavations | R.C. Agrawala | | | |
| No.1: The Background | Satya Prakash Srivastava | | | |
| No.1: Survey of Arts and Crafts of Rajasthan | Jasleen Dhamija | | | |
| 1. Textile | Jasleen Dhamija | | | |
| 2. Metal | P.N. Mago | | | |
| 3. Stone | Surendra Kalia | | | |
| 4. Pottery | Jasleen Dhamija | | | |
| 5. Woodwork | Jasleen Dhamija | | | |
| 6. Toys | Jasleen Dhamija | | | |
| 7. Leatherwork | Jasleen Dhamija | | | |
| 8. Jewellery | P.N. Mago | | | |
| No.1: Folk Instruments | Komal Kothari | | | |
| No.1: Tribal Culture | J.D. Mehra | | | |
| No1: Architecture | Ranjit Sabikhi | | | |
| No.2: Editorial: Old Criticism and New Criticism | | | | |
| No.2: Conversation in Nagarjunakonda | Mulk Raj Anand | | | |
| No.2: Sculptures of Nagarjunakonda | Amita Ray | | | |
| No.2: The Plastic Situation | Mulk Raj Anand | | | |
| No.3: Editorial: In Dreams Begins Responsiblity | | | | |
| No.3: Splendours and Miseries of Bombay | Mulk Raj Anand | | | |
| No.3: Symposium: Observation on the Development Plan for Greater Bombay | V.N. Modak | | | |
| No.3: Symposium: The Future of Our City | Dr.Jal F.Balsara | | | |
| No.3: Municipal Plan | | | | |
| No.3: Planning for Bombay | Charles M.Correa, Pravina Mehta and Shirish B.Patel | | | |
| No.4: Editorial: Carpets are Works of Art | K.C. | | | |
| No.4: Origin of Pile Carpets and their Development in India | Kamladevi Chattopadhyaya | | | |
| No.4: Historical Carpets | Charles Grant Ellis, John Irwin | | | |
| No.4: Survey of Pile Carpet Industry | Jasleen Dhamija | | | |
| MARG: A Magazine of the Arts Vol. 19 | | Mulk Raj Anand | 1965, 1966 | MARG Publications |
| No.1: Editorial: Museum- The House of Muses | | | | |
| 1. Survey of Some Important Museums in India | | | | |
| 1. Ashutosh Museum | D.P.Ghosh | | | |
| 2. Baroda Museum | V.L. Devkar | | | |
| 3. Bharat Kala Bhavan | Anand Krishan | | | |
| 4. Crafts Museum | Ajit Mookerjee | | | |
| 5. Indian Museum (Calcutta) | A.K.Bhattacharyya | | | |
| 6. Mathura Museum | A.M. | | | |
| 7. Madras Museum | A.Aiyappan | | | |
| 8.National Museum | Grace Morley | | | |
| 9.Prince of Wales Museum | S.V.Gorakshkar | | | |
| 10. Rabindra Sadana | Sobhanlal Ganguli and Sisirkumar Ghose | | | |
| 11. Salar Jung Msueum | V.L. Devkar | | | |
| 12. Teen Murti Museum | M.V. Rajan | | | |
| 13. Industrial and Technical Museums | | | | |
| a. Viswesvarayya Industrial Museum | | | | |
| b. Birla Industrial & Technical Musuem | | | | |
| No.1: Problems of Technical Display | Grace Morley | | | |
| No.1: Preservation, Conservation of Museum Objects | T.R. Gairola | | | |
| No.2: Editorial: Invitation to the Dance: Bhagavat Mela Yakshagana, Kuchipudi,Krishnattam | | | | |
| No.2: Tamil Nad | | | | |
| a. Classical Bhagavata Mela Dance Drama | E.Krishna Iyer | | | |
| b. Therukoothu or Street Play | E.Krishna Iyer | | | |
| No.2: Karnatak | | | | |
| a. Yakshagana | K.S. Karanath | | | |
| No.2: Andhra | | | | |
| a. The Kuchipudi Dance Drama | Banda Kanakalingeshwara Rao | | | |
| b. The Revival of Kuchipudi Nritya | Ragini Devi | | | |
| No.2: Kerala | | | | |
| a. Krishnattam | Mrinalini Sarbhai | | | |
| b. Festivals of the Goddess Bhagvati in Kerala | Ragini Devi | | | |
| No.2: Book Supplement | | | | |
| a. In memoriam: Homi Bhabha | | | | |
| b. Book reviews and notes | | | | |
| No.3: Editorial: Research in Lacquer Magic | M.R.A. | | | |
| No.3: Lac and It's Antiquity | | | | |
| No.3: Portfolio | | | | |
| No.3: Lac-Turnery | | | | |
| No.3: Art Conceptions | | | | |
| No.3: Production Centres | | | | |
| 1. Mysore | | | | |
| 2. Rajasthan | | | | |
| 3. Madhya Pradesh | | | | |
| 4. Andhra Pradesh | | | | |
| 5. Bihar | | | | |
| 6. Punjab | | | | |
| 7. Uttar Pradesh | | | | |
| 8. Gujarat | | | | |
| 9. Navrangpur | | | | |
| No.3: Sales and Exports | | | | |
| No.4: Poem | | | | |
| No.4: Part 1: Genesis, Task, Techniques: | | | | |
| i. Genesis of Graphics | Mulk Raj Anand | | | |
| ii. The Task | Bhupendra Karia | | | |
| iii. Technique | Bhupendra Karia | | | |
| No.4: Part II: Contemporary Graphic Artists | Bhupendra Karia | | | |
| i. Dilip Bakshi | | | | |
| ii. Jyoti Bhatt | | | | |
| iii. Arun Bose | | | | |
| iv. Roy Dalgarno | | | | |
| v. Somnath Hore | | | | |
| vi. Bhupendra Karia | | | | |
| vii. Kanwal Krishna | | | | |
| viii. Sailen Mitra | | | | |
| ix. Krishna Reddy | | | | |
| x. Magen Soma | | | | |
| No.4: Appendix: UNESCO I.A.P.A. Report | | | | |
| MARG: A Magazine of the Arts Vol. 20 | | Mulk Raj Anand | 1966, 1967 | MARG Publications |
| No.1: Editorial: Handicrafts in the Nations Economy | Mulk Raj Anand | | | |
| No.1: Historical-Cultural Heritage | J.C. Mathur | | | |
| No.1: Ancient Handicrafts | P.L. Gupta | | | |
| No.1:Survey of Crafts | Jasleen Dhamija | | | |
| 1. Terracotta and Pottery | | | | |
| 2. Sikri and Moonj Work | | | | |
| 3. Brass and Bell Metal | | | | |
| 4. Bamboo Craft | | | | |
| 5. Wood and Stone Carving | | | | |
| 6. Lacquerware | | | | |
| 7. Embroidery | | | | |
| 8. Jewellerry | | | | |
| 9. Masks | Ram Dhamija | | | |
| No.1: Domestic Arts of Mithila | | | | |
| 1. General Note | J.C. Mathur | | | |
| 2. Notes on Painting | Mildred Archer | | | |
| No.1: Bazaar Style | Mildred Archer | | | |
| No.1: Tribal Culture | Sachchidananda | | | |
| No.2: Editorial: Ajanta to Ellora- Shapes of the Unknown | | | | |
| No.2: Historical Background | | | | |
| I: Architectural Features: Groundplans and Pillars | | | | |
| II: Buddha Images | | | | MARG Publications |
| III: Female Figures | | | | MARG Publications |
| IV: Doorways | | | | |
| V: Dwarfs | | | | |
| VI: Guardians | | | | |
| VII: Old Men | | | | |
| VII: Pilasters | | | | |
| IX: Seated Couples | | | | |
| No.3: Design for Living | Mulk Raj Anand | | | |
| I: Design for Living: | | | | |
| 1. A Project for UNESCO action, sponsored by Consensus at the Nehru Round Table, New Delhi, September 1966. | | | | |
| 2. Draft resolution submitted to UNESCO, 14th General Assembly by Czechoslovakia, Finland, India, Japan, Mexico,Poland and Yugoslavia | | | | |
| II: Reflections on the crisis of Human Civilization and the possibilities of an integral programme for design for living. | Mulk Raj Anand | | | |
| III. The National Institute of Design | | | | |
| 1. National Institute of Design Campus | | | | |
| 2. Eames Report | | | | |
| 3. Educational Programme | | | | |
| 4. Architecture | | | | |
| 5. Work for Clients: A Multi-storeyed building comprising offices and flats | | | | |
| 6. Indian Institute of Management, Ahmedabad | | | | |
| 7. A Scheme for the Indian Pavilion at the Osaka World Fair | | | | |
| 8. Landscape | | | | |
| 9. A Preliminary Report for Palam Airport | | | | |
| 10. Research Project: Studies for a Student Dormitory | | | | |
| 11. Educational Programme: | | | | |
| a. Visual Communication | | | | |
| b. Excercises in Topography | | | | |
| 12. Work For Clients | | | | |
| a. Nehru Exhibition | | | | |
| b. Multiple Projections at Indian Pavilion Expo' 67 Montreal | | | | |
| 13. Animated FIlms: | | | | |
| a. "Swimmy" | | | | |
| b. "The Three Rooms" | | | | |
| 14. Devanagari | | | | |
| 15. Documentation of Rural Crafts in a Village of Saurashtra | | | | |
| 16. Educational Programme: | | | | |
| a. Product design | | | | |
| b. Textile Workshop | | | | |
| 17. Mass-produced Low-cost Furniture | | | | |
| 18. Research Product: Fan | | | | |
| 19. Work For Clients: | | | | |
| a. Electronic Instruments | | | | |
| b. Shaping Machine | | | | |
| 20. Interior Design and Tableware for a Restaurant | | | | |
| Supplement | | | | |
| No.4: Preliminary: Rhythmic Fury of the Ancient Cities | | | | |
| I. The Many Delhis: | | | | |
| 1. The River, the Ridge, the Forests, and the Many Delhis | | | | |
| 2. Myth, legend and the Vertical History fo Indraprashtha | | | | |
| 3. Qila-i-Rai Pithaura | | | | |
| II. Delhi Under the Sultanates: | | | | |
| 1. The Might of Islam and the Highest Victory Tower | | | | |
| 2. 'Sultan of the Cave' and the Iltutmish Mosque | | | | |
| 3. The True Arch in Balban's Tomb | | | | |
| 4. Alai Darwaza of Ala-ud-din Khilji | | | | |
| 5. Tughlakabad | | | | |
| 6. The 'Mad' Tughlak's Dream turned into Nightmares | | | | |
| 7. Firoz Shah Kotla and a thousand fruit gardens | | | | |
| 8. 'Not a Bird roved in Delhi after Timur' | | | | |
| 9. The First Sayyid | | | | |
| 10. The Struggle for the Keys of the Elephant Stables | | | | |
| 11. Bahlol Lodi's Tomb | | | | |
| III. Under the Mughals: Delhi | | | | |
| 1. Babur's Essays in Architecture | | | | |
| 2. The Brief interlude under Humayun and the beginning of Hindu-Muslim Synthesis | | | | |
| 3. Akbar's Agra | | | | |
| 4. Fatehpur Sikri | | | | |
| 5. Sikandra: Under Akbar and the Transition from Stone to Marble under Jehangir | | | | |
| 6. Itmud-ud-Daula | | | | |
| 7. Delhi Under Shah Jehan | | | | |
| 8. The Taj Mahal | | | | |
| 9. Delhi: Later Mughal- Safdarjung | | | | |
| MARG: A Magazine of the Arts Vol. 21 | | Mulk Raj Anand | 1967- 1968 | MARG Publications |
| No.1: Editorial: The Breakthrough: Notes on the Modern Movement in Sculpture | Mulk Raj Anand | | | |
| No.1: Supplement: | | | | |
| 1. Indian Art in the 1940's | Prodosh Das Gupta | | | |
| 2. Indian Art in the 1950's | Jaya Appaswamy | | | |
| 3. Indian Art in the 1960's | Geeta Kapur | | | |
| No.2: Editorial: Question from Vol.XXI, No.1, The Modern Movement in Sculpture | Mulk Raj Anand | | | |
| Preliminary | | | | |
| No.1: The Contemporaries | Mulk Raj Anand | | | |
| 1. Argentina | | | | |
| 2. Australia | | | | |
| 3. Austria | | | | |
| 4. Brazil | | | | |
| 5. Bulgaria | | | | |
| 6. Canada | | | | |
| 7. Chile | | | | |
| 8. Colombia | | | | |
| 9. Czechoslovakia | | | | |
| 10. Denmark | | | | |
| 11. Federal Republic of Germany | | | | |
| 12. Finland | | | | |
| 13. France | | | | |
| 14. German Democratic Republic | | | | |
| 15. Great Britain | | | | |
| 16. Greece | | | | |
| 17. Hungary | | | | |
| 18. India | | | | |
| 19. Italy | | | | |
| 20. Japan | | | | |
| 21. Lebanon | | | | |
| 22. Luxembourg | | | | |
| 23. Netherlands | | | | |
| 24. Norway | | | | |
| 25. Poland | | | | |
| 26. Spain | | | | |
| 27. Switzerland | | | | |
| 28. Turkey | | | | |
| 29. United States of America | | | | |
| 30. Union of Soviet Socialist Republics | | | | |
| 31. Yugoslavia | | | | |
| No.3: Editorial: The Creator, The Creation and the Sutradhara | Mulk Raj Anand- M.C. | | | |
| No.3: Various Types of Traditional Puppets of India | Meher Contractor | | | |
| 1. Rajasthan | | | | |
| 2. Orissa | | | | |
| 3. South India | | | | |
| a. String Puppets of South India | | | | |
| b. Yakshagana Puppets | | | | |
| 4. Rod Puppets of Bengal | | | | |
| 5. Glove Puppets of India | | | | |
| 6. Shadow Puppets | | | | |
| a. Shadow Play in Malabar | K.B. Iyer | | | |
| b. Karnataka Shadows | | | | |
| c. Andhra Shadows | | | | |
| 7. Contemporaries | | | | |
| a. The Darpana Academy, Ahmedabad- The Ramayana Revived with Andhra Shadow Puppets | | | | |
| b. Contemporary Puppeteers | | | | |
| No.4: The Pictorial Situation In Pahari Painting | Mulk Raj Anand | | | |
| No.4: Pahari Painting: The Family as the Basis of Style | B.N. Goswamy | | | |
| 1. The Argument | | | | |
| 2. The Clue | | | | |
| 3. The Family | | | | |
| 4. The Style | | | | |
| MARG: A Magazine of the Arts Vol. 22 | | Mulk Raj Anand | 1968-1969 | MARG Publications |
| No.1: Editiorial: Chhau Dance- Anandam | Mulk Raj Anand | | | |
| No.1: Chhau Dances of Saraikella | Sunil Kothari | | | |
| No.1: Technique | | | | |
| No.1: A Note on Masks | | | | |
| No.1: A Note on Music | | | | |
| No.1: Chhau Dances of Mayurbhanj | Jivan Pani | | | |
| No.1: Technique | | | | |
| No.1: Presentation | | | | |
| No.2: Bhitargaon | Mulk Raj Anand | | | |
| No.2: Bhitargaon: The Technique of Architecture | R.Nath | | | |
| No.3: Shah Jehan | Mulk Raj Anand | | | |
| No.3: The Taj Mahal: Dream in Marble | R.Nath | | | |
| No.4: Editorial: Gandhi on Art | Mulk Raj Anand | | | |
| No.4: The Hand on the Heart | Mulk Raj Anand | | | |
| No.4: Architecture | Rasika | | | |
| No.4: Sculpture | Ajit Mookerjee | | | |
| No.4: Painting | Pupul Jayakar | | | |
| No.4: Decorations | Priya Das Gupta | | | |
| No.4: The Present State of Handicrafts | Ashok Mitra | | | |
| | | | |
| MARG: A Magazine of the Arts Vol. 23 | | Mulk Raj Anand | 1969-1970 | MARG Publications |
| No.1: Editorial | Mulk Raj Anand | | | |
| No.1: Beauties in the Mud of the Potter's Yard | Mulk Raj Anand | | | |
| No.1: Portfolio | Ananda Coomaraswamy, K.P. Jayaswal, Stella Kramrisch, S.K. Saraswati, Mulk
| | | |
| S.P. Srivastava | R.Das Gupta" | | | |
| No.1: The Terracotta Art of India | Dr.H.D. Sankalia & M.K. Dhavalikar | | | |
| No.2: Editorial: Himachal Heritage | Mulk Raj Anand | | | |
| No.2: Architecture and Sculpture | | | | |
| 1. Masrur | P.N. Mago | | | |
| 2. Bajnath | Marg | | | |
| 3. Bajaura | Marg | | | |
| 4. Nirth | Marg | | | |
| 5. Kushala | Marg | | | |
| 6. Chamba | Marg | | | |
| No.2: Wall Paintings | Marg | | | |
| No.2: Wood Carving | Marg | | | |
| No.2 : Arts & Carfts | Jasleen Dhamija | | | |
| 5. Pottery- P.N. Mago | | | | |
| No.3: Editorial: Hymn to Mahalbalipuram | | | | |
| No.3: The Ballad and the Source | | | | |
| No.3: Arjuna's Penance | | | | |
| No.3: The Vision of the Rock and the Plastic Situation of the Panels | Mulk Raj Anand | | | |
| No.3: Mammalapuram | T.N. Ramachandran | | | |
| No.4: The Great Wrestler: The Continuity Under the Mahamalla | Mulk Raj Anand | | | |
| No.4: The Cave-Temples and the Rathas Under Narasimhavarman Mahamalla | T.N. Ramachandran | | | |
| No.4: The Temples and Sculptures under Rajasimha | | | | |
| MARG: A Magazine of the Arts Vol. 24 | | Mulk Raj Anand | 1970-1971 | MARG Publications |
| No.1: Editorial: Afghanistan: Cross Roads | M.R.A. | | | |
| No.1: Editorial: Ariana | Dr. Mustamandi | | | |
| No.1: Space, time and Deity | | | | |
| No.1: Colour, Form and Design in Islamic Architecture | Mulk Raj Anand | | | |
| No.1: The Development of Islamic Architecture in Afghanistan | Mulk Raj Anand | | | |
| No.1: Minar at Jam, Chist, Balkh, Minar at Daulatabad | | | | |
| No.1: Mazar-I-Sharif | | | | |
| No.1: Herat | | | | |
| No.1: Interrelations of Islamic Architecture in Afghanistan | | | | |
| No.2: Editorial: The Buddha as Cosmos | Mulk Raj Anand | | | |
| No.2: Editorial: Bamiyan: Past and Present | B.B. Lal | | | |
| No.2: Bamiyan | | | | |
| 1. Historical | Mulk Raj Anand | | | |
| 2.The Development of the Standing Buddha from Hoti Mardhan to Bamiyan | M.R.A. | | | |
| 3. The Colossal Buddha and the Monastic Grottos | Nancy Hatch Dupree | | | |
| No.2: The Wall Paintings of Bamiyan | Benjamin Rowland | | | |
| No.2: Fondukistan | | | | |
| No.2: Kakrak | | | | |
| No.3: Editorial Glimpses of Wonder and Beauty in Ivory | Mulk Raj Anand | | | |
| No.3: Conversation in Kapisa | Mulk Raj Anand | | | |
| No.3: Begram Ivories: The Transition of the Mastercraftsmen | C.Sivaramamurti | | | |
| No.3: Portfolio | | | | |
| No.3: Begram Ivories and Indian Stones | J.LeRoy Davidson | | | |
| No.3: Private Life In Ancient India as Seen from the Ivory Sculptures of Begram | Jeannine Auboyer | | | |
| No: 4: Guest Editorial: Achaemenid Persia: Mauryan India | Karl Khandalawala | | | |
| No. 4: The Background | Mulk Raj Anand | | | |
| No. 4: Chronological Development of Pasargadae, Persepolis and Naqsh-e-Rustam | | | | |
| No.4: The Transformation of Persepolis Architectural Motifs into Sculpture Under The Indian Mauryan Dynasty | Sir. Mortimer Wheeler | | | |
| MARG: A Magazine of the Arts Vol. 25 | | Mulk Raj Anand | 1971-1972 | MARG Publications |
| No.1: The Metamophosis of Magic and Art in Hittite Civilization | Mulk Raj Anand | | | |
| No.1: The Hittites | Kurt Bittel | | | |
| No.1: Portfolio | | | | |
| 1. Paleolithic (9000-8000 B.C.) | | | | |
| 2. Neolithic (7000 B.C.) | | | | |
| 3. Chalcolithic (5000-3000 B.C.) | | | | |
| 4. Early Bronze Age (3000-2500 B.C.) | | | | |
| 5. Old Assyrian Colony Age (1950-1750 B.C.) | | | | |
| 6. Old Hittite; New Hittite (1650-1450 B.C.) | | | | |
| a. Bogazkoy | | | | |
| b. Yazilikaya | | | | |
| c. Alacahoyuk | | | | |
| 7. Late Hittite Period (1450-700 B.C.) | | | | |
| 8. Phrygian Period (800-500 B.C.) | | | | |
| 9. Urartian Period (1000-600 B.C.) | | | | |
| No.1: The Importance of Hittite Art | Ekrem Akurgal | | | |
| No.3: Rhythm of Dance and Music in the Bagh Caves | Mulk Raj Anand | | | |
| No.3: Bagh Caves: Historical And Descriptive Analysis | John Anderson | | | |
| 1. Architecture | | | | |
| 2. Sculpture | | | | |
| 3. Painting | | | | |
| No: 4: Appreciation of Art In India Today | Mulk Raj Anand | | | |
| 1. "All Art is Useless" | | | | |
| 2. The Place of Art is in Civilization | | | | |
| 3.The Montage Man | | | | |
| No. 4: What is Architecture? | | | | |
| 1. Space, Time and Deity | | | | |
| 2. The Questions of the Buddha | | | | |
| 3. Monuments of the Age of the Gods | | | | |
| 4. Islamic Architecture | | | | |
| 5. The Model City of Jaipur | | | | |
| 6. Indo-Colonial Architecture | | | | |
| 7. Twentieth Century Compulsions | | | | |
| | | | |
| No.4: What is Sculpture?. | | | | |
| 1. Sculpture of the Age of the Gods | | | | |
| 2. Contemporary Sculptures | | | | |
| No. 4: What is Painting?. | | | | |
| 1. Paintings of the Age of the Gods | | | | |
| 2. Sultanate Paintings | | | | |
| 3. Mughal Painting | | | | |
| 4. Rajashtani Painting | | | | |
| 5. Pahari Painting | | | | |
| 6. Contemporary Paintings | Ashok Mitra, Geeta Kapur, J.Swaminathan & Biren De | | | |
| | | | |
| MARG: A Magazine of the Arts Vol. 26 | | Mulk Raj Anand | 1973 | MARG Publications |
| No.1: Treatment of Environment By the Mughals | Mulk Raj Anand | | | |
| Preliminary: Gardening and Waterr Sites of the Ancient Hindus | | | | |
| Part 1 | | | | |
| 1. Babur's Innovations | | | | |
| 2. Akbar | | | | |
| 3. Jehangir | | | | |
| 4. Shah Jehan | | | | |
| 5. Aurangzeb | | | | |
| Part 2- Tomb Gardens of the Mughals | | | | |
| 1. Under Akbar: Humayun's Tomb | | | | |
| 2. Akbar's Tomb at Sikandra | | | | |
| 3. Itmad-ud-daula under Jehangir and Nur Jahan | | | | |
| 4. Jehangir's Tomb | | | | |
| 5. Under Shah Jahan | | | | |
| Part 3- Indoor Water-devices in Palace Gardens of the Mughals: | R. Nath | | | |
| 1. Sikri | | | | |
| 2. Agra Fort | | | | |
| 3. Red Fort, Delhi | | | | |
| No.2: Editorial: Mohiniattam: Nature or Synthesis | Mulk Raj Anand | | | |
| I, The Charm of Mohiniattam | Y.G. Doraiswamy | | | |
| II. Myth | Kanak Rele | | | |
| III. The Origins | Kanak Rele | | | |
| IV. Historical Survey | Balakrishna Kurup | | | |
| V. Technique | | | | |
| VI. Repertoire | | | | |
| VII. The Three Surviving Traditional Dancers | | | | |
| VIII. Contemporary Exponents | | | | |
| IX. Costume and Makeup | | | | |
| X. Musical Content and Instruments | | | | |
| XI. Kamsa Natakam | Kanak Rele | | | |
| No.3: Editorial: Souvenirs of Madhya Pradesh Scuptures | Mulk Raj Anand | | | |
| I. Portfolio | Mulk Raj Anand | | | |
| II. Madhya Pradesh Sculpture Through the Ages | Prof. K.D. Bajpai | | | |
| 1. Historical | | | | |
| (i) Pre and Proto-history | | | | |
| (ii) Early History | | | | |
| (iii) The Gupta Period | | | | |
| (iv) Early Medieval | | | | |
| (v) Late Medieval | | | | |
| 2. Scupltural: | | | | |
| (i) Early Stages | | | | |
| (ii) Gupta Art | | | | |
| (iii) Medieval Sculpture | | | | |
| (iv) Jaina Pantheon | | | | |
| No.4: The Turkish Heritage in Painting | | | | |
| I. Portfolio | | | | |
| II. Development of Fourteenth-Fifteenth Century Painting in Khorasan, Iran and Turkey | Norah TItley | | | |
| III. Ottoman Turkish Miniatures | Filiz Cagman | | | |
| Book Supplement | | | | |
| MARG: A Magazine of the Arts Vol. 27 | | Mulk Raj Anand | 1973-1974 | MARG Publications |
| No.1: Editoral: A Foregtten Culture | Mulk Raj Ananda | | | |
| No.1 The Mask and the Smile: Chronology | | | | |
| No.1 The Glory that Was Angkor | T.Narayanan | | | |
| 1. Historical Background | | | | |
| 2. Civilization and Culture in the Mekong Valley | | | | |
| 3,The Thirteen Styles | | | | |
| 1. Ambor (Seventh Century A.D.) | | | | |
| 2. Prei Khmeng (first halfof eigth century .A.D.) | | | | |
| 3. Kompong Preah (Second half of the eigth century A.D.) | | | | |
| 4. Kulen (First half of the Ninth Century A.D.) | | | | |
| 5. Preah Koh (Second Half of the Ninth century A.D.) | | | | |
| 6.Bakong (Second Half of the Ninth Century A.D.) | | | | |
| 7. Phnom Bakheng (end of the ninth century and beginning of the tenth century A.D.) | | | | |
| 8. Koh Ker (about the middle of the tenth century A.D.) | | | | |
| 9.Banteay Sreay (second half of the tenth century A.D.) | | | | |
| 10. Kleang (End of the tenth century and first half of the eleventh century A.D.) | | | | |
| 11. Baphuon (second hald of the elevnth century A.D.) | | | | |
| 12. Angkor Wat (End of the eleventh and first half of the twelfth century A.D. | | | | |
| 13. Bayon (End of the twelfth and beginning of the thirteenth century A.D.) | | | | |
| No.2: Bangladesh Heritage | | | | |
| No.2: Green and Gold and Blue and Grey: The Background | Syed Ali Khan | | | |
| No.2: Architecture without Architects | | | | |
| No.2: Space Relations According to the law of the Near and Far | | | | |
| 1. Mahasthan | | | | |
| 2. Paharpur | | | | |
| 3. Mainamati | | | | |
| No.2: Return to the Native Country: Preliminary to Islamic Architecture | | | | |
| No.2: Islamic Architecture | | | | |
| 1. Mamluk Style | | | | |
| 2. The Ilyas Shahi Style | | | | |
| 3. The Classical Phase of Architecture in Guar | | | | |
| 4. The Husain Shahi Style | | | | |
| 5. Mughal Style | | | | |
| No.2: Regional Religious Architecture in Bengal: A Study of the Sources of Origin and Character | Hitearanjan Sanyal | | | |
| No.3: Preface | | | | |
| No,3: Buddhist Art In Licchavi Nepal | Pratyapaditya Pal | | | |
| A. Introduction | | | | |
| B. Buddhism in Licchavi Nepal and the Monastery | | | | |
| C. Licchavi Caitya | | | | |
| D. The Buddha Image | | | | |
| E. The Bodhisattvas | | | | |
| F. Conclusion | | | | |
| No.4: Editorial: Haryana Heritage | | | | |
| No.4: I: Pre-Historic | | | | |
| 1. Pre-Harappan | | | | |
| Banawali | | | | |
| Mitahal | | | | |
| 2. Harappan | | | | |
| Banawali | | | | |
| Mitahal | | | | |
| 3. Late Harappan | | | | |
| Daulatpur | | | | |
| II. Historical | | | | |
| 1.Raja Karna-ka-Qila | | | | |
| 2. Topra-Delhi Pillar of Ashoka | | | | |
| 3. Tosham | | | | |
| III. Early Medieval | | | | |
| 1. Thanesar | | | | |
| 2. Kalayar | | | | |
| 3. Pinjuar Sculptures | | | | |
| 4. Asthal Bohr (Rohtak) | | | | |
| 5. Remains of Fortifications | | | | |
| 6. Suraj Kund | | | | |
| 7. The Sun Image | | | | |
| 8.Hansi | | | | |
| IV.Medieval | | | | |
| 1. Fatehabad | | | | |
| 2. Tosham | | | | |
| 3. Jhajjar | | | | |
| 4. The Lat of Firoz Shah at Fatehabad | | | | |
| 5. Hansi | | | | |
| 6. Narnaul | | | | |
| 7. Pinjaur Garden | | | | |
| 8. Tomb of Sheikh Chilli | | | | |
| 9. Paintings and Marble screen in the Dargah-i-Qalandar | | | | |
| 10. Farouknagar | | | | |
| 11. Sohna | | | | |
| 12. Badkal Lake | | | | |
| MARG: A Magazine of the Arts Vol. 28 | | Mulk Raj Anand | 1974-1975 | MARG Publications |
| No.1: Editorial: Folk Art Versus Fine Art | | | | |
| I. The Background | | | | |
| II. The Art of Living in the Punjab VIllage | | | | |
| 1. The House | | | | |
| 2. Carpentry | | | | |
| 3. Pottery | | | | |
| 4. Weaving | | | | |
| 5. Embroidery | | | | |
| 6. Utensil making | | | | |
| 7. Leatherwork | | | | |
| No.2: Pahari Miniatures: A Concise History | W.G. Archer | | | |
| No.2: Introduction | | | | |
| 1. Mankot and Basohli | | | | |
| 2. Kulu | | | | |
| 3. Jammu, Jasrota, Bhota and Bandralta | | | | |
| 4. Mandi, Kahlur, Baghal, Hindur and Suket | | | | |
| 5. Nurpur and Chamba | | | | |
| 6. Guler, Garhwal and Sirmpur | | | | |
| 7. Kangra, Siba and Datarpur | | | | |
| No.2: Book Supplement | | | | |
| No.3: Editorial: Homage to Amir Khusrau | Mulk Raj Anand | | | |
| No.3: I: Persian Paintings of the 14th, 15th, 16th Centuries and it's influence on Indian Painting | Norah Titley | | | |
| No.3: II: Miniature Paintings Illustrating the Works of Amir Khusrau: 15th, 16th, 17th Centuries | Norah Titley | | | |
| No.4: Editorial: Bhimbetka | | | | |
| No.4: I: Pre-Historic Cave Paintings | V.S. Wakankar | | | |
| No.4: II: Indian Rock Paintings- Study in Symobology | S.K.Pandey | | | |
| | | | |
| MARG: A Magazine of the Arts Vol. 29 | | Mulk Raj Anand | 1975-1976 | MARG Publications |
| No.1: Editorial: Haryana Crafts | Mulk Raj Anand | | | |
| No.1: I: Sheafs Gleaned from the Harvests in Haryana | | | | |
| No.1: II: Rhythm of Life in Crafts | | | | |
| 1. Building | | | | |
| 2. Pots and Pans | | | | |
| 3. The Warp and the Woof | | | | |
| 4. The Needle and Thread | | | | |
| 5. Jewellery | | | | |
| 6. Decorative Art or Rhytmic Vitality | | | | |
| 7. Leather Work | | | | |
| No.2: Editorial: The Green City | Mulk Raj Anand | | | |
| No.2: I: Splendours of Samarkand Architecture | Prof. Pugacinkova | | | |
| No.2: II: Monuments | | | | |
| 1. Shah Zindeh | | | | |
| 2. Bibi Khanum | | | | |
| 3. Gur Emir | | | | |
| 4. Registan | | | | |
| a. Ulug Beg | | | | |
| b. Shir Dor | | | | |
| c. Tillya Kari | | | | |
| 5. Abdu-Darun | | | | |
| 6. Ishrat Khan | | | | |
| 7. Ak-Serai | | | | |
| No.3: Introduction | Richard Ettinghausen | | | |
| No.3: Sources of Arab Painting | Marg | | | |
| No.3: Arab Painting, 358 A.H./996 A.D.- 1112 A.H./1700 A.D. | David James | | | |
| No.3: Introduction | | | | |
| 1. Fatimid Painting, 358 A.H./969 A.D. - 567 A.H./1171 A.D. | | | | |
| 2. Syria and Mesopotamia- 545 A.H./1150 A.D.- 654 A.H./1128 A.D. | | | | |
| Southern Mesopotamia | | | | |
| The Baghdad Maqamat Manuscripts, Mosul. | | | | |
| 3. Developments after 656 A.H./1258 A.D. | | | | |
| 4. The Bahri Mamluks 648 A.H./1250 A.D. - 792 A.H./1390 A.D. | | | | |
| 5. Spain and North Africa. | | | | |
| North Africa. | | | | |
| 6. Painting after- 772 A.H./1370 A.D. | | | | |
| Foreign Influence | | | | |
| Christian Painting | | | | |
| New Styles | | | | |
| No.4: Indian Art in The Victoria and Albert Museum | John Irwin | | | |
| 1. Phase 1: 1791-1858 | | | | |
| 2. Phase 2: 1858-1879 | | | | |
| 3. Phase 3: 1879-1911 | | | | |
| 4. Phase 4: 1911-1949 | | | | |
| 5. Phase 5: 1949-1975 | | | | |
| No.4: The Human Form in Indian Sculpture | John Irwin | | | |
| No.4: Notes By Marg | | | | |
| (a). The Treatment of Space in Indian Painting | | | | |
| (b). Paintings of the Hamza Nama | | | | |
| (c) Paintings of the Akbar Nama | | | | |
| No.4: Indian Textiles in Historical Perspective | John Iriwn | | | |
| No.4: Fremlin Carpets | John Irwin | | | |
| No.4:Shah Jehan's Cup | S.D. | | | |
| MARG: A Magazine of the Arts Vol. 30 | | Mulk Raj Anand | 1976-1977 | MARG Publications |
| No.2: Bilzad and the Herat Renaissance | MARG | | | |
| No.2: The Sources of poetic imagination in the Fifteenth Century Persian Painting | Mulk Raj Anand | | | |
| No.2: Fifteenth Century Persian Miniature Painting | Norah Titley | | | |
| No.2: Herat Under the Timurid Sultan Husayn Beyqara | Basil Gray | | | |
| No.2: Bihzad: An Album | Mulk Raj Anand | | | |
| No.2: Bihzad and His School | B.W. Robinson | | | |
| No.3: Homage to Amritsar | Mulk Raj Anand | | | |
| No.3: The Pool of Nectar | K.C. Aryan | | | |
| No.3: Sri Hari Mandir Sahib: Evolution of the Shrine | Madanjit Kaur | | | |
| No.3: Art and Architecture of the Golden Temple | | | | |
| No.3: Akal Takht | | | | |
| No.3: Gurudwara Baba Atal Sahib | Kunwarjit Kang | | | |
| No.3: Painting and Prayer: A Note on the Heiratic Pictorial Art under the Sikhs | Mulk Raj Anand | | | |
| No.3: Survivals of the Wall Paintings in Amritsar | Kanwarjit Kang | | | |
| No.3: Janam Sakhis: A Guler Series | MARG | | | |
| No.3: Paintings under court Patronage, Folk Paintings | K.C. Aryan | | | |
| No.3: Metalware, Woodwork and Ivories | K.C. Aryan | | | |
| No.4: Homage to Jaipur | | | | |
| No.4: I: An Epistle Dedicatory to the Master Builder Sawai Jai SIngh | Mulk Raj Anand | | | |
| No.4: II: Architecture | | | | |
| 1. The Dream and the Plan | Ashim Kumar Roy | | | |
| 2. Album: Amber to Badal Mahal | | | | |
| 3. 'A Filigree city spun out of Nothingness' | Satish Davar | | | |
| 4. Jantar Mantar: Time, Space and Deity | Mulk Raj Anand | | | |
| No.4: III: Sanskriti: Cultivation of the Soil | | | | |
| 1. Albums of Wall Paintings | Kunwarjit Kang | | | |
| 2. Miniatures | Ashok Kumar Das | | | |
| 3. Costumes and Textiles | Chandramani | | | |
| 4. Enamels and Jewellery | Jamila Brij Bhushan | | | |
| | | | |
| MARG: A Magazine of the Arts Vol. 31 | | Mulk Raj Anand | 1977-1978 | MARG Publications |
| No.1: Editorial: In Praise of Hoysala Art | Mulk Raj Anand | | | |
| No.1: The Hoysala Legacy | Robert J.Del Bonta | | | |
| 1. Historical Background | | | | |
| 2. Stylistic Background | | | | |
| 3. The Architectural Style | | | | |
| (a). The Temple Plan | | | | |
| (b) Spatial Organization within the Compound | | | | |
| (c) Articulation of the Wallsl | | | | |
| 4. The Artists | | | | |
| 5. A Note on Iconography | | | | |
| 6. The Hoysala Legacy | | | | |
| No.1: Notes on Plates | Carmel Berkson | | | |
| No.2: Editorial- Glimpses of Wonder and Beauty- Indian Heritage | | | | |
| I. The Nude Godess in Indian Art | H.D. Sankalia | | | |
| II. Warli Pictographs | Pupul Jayakar | | | |
| III. The Best of Lovers- the Krishna Lila | Mulk Raj Anand | | | |
| IV. Souvenirs from Indian Jade | M.L. Nigam | | | |
| V. A Dream House in the Rocks- the Vision of Mehdi Nawaz Jung | Mulk Raj Anand | | | |
| VI. The Camera Eye- Six Visionaries | | | | |
| VII. Some new trends in Indian Sculpture | Janak Jhankar Narzary | | | |
| VIII. New Contemporaries | Gulam Mohammed Sheikh | | | |
| No.3: Editorial: Homage to Dinkar Kelkar | Mulk Raj Anand | | | |
| No.3: The House | Mulk Raj Anand | | | |
| a. Music | | | | |
| b. Toilet | | | | |
| c. Cooking | | | | |
| d. Working | | | | |
| e. Leisure | | | | |
| No.3: My Past is my Future | Dinkar Kelkar | | | |
| I. Daily Worship: The Icons and Ritual Accesories | | | | |
| II. The Light: Lamps of the Temple and the House | | | | |
| III, Wood Carving | | | | |
| IV. Artifacts for use in Writing: Ink wells and Pen Cases | | | | |
| V. The Culture of Tambula: Betel boxes, Lime containers and Nut-crackers | | | | |
| VI. Artefacts of Beauty Culture: Vajris, combs and Textiles | | | | |
| VII. Miscellaneous Utilities: | | | | |
| a. Kitchen utensils and implements | | | | |
| b. Smoking Pipes | | | | |
| c. Spitoons | | | | |
| d. Gunpowder Cases | | | | |
| e. Locks | | | | |
| f. Musical Instruments | | | | |
| g. Indoor Games | | | | |
| VIII. The Gaitra-Gauri Pata | Jutta-Jain Neubauer | | | |
| No.4: Editorial: Homage to Kalamkari | Mulk Raj Anand | | | |
| No.4: I: Towards a definition of Kalamkari | Lotika Varadarajan | | | |
| No.4: II: Gaiety in Colour and Form: Painted and Printed Cloths | Pupul Jayakar | | | |
| No.4: III: Spring Feeling: The Vasanta Vilasa (three vignettes) | Saryu Doshi | | | |
| No.4: IV: Painted Banners on Cloth: | | | | |
| 1. Vividha-tirtha-pata of Ahmedabad | Sridhar Andhare | | | |
| 2. The Pancha-kalyanaka Pata, School of Aurangabad | Saryu Doshi | | | |
| No.4: V: Dazzling to the Eye: Pichhvais from the Deccan | Saryu Doshi | | | |
| No.4: VI: Matano Chandarvo: Textile pieces for godess worship in Gujarat | Eberhard Fischer, Jyotindra Jain & Haku Shah | | | |
| No.4: VII: Patachitra of Orissa | J.P. Das | | | |
| No.4: VIII:The Significance of Chintz | John Irwin | | | |
| No.4: IX: Some Important Indian Chintzes | Katherine Brett | | | |
| No.4: X: Painters of Cotton: A Note on the Floorspread in the collection of the Victoria and Albert Museum, London | | | | |
| N.4: XI: Kalamkari: Transformation | Nelly Sethna, Yashodara Dalmia | | | |
| MARG: A Magazine of the Arts Vol. 32 | | Mulk Raj Anand | 1978-1979 | MARG Publications |
| No.1: Editorial: In Praise of Aihole, Badami, Mahakuta and Pattadakal | Mulk Raj Anand | | | |
| No.1: The Continuity of Symbols and Images | Mulk Raj Anand | | | |
| No.1: Roots, Relations and Relevance: The Chalukyan Backdrop | Mulk Raj Anand | | | |
| No.1: Temples of Early Chalukyas: Aihole, Badami, Mahakuta, and Pattadakal | George Mitchell | | | |
| No.2: Editorial: In Praise of Kerala Heritage | | | | |
| No.2: Architectural Developments of Kerala Temples | Ronald Bernier | | | |
| No.2: The Tradition of Wall Painting in Kerala | Mulk Raj Anand | | | |
| No.2: The Theatre of the Imagination | | | | |
| 1. Kathakali: The Sacred Dance: Drama of Kerala | Sunil Kothari | | | |
| 2. Kudiyattam: Fantasy and Poetry in Dance | D. Appukuttam Nair | | | |
| 3. Mohiniattam: The Dance of the Enchantress | Geeta Radhakrishna | | | |
| 4. Ecstasy of the Folk Dance: Mystical Rhythms of the Village Community | Kavalam Naryana Panikkar | | | |
| No.2: The Mosques of Kerala | T.P. Kuttiaummu | | | |
| No.2: The Synogogue: The Jewish Heritage | Carmel Berkson | | | |
| No.2: The Churches: Christian Heritage | D.Babu Paul | | | |
| No.3: Editorial: In Praise of Bharat Natyam | Mulk Raj Anand | | | |
| No.3: Spritual Background | Rukmini Devi | | | |
| No.3: Musical Content | Prof P.Sambamoorti | | | |
| No.3: History, Roots, Growth & Revival | Sunil Kothari | | | |
| No.3: Nritta | Sunil Kothari | | | |
| No.3: Nritya | Sunil Kothari | | | |
| No.3: Repertoire | E. Krishna Iyer | | | |
| No.3: Natya | Sunil Kothari | | | |
| No.3: Mysore School of Bharat Natyam | Sunil Kothari | | | |
| No.3: Guruparampara | Sunil Kothari | | | |
| No.3: Contemporaries | Sunil Kothari | | | |
| No.4: Editorial: In Praise of Christian Art in Goa | Mulk Raj Anand | | | |
| No.4: Portfolio | | | | |
| No.4: Shrines and Mansions of Goa | Jose Pereira | | | |
| 1. Panorama of Indian Baroque | | | | |
| 2. Rome of Asia | | | | |
| 3. Lost Seminary of Goa's Culture: Sao Paulo de Los Arcos | | | | |
| 4. Masterpiece of Indian Baroque: The Santana at Tallauli | | | | |
| 5. Rococo Goa | | | | |
| 6. Retables | | | | |
| MARG: A Magazine of the Arts Vol. 33 | | Mulk Raj Anand | | MARG Publications |
| No.1: Warp and Woof | Mulk Raj Anand | | | |
| No.1: The Story of the Calico Museum | Martand Singh | | | |
| No.1: Costumes through the Ages | Dr. Moti Chandra, Saryu Doshi & Marg | | | |
| No.1: Indian Textiles through the century | Pupul Jayakar | | | |
| No.1: The Romance of Indo-European Textile Trade | Marg | | | |
| No.2: Editorial: Splendours of Tamil Nadu | Mulk Raj Anand | | | |
| No.2: Tamil Temple Architecture and Art | K.V. Soundara Rajan | | | |
| No.2: On going Tamil Nadu Sculpture | Marg | | | |
| No.2: South Indian Bronzes | C. Sivaramamurthy | | | |
| No.2: Tamil Paintings | R.Nagaswamy | | | |
| No.3: Editorial: In Praise of Gomateshwara Shravana Belgola | Mulk Raj Anand | | | |
| No.3: The Pilgrim's Path at Shravana Belgola | Saryu Doshi | | | |
| No.3: The Three Jewels of Jain Philosophy | T.G. Kalghatgi | | | |
| No.3: The Legend of Bahubali, the Quintessence of Quest and Conquest | L.C. Jain | | | |
| No.3: Shravana Belgola in Legend and History | L.K. Srinivasan | | | |
| No.3: The Mahamastakabhisheka | Vilas A. Sanghave | | | |
| No.3: The Art Treasures of Shravana Belgola | Saryu Doshi | | | |
| No.3: Jain Metal Images from the Deccan Karnataka | Sadashiv Gorakshkar | | | |
| No.4: The RIse and Fall of the Vijayanagara Empire | Mulk Raj Anand | | | |
| No.4: History and Myth (Part I) | George Mitchell | | | |
| No.4: Man in Nature- Town Planning (Part II) | George Mitchell | | | |
| No.4: From Power to Pleasure (Part III) | George Mitchell | | | |
| No.4: God and Men (Part IV) | George Mitchell | | | |
| No.4: Muslim Influence (Part V) | Antony Hutt | | | |
| MARG: A Magazine of the Arts Vol. 34 | | Mulk Raj Anand | | MARG Publications |
| No.1: Editorial: Maharjah Ranjit Singh as Patron of the Arts | Mulk Raj Anand | | | |
| No.1: Transformation of Folk Images into Awareness of Beauty in Art Expression | Mulk Raj Anand | | | |
| No.1: Architecture | M.R.A. | | | |
| No.1: Wall Paintings under the Sikhs | Kanwarjit Singh Kang | | | |
| No.1: A Matter of Taste: Some Notes on the Context of Painting in Sikh Punjab | B.N. Goswamy | | | |
| No.1: Changing Faces of Maharajah Ranjit Singh in Sikh Punjab | Man Mohan Singh | | | |
| No.1: Maharajah Ranjit Singh's Court: Painters and the Painted | Man Mohan Singh | | | |
| No.2: Shivaji- The Founder of the Maratha Kingdom | A.R. Kulkarni | | | |
| No.2: Temple Architecture | M.S. Mate | | | |
| No.2: Maratha Manors | G.H. Khare | | | |
| No.2: Tradition of Painting- it's origin and continuity | M.S. Mate | | | |
| No.2: Miniature Painting | M.S. Mate | | | |
| No.2: Mural Tradition | Kamal Chavan | | | |
| No.2: The Tanjore Marathas | R.Nagaswamy | | | |
| No.3: Performing Arts- A Definition | Narayana Menon | | | |
| No.3: Gita Govinda- Processes of Diffusion | Kapila Vatsyayan | | | |
| No.3: Bharata Natyam | T.Balasaraswati | | | |
| No.3: Kalarpayattu of Kerala | G. Sankara Pillai | | | |
| No.3: Martial Dances of Manipur | E. Nilakanta Singh | | | |
| No.3: Gods and Ghosts- Teyyam and Bhuta Rituals | Bulan Nambiar | | | |
| No.3: Chaitra Parva Rituals- Chhau Dances | Mohan Khokar | | | |
| No.3: Indian Theatre Today- Grappling with New Realities | Kumud Mehta | | | |
| No.4: From The Editor | | | | |
| No.4: Architectural Decoration and Clothing Convention | Jan Pieper | | | |
| No.4: Temple Terracotta Decoration: Interaction between monumental and vernacular traditions | George Michell | | | |
| No.4: Traditional Woodwork in Secular Architecture | V.S. Pramar | | | |
| No.4: Wall Decorations of a Mobile People | Jutta Jain-Neubauer & Jyotindra Jain | | | |
| No.4: Haveli Facades: Concepts of Embellishments | Kulbhushan Jain | | | |
| No.4: Traditional Motifs in house ornamentation | G.K. Kanhere | | | |
| No.4: Newar Widows as elements of Architecture | Niels Gutschow | | | |
| No.4: Barber Shops of Madurai | Jan Pieper | | | |
| MARG: A Magazine of the Arts Vol. 35 | | Dr Saryu Doshi | | MARG Publications |
| No.1: From the Editor | | | | |
| No.1: Vestiges of Buddhist Art | S.Nagaraja | | | |
| No.1: Jaina Centre of Worship | Saryu Doshi and A.Sundara | | | |
| No.1: The Hindu Heritage | L.K. Srinivasan | | | |
| No.1: Traditions in Painting | B.V.K. Sastry | | | |
| No.1: The Islamic Legacy | Catherine B.Asher | | | |
| No.1: Monuments of Tipu Sultan | Radhika Sabavala | | | |
| No.2: The Heritage of Islamic Art in India | Karl Khandalavala | | | |
| No.2: The Snake and the Camel-Rider | Rai Anand Krishna | | | |
| No.2: Illustrated Islamic Manuscripts | Narindar Nath and Karl Khandalavala | | | |
| No.2: Indo-Islamic Arms & Armour | G.N. Pant | | | |
| No.2: Indo-Islamic Metal and Glassware | Jagdish Mittal | | | |
| No.2: Islamic Coinage in India | R.Vanaja | | | |
| No.2: The Mughal Jades of India | M.L.Nigam | | | |
| No.2: Glimpses of Muslim Architecture in India | R.Nath | | | |
| No.3: Introduction | Saryu Doshi | | | |
| No.3: The Hindu Past: Sculpture and Architecture | Gritli V.Mittervallner | | | |
| No.3: Temple Sanctuaries: Expressions of Devotion | Saryu Doshi & P.P. Shirodkar | | | |
| No.3: Christian Impress: Churches and Cloisters | J.Velinkar, S.J. | | | |
| No.3: Icons of Faith: Wood and Ivory | Kalpana S.Desai | | | |
| No.3: Of Silks and Embroidery: Indo-Portuguese Textiles | Lotika Varadrajan | | | |
| No.4: Continuity and Change: The Festival of India in Great Britain | | | | |
| No.4: Introduction | Saryu Doshi | | | |
| No.4: Ganjifa: The Playing Cards of India | Rudolph Von Leyden | | | |
| No.4: In the Image of Man: The Indian Perception of the Universe through 2000 years of Painting and Sculpture | Kapila Vatsyayan, Thomas Stuart Maxwell, George Michell, Linda Leach | | | |
| No.4: The Indian Heritage: Court Life and Arts under Mughal Rule | Rosemary Crill | | | |
| No.4: Six Indian Painters: Rabindranath Tagore, Jamini Roy, Amrita Sher-Gill, M.F. Husain, K.G. Subrmanyam, Bhupen Khakhar | Geeta Kapur | | | |
| No.4: Aditi | Priya Devi and Rajiv Sethi and Priya Devi | | | |
| No.4: The Living Arts of India: Craftsmen at Work | Swantantrata Prakash, Colin Ford | | | |
| No.4: The Master Weavers | Jyotindra Jain | | | |
| MARG: A Magazine of the Arts Vol. 36 | | Dr Saryu Doshi | | MARG Publications |
| No.1: Introduction | Saryu Doshi | | | |
| No.1: Continuity and Change | Mildred Archer | | | |
| No.1: The Art of the Book in India | Jeremiah P.Losty | | | |
| No.1: Contemporary Indian Art | Geeta Kapur | | | |
| No.1: Indian Art at Oxford | Ebraham Alkazi, Brian Durrans | | | |
| No.1: Vasna: Inside an Indian Village | Brian Durrans, Haku Shah | | | |
| No.1: Design In India | Nimesh Bhatt and S.Balaram | | | |
| No.2: Introduction: The Identity Crisis in the Visual and Performing Arts | Saryu Doshi | | | |
| No.2: Painting: Paintings and Sketches of Nandalal Bose | Ratan Parimoo | | | |
| No.2: Iconography: Metamorphosis in Myth, composite and animal forms in Vaishnava Art | Nandini and Haridas Swali | | | |
| No.2: Metalware: Ornamental Pandans of the Mughal Age | Mark Zebrowski | | | |
| No.2: Dance: Dance in Tradition, The Pioneers | Mohan Khokar | | | |
| No.3: Introduction | | | | |
| No.3: Manuscript Tradition | | | | |
| No.3: Miniature Painting | | | | |
| 1. Early Articulations: 1050-1350 A.D. | | | | |
| 2. Regional Interpretations: 1350-1550 A.D. | | | | |
| No.3: Legends | | | | |
| 1. Adi-Purana | | | | |
| 2. Kalpa Sutra | | | | |
| No.4: Introduction | Saryu Doshi | | | |
| No.4: Everyday Art | Anjali Munshi | | | |
| No.4: Crafts | Roshan Kalapesi | | | |
| No.4: Coins | Kalpana Desai | | | |
| No.4: Jewellery | R.S. Morwanchikar | | | |
| No.4: Ancient Metal Images | S. Gorakshkar | | | |
| No.4: Miniature Paintings | Saryu Doshi | | | |
| No.4: Contemporary Art | Baburao Sandwelkar | | | |
| | | | |
| MARG: A Magazine of the Arts Vol. 37 | | Dr Saryu Doshi | | MARG Publications |
| No.1: Introduction | Surya Doshi | | | |
| No.1:Rock-cut Temples | Karl Khandalavala | | | |
| No.1: Ancient Structures | A.P. Jamkhedkar | | | |
| No.1: Medieval Monuments | Shankar Menon | | | |
| No.1: Bombay | | | | |
| 1. Perspective | P.M. Joshi and S.S. Rege | | | |
| 2. Landmarks | Foy Nissen | | | |
| 3. Charisma | Behram Contractor | | | |
| No.2: Foreword | George A.Sioris | | | |
| No.2: Introduction | Saryu Doshi | | | |
| No.2: The Sublime and the Infinite | Lokesh Chandra | | | |
| No.2: Traditions | | | | |
| 1. The Emblems of Empire | R.Vanaja | | | |
| 2. Prophesy of Planets | M.C. Joshi | | | |
| 3. The Arrested Moment | Lolita Nehru | | | |
| No.2: A Cultural Diffusion | Chhaya Haesner | | | |
| No.3: Preface | George Michell | | | |
| No.3: Introduction | Annemarie Schimmel | | | |
| No.3: Chronological Maps and Chart | | | | |
| 1. Bahmani Coinage | Marie H.Martin | | | |
| 2. Daulatabad | John Burton-Page | | | |
| 3. Gulbarga | Elizabeth Merklinger | | | |
| 4. Bidar | George Michell | | | |
| 5. Bijapur | John Burton-Page | | | |
| 6. Golconda and Hyderabad | George Michell | | | |
| No.4: Guest Editor's Preface | | | | |
| No.4: Introduction | Pratapaditya Pal | | | |
| No.4: Charles Lang Freer (1856-1919) | Robert E.Fisher | | | |
| No.4: Avery Brundage (1887-1975) | Clarence F.Shangraw | | | |
| No.4: John D.Rockefeller, 3rd (1906-1978) | Robert L.Brown | | | |
| No.4: Selections from the Pan-Asian Collection | Pratapaditya Pal | | | |
| | | | |
| MARG: A Magazine of the Arts Vol. 38 | | Pratapaditya Pal | | MARG Publications |
| No.1: Nasli M.Heeramaneck (1902-1971) | Nancy Thomas | | | |
| No.1: Edward Binney, 3rd (1925-1986) | Thomas W.Lentz,Jr. | | | |
| No.1: Norton Simon (1907- ) | Pratapaditya Pal | | | |
| No.2: The Study of Fatehpur-Sikri | Milo C.Beach | | | |
| No.2: Urban Structures and Functions | Glenn D.Lowry | | | |
| No.2: The Geometry of Power: The City's Planning | Attilio Petruccioli | | | |
| No.2: The Imperial Capital | John.F.Richards | | | |
| No.2: The Economic and Social Setting | Irfan Habib | | | |
| No.2: The City as an Intellectual Center | Bruce B.Lawrence | | | |
| No.2: The City as an Artistic Center | Micheal Brand | | | |
| No.2: Conserving Fatehpur-Sikri: The Designer's Role | Ashoke Chatterjee | | | |
| No.3: A Glorious Awakening | Karl Khandalavala and Saryu Doshi | | | |
| No.3: Sculptures | Karl Khandalavala and Archana Roy | | | |
| No.3: Terracottas | Karl Khandalavala and Archana Roy | | | MARG Publications |
| No.3: The Tradition of Manuscript Illumination | Saryu Doshi | | | MARG Publications |
| No.4: Differing Concepts of Art: An Introduction | Ursula Bickelmann | | | |
| No.4: Remembering The Encounter | Nissim Ezekiel | | | |
| No.4: Art- East and West | George Lechner | | | |
| 1. Ernst Fuchs | | | | |
| 2. S.H. Raza | | | | |
| 3. Bikash Bhattacharjee | | | | |
| 4. Mark Prent | | | | |
| 5. Francis Newton Souza | | | | |
| 6. Peter Nagel | | | | |
| 7. Piloo Pochkhanawala | | | | |
| 8. Balan Nambiar | | | | |
| 9. G.R. Santosh | | | | |
| 10. Jeram Patel | | | | |
| 11. Wolfgang Laib | | | | |
| 12.Peter Kinley | | | | |
| 13. Claude Lagoutte | | | | |
| 14. Manjit Bawa | | | | |
| MARG: A Magazine of the Arts Vol. 39 | | Karl Khandalavala, Roshan Sabavala, Sadashiv Gorakshar | | MARG Publications |
| No.1: Introduction | Kapila Vatsayayan | | | |
| No.1: Patronage Under The Medici and The Mughals Cultural Parallels and Artistic Exchanges | Dalu Jones | | | |
| No.1: Pietre Dure and Other Artistic Contracts Beteween The Court of The Mughals and That of of The Medici | Ebba Koch | | | |
| No.1: The CIty as an Image of the King- Some notes on the Town-Planning of Mughal Capitals in the Sixteenth an Seventeenth Centuries | Attilio Petruccioli | | | |
| No.1: Hanging Gardens In the Princely Capitals of Rajasthan and In Early Renaissance Italy Sacred Space, Earthly Paradise, Secular Ritual. | Jan Pieper | | | |
| No.1: Metaphysical And Ephemeral Architeture | Guisto Puri Purini | | | |
| No.2: Patron, Artist and Temple- An Introduction | Vidya Dehejia | | | |
| No.2: Munificient Monarch and a Superior Sculptor- Eighth Century Chamba | Pratapaditya Pal | | | |
| No.2: Inspired Patron of Himalayan Art- Eighth Century Kashmir | Robert E.Fisher | | | |
| No.2: Kalachuri Monarch and His Circular Shrine of Yoginis- Tenth Century Bheraghat | Vidya Dehejia | | | |
| No.2: Lord of Kalanjara and His Shrine of the Emerald Linga- Eleventh Century Khajuraho | Devangana Desai | | | |
| No.2: Scholar Emperor and a Funerary Temple | Kirit Mankodi | | | |
| No.3: Maps | | | | |
| No.3: Historical Context | John Burton-Page | | | |
| No.3: Urban Context | R.N. Mehta & Rasesh Jamindar | | | |
| No.3: Mosques and Tombs | John Burton-Page | | | |
| No.4: A Pre-Kushan Buddha Image from Mathura | Pratapaditya Pal | | | |
| No.4: A Gandharan Bronze Buddha Statuette: It's Place in the Evolution of the Buddha Image in Gandhara | Martha L.Carter | | | |
| No.4: The Case of the two Witnesses to Buddha's Enlightenment | Janice Leoshko | | | |
| No.4: The Pesistence of Buddhism in Tamilnadu | Vidya Dehejia | | | |
| MARG: A Magazine of the Arts Vol. 40 | | Karl Khandalavala, Roshan Sabavala, Sadashiv Gorakshar | 1988-1989 | MARG Publications |
| No.1: Introduction | Janice Leoshko | | | |
| No.1: The Mahabodhi Temple | Geri H.Malandra | | | |
| No.1: The Vajrasana Buddha | Janice Leoshko | | | |
| No.1: Gaya: Monuments of the Pilgrimage Town | Frederick M.Asher | | | |
| No.1: Bodhgaya and South-east Asia | Robert L.Brown | | | |
| No.2: The Enigma of Harwan | Robert E.Fisher | | | |
| No.2: Buddhist Architecture | Robert E.Fisher | | | |
| No.2: Stone Temples | Robert E.Fisher | | | |
| No.2: Early Stone and Terracotta Sculpture | John Siudmak | | | |
| No.2: Kashmir and the Tibetan Connection | Pratapaditya Pal | | | |
| No.4: Introduction | Pauline Rohatgi & Pheroza Godrej | | | |
| No.4: The Peoples of India | Mildred Archer | | | |
| No.4: A Floral Paradise | Ray Desmond | | | |
| No.4: William Hodges and the Daniells at Agra | Pauline Rohatgi | | | |
| No.4: The Tipu Mania: Narrative Sketches of the Conquest of Mysore | Anne Buddle | | | |
| No.4: The Travels of Henry Salt And Lord Valentia In India | Pheroza Godrej | | | |
| MARG: A Magazine of the Arts Vol. 41 | | Karl Khandalavala, Roshan Sabavala, Sadashiv Gorakshar | 1990 | MARG Publications |
| No.1: Introduction | Paulin Rohatgi and Pheroza Godrej | | | |
| No.1: A Bountiful Ark | Ray Desmond | | | |
| No.1: Amatuer Artists in Western India: James Forbes and Robert Melville Grindlay | Pauline Rohatgi | | | |
| No.1: Eating Habits of the British In India | Shalini Devi Holkar | | | |
| No.1: Some Monuments of Old Madras | S.Muthiah and Pauline Rohatgi | | | |
| No.1: A Gallery of Governors-General | Pheroza Godrej | | | |
| No.2: Editorial | Saryu Doshi | | | |
| No.2: Introduction | Kapila Vatsyayana | | | |
| No.2: History: The Celestial Inheritage | E. Nilakanta Singh | | | |
| No.2: Lai-Haroba: The Gods Rejoice | R.K. Achoubsiana SIngh | | | |
| No.2: Sankirtan: The Dance of Devotion | Surachand Sharma | | | |
| No.2: Rasa-Lila: The Sacred Circle | Angana Jhaveri | | | |
| No.2: Technique: Choreographic Content | Ranjana Jhaveri and Darshana Jhaveri | | | |
| No.2: Abhinaya: The Aesthetics of Expression | Guru Bipin Singh and Kalavati Devi | | | |
| No.3: Introduction | Sheila R.Canby | | | |
| No.3: "Zenith of the Time" The Painter Pir Ahmed Bagshimali | B.W. Robinson | | | |
| No.3: Siyah Qalam | J.M. Rogers | | | |
| No.3: Changing Worlds: Bihzad and the New Painting | Thomas W.Lentz | | | |
| No.3: Sultan Mohammed Tabrizi: Painter at the Safavid Court | Priscilla Soucek | | | |
| No.3: Age and Time in the Work of Raza | Sheila R.Canby | | | |
| No.4: Kali, Calcutta, and Kalighat Pictures | Pratapaditya Pal | | | |
| No.4: Indian Artists and British Patrons in Calcutta | Pratapaditya Pal | | | |
| No.4: Early Photography in Calcutta | SIddharth Ghosh | | | |
| No.4: Calcutta and the Early Growth of the Bengal School of Painting | Amita Ray | | | |
| MARG: A Magazine of the Arts Vol. 42 | | Karl Khandalavala, Roshan Sabavala, Sadashiv Gorakshar | | MARG Publications |
| No.1: Foreword | Roy C.Craven, Jr. | | | |
| No.1: The Reign of Raja Dalip Singh (1695-1741) and the Siege of Lanka Series of Guler | Roy C.Craven, Jr. | | | |
| No.2: Foreword | | | | |
| No.2: Myths, Legends and History | | | | |
| No.2: Dance Sculptures | | | | |
| No.2: The Palm-leaf Manuscripts and the Sangita Texts | | | | |
| No.2: The Living traditions: The Maharis and the Gotipuas | | | | |
| No.2: Contemporaries | | | | |
| No.3: Editorial | Karl Khandalavala | | | |
| No.3: The Rulers of the Gupta Dynasty | Parmeshwari Lal Gupta | | | |
| No.3: Towards Understanding Gupta Sculpture | J.C. Harle | | | |
| No.3: Buddhist and Brahmanical Gupta Sculptures from Mathura | R.C. Sharma | | | |
| No.3: Jaina Art of the Gupta Period | M.N.P. Tiwari | | | |
| No.3: Gupta Coinage | R.Vanaja | | | |
| No.3: Gupta Bronzes | Sadashiv Gorakshar | | | |
| No.3: Kalidas in the Light of Gupta Art | D.C. Bhattacharya | | | |
| No.3: Dinna-The Mathura-Gupta Artist | Savitri Subrahmanyam | | | |
| No.4: Introduction | Pratyapaditya Pal | | | |
| No.4: Basawan | Anima Okada | | | |
| No.4: Miskin | Philippa Vaughan | | | |
| No.4: Mansur | Ashok Kumar Das | | | |
| No.4: Manohar | Terence McInerney | | | |
| MARG: A Magazine of the Arts Vol. 43 | | Karl Khandalavala, Roshan Sabavala, Sadashiv Gorakshar | 1991 | MARG Publications |
| No.1: Introduction | Ernst J.Grube | | | |
| No.1: Burzoy's/Burzayah's Voyage to India | | | | |
| No.1: The Panchatantra: From India to the West- and Back. | | | | |
| No.1: The Earliest Illustrations to Kalilah wa Dimmah | Julian Raby | | | |
| No.1: The Early Illustrated Kalilah Wa Dimnah Manuscripts | Ernst J.Grube | | | |
| No.1: The Istanbul University Library Kalilah wa Dimnah and other 14th century Persian Manuscripts | Ernst J.Grube | | | |
| No.2: Introduction | George Michell | | | |
| No.2: Vahanas: Conveyors of the Gods | Joanne Punzo Wagborne | | | |
| No.2: Chariot Panels from Tamil Nadu | George Michell | | | |
| No.2: Doors and Woodcrafts of Chettinad | Deborah Thiagarajan | | | |
| No.3: Christian Altar Figures | George Michell | | | |
| No.3: Carvings in Kerala Temples | George Michell | | | |
| No.3: Bhuta Figures of South Kanara | Nima Poovaya-Smith | | | |
| No.4: A Tradition in Transformation | Saryu Doshi | | | |
| No.4: Tribal Societies of India | Malti Nagar | | | |
| No.4: North-East India | A.K. Das | | | |
| No.4: Bengal | Sahita Ranjan Sarkar | | | |
| No.4: Orissa | S.K.Mohapatra | | | |
| MARG: A Magazine of the Arts Vol. 44 | | Karl Khandalavala, Sadashiv
| | |
| Art & Architecture | | | | |
| No.4: The Deccan: A Nucleus of Culutre | Shehbaz H,Safrani | | | |
| No.4: Hyderabad: Garden to a City | S.P. Shorey | | | |
| No.4: Golconda Picchwais: Epxressions of Devotion | Shehbaz H. Safrani | | | |
| No.4: Bidri ware: Lyric Patterns | Stephen M.Markel | | | |
| No.4: Deccani Drawings Reflections on Life | Shahbaz H.Safrani | | | |
| No.2: Introudction | Stephen Markel | | | |
| No:2:Early Chinese Jades | Robert E.Fischer | | | |
| No.2: The Working of Jade in the Ming and Qing Dynasties | James C.Y. Wan | | | |
| No.2: Jades from the Islamic World | Ralph Pinder-Watson | | | |
| No.2: Inception and Maturation in Mughal Jades | Stephen Markel | | | |
| No.3: Introduction | George Michell | | | |
| No.3: Kanchipuram | Dennis Hudson | | | |
| No.3: Thiruvannamalai | Francouse L'Hernailt | | | |
| No.4. Chidambaram | Daviid Smith | | | |
| No.3: The Philosdpjy of Kathakali | | | | |
| No.4: Three-dimensional Poetic Art. | | | | |
| No.4: Textual Scores for Performances | K.Ayyappa Panikkar | | | |
| No.4: Patrons, Troupes and Performers | Chitra Pannikar | | | |
| No.4: Major Kathakali Institutes: | | | | |
| Kerala Kalamandalam | Olapamma Subrahmaniam Nambudirippad | | | |
| No.4: Margi: An Art Resource Centre | G.S. Warrier | | | |
| No.4: Initiatiion and Training | Kalamandalam Padmanabhan Nair | | | |
| No.4: Textual Sources for Performances | | | | |
| MARG: A Magazine of the Arts Vol. 45 | | Pratapaditya Pal | 1993-1994 | MARG Publications |
| No.1: An Introduction to Abhinaya | Kalamandalam Ramankutty Nair | | | |
| No.1: The Visual Dimension | | | | |
| No.1: Aharyaabhinaya | Kamandalam Govinda Warrier | | | |
| No.1: Angikabhinaya | Kamandalam Gopi | | | |
| No.1: Sattwikaabhinaya | Sudha Gopalakrihnan | | | |
| No.1: Rasabhinaya | D.Appukuttan Nair | | | |
| No.2: Influences and Interactions | Saryu Doshi | | | |
| No.2: The Lotus and the Seed | Geeti Sen | | | |
| No.2: Interactions in Art | Mervat Seif-el-DIn | | | |
| No.2: Commerce and one Faith | Sahar Abdel Aziz Salem | | | |
| No.2: Colour, Motif and Arabesque | Saryu Doshi | | | |
| No.3: Rama: Hero and Avatar | Vidya Dehejia | | | |
| No.3: The Universe of Rama: Valmiki's Epic Poem | Barbara Stoler Miller | | | |
| No.3: Royal Legitmition: Ramayana Reliefs on the Papanatha Temple at Pattadakal | Helen J.Wechsler | | | |
| No.3: Ramayana Portraits: The Nageshwara Temple at Kumbakonom | David T.Sandford | | | |
| No.3: Akbar's Imperial Ramayana: Mughal Persian Manuscript | Ashok Kumar Das | | | |
| No.3: A Sub-Imperial Mughal Manuscript: The Ramyana of Abd al-Rahim Khankhanan | John Seyller | | | |
| No.4: Introduction | Parmeshwari Lal Gupta | | | |
| No.4: India's First Coinage: Punch-Marked Coins | Parmeshwari Lal Gupta | | | |
| No.4: Artistry and Realism: Coinage of the Indo-Greeks and Scytho-Parthians | B.N. Mukherjee | | | |
| No.4: Coins and Kingship: Kanishka and the Kushana Dynasty | Martha L.Carter | | | |
| No.4: Invention and Innovation: Royal Gupta Gold Coins | Ellen M.Raven | | | |
| No.4: Rupar Bangla: The Politics and Religion of Medieval Bengal Through coins | John Deyell | | | |
| MARG: A Magazine of the Arts Vol. 46 | | Pratapaditya Pal | 1994-1995 | MARG Publications |
| No.1: The Formative Period (Circa 1856-1910), Sir J.J. School of Art and the Raj | Partha Mitter | | | |
| No.1: Orientalizing the Raj, Indo-Saracenic Fantasies | Giles H.R. Tillotson | | | |
| No.1: Edwardian Architects of Bombay, George Wittet and John Begg | Christopher W.London | | | |
| No.1: A Poet's Vision: The Houses of Rabindranath Tagore | Andrew Robinson | | | |
| No.1: The Myth of the Monuments, Public Commemorative Statues | Mary Ann Steggles | | | |
| No.2: Princes of the Houses of Timur: The Written Record | Toby Falk | | | |
| No.2: Who Painted Princes of the House of Timur? | Heather Elgood | | | |
| No.2: Iranian Artists in the Service of Humayun | Robert Skelton | | | |
| No.2: Recycled Images: Overpainting in Early Mughal Art | John Seyller | | | |
| No.3: Introduction: Woven Silks of India | Jasleen Dhamija | | | |
| No.3: A Group of Early Silks: The Tree Motif | Steven Cohen | | | |
| No.3: Vaishnavite Silks: The Figured Textiles of Assam | Rosemary Crill | | | |
| No.3: Mughal Silks: The Metropolitain Museum Collection | Daniel Walker | | | |
| No.3: Paithani Weaves: An Ancient Tapestry Art | Jasleen Dhamija | | | |
| No.3: Kanchivani: The Saris of Kanchipuram | | | | |
| No.4: Introduction | Pauline Rohatgi and Pheroza Godrej | | | |
| No.4: The East India Company's Settlement Pictures- George Lambert and Samuel Scott | Brian Allen | | | |
| No.4: Sketching from Nature- Soldier Artists in India | Patricia Katterhorn | | | |
| No.4: Preface to a Lost Collection: The Pioneering Art of Francis Swin Ward | Pauline Rohatgi | | | |
| No.4: A Fair Picture: Hodges and Daniells at Rajmahal | G.H.R. Tillotson | | | |
| No.4: The Poet's Eye: The Intimate Landscape of George Chinnery | Patrrick Conner | | | |
| MARG: A Magazine of the Arts Vol. 47 | | Pratapaditya Pal | 1995-1996 | MARG Publications |
| No.1: Editorial | | | | |
| No.1: Introduction | Susan Strange | | | |
| No.1: Early Jewellery of Bengal: The Shunga Period | Zulekha Haque | | | |
| No.1: The Sacred ans the Secular: Jewellery in Buddhist Sculpture in the Northern Kushan Realm | Carolyn Woodford Schmidt | | | |
| No.1: Jewellery in the Temples of Karnataka | Choodamani Nanda Gopal | | | |
| No.1: Jewels and Gems in Goa from the Sixteenth to Eighteenth Century | Nuno Vassallo e Silva | | | |
| No.1: The Royal Jewels of Tirumala Nayaka of Madurai (1623-1659) | Jean-Francois Hurpre | | | |
| No.2: The Dual Role of Ganesh in the Buddhist Art of South Asia | Gouriswar Bhattacharya | | | |
| No.2: Abscences and Transformations: Ganesh in the Shvetamabara Jain Tradition | John E.Cort | | | |
| No.2: Images of Ganesh from South-East Asia | Robert L.Brown | | | |
| No.2: Spirit King, Demon, and God of Wealth: Ganesh in East Asia | Teresa Tse Bartholomew | | | |
| No.2: Collecting Ganesh Images | Vasant Chowdhury | | | |
| No.3: In Memoriam: Karl J. Khandalavala | | | | |
| No.3: From the General Editor's Desk | | | | |
| No.3: Introduction: Sanchi and the Art of Buddhism | Vidya Dehejia | | | |
| No.3: Discovery and Restoration of the Monuments | Deabala Mitra | | | |
| No.3: Constructing a Buddhist Ritual Site: Stupa and Monastery Architecture | Kevin Trainor | | | |
| No.3: The Animated World of the Toranas | Vidya Dehejia | | | |
| No.4: Foreword by His Holiness the Dalai Lama | | | | |
| No.4: From the Editors Desk | | | | |
| No.4: Early TIbetan Sculpture | Micheal Hens | | | |
| No.4: The Sacred Enclave of Gyantse | Erberto F.Lo Bue | | | |
| No.4: Sino-Tibetan Sculpture: The TIbetan Legacy | Sheila C. Bills | | | |
| No.4: TIbetan Bronzes: Techniacal Observations | Chanra L.Reddy | | | |
| MARG: A Magazine of the Arts Vol. 48 | | Pratapaditya Pal | 1996-1997 | MARG Publications |
| No.1: Foreward By His Holiness the Dalai Lama | | | | |
| No.1: From the Editors Desk | | | | |
| No.1: Early Thankas: Eleventh-Thirteenth Centuries | Jane Casey Singer | | | |
| No.1: Wall-Paintings in Western Tibet | Michael Henss | | | |
| No.1: Murals in the Early Temples of Alchi | Roger Goepper | | | |
| No.1: Fabric Images and their Special Role in TIbet | Valrae Reynolds | | | |
| No.2: From the General Editor's Desk | | | | |
| No.2: Introduction | Gayatri Sinha | | | |
| No.2: Gogi Saroj Pal: "Between Myth and Reality" | Uma Nair | | | |
| No.2: Nalini Malani: "Memory Stress and Recall" | Kamala Kapoor | | | |
| No.2: Latika Katt: Towards Demateralization of the Material | | | | |
| No.2: Navjyot: Of Response and of Respnsibility | | | | |
| No.2: Apana caur: Connecting Womanhoood | Gayatri SInha | | | |
| No.3: From the General Editor's Desk | | | | |
| No.3: Introduction | Farooq Ameen | | | |
| No.3: Social Institutions and a Sense of Place | Bal Krishna Doshi | | | |
| No.3: Land, Water and Man in Bengal, Themes for a Deltaic Architecture | Kazi Khaleed Ashraf | | | |
| No.3: Vernacular, Religion,and the Contemprary expression in Pakistan | Kamil Khan Mumtaz | | | |
| No.3.The Use of Traditon in Architecture and Urban Form | Raj Rewal | | | |
| No.4: From the General Editor's Desk | | | | |
| No.4: When We Get There: Bombay In Early Maps | Susan Gole | | | |
| No.4: Defining a Unique City: Surveying and Mapping Bombay after 1800. | Matthew H.Edney | | | |
| No.4: Early Impressions of the Islands: James Forbes and James Wales in Bombay 1766-95 | Paulin Rohatgi | | | |
| No.4: Whither the Towers?, The Changed view of Malabar Hill | Pheroza J.Godrej | | | |
| MARG: A Magazine of the Arts Vol. 49 | | Pratapaditya Pal | 1997-1998 | MARG Publications |
| No.1: From the General Editor's Desk | | | | |
| No.1: Evolution, Involution, and The City's Future: A Perspective on Bombay's Urban Form | Rahul Mehrotra | | | |
| No.1: Artless Objects: Post-Independence Architecture In Bombay | Himanshu Burte | | | |
| No.1: Bombay Shows the Way: Pioneering Urban Conservation | Cyrus Guzder | | | |
| No.1: New Bombay: Marg As An Urban Catalyst | Charles Correa | | | |
| No.2: From the General Editor's Desk | | | | |
| No.2: Introduction | Philippa Vaughan | | | |
| No.2: A Visible Monument: Architectural Policies and the Victoria Memorial Hall | G.H.R. Tillotson | | | |
| No.2: The Last of the Augustans: Lord Curzon and Indian Architecture | Derek Linstrum | | | |
| No.2: India and the European Cultural Inheritance: The Victoria Memorial Hall | | | | |
| No.2: Curzon's "National Gallery": The Art Collections | Deborah Swallow | | | |
| No.2: New Insights through Restoration: Oil Paintings of India by European Masters Circa 1760-1830 | Rupert Featherstone | | | |
| No.3: From the General Editor's Desk | | | | |
| No.3: The Painted Scrolls of the Garoda Picture and Showmen of Gujarat | Jyotindra Jain | | | |
| No.3: Itinerant Images: Embodiments of Art and Narrative in Telangana | Kirtana Thangavelu | | | |
| No.3: To Show, To See, To Tell, To Know: Patuas, Bhopas and their Audience | Kavita Singh | | | |
| No.3: The Persistence of Romance in the Paintings of Gulammohammed Sheikh | Geeta Kapur | | | |
| No.3: Mumbai: Looking Ahead | Charles Correa | | | |
| No.3: Culture Cut Apart? Rural Indian Embroideries and Commoditization | Victor Z.Rivers | | | |
| No.3: Newsletters | | | | |
| 1. From India | Monisha Ahmed | | | |
| 1. From Europe and Japan | John Siudmak | | | |
| 3. From the U.S.A. | Shehbaz H.Safrani, Tushara Bindu Gude | | | |
| No.3: From the General Editor's Desk | | | | |
| No.3: Kesu Das: The Impact of Western Art on Mughal Painting | Amina Okada | | | |
| No,3: Farrrukh Beg: Studies of Adorable Youths and Venerable Saints | Ashok Kumar Das | | | |
| No,3: Bishandas "Unequalled in his age in Taking Likenesses" | Ashok Kumar Das | | | |
| No.3: Govardhan: "Servant of Jehangir" | Milo C.Beach | | | |
| No.3: The Nyatapola Temple of Bhaktapur: A Mark of Nepalese Temple Design | Raimund O.A. Becker-Ritterspach | | | |
| No.3: The Afsarwali Majid and Afsarwala Gumbad at Nizamuddin, Delhi | Subhash Parihar | | | |
| No.3: Newsletters | | | | |
| From Mumbai- Monisha Ahmed | | | | |
| From London- John Siudmak | | | | |
| From the USA- Tushara Bindu Gude | | | | |
| Exhibition News from Prague- Hana Knizkova | | | | |
| MARG: A Magazine of the Arts Vol. 50 | | Pratapaditya Pal | 1998-1999 | MARG Publications |
| No.1: From the General Editors Desk | | | | |
| No.1: Nikka and Ranjha at the Court of Raj Singh of Chamba | Vishwa Chander Ohri | | | |
| No.1: Harkhu and Chhajju: Two Guler Artists in Chamba | Jagdish Mittal | | | |
| No.1: Gursahai: A Guler Painter at Basohli | Surwacha Paul | | | |
| No.1: Chaitu at Tehri Garhwal | Usha Bhatia | | | |
| No.1: The Guler Painter Fattu at Mandi | Vijay Sharma | | | |
| No.1: The Bohrawads of Sidhpur | Zoyab A.Kadi | | | |
| No.1: Renovated Textile Gallery at the National Museum, New Delhi | Anamika Pathak | | | |
| No.2: From the General Editor's Desk | | | | |
| No.2: Early Chinese Buddhist Architecture and It's Indian Origins | Nancy Shatzman Steinhardt | | | |
| No.2: Foreigners in Early Chinese Buddhist Art: Disciples, Lohans, and Barbarian Rulers | Janet Baker | | | |
| No.2: Avalokiteshwara in Sixth-Century China | Denise Patry Leidy | | | |
| No.2: Two Kushan Period Buddhist Sculptures | Pratyapaditya Pal | | | |
| No.2: The Conservation of Mohenjo-Daro | Shereen Ratnagar | | | |
| No.2: Architecture as a Second Nature- A Feminine Discourse? The Work of Itsugo Hasegawa | Udo Kultermann | | | |
| No.3: From the General Editor's Desk | | | | |
| No.3: Portraits of Birds and Animals Under Jehangir | Som Prakash Verma | | | |
| No.3: The Use of Flora and Fauna Imagery in Mughal Decorative Arts | Stephen Markel | | | |
| No.3: The Elephant in Mughal Painting | Ashol Kumar Das | | | |
| No.3: Mythical Animals in Mughal Art: Images, Symbols and Allusions | Philippa Vaughan | | | |
| No.3: The Fourteenth-Century Adina Mosque in Pandua | Naseem A. Banerji | | | |
| I. Connection between the Koranic Sura of Light, sufi Light Mysticism, and the Motif of a "Lamp within a Niche" | | | | |
| II. The Mihrabs in the Adina Mosque: Evidence of the Reuse of Late Pala-Sena Remains | | | | |
| No.3: Le Corbusier: Symbolic Themes at Chandigarh | Steven W.Hurtt | | | |
| No.4: From the General Editor's Desk | | | | |
| No.4: The Art of Pyu and Mon | John Guy | | | |
| No.4: Vishnu in Burma | Pamela Gutman | | | |
| No.4: Between India and Burma: The "Andagu" Stelae | Claudine Bautze-Picron | | | |
| No.4: Pagan Bronzes: Fresh Observations | Donald M.Stadtner | | | |
| No.4: Mahayana Buddhism in Sri Lanka | Ulrich Von Schroeder | | | |
| No.4: A General's Act of Piety: a Newly Discovered Buddhist Monastery of Ancient Bengal | Gautam Sengupta | | | |
| MARG: A Magazine of the Arts Vol. 51 | | Pratapaditya Pal | 1999-2000 | MARG Publications |
| No.1: From the General Editor's Desk | | | | |
| No.1: Tiruchirapalli and the Sacred Island of Srirangam | Crispin Branfoot | | | |
| No.1: Tanjavur: Capital of the Delta | Daud Ali | | | |
| No.1: Temple City of Kumbakonam | Vivek Nanda | | | |
| No.1: Baolis of Punjab and Haryana | Subhash Parihar | | | |
| No.1: Studies in Indian Art and Culture: Some Avoidable Presumptions and Speculative Theories | Ziyaud-Din A.Desai | | | |
| No.2: From the General Editor's Desk | | | | |
| No.2: Indian Symbols in a Southeast Asian Setting: Coins and medals of Ancient Dwarvati | Robert S.Wicks | | | |
| No.2: Early Buddhist Sculpture of Thailand: Circa Sixth-Thirteenth Century | Nandana Chutiwongs | | | |
| No.2: Vishnu Images from Ancient Thailand and the Concept of Kingship | Virginia Dofflemeyer | | | |
| No.2: Symbolism of Ashokan Pillars: A Reappraisal in the Light of Textual and Visual Evidence | Gautama V.Vajracharya | | | |
| No.3: From the General Editor's Desk | | | | |
| No.3: Early Painting at Bundi | Joachim K.Bautze | | | |
| No.3: The Saving Power of Soron: Sahibdin of Udaipur and the Surakshetra Mahatmya | Andrew Topsfield | | | |
| No.3: Court Paintign for the Amber Rulers, circa, 1590-1727 A.D. | Ashol Kumar Das | | | |
| No.3: New Discovieries | | | | |
| I. Exposition of the Bijamandaal Temple in Khajuraho | Phani Kanta Mishra | | | |
| II. Significance of a New FInd at Khajuraho: Gahapati Kokkala's Vaidyanath Temple?. | Devangana Desai | | | |
| No.3: The Splendours of Wood Carving in Vaso-Haveli, North Gujarat | V.S. Pramar | | | |
| No.3: Portraint of Muktambal, Swordwife fo Sarfoji II | Ramaa Nsrsysns | | | |
| No.3: New Asian Galleries at the Sorton Simon Museum, Pasadena | Jyotindra Jain | | | |
| No.4: From the General Editor's Desk | | | | |
| No.4: A Glorious Heritage: Maharao Lakhpatji and the Aina Mahal | Pramod J.Jethi and Christopher W.London | | | |
| No.4: The Aina Mahal: An Early Example of Europeanerie | Amin Joffer | | | |
| No.4: The Prag Mahal and Henry St.Clair Wilkins Architecture | Christopher W.London | | | |
| No.4: Architecture as Reinterpretation fo Context: Housing in Kutch | Sanjay Udamale | | | |
| No.4: The Looting of Antiquities | Dilip K.Chakrabarti | | | |
| MARG: A Magazine of the Arts Vol. 52 | | Pratapaditya Pal | 2000-2001 | MARG Publications |
| No.1:From the General Editor's Desk | | | | |
| No.1: Sculptural Embodiments: Unmaking and Remaking Modernity | Anshuman Das Gupta | | | |
| No.1: Towards a "Genre" Theory of Figurative Sculpture | Benoy P.J. | | | |
| No.1: Abstraction: Nature and the Numinous | Suresh Jayram | | | |
| No.1: Shifts in Medium: Trends, Tendencies and Breakthroughs | Sudhir Kumar Duppati | | | |
| No.1: Deorkothar Stupa: New Light on Early Buddhism | Phani Kanta Mishra | | | |
| No.2: From The General Editor's Desk | | | | |
| No.2: From Raga to Fusion: Hindustani Music | Sandeep Bagchee | | | |
| No.2: The State of Classical Dance: 2000. | Sunil Kothari | | | |
| No.2: "We need a House of Our Own": The Impasse of Indian Theatre after Independence | Rustom Bharucha | | | |
| No.2: The Enduring Allure of the Big Screen: A Century of Indian Cinema | Shyam Benegal | | | |
| No.2: The Power of the Small Screen: Television as Purveyor of Culture | Amita Malik | | | |
| No.2: Rediscovered: A Rare Portrait of Raja Rammohun Roy | Alyssa L.Langlais Dodge and Susan S.Bean | | | |
| No.3: Bhubaneshwar (Ekamra-kshetra), Temple Town and Cultural Centre | Thomas Eugen Donaldson | | | |
| No.3: Jaipur (Viraja-Kshetra) and Shakta Art | Thomas Eugen Donaldson | | | |
| No.3: Conserving the Temple of Lord Jagganath | Gopal C.Chauley | | | |
| No.3: Closer to heaven than the Gods: Jain Monks in Pre-Kushan Mathura | Sonya Rhie Quintanilla | | | |
| No.3: Tomb of Subhan: A Little Known Monument in the Lodi Period | Subhash Parihar | | | |
| No.4: From the General Editor's Desk | | | | |
| No.4: Of Buildings and Books: The Theory and the Practice of the Architect Madan | Rima Hooja | | | |
| N0:4: Mandala by Design: The Courtyard of a Haveli Temple in Jaipur | Vibhuti Sachdeva | | | |
| No.4: Palaces of the Rajput Kings | Giles TIlotson | | | |
| No.4: Dating the Natraja Dacne Icon: Technical Insights | Sharada Srinivasan | | | |
| No.4: On the God Mask in the Dionysia and Indra Jatra | Francois Pannier | | | |
| MARG: A Magazine of the Arts Vol. 53 | | Pratapaditya Pal | 2001-2002 | MARG Publications |
| No.1: A Message fron the General Editor's Desk | | | | |
| No.1: Architecture and Royal Authority under the Early Sangamas | Phillip B.Wagoner | | | |
| No,1: The Temple District of Vitthalapura | Alexandra Mack | | | |
| No.1: Memorial Stones | Anila Verghese | | | |
| No.1: Revisiting Narnaul's Architectural Legacy | Jyoti and Janhwij Sharma | | | |
| No.1: The Portrai of Kunga Gyatsenpel Sanpo | E.V.Ganevskaya, E.D. Ogneva, and A.F. Dubrovin | | | |
| No,2: From the General Editor's Desk | | | | |
| No.2: Kochi: Begginings of European Architecture in India | Jayaram Poduwal | | | |
| No.2: The Portuguese in Bengal | Gautam Sengupta | | | |
| No.2: Codice Casanatense: An Indo-Portuguese Portrait of Life in 16th-Century India | Maria Manuela Mota | | | |
| No.2: The End of the "Catholic Era" in Mughal Painting: Jehangir's dream Pictures, English Painting, and the Renaissance Frontispiece | Gauvin Alexander Bailey | | | |
| No.2: Jangarh Singh Shyam and the Great Machine | Kavita Singh | | | |
| No.3: From the General Editor's Desk | | | | |
| No.3: Culture Specificity, Art Language, and the Practice of Modernism: An Indian Perspective | R.Siva Kumar | | | |
| No.3: Abindranath Tagore: A New Context | Ella Dutta | | | |
| No.3: Folk Artists of Bengal and Contemporary Images: A Case of Reverse Appropriation | Jyotindra Jain | | | |
| No.3: Bagh Caves- Predicament for Conservators | Panikant Mishra and Ritu Mishra | | | |
| No.3: Hakoti- Religious Sactity and Cultural Heritage | Hari Chauhan | | | |
| No.3: Photo Essay: On Stage | Namai Ghosh | | | |
| No.4: Editorial | | | | |
| No.4: Mughal Painting during the Reign of Muhammed Shah | Terence McInerney | | | |
| No.4: Towards a New Naturalism: Portraiture in Murshidabad ad Avadh, 1750-80 A.D. | J.P.Losty | | | |
| No.4: Important Illustrated Manuscripts in the National Museum, New Delhi | Barbara Schmitz and Nasim Akhtar | | | |
| No.4: An Album with Miniatures by the Persian Safavid Painter Sultan Muhammed | Ziyaud-Din A.Desai | | | |
| No.4: The Unique Wood-Carved Muslim Havelis of Patan | V.S.Pramar | | | |
| No.4: Photo Essay: My Sangeet Yatra | | | | |
| MARG: A Magazine of the Arts Vol. 54 | | Pratapaditya Pal | 2002-2003 | MARG Publications |
| No.1: From the General Editor's Desk | | | | |
| No.1: Terracotta of the Harappan Civilization with Special Reference to Indian Sites | Dilip K.Chakrabarti | | | |
| No.1: Creative Legacy of the Nilgiri Hills: Terracotta Offerings from South Indian Megalithic Burials | Corinna Wessels-Mevissen | | | |
| No,1: Terracotta Sculpture from the Ancient Northwest: 300 BCE- 60 CE | John Siudmak | | | |
| No.1: Dating of Akhnur Terracotta in the Light of the Recent Excavations at Ambaran | B.R. Mani | | | |
| No.1: Dating of the Bundi-style Chunar Ragamala: A New Approach | Lakshmi Dutt Vyas | | | |
| No.1: Photo Essay: The Third Eye | Praful C.Patel | | | |
| No.2: From the General Editor's Desk | | | | |
| No.2: The Marraige Customs of the Jewish Community in Cochin | Samuel H.Hallegua | | | |
| No.2: The Ritual Cycle of Cochin Jewish Holidays: A Malabari Perspective | Galia Hacco | | | |
| No.2: Bene Isreali Rites and Routines | Shalva Wiel | | | |
| No.2: Photo Essay: Jews of Cochin | Ketaki Sheth | | | |
| No.2: Stone, Sweat & Inspiration: The Restoration of Elphinstone College | Abha Narain Lambha | | | |
| No.2: Professor Herbert Hartel and the Museum fur Indische Kunst Berlin | Adalbert J.Gail | | | |
| No.3 From the General Editor's Desk | | | | |
| No.3 Bishnupur: Land of Wrestlers | Ashok K.Bhattacharya | | | |
| No.3 Hooghly: The Common Emporium | Gautam Sengupta | | | |
| No.3: Murshidabad: Capital of Fleeting Glory | Pratyapaditya Pal | | | |
| No.3 Harijan Painting of Mithila | Neel Rekha | | | |
| No.3 Photo Essay: I am as I am | Dayanita Singh | | | |
| No.4: Editorial | | | | |
| No.4: Brick by Sacred Brick: Architectural Projects of Guru Arjan and Guru Hargobind | Gurmeet Rai and Kavita SIngh | | | |
| No.4: Illustration and Illumination in Sikh Scriptural Manuscripts | Jeevan Singh Deol | | | |
| No.4: Allegories of Good Kingship: Wall Paintings in the Qila Mubarak at Patiala | Kavita Singh | | | |
| No.4: A Tale of Two Animal Paintings and a Drawing | Divyabhanusinh | | | |
| No.4: Relics and Represnetation in Gandhara | Kurt Behrendt | | | |
| MARG: A Magazine of the Arts Vol. 55 | | Pratapaditya Pal | 2003-2004 | MARG Publications |
| No.1: From The General Editor's Desk | | | | |
| No.1: Off the Tourist Trail: The "Unknown" Lucknow | Rosie Llewelyn-Jones | | | |
| No.1: Lucknow Food, Streets and Bazaars | Muku; Manglik | | | |
| No.1: Arts and Crafts: Lucknow's Living Traditions | Sudipta Dev | | | |
| No.1: New Documentary on Pahari Painter Families | Vijay Sharma | | | |
| No.1: Kabuli Bagh Mosque: Babur's Unknown Masjid | Abha Narain Lambha | | | |
| No.1: The Crossroads of Paradise: Islamic Art in a Hawaiian Home | Sharon Littlefield. | | | |
| No.2: Editorial | | | | |
| No.2: Innovation in Kathak | Kumudini Lakhia | | | |
| No.2: Manipuri Dances: Extending the Boundaries | Sunil Kothari | | | |
| No.2: Navanritya- Contemporary Methodology: History, Theory, Practice | Ranjabari Sircar | | | |
| No.2: Atmospheric Gestation: Dicephering Ajanta Ceiling Paintings and Other Related Works (Part 1) | Gautam V.Vajracharya | | | |
| No.2: Bertram H.Schaffner: A True Rasika | Amy G.Potter | | | |
| No.2: New Galleries for Indian Art at the Peabody Museum | Susan S.Bean | | | |
| No.3: From the General Editor's Desk | | | | |
| No.3: Saurashtra and the Harappan Sites of Padri and Kuntasi | Vasant Shinde | | | |
| No.3: Nageshwar: A Centre of Harappan Shell Craft in Saurashtra | V.H. Sonawane | | | |
| No.3: Rojdi: A Sorath Harappan Settlement in Saurashtra | Gregory L.Possehl | | | |
| No.3: The Spread of the Harappan Civilization in Kutch and Saurashtra | Y.M. Chitalwala | | | |
| No.3: Atmospheric Gestation: Deciphering Ajanta Ceiling Paintings and Other Related Works (Part 2) | Gautama V.Vajracharya | | | |
| No.3: A Unique Chamba Rumal on the Gajantaka Theme | Anamika Pathak | | | |
| No.4 From the General Editor's Desk | Indira Vishwanathan Peterson | | | |
| No.4 Chidabambaram and the Dance of Shiva in South Indian Myth and Poetry | B.Natarajan | | | |
| No.4 Ritual Life of the Nataraja Temple | Paul Younger | | | |
| No.4: Discovering the Anthropomerphic Lion in Indian Art | Raja Deekshitar | | | |
| No.4: Medieval Sirhind and It's Monuments | Subhash Parihar | | | |
| No.4: Point of View: Retrieving the Connections | Carmel Berkson | | | |
| MARG: A Magazine of the Arts Vol. 56 | | Pratapaditya Pal | 2004-2005 | MARG Publications |
| No.1: Editorial | | | | |
| No.1: Delhi: Dargah of Shaykh Salim Chishti | Abdur Rahman Momin | | | |
| No.1: Fatehpur Sikri: Dargah of Shaykh Salim Chishti | Micheal Brand | | | |
| No.1: Ajmer: Dargah of Khwaja Muinuddin Chishti | Ali S.Anani | | | |
| No.1: Mapping Space, Mapping Identity: Imagining Hyderabad's Walled City in the 19th Century | Alison Mackenzie Shah | | | |
| No.1: Pilgrimage to Yamuna Riverfront, Agra: A Cultural Heritage Landscape | Terence Harkness and Amita Sinha | | | |
| No.1: An Unknown Prabhavali from Himachal | Subhashini Aryan | | | |
| No.1: Photo Essay: Kailash Temple at Ellora | Praful C.Patel | | | |
| No.2: In Memoriam: Mulk Raj Anand | | | | |
| No.2: Crown Jewel of Newar Painting: Discovery of a Masterpiece | Gautama V.Vajracharya | | | |
| No.2: Musical Miniatures from Nepal: Two Newar Ragamalas | Gert-Mathias Wegner and Richard Widdess | | | |
| No.2: Gods and Monuments in Late Malla Period Paintings | Anne Vergati | | | |
| No.2: The Aesthetic Ascetic: Abhinavagupta's Perspective on Poetry, Religion and Visual Art | Gerald James Larson | | | |
| No.2: Bastar's Adivasi Women and their Art | Subhlakshmi Shukla | | | |
| No.2: Watson's Esplanade Hotel: A Birdcage gone to Seed?. | Abha Narain Lambha | | | |
| No.2: Photo Essay: Bombay Jadoo | Betsy Karel | | | |
| No.3: From the General Editor's Desk | | | | |
| No.3: Rambling through Some of the Pasts of Delhi | Romila Thapar | | | |
| No.3: The Delhi that Once Was | Akhilesh Mithal | | | |
| No.3: The Glory of Empire: Imperial Delhi | Romi Khosla | | | |
| No.3: Delhi Cityscapes: 19th Century Lithographs from Urdu Books | Som Prakash Verma | | | |
| No.3: Cement, Design, and the Spectral Architect | Curt Gambetta | | | |
| No.3: Leo Figiel: A Passion for Sharing | Sasha Atlaf | | | |
| No.4: From the Generla Editor's Desk | | | | |
| No.4: Mulk and Modern Indian Architecture | Mustansir Dalvi | | | |
| No.4: Mulk Raj Anand at 100 | Charles Correa | | | |
| No.4: Colonial Bhuleshwar: Community, Locality, and Cultures of Migration | Kaiwan Mehta | | | |
| No.4: Photo Essay: Kamsale in Focus | Naramsimha Suryanarayana and Jayant Prabhakar | | | |
| MARG: A Magazine of the Arts Vol. 57 | | Pratapaditya Pal | 2005-2006 | MARG Publications |
| No.1: From the General Editor's Desk | | | | |
| No.1: The Turquoise Headdress of Ladakh | Ravina Aggarwal | | | |
| No.1: Textile Arts of Ladakh: Nomadic Weaves to Silk-Brocade | Monisha Ahmed | | | |
| No.1: Reshaping Tradition: The Life and Work of Nawang Tsering | Clare Harris | | | |
| No.1: Photo Essay | Sonam Dorje | | | |
| No.1: A Decorated Kavacha in a Temple at Chamba | Vijay Sharma | | | |
| No.1: Profile: Sharan Rani and the Divine Sarod | Irfan Zuberi | | | |
| No.2: From the General Editors Desk | | | | |
| No.2: Mosques and Tombs of Banaras | Klaus Rotzer | | | |
| No.2: Ghats and Riverside Places | Julia A.B. Hegewald | | | |
| No.2: Temple Styles in Banaras | George Michell | | | |
| No.2: General Bibliography on Banaras | | | | |
| No.2: Kangra Painting and Manaku of Guler | Vishwa Chander Ohri | | | |
| No.2: Some Unique Wood-carved Haveli-temples of Gujarat | V.S. Pramar | | | |
| No.3: From the General Editor's Desk | | | | |
| No.3: A Metallic Mirror: Changing Repesentations of Sovereignty during the Raj | Shailendra Bhandare | | | |
| No.3: Conducting Excavations and Collecting Coins: Maharaja Ranjir Singh's Kindgom | Jean-Marie Lafont | | | |
| No.3: Coins: Some Persistence Issues | Indira Ramarajan | | | |
| No.3: Images of Brahma Found in Thane District, Maharashtra | Kumud Kanitkar | | | |
| No.3: Profile: Pandit T.D.Janorikar: Torchbearer of the Bhendi Bazaar Gharana | Irfan Zuberi | | | |
| No.3: Photo Essay: Champaner | Abraham Mathai | | | |
| No.4: From the General Editor's Desk | | | | |
| No.4: "Madras Manade": How Chennai Remained with Tamil Nadu | A.R.Venkatachalapathy | | | |
| No.4: Geography of a Lingua Franca, History of a Lunguistic Fracas | Pushpa Arabindoo | | | |
| No.4: Urban Mobility and the History of Cinama-Going in Chennai | Stephen Hughes | | | |
| No.4: Woodcarvings from Pabbar Valley, Himachal | Hari Chauhan | | | |
| No.4: Madhu Krishna Chitrakar | Gert-Mathias Wegner | | | |
| MARG: A Magazine of the Arts Vol. 58 | | Pratapaditya Pal | 2006-2007 | MARG Publications |
| No.1: From the General Editor's Desk | | | | |
| No.1: From the Sharqis of Jaunpur | Abha Narain Lambah | | | |
| No.1: Building a Legacy: Sher Shah Sur's Architecture and the Politics of Propaganda | Catherine B.Asher | | | |
| No.1: From Province to Sultanate: The Architecture of Gujarat during the 12th through 16th Centuries | Alka Patel | | | |
| No.1: Arab Sarai at Nizamuddin, Delhi | Subhash Parihar | | | |
| No.1: Adivasi Churches in South Gujarat: An Interplay between Inculturation and Syncretism | Jothi F.Xavier | | | |
| No.2: Editorial | | | | |
| No.2: The Furniture of Play: Games Boards and Boxes in India | Amin Jaffer | | | |
| No.2: Games and Puzzles of Maharaja Krishnaraja Wodeyar of Mysore: "Broadcast them to the World" | Vasantha Rangachar | | | |
| No.2: Some Mysore Games in British Collections | Andrew Topsfield | | | |
| No.2: The Dynamics of Gaze in Mughal Paintings | Gregory Minissale | | | |
| No.2: Lesser-Known Textiles of Punjab: An Overview of the 19th and early 20th Centuries | Jasvinder Kaur | | | |
| No.3: From the General Editor's Desk | | | | |
| No.3: The Representation of the Buddha's Birth and Death in the Aniconic Period | J.E. Van Loihuizen de Leeuw | | | |
| No.3: Observations on "The Representation of the Buddha's Birth and Death in the Aconic Period | Sonya Rhie Quintanilla | | | |
| No.3: An Unusual Naga-Protected Buddha from Thailand | Pratyapaditya Pal | | | MARG Publications |
| No.3: Seeing Eye-to-Eye with Mughal Miniatures: Some Observations on the Outward-Gazing figure | Gregory Minissale | | | MARG Publications |
| No.3: Vidushi Dhodhutai Kulkarni: Stalwart of the Jaipur Atrauli Gharana | Irfan Zuberi | | | |
| No.4: From the General Editor's Desk | | | | |
| No.4: Embroidered Gardens of Flowers: Bagh and Phulkari of Punjab | Jasleen Dhamija | | | |
| No.4: Weaving a Vision: Doria of Chinnur | Uzramma and Annapurna M. | | | |
| No.4: Kashimiri Embroidery | Jenny Housego | | | |
| No.4: A Remakable Kushana Image- Linga from Mathura discovered by Bhagwanlal Indraji | Devangana Desai | | | |
| No.4: Scupltures of Kalji from Kerala: Two Hitherto Underscribed Forms | Preeta Nayar | | | |
| No.4: Photo Essay: Indian Portraits | Gerald Appel | | | |
| MARG: A Magazine of the Arts Vol. 59 | | Pratapaditya Pal | 2007-2008 | MARG Publications |
| No.1: From the General Editor's Desk | | | | |
| No.1: Reading and Riding: Horses in Image and Text | Vibhuti Sachdev | | | |
| No.1: Tod as an Observer of Landscape in Rajasthan | Florence D'Souza | | | |
| No.1: Visual Narratives of the revolt of 1857. | Som Prakash Verma | | | |
| No.1: A Triumphant Homecoming: The Freize Programme on Maharaja Sawai Madho Singh II's Cenotaph | Melia Belli | | | |
| No.1: Photo Essay | Mukunda De | | | |
| No.2: Editorial | | | | |
| No.2: Optics for the Stage: Curtains of the Surabhi Company | Anuradha Kapoor | | | |
| No.2: India's Republic Day Parade: Restoring identities, constructing the Nation | Jyotindra Jain | | | |
| No.2: Models and Copies in Pahari Paintings: New Insights | Vijay Sharma | | | |
| No:2: Discovery of a Pre-Pala Monastic Complex at Moghalmari, West Bengal | Ashok Datta | | | |
| No,2; Conversation Newsletter: restoration of the Maitreya Buddha temples, Bagso, Ladakh | Abha Narain Lambha | | | |
| No,2: Book Feature- Bombay Mix by Ketaki Sheth | Sadanand Menon | | | |
| No.3: From the General Editor's Desk | | | | |
| No.3: Maitreya in Literatrure and in the Art of Xinjiang | Marianne Yaldiz | | | |
| No.3: The Ceiling Murals of Kizil as Symbol of the Buddhist Universe | Miao Lihui | | | |
| No.3: Uncovering Histories: Iconic and not so Iconic Images and their Little-known Authors | Sabeena Gadihoke | | | |
| No.3: A Delhi Nabob's Pursuit of Leisure: The Transformation of Built-heritage into a Pleasure Retreat | Jyoti P.Sharma | | | |
| No.3: Book Feature- Geet Govinda: Paintings in Kanheri Style by Narmada Prasad | Kapila Vatsyayan | | | |
| No.4: From the General Editor's Desk | | | | |
| No.4: Artists from Afar: Company Painters in the Princely Courts of India, 1770-1900 | Charles Greig | | | |
| No.4: Portraits of the Nawabs: Images from the Lucknow Court, 1775-1856 | Rosie Llewellyn-Jones | | | |
| No.4: The Colonial Project and the Shifting Gaze | Sophie Gordon | | | |
| No.4: Frescos Unveiled: Maharajah Ranjit Singh;s Samadhi in Lahore | Nadhra Shabbaz Naeem | | | |
| No.4: Forts on a Sacred Hill: Champaner-Pavagadh in Gujarat | Amita Sinha | | | |
| MARG: A Magazine of the Arts Vol. 60 | | Pratapaditya Pal | 2008-2009 | MARG Publications |
| No.1: From the General Editor's Desk | | | | |
| No.1: The Living Textile Traditions of Sindh | Noorjehan Bilgrami | | | |
| No.1: Picturing Sindh: Britisih Representations | Rosemary Raza | | | |
| No.1: Kalachi, Kurrachee, Karachi: A Bibliography of a Metropolis | Nandita Bhavnani | | | |
| No.1: The "Light" of the Timuria: Jahan Ara Begum's Petronage, Piety, and Poetry in the 17th-Century Mughal India | Afshan Bokhari | | | |
| No.1: "Magni Mogolis Imperium": An Early Manuscript Map of India | Anirban Sadhu | | | |
| No.2: Editorials | | | | |
| No.2: The Mughal Port Cities of Surat and Hugli | Farhar Hasan | | | |
| No.2: Mapping the Landscape of Pondicherry in the 17th Century | S.Jeyaseela Stephen | | | |
| No.2: Of Merchants, Monarchs, and Monks: An 18th Century Patolu Re-examined | Shilpa Shah | | | |
| No.2: The Toddler Saint of Tamil Nadu | Pratyapaditya Pal | | | |
| No.2: Dancing in the Dark: Robert Heinecken's "Manifestations of Shiva" | Colin Westerbeck | | | |
| No.3: From the General Editor's Desk | | | | |
| No.3: Changra and Changpa: Pashmina Goats and their Herders | Monisha Ahmed | | | |
| No.3: Pashmina Spinners, Weavers and Needleworkers | Janet Rizvi | | | |
| No.3: Innovation and Continuity: A New Temple for Kala Bhairava at Adichunchanagiri, Karnataka | Corinna Wessels-Mevissen | | | |
| No.3: Photo Essay: Images from Ladakh's Monasteries | A.Khambata | | | |
| No.4: From the General Editor's Desk | | | | |
| No.4: The Kashmir Shawl in the Mughal Period | Janet Rizvi | | | |
| No.4: Travelling with the Mughals: A Survey of the Agra-Lahore Highway | Subhash Parihar | | | |
| No.4: Review Article: Vande Mataram | Pratyapaditya Pal | | | |
| No.4: Photo Essay: Ahmedabad | Aryan Ghosh | | | |
| MARG: A Magazine of the Arts Vol. 61 | | Pratapaditya Pal | 2009-2010 | MARG Publications |
| No.1: From the General Editor's Desk | | | | |
| No.1: Aperture and Identity: Early Photography in India | Rahaab Allana | | | |
| No.1: Ephemeral Encounter: Three Artists in India, 1857-59 | Rahaab Allana | | | |
| No.1: The Camera's Beloved H.H. Nawab Mir Mahboob Ali Khan- Patron of Photography | Anita M.Jacob | | | |
| No.1: A Different Stage of Existence: The Canning Album | Deepthi Shashidharan | | | |
| No.1: The Photograph as Field-Note: The Visual Trace and Transitions within Early Anthropology in India | Akshaya Tankha | | | |
| No.1: Master of Ajanta: A Study of Major Robert Gill- An Artist, Draughtsman and Photographer | Divia Patel | | | |
| No.1: Found Pictures and Lost People: Seven Photographs from 19th Century Kashmir | Shuddhabrata Sengupta | | | |
| No.1: Panoramas of Mumbai | Sharada Dwivedi | | | |
| No.1: Centre and Periphery: Photography's Spatial Field | Christopher Pinney | | | |
| No.1: A Photographer's Thoughts: Interview with Madan Mehta of Mahatta Studio | Akshaya Tankha | | | |
| No.1: The Photography Archive at the City Palace Museum, Udaipur | Pramod Kumar A.G. | | | |
| No.2: Editorial Note | | | | |
| No.2: Of Echoes and Silent Raptures: The Zamindari Mansion of North Calcutta | Kamalika Bose | | | |
| No.2: Three Hunting Pictures from 19th Century Nepal | Gautam V.Vajrachaya | | | |
| No.2: An Art Without Tradition: A Survey of Indian Comics | Bharat Murthy | | | |
| No.2: Modernity at the Crossroads: Ravi Varma's "Shakuntala Looks Back in Love" | Niharika Dinkar | | | |
| No.2: Chaam: Listener's Tale | Arghya Basu | | | |
| No.2: An Interesting Bronze from Kohlapur, Maharashtra | Vaishaili Welankar | | | |
| No.2: Making a Mohra | Alka Hingorani | | | |
| No.3: Editorial Note | | | | |
| No.3: Introduction | Sanjay Jhaveri | | | |
| No,3: Mumbai's Cinema Halls | Zubin Pastakia & Erika Balsom | | | |
| No.3: At a Tambu Near You: The Tent Cinemas of Maharashtra | Amit Madheshiya & Shirley Abraham | | | |
| No.3: Hindi FIlms and Their Audiences | Rachel Dwyer | | | |
| No.3: Ray and the Shadow of Political Cinema | Mainak Biswas | | | |
| No.3: A Significant Abscence: The Colonial State and the Globalization of Mass Entertainment in Early 20th Century South Asia | Kaushik Bhaumik | | | |
| No.3: It's Snowing in Mumbai: The Cinema of Ashim Ahluwalia | Kaunteya Shah | | | |
| No.3: Let My Promise be Met: Star | Sanjay Jhaveri | | | |
| No.3: Our Phantom Friends | Shumona Goel and Dale Cannedy-Azim | | | |
| No.4: Editorial Note | | | | |
| No.4: Rama Retold without a Pause: Ayodhya's Anavarat Ramlila | Scharada Dubey | | | |
| No.4: Kothi Bega, Samru: A Tale of Transformation in 19th Century Delhi | Jyoti P.Sharma | | | |
| No.4: No Holds Barred: The Garadimanes (Gymnasiums) of Gadag | Kamala Vasudevan | | | |
| No.4: Slow Loss | Aria Abraham | | | |
| No.4: The Mughal Scenic Animal Carpet in the National Gallery of Art, Washington, D.C. | Syamali Das | | | |
| No.4: Two Rare Works by Olinto Ghilardi (1848-1930) | Anirban Sadhu | | | |
| No.4: "To This Day I feel That I Touched Time" | Chadralekha and Sadananda Menon | | | |
| No.4: Imagining India: An Odd Trilogy | Geral James Larson | | | |
| MARG: A Magazine of the Arts Vol. 62 | | Pratapaditya Pal | 2010-2011 | MARG Publications |
| No.1: Editorial Note | | | | |
| No.1: Abstract Paintings of Assamese Bhagavata Purana | Samiran Boruah | | | |
| No.1: Fabric and Tradition- Textiles of the Northeast | Latika Varadrajan | | | |
| No.1: Golden Peaks and Tinkling Bells: Gilt Metal Craft in Kathmandu Valley Architecture | Raimund O.A. Becker-Ritterspach | | | |
| No.1: Critical Modernism in Raymond's "Golconde" | Smita Dalvi | | | |
| No.1: Nizamuddin at Night | Alexander Keefe | | | |
| No.1: The Case of the Bhim ki Chauri Ruins at Mukandara | Jagat Narayan and K.L.Mankodi | | | |
| No.1: Decoding the Talim | Peter Harris | | | |
| No.1: Romancing AjantA: Ajanta: History and Development by Walter M.Spink | Pratyapaditya Pal | | | |
| No.2: Editorial Note | | | | |
| No.2: Introduction | Ashrafi S.Bhagat | | | |
| No.2: Pioneering Vistas: Conflation of Modern And Regional Cultures at Madras | Ashrafi S.Bhagat | | | |
| No.2: The Intuitive Fusion of the Native and the Modern: Changing Trends of Andhra Art in the 20th Century | Avani Rao Gandra | | | |
| No.2: Frameworks of Artistic Modernity in Kerala: Cross-Cultural Vibes | Kavitha Balakrishnan | | | |
| No,2: New Voices, New Directions | Ashrafi S.Bhagat | | | |
| No.2: The Pop Palette of the Urban Carvans: Contemporary Truck Art in Kerala | George K. | | | |
| No.2: The Icon Maker: P.V.Jankiram (1930-95) | Renu Nayar | | | |
| No.2: The Gestural Abstractions of L.Munuswamy | Ashrafi S.Bhagat | | | |
| No.2: Reconfiguring the Miraculous: Deities and Devotees in South Indian Devotional Film Posters | Vaishnavi Ramanathan | | | |
| No.3: Editorial Note | | | | |
| No.3: Gothic Revival at Faridkot | Subbash Parihar | | | |
| No.3: Ananda's Tandava "The Dance of Shiva" Reconsidered | Saskia Kersenboom | | | |
| No.3: Led Up The Garden Path: The Rose Garden Hidden By History | Peter Blohm | | | |
| No.3: Mahadeva Temple at Tambdi Surla, Goa | Kumud Kanitkar | | | |
| No.3: Photo Essay- "The Simple Grace of His Being" E.O. Hoppe's Photographs of Rabindranath Tagore | Pratyapaditya Pal | | | |
| No.3: Shivaji Designs for Stained-Glass Windows: The Art of Ervin Bossanyi | Raju Sobhag Shah | | | |
| No.3: Arrangiamenti | Michele Miegge | | | |
| No.4: Editorial Note | | | | |
| No.4: Framing Women: Gender Modernity in Colonial India | Niharika Dinkar | | | |
| No.4: Staging the Self: Photographic Representations of Benodini Dasi | Swati Chattopadhyaya | | | |
| No.4: Photographing the Feminine | Suryanandini Narain | | | |
| No.4: Orientalizing Gender, Sexuality, and Identity: Photogrphs of the Seventh Nizam's Zenana | Gianna M.Carotenuto | | | |
| No.4: Letter from an Unknonw Woman: The Film Actress in Laten Colonial Bombay | Debashree Mukherjee | | | |
| No.4: Reform and Sartorial Styles in 19th Century Bengal | Malavika Karlekar | | | |
| No.4: Amrita Sher-Gill "Two Girls", 1939 | Niharika Dinkar | | | |
| No.4: Setting Gender Roles in Early Indian Print Advertisement | Latika Gupta | | | |
| No.4: Sidelines: The Courtesans of Lucknow | Yousuf Saeed | | | |
| MARG: A Magazine of the Arts Vol. 63 | | Pratapaditya Pal | 2011-2012 | MARG Publications |
| No.1: Editorial Note | | | | |
| No.1: Narrative Reliefs in Kanaganahalli: Their Importance for Buddhis Sculptures | Monika Zin | | | |
| No.1: Living Beyond Death: Chola Sepulchres | Pradeep Chakravarthy | | | |
| No.1: Memorial Parks in Lucknow | Amita Sinha | | | |
| No.1: Johann Zoffany: The Last Supper,1787 | Pradip Kumar Das | | | |
| No.1: Cinema Play House | Nandita Raman | | | |
| No.1: Little-known Antiquities of Farrukhnagar | Ranbir Singh | | | |
| No.2: Introduction | Corinna Wessels-Mevissen | | | |
| No.2: Visualizing the Gods | Gilles Tarabout | | | |
| No.2: The Buddha Revisited: Ritualizing and Visualizing Sacred Places | Karel R.Van Kooij | | | |
| No.2: Bhadramandalas: Invoking Divinities in Smarta Rituals | Gudrun Buhnemann | | | |
| No.2: Jhanki: Ritual Visualization of Hindu Deities in Himachal Pradesh | Brigitte Luchesi | | | |
| No.2: Chandreshvara, the "Fierce Lord": Gaurdian of Temples, Eater of Offerings, Chastiser of Transgressions | Dominic Godall | | | |
| No.2: Shila, Shilpa, Devata: Invoking the Divine in South Indian Sculpture | Parul Pandya Dhar | | | |
| No.2: The Divine Play on Earth: The Sirha tradition of Orissa | Cornelia Mallebrein | | | |
| No.2; Rite and Representation: Recent Discoveries of Pallava Goddesses of the Tamil Land | Charlotte Schmid | | | |
| No.3: Editorial Note | | | | |
| No.3: Ars Erotica: "Visualizing" Sufism in Mughal Paintings and the Mystical Memoirs of Jahan Ara Begam (1614-81) | Afshan Bokhari | | | |
| No.3: Holy Metamorphosis! The Incremental Urbanism of the Hindu Temple | Vinayak Bharne | | | |
| No.3: A Century of Conservation at the Mumbai Caves; Learning in Retrospect | Brinda Gaitonde-Nayak | | | |
| No.3: Mughal Wall-Paintings at Doraha | Subhash Parihar | | | |
| No.3: The Maker and the Made | Sarah E.Braddock Clarke | | | |
| No.3: A Terracotta Buddha Image from Anturli, Maharashtra | Chetan Shankar Sali | | | |
| No.3: The Buddhist Caves at Aurangabad by Pia Branaccio | Walter Spink | | | |
| No.4: Editorial Note | | | | |
| No.4: Introduction | | | | |
| No.4: Arunachal Pradesh: Myth, Memory, Meaning: The Ancient Civilization of Kojum Koje | | | | |
| No.4: Nagaland: Tenyimia Festivals: The Basis of the Socio-Cultural Life of the Community | | | | |
| No.4: Meghalaya: Nature as a Metaphor: Khasi Rice Myths | | | | |
| No.4: The Use of Bamboo, Can and Timber in A'chik Culture | | | | |
| No.4: Manipur: Beyond the Spectrum: The Tradition of Lai Haraoba | | | | |
| No.4: Arunachal Pradesh: Folksongs of the Siang Valley | | | | |
| No.4: Mizoram: Time for a Change of Mindset | | | | |
| No.4: The Intangible as Cultural Heritage | | | | |
| No.4: Assam: Phaneng: A Journey into Personal Engagement | | | | |
| MARG: A Magazine of the Arts Vol. 64 | | Vidya Dehejia | 2012-2013 | MARG Publications |
| No.1: Editorial Note | | | | |
| No.1: Monument, Memory, and Meaning: Heterotopia at Borobudur, Indonesia | Swati Chemburkar | | | |
| No.1: Between Local Community and Global Nation: The Predicament of Afghanistan's Cultural Heritage | Alka Patel | | | |
| No.1: Afghanistan Impressions | Jaroslav Poncar | | | |
| No.1: New "Galleries" for "Islamic Art" at the Metropolitain Musuem of Art, New York | Barbara Schmitz | | | |
| No.1: Lightness and Being: The Museum of Islamic Art, Doha, Qatar | Sean S.Anderson | | | |
| No.1: Wonders of the Ages: A Review of Indian Art Exhibitions and Catalogues in the West in 2011 | Pratyapaditya Pal | | | |
| No.1: Newari Woodcarvings | Gautama Vajracharya | | | |
| No.2: Editorial Note | | | | |
| No.2: Introduction | Savia Viegas | | | |
| No.2: Literature from the Konkan Coast | | | | |
| No.2: Writing in Goa | Maria Aurora Cuoto | | | |
| No.2: Notes of a Native Son | Damodar Mauzo | | | |
| No.2: The Sounds of Music: From Ghumott and Violin to Trance | Francisco C.Colaco | | | |
| No.2: Destined Journeys: The Paintings of Angelo da Fonseca and Vamona Navelcar | Savia Viegas | | | |
| No.2: Revisiting the Colonial Archive | Savia Viegas | | | |
| No.2: Tiatr: Living in the Love of the Common People | Jose Lourenco | | | |
| No.2: Clothes in TIme: The Warp and the Weft | Wendell Rodricks | | | |
| No.2: Into the Melting Pot | Fatima da Silva Gracias | | | |
| No.3: Editorial Note | | | | |
| No.3: The Temple Door of Lachuse: Early Wood Art From Ladakh | Heinrich Poell | | | |
| No.3: The Enigma of Jantar Mantar at Delhi | Anisha Shekhar Mukherji | | | |
| No.3: The Tender Shoots: Some Early Drawings of Rabindranath Tagore | Pratyapaditya Pal | | | |
| No.3: Kalachuri Heritage: Temple Remains and Rock-Cut Caves at Hara Chauka | A.K.Singh | | | |
| No.3: Blue Gold | Ratna Raman | | | |
| No.3: Being Italian in British India in 1940: Father Luca and the Artist Nino La Civita | Luca Zordan | | | |
| No.3: Recyling in Sri Lanka | Keith Andrew | | | |
| No.4: Editorial Note | | | | |
| No.4: Introduction | Kaushik Bhawmik | | | |
| No.4: Towards New Genealogies for Histories of Bombay Cinema: The Career of the Sagar Film Company (1929-1940) | Virchand Dharamsey | | | |
| No.4: On "Disreputable" Genres: B-Movies and Revisionary Histories of Bombay Cinema | Subhajit Chatterjee | | | |
| No.4: The "Pirate" DJ | Vebbuti Duggal | | | |
| No.4: 100 Years of the Bombay Cinema Hero: A Brisk Review | Kaushik Bhawmik | | | |
| No.4: The Politics of Re-Presentation: Distribution and Exhibition of Indian Cinema in Turkey | Ahmet Guerata | | | |
| No.4: Stitches for the Stars | Clare M.Wilkinson-Weber | | | |
| No.4: Fourteen Stations | Atul Dodiya | | | |
| MARG: A Magazine of the Arts Vol. 65 | | Vidya Dehejia | 2013-2014 | MARG Publications |
| No.1: Editorial Note | | | | |
| No.1: The Naga's: Prakriti's Proctectors | Maureen Drdak | | | |
| No.1: Clowning Politics: The Bhand in Kashmir | Ria Basu | | | |
| No.1: Preservation of India's Intangible Cultural Heritage: The Case of Chhau Dance | Shubha Srinivasan | | | |
| No.1: The Sahmat Collective: Art and Activism in India since 1989 | Siddhartha V.Shah | | | |
| No.1: Priests in Retirement | Anisha Crasto | | | |
| No.1: Scattered Vishnu Sculptures from the Konkan Coast | Kumud Kanitkar | | | |
| No.2: Editorial Note | | | | |
| No.2: Foreword | Kasturi Gupta Menon | | | |
| No.2: Only Connect | Jenny Balfour-Patel | | | |
| No.2: Recalculating Colour: Thomas Wardle's Remarkable Dye Experiments | Brenda King | | | |
| No.2: Rangeen: Colours of Life | Ruby Ghaznavi | | | |
| No 2: Indigo: From Bengal to Blue Jeans | Jenny Balfour-Patel | | | |
| No.2: The Colours of Chinz: Empirical Knowledge of Chimistry in 18th-Century India | Dominique Cardon | | | |
| No.2: A Calcutta Florilegia: William Roxburgh's Flore Indica Drawings | Pramod Kumar K.G. | | | |
| No.2: Chay Red: The Forgotten Dye of the Coromandel Coast | Bessie Cecil | | | |
| No.2: Ajit Kumar Das: Using Natural Dyes in Art | Kanika Mukherji | | | |
| No.2: Unexpected Treasures from the Sea | Rex Cowan | | | |
| No.2: Indian Dyes and Textiles at the Royal Botanical Gardens, Kew | Mark Nesbitt | | | |
| No.3: Editorial Note | | | | |
| No.3: The Painting of Charles Rollier: Influence of Indian Culture on a European Artist | Erberto La Blue | | | |
| No.3: The Hermetic Nomadology of Jehangir Sabavala: National and Diasporic Strategies of Homecoming | Debashish Banerji | | | |
| No.3: The China Feeling: Experiments with Clay in the Middle Country | Anjani Khanna | | | |
| No.3: A Early Photographer in Ladakha- Rupert Wilmot | Roger Bates | | | |
| No.3: Badge of Honour, Men and Valour: The Sherpas of Darjeeling | Meher Marfatia | | | |
| No.3: Restoration of the Gomti Riverfront in Lucknow- Claude Martin's Legacy | Anita Sinha | | | |
| No.3: An Emerging Model in Auction House Sales: Footsteps of the Buddha | Siddhartha V.Shah | | | |
| No.4: Editorial Note | | | | |
| No.4: Introduction | Prava Rai | | | |
| No.4: The Newars in Sikkim: Culture and Identity in the Diaspora | Bal Gopal Shreestha | | | |
| No.4: Negotiating Lepcha Identity in Multi-Ethnic Sikkim | Jenny Bentley | | | |
| No.4: Lamas and Shamans of the Sacred Hidden Land | Anna Balikci Denjongpa | | | |
| No.4: The Denjong Kho of Sikkim | Sanam Tashi Gyaltsen | | | |
| No.4: The Artist Within: Tashi Namgyal | Tenzin C.Tashi | | | |
| No.4: Through Whose Eyes? The Work of Patuman Lohrung Rai | Prava Rai | | | |
| No.4: Hee Gyathang: Restoration fo the 12 Village Monastery | Chetan Raj Shreestha | | | |
| No.4: Ancient Roots of Modern Sikkim | Shital Pradhan | | | |
| MARG: A Magazine of the Arts Vol. 66 | | Vidya Dehejia | 2014 | MARG Publications |
| No.1: Master of Swirling Skies an Anonymous Painter of Jammu | Steven Kossak | | | |
| No.1: Mithila Painting: 1949-2014 | David Szanton | | | |
| No.1: The Clock is Ticking: The Blue Shores Prison Art Project | Margaret Mascarenhas & Swatee Nair | | | |
| No.1: Mughal Mystic: The Khalili Collection of Islamicn Art | Anjali Devidyal | | | |
| No.1: The Ass Curse Stele Tradition: Gaddhegal of Ancient Maharashtra | Rupali Mokashi | | | |
| No.1: Hindu Symbolism in Sikh Art: Brickwork in Haveli Naunihal Singh | Humaira Iftikhar & Shaukat Mahmood | | | |
| No.1: The Magic of India | Nicoletta Celli | | | |
| No.2: Introduction | Aniruddha Sen Gupta | | | |
| No.2: Telling Stories and Building Community: Making Comics in India | Jeremy Stoll | | | |
| No.2: Panels Registers and Frames: Creative Engagements with traditional Visual Narrative forms | Vidyun Sabhaney | | | |
| No.2: Art in Comics | Gokul Gopalakrisnan | | | |
| No.2: Narmada Sketchbooks: Comics and Making of River of Stories | Orijit Sen | | | |
| No.2: City of the Ninth Art | Amruta Patil | | | |
| No.2: Growing Up (and raising kids) with Comic Books | Vivek Menezes | | | |
| No.2: Grassroots Comics: An Indigenous Global Movement | Sharad Sharma | | | |
| No.2: Issued in the Public Interest | Amitabha Kumar | | | |
| No.2: Shut up About the Market and Show me your Internal Organs | Rakesh Khanna | | | |
| No.3: Fragile Legacy: The Paintings of Ajanta Caves 9 and 10 | William Dalrymple | | | |
| No.3: Dating the Hamzanama: A re-examination | Zahar Faridany-Akhavan | | | |
| No.3: The Temple at Thirukurungudi:Flights of Fancy in Stone, Wood and Words | Pradeep Chakravarthy | | | |
| No.3: The Diverse facts of Burma | Andre Baldeck | | | |
| No.3: An Early Woman Artist at Shantiniketan: Chatraniva Chowdhury | Latika Gupta | | | |
| No.3: Journeys into the Sublime: V.Ramesh's Works, 2003-2013 | Soma Sen | | | |
| No.3: What's in a Name?, The Arts of Islam" at the Louvre | Ashrafi S.Bhagat | | | |
| No.3: Sahib, Bibi, Nawab: Baluchar Silks of Bengal, 1750-1900 | Monisha Ahmed | | | |
| No.4: Introduction: Art In Bhutan | Susan S.Bean | | | |
| No.4: Wangduechhoeling Palace: The Birthplace of Bhutan's Monarchy | Ugen Choden | | | |
| No.4: A Cultural Epiphany: Religious Dances of Bhutan and their Costumes | Francoise Pommaret | | | |
| No.4: Bhutanese Fashion and Textiles in the 21st Century | Dian K.Myers | | | |
| No.4: The Emerging Contemporary Artscape of Bhutan | Kinley Wangmo | | | |
| No.4: A Passion for Preservation: The Photography of Yeshey Dorji | Madeline Drexler | | | |
| No.4: What is Bhutanese about Paintings from Bhutan | Christian Luczanits And Dorji Namgyel | | | |
| MARG: A Magazine of the Arts Vol. 67 | | Jyotindra Jain, Naman P. Ahuja | 2015 | MARG Publications |
| No.1: Subaltern Rustle: Raqs Media Collective, the Colour Blue and the Colonial Archive | Natasha Eaton | | | |
| No.1: Book Art: Contemporary Practices in the Indian Subcontinent | Amit Kumar Jain and Ruhania Perera | | | |
| No.1: The (Un)Making of a Man: The Work of Baptist Coelho | Janice Pariat | | | |
| No.1: Finding Home: The Worlds of Siona Benjamin | Ori Z.Soltes | | | |
| No.1: The Maarak and the Tradition of Imambadas in Kashmi | Hakim Sameer Hamdani | | | |
| No.1: The Digital Reunification of a 17th-century Ramayana Manuscript from Mewar | Roda Ahluwalia | | | |
| No.1: Collecting Paradise: Buddhist Art of Kashmir and Its Legacies | Monisha Ahmed | | | |
| No.2: Introduction | | | | |
| No.2: Serpent-enthroned Buddha of Angkor | Peter D.Sharrock | | | |
| No.2: Indic Epics in Khmer Art: Narrative Reliefs of Baphuon | Rachel Loizeau | | | |
| No.2: Indigenous Roots of the Cambodian Dance Drama | Paul Cravath | | | |
| No.2: Khmer Traditional Dresss and Textiles: Early Manifestations of Indian Styles and Motifs | Gillian Green | | | |
| No.2: The Bayon: Interpretations Continue | Olivier Cunin | | | |
| No.2: Pola-Inspired Vajryana Buddhism Bronzes from the Korat Plateau: The Khmer-Pala Link | Emma C.Bunker | | | |
| No.2: Angkor: Diary of a Modern Explorer | Kenison Kwok | | | |
| No.3: Icons and Identities: The Work and Lives of Bronzecasters in Swamimalai | Sowparnika Balaswaminathan | | | |
| No.3: "Wherrever a Person lives, he ends up belonging there": A Brief Anecdotal History of Upar Kot | Meher Ali | | | |
| No.3: Invisible Identities, Uncertain Futures? Upholding the Cultural Heritage of Kolkata's Chinatown | Kamalika Bose | | | |
| No.3: Photo Essay: Laura Letinsky- Telephone Game: Photography and Textiles in Translation | Colin Westerbeck | | | |
| No.3: The Condition of Tibetan Monasteries in the 1930's and 40's as recorded by Guiseppe Tucci | Erberto Lo Bue | | | |
| No.3: Reflections on In the Name of the Goddess | Gayatri Sinha | | | |
| No.3: Exhibitions: The Fabric of India | Monisha Ahmed | | | |
| No.4: Introduction: Towards Recent Histories of Indian Textiles | Mayank Mansingh Kaul | | | |
| No.4: Shaping Textile Futures: Those who Led the Way | Ritu Sethi | | | |
| No.4: Revivalism and Revivalists | Laila Tyabji | | | |
| No.4: Textiles in India: Fashioning the Contemporary | Mayank Mansingh Kaul and Meher Varma | | | |
| No.4: The Enduring Sari and It's Metamorphoses | Sujata Assomull | | | |
| No.4: Recipes for Re-Enchantment: Natural Dyes and Dyeing | Aarti Kawlra | | | |
| No.4: Trends in Embroidery | Vandana Bhandari | | | |
| No.4: The Loom as an Ideology: Suraiya Apa's Legacy | Radhika Singh | | | |
| No.4: Jadunath Suparkar and Design Revival in Banaras Brocades | Anjan Chakraverty | | | |
| MARG: A Magazine of the Arts Vol. 68 | | Jyotindra Jain, Naman P. Ahuja | 2016 | MARG Publications |
| No.1: Preface | Geeta Kapur | | | |
| No.1: The Elegant Complexity of Nasreen Mohamedi | Brinda Kumar | | | |
| No.1: Zarina's Language Question | Aamir R.Mufti | | | |
| No.1: Lala Rukh: Lines of Agency | Natasha Ginwala | | | |
| No.1: Revolution in Poetic Language: Manisha Parekh' | Rakhee Balaram | | | |
| No.1: Abstracting/Constructing- Sheila Makhijani and Pooja Iranna | Roobina Karode | | | |
| No.1: Strategic Abstractions: On Seher Shah's Large-Formar Drawings | Murtaza Vali | | | |
| No.1: In the Light of What we See: On Prabhavathi Meppayil and Rana Begum | Deepak Ananth | | | |
| No.1: Parul Gupta's Performative Space | Meenakshi Thirukode | | | |
| No.1: Archives of Compressed time: Measure and Movement in the Work of Tanya Goel | Amanda Sroka | | | |
| No.2: Kochi-Muziris: Biennale as South Asian Form | Natasha Ginwala | | | |
| No.2: Muziris and the Many Pasts of Kochi | Riyas Komu | | | |
| No.2: Caste Slavery and Structural Violence in Kochi | Sanal Mohan | | | |
| No.2: Kochi-Muziris Biennale and the Biennale Phenomenon | Geeta Kapur & Natasha Ginwala | | | |
| No.2: A Biennale in the Making | Bose Krishnamachari | | | |
| No.2: Impressions on the Second Kochi-Muziris Biennale | Dieter Roelstrate and Abigail Winograd | | | |
| No.2: Towards an Open Archealogy: On Vivan Sundaram's Black Gold | Nada Raza | | | |
| No.2: Mandalay Hall, in Memoriam: Reflection on a Collateral Project during KMB 2012 | Zasha Colah | | | |
| No.2: An Artistic Creed: Responses to Benitha Perciyal's Fires of Faith | Rosalyn D'Mello | | | |
| No.2: Imagined Features: Works by Marie Valerdi | Meera Menezes | | | |
| No.2: The Eyes Have it: Naeem Mohaimen's Kazi in Nomansland and the Crisis of History | Murtaza Vali | | | |
| No.2: Liquid History of Vasco Da Gama | Sarnath Banerjee | | | |
| No.2: Make-Beling in Retrospect: The Artists' Cinema at KMB 2014 | Ashish Rajadhakshya | | | |
| No.2: Solar: A Meltdown | Ho Rui An | | | |
| Bombay to Mumbai: Changing Perspectives | | Pauline Rohatgi, Pheroza Godrej, Rahul Mehrotra | 2006 | MARG Publications |
| Ahmadabad | John-Burton Page | George Michell, Snehal Shah | 1988 | MARG Publications |
| Splendours of Kerala | Mulk raj anand | | | MARG Publications |
| Goa- Cultural Patters | | Dr. Saryu Doshi | 1983 | MARG Publications |
| Marg, India and Greece Connections and Parallels | | Dr. Saryu Doshi | 1985 | MARG Publications |
| India- A Pageant of Prints | | Radhika Sabavala | 2006 | MARG Publications |
| American Collectors of Asian Art | | Pratapaditya Pal | 1986 | MARG Publications |
| American Collectors of Asian Art | | Pratapaditya Pal | 1986 | MARG Publications |
| | | | MARG Publications |
| The Performing Arts | | Doshi, Dr. Saryu (Ed. ) & Menon, Narayana (Guest Editor) | 1982 | MARG Publications |
| The Performing Arts | | Doshi, Dr. Saryu (Ed. ) & Menon, Narayana (Guest Editor) | 1982 | MARG Publications |
| Bharat Natyam | | | 1957 | MARG Publications |
| | | | MARG Publications |
| Marg , Vol.01, No.1, Oct 1946 | | Mulk Raj Anand | 1946 | MARG Publications |
| Marg Vol 01,Jan 1947, Number 02 - | | Mulk Raj Anand | 1947 | MARG Publications |
| Marg Vol 01, Number 03 - | | Mulk Raj Anand | | MARG Publications |
| Marg Vol. 02, No. 3, Journey into Rajasthan | | | | |
| Marg Vol 02, Number 04 -Special Dipavali Number | | Mulk Raj Anand | | MARG Publications |
| Marg , Vol. 07, No.03,June 1954 | | Mulk Raj Anand | 1954 | MARG Publications |
| Marg Vol 08, Mar 1955 Number 02 -On Inheriting The Past | | Mulk Raj Anand | 1955 | MARG Publications |
| Marg , Vol. 08, No.03, June 1955 | | Mulk Raj Anand | 1955 | MARG Publications |
| Marg, Vol.9, No.1- In Praise of Early Buddhist Art | | Mulk Raj Anand | 1955 | MARG Publications |
| Marg Vol 10, June 1957 Number 03 -Homage To Khajuraho | | Mulk Raj Anand | 1957 | MARG Publications |
| Marg Vol 10, Sept 1957 Number 04 -Bharata Natyam | | Mulk Raj Anand | 1957 | MARG Publications |
| Marg Vol 11, June 1958 Number 03 -Early Mughal Art | | Mulk Raj Anand | 1958 | MARG Publications |
| Marg: A Magazine of the arts Later Mughal Art | | | | |
| Marg Vol 12, Dec 1958 Number 01 -Homage To Konark | | Mulk Raj Anand | 1958 | MARG Publications |
| Marg Vol 12, March 1959 Number 02 -Rajasthani Sculptures | | Mulk Raj Anand | 1959 | MARG Publications |
| Marg Vol 12, June 1959 Number 03 -In Praise Of Mandu | | Mulk Raj Anand | 1959 | MARG Publications |
| Marg - Deccani Kalams Vol. 16 No.2 | | Mulk Raj Anand | 1963 | MARG Publications |
| Marg, Vol. 23, No. 01,1969 Terracottas | | Mulk Raj Anand | 1969 | MARG Publications |
| Marg - The Mystery And Beauty of Hittite Art Vol.25, No.1 | | Mulk Raj Anand | 1971 | MARG Publications |
| Marg, Vol. 28 A Magazine of the Art,Supplyment No. 2 March 1975: Pahari Miniatures | Dr. Archer's .W. | | 1975 | MARG Publications |
| Marg, Vol. 30, No. 02, March 1977, Persian Painting - Fifteenth Century | | Mulk Raj Anand | 1977 | MARG Publications |
| Marg,Vol. 30, No. 03, 1977, Homage to Amritsar | | Mulk Raj Anand | 1977 | MARG Publications |
| Marg,Vol. 30, No. 03, 1977, Homage to Amritsar | | Mulk Raj Anand | 1977 | MARG Publications |
| Marg,Vol. 30, No. 03, 1977, Homage to Amritsar | | Mulk Raj Anand | 1977 | MARG Publications |
| Marg - In Praise of Hoysala Art Vol.31, No.1 | | Mulk Raj Anand | 1977 | MARG Publications |
| Marg, Vol. 31, No. 02, Glimpses of Wonder and Beauty- Indian Heritage | | Mulk Raj Anand | 1978 | MARG Publications |
| Marg, Vol. 31, No. 02, Glimpses of Wonder and Beauty- Indian Heritage | | Mulk Raj Anand | 1978 | MARG Publications |
| Marg, Treasures of Everyday Art- Raja Dinkar Kelkar Museum, Vol. 31, No.3 | | Mulk Raj Anand | 1978 | MARG Publications |
| Marg, Treasures of Everyday Art- Raja Dinkar Kelkar Museum, Vol. 31, No.3 | | Mulk Raj Anand | 1978 | MARG Publications |
| Marg - Vol 32, Number 01- In Praise Of Aihole - Badami- Mahakuta - Pattadakal | | Mulk Raj Anand | | MARG Publications |
| Marg, Vol. 32, No. 04, In Praise of Christian Art in Goa | | Mulk Raj Anand | | MARG Publications |
| Marg, Vol. 33, No. 02. In Praise of Tamil Nadu Heritage | | Mulk Raj Anand | | MARG Publications |
| Marg, Vol. 33, No. 02. In Praise of Tamil Nadu Heritage | | Mulk Raj Anand | | MARG Publications |
| Marg, Vol. 33, No. 04, Homage to Hampi | | Mulk Raj Anand | | MARG Publications |
| Marg, Vol. 33, No. 04, Homage to Hampi | | Mulk Raj Anand | | MARG Publications |
| Marg, Vol. 33, No. 04, Homage to Hampi | | Mulk Raj Anand | | MARG Publications |
| Marg, Vol. 34, No. 01, Appreciation of Creative Arts Under Maharaja Ranjit Singh | | Mulk Raj Anand | | MARG Publications |
| Marg, Vol. 34, No. 02, The Art Of Chhatrapatis and Peshwas | | Dr. Saryu Doshi | | MARG Publications |
| Marg, Vol. 34, No. 02, The Art Of Chhatrapatis and Peshwas | | Dr. Saryu Doshi | | MARG Publications |
| Marg, Vol. 34, No. 04, Rhythms And Accents In Tradtional Indian Architecture | | Dr. Saryu Doshi | | MARG Publications |
| Marg, Vol. 34, No. 04, Rhythms And Accents In Tradtional Indian Architecture | | Dr. Saryu Doshi | | MARG Publications |
| Marg, Vol. 35, No. 01, Heritage Of Karnataka | | Dr. Saryu Doshi | | MARG Publications |
| Marg, Vol. 35, No. 01, Heritage Of Karnataka | | Dr. Saryu Doshi | | MARG Publications |
| Marg, Vol. 35, No. 01, Heritage Of Karnataka | | Dr. Saryu Doshi | | MARG Publications |
| Marg, Vol. 35, No. 03, Goa An Encounter | | Dr. Saryu Doshi | | MARG Publications |
| Marg, Vol. 35, No. 03, Goa An Encounter | | Dr. Saryu Doshi | | MARG Publications |
| Marg, Vol. 35, No. 03, Goa An Encounter | | Dr. Saryu Doshi | | MARG Publications |
| Marg, Vol. 35, No. 04, Continuity And Change- Festival Of India in Great Britain | | Doshi, Dr. Saryu (Ed) | | MARG Publications |
| Marg, Vol. 36, No. 01, Images And Traditions- Festival Of India in Great Britain | | Dr. Saryu Doshi | | MARG Publications |
| Marg, Vol. 36, No. 03, The Iconic And Narrative In Jain Painting | | Dr. Saryu Doshi | | MARG Publications |
| Marg, Vol. 36, No. 04, Maharashtra- Traditions In Art | | Dr. Saryu Doshi | | MARG Publications |
| Marg, Vol. 37, No. 01, Maharashtra- Religious And Secular Architecture | | Dr. Saryu Doshi | | MARG Publications |
| Marg, Vol. 37, No. 01, Maharashtra- Religious And Secular Architecture | | Dr. Saryu Doshi | | MARG Publications |
| Marg, Vol. 37, No. 02, Hind And Hellas | | Dr. Saryu Doshi | | MARG Publications |
| Marg, Vol. 37, No. 02, Hind And Hellas | | Dr. Saryu Doshi | | MARG Publications |
| Marg, Vol. 37, No. 03, Masterpieces of the Deccan Sultanates | | Karl Khandalavala | | MARG Publications |
| Marg, Vol. 37, No. 03, Masterpieces of the Deccan Sultanates | | Karl Khandalavala | | MARG Publications |
| Three American Collections of Asian Art- Freer, Brundage and Rockfeller/ Vol XXXVII, No. 4 | | Dr. Pratapaditya Pal | | MARG Publications |
| Marg, Vol.38, No. 01,Three American Collections Of Asian Art- Heeramaneck,Binney,3rd and Simon | | Karl Khandalavala | | MARG Publications |
| Marg, Vol. 38, No. 03, Treasures Of Indian Art | | Dr. Saryu Doshi | | MARG Publications |
| Marg- Vol. 40, No. 01 Visions of Enlightenment the Heritage of Bodhgaya | | Karl Khandalavala | | MARG Publications |
| Marg, Vol. 40, No. 04, A Selection Of Prints: People,Places and Flora | | Karl Khandalavala | | MARG Publications |
| Marg, Vol. 41, No. 03, Painters Of Persia And Their Art | | Karl Khandalavala | | MARG Publications |
| Marg, Vol. 42, No. 1, Ramayana: Paintings from the hills | | | | MARG Publications |
| Marg, Vol. 44, No. 01, The Qutb Shahs Of Golconda | | Karl Khandalavala | | MARG Publications |
| Marg, Vol. 45, No. 02, India And Egypt: Thought,Art, And Trade | | Pratapaditya Pal | | MARG Publications |
| Marg- Humayun's Garden Party Princes of the House of Timur and Ey Mughal Painting Vol.46, No.2 | | Sheila Canby | 1994 | MARG Publications |
| Marg, Vol. 46, No. 03, Woven splendours: Indian Silks | | Pratapaditya Pal | | MARG Publications |
| Marg Vol. 46, No. 04, Of Kings and Coins | | Carter, Martha L. | 1994 | MARG Publications |
| Marg, Vol. 48, No. 02, Contemporary Women Artists | | Pratapaditya Pal | | MARG Publications |
| Marg-A Magazine of the Arts, Vol. 48. No. 3 | | Farooq Ameen | 1997 | MARG Publications |
| Marg, Vol. 50, No. 03,1999 | | Pratapaditya Pal | 1999 | MARG Publications |
| MARG: A Magazine of the Arts, Vol. 50 | | Pratapaditya Pal | 2010 | MARG Publications |
| Marg, Vol. 51, No. 02, 1999, | | Pratapaditya Pal | 1999 | MARG Publications |
| MARG: A Magazine Of The Arts Vol. 59, No. 4 | | Mulk Raj Anand | 2008 | MARG Publications |
| MARG: A Magazine Of The Arts Vol. 59, No. 4 | | Mulk Raj Anand | 2008 | MARG Publications |
| Marg, Vol. 62, Contemporary Art of South India | | | | MARG Publications |
| MARG: A Magazine of the Arts Vol. 65 | | Mulk Raj Anand | 2013 | MARG Publications |
| MARG: A Magazine of the Arts: India-France: Artistic Exchanges, Vol. 69, No. 1 | | Jyotindra Jain, Naman P. Ahuja | 2017 | MARG Publications |
| Marg - Homage to Jaipur | | Mulk Raj Anand | | MARG Publications |
| material history, material memory | | Sarya Doshi | 1982 | MARG Publications |
| | | | |
| A Treasury of Indian Coins | | Carter, Martha L. | 1994 | MARG Publications |
| A Treasury of Indian Coins | | Carter, Martha L. | 1994 | MARG Publications |
| A Treasury of Indian Coins | | Carter, Martha L. | 1994 | MARG Publications |
| Coins in India: Power and Communication | | Himanshu Prabha Ray | 2006 | MARG Publications |
| Coins in India: Power and Communication | | Himanshu Prabha Ray | 2006 | MARG Publications |
| Coins in India: Power and Communication | | Himanshu Prabha Ray | 2006 | MARG Publications |
| Marg, Maharaja Ranjit Singh as Patron of the Arts | | Mulk Raj Anand | 1981 | MARG Publications |
| Maharaja Ranjit Singh as a Patron of the Arts | | Mulk Raj Anand | 1981 | MARG Publications |
| Maharaja Ranjit Singh as a Patron of the Arts | | Mulk Raj Anand | 1981 | MARG Publications |
| Unseen Presence: The Buddha and Sanchi | Dehejia, Vidya | | 1996 | MARG Publications |
| Marg, Bodhgaya - the Site of Enlightenment | | | 1988 | MARG Publications |
| Marg, Golconda and Hyderabad | | Safrani, Shehbaz H. (Ed. ) | 1992 | MARG Publications |
| Marg, Splendours of the Vijayanagara Empire Hampi | | Michell, George & Filliozat, Vasundhara (Guest Editors) | 1981 | MARG Publications |
| Marg, The Art of the Burma New Studies | | Stadtner, Donald M. (Ed. ) | 1999 | MARG Publications |
| Eternal Kaveri : Historical Sites Along South India's Greatest River | | George Michell | 1999 | MARG Publications |
| Marg, Odissi, Indian Classical Dance Art | | Kothari, Sunil & Pasricha, Avinash | 1990 | MARG Publications |
| Marg - Bharata Natyam | | Mulk Raj Anand | 1997 | MARG Publications |
| Marg - Bharata Natyam | | Mulk Raj Anand | 1997 | MARG Publications |
| Marg- Kathakali- The Art of the Non-Worldly | | Nair, D.Appukuttan & Paniker K. Ayyappa | 1993 | MARG Publications |
| Marg- Contemporary Women Artists, Experessions and Evocations | | Pratapaditya Pal | 1996 | MARG Publications |
| Marg, Master Artist of the Imperial Mughal Court | | Pratapaditya Pal | 1991 | MARG Publications |
| Marg -Contemporary Architecture And City Form The South Asian Paradigm | | Farooq Ameen | 1997 | MARG Publications |
| Marg, the World of Jade | | Markel, Stephen | 1992 | MARG Publications |
| Marg- Pageant of Indian Art Festival of India in Great Britain | | Dr. Saryu Doshi | 1983 | MARG Publications |
| Water Design: Environment and Histories | | Jutta Jain-Neubauer | 2016 | MARG Publications |
| Dargahs: Abodes of the Saints, Vol. 56. No.1 | | Mumtaz Currim, George Michell | 2004 | MARG Publications |
| The Architecture of the Indian Sultanates | | Abha Narain Lambah, Alka Patel | 2006 | MARG Publications |
| Wonders of Nature: Ustad Mansur at the Mughal Court | Asok Kumar Das | Vidya Dehejia | 2012 | MARG Publications |
| The Story of Asia's Lions | Divya Bhanusinh | | 2005 | MARG Publications |
| Living Jewels From The Indian Jungle | | Ashok S. Khotari, Boman F. Chhapgar | 2009 | Oxford University Press, Bombay Natural History Society |
| Living Jewels From The Indian Jungle | | Ashok S. Khotari, Boman F. Chhapgar | 2009 | Oxford University Press, Bombay Natural History Society |
| The Story Of Indian Unicorns | | Jotindra Jain, Naman P. Ahuja | 2018 | Marg Publication |
| A Mirror for Princes from India | | Grube, Ernst J. (Ed. ) | 1991 | MARG Publications |
| Buddhist Art Form and Meaning | | Pratapditya Pal | 2007 | MARG Publications |
| Masterpieces of Indian Modern Art | | Kishore Singh | 2016 | DAG |
| Masterpieces of Indian Modern Art: Edition II | | Kishore Singh | 2017 | DAG |
| Masterpieces of Indian Modern Art: Edition II | | Kishore Singh | 2017 | DAG |
| The Printed Picture: Four Centuries of Indian Printmaking Vol. 1: Essays | Paula Sengupta | Kishore Singh | 2012 | DAG |
| The Printed Picture: Four Centuries of Indian Printmaking Vol. 1: Essays | Paula Sengupta | Kishore Singh | 2012 | DAG |
| The Printed Picture: Four Centuries of Indian Printmaking Vol. 2: Exibitin Plates | Paula Sengupta | Kishore Singh | 2012 | DAG |
| The Printed Picture: Four Centuries of Indian Printmaking Vol. 2: Exibitin Plates | Paula Sengupta | Kishore Singh | 2012 | DAG |
| Indian Abstracts: An Absence Of Form | | Kishore Singh | 2014 | DAG |
| Indian Portraits: The Face of a People | | Kishore Singh | 2013 | DAG |
| The Naked and the Nude: The Body in Indian Modern Art | | Kishore Singh | 2013 | DAG |
| Indian Landscapes - The Changing Horizon | | Kishore Singh | 2012 | DAG |
| Indian Divine: Gods & Goddesses In 19th Century
| | | | |
| 2014 | DAG | Art & Architecture | | |
| The Naked and the Nude: The Body in Indian Modern Art Edition Two | | Kishore Singh | 2015 | DAG |
| The Art of Bengal | | Kishore Singh | 2012 | DAG |
| The Art of Bengal | | Kishore Singh | 2012 | DAG |
| Mumbai Modern Progressive Artists' Groups: 1947-2013 | | Kishore Singh | 2013 | DAG |
| Continuum: Progressive Artists' Group | | Kishore Singh | 2011 | DAG |
| India Modern: Narrative from 20th Century Indian Art | | Kishore Singh | 2014 | DAG |
| | | | |
| Awakening: A Retrospective of G.R. Santosh | | Kishore Singh | 2011 | DAG |
| Awakening: A Retrospective of G.R. Santosh | | Kishore Singh | 2011 | DAG |
| Altaf: A Retrospective | | Kishore Singh | 2017 | DAG |
| Chittaprosad: A Retrospective | | Kishore Singh | 2011 | DAG |
| Chittaprosad: A Retrospective | | Kishore Singh | 2011 | DAG |
| India's Rockerfeller Artists | | Kishore Singh | 2017 | DAG |
| Group 1890: India's Indigenous Modernism | | Kishore Singh | 2016 | DAG |
| The Feminine Unbound | Gogi Saroj Pal | | 2011 | DAG |
| The Curious Seeker | Madhvi Parekh | | 2017 | DAG |
| Hungry Bengal: A Tour through Mindapur District, by ChittaProad in November 1943 | | | 2011 | DAG |
| A Sketch book of 30 potraits by Chittaprosad | | | 2011 | DAG |
| Yours Chitta: Translated excerpts from select letters from Chittaprosad | Sanjoy Kumar Malik | | 2011 | DAG |
| Nemai Ghosh: Satyajit Ray and Beyond | | Kishore Singh | 2013 | DAG |
| Memory & Identity: Indian Aritists Abroad | | Kishore Singh | 2016 | DAG |
| India's Neo-Tantrists: G. R. Santosh, Biren De | | Kishore Singh | 2017 | DAG |
| M.V. Dhurandar The Romantic Realist | Suhas Babulkar | | 2018 | DAG |
| Manifestations 5: 20th Century Indian Art | | Kishore Singh | 2011 | DAG |
| Manifestations 6: 75 Artists | | Kishore Singh | 2011 | DAG |
| Manifestations 7: 20th Century Indian Art | | Kishore Singh | 2012 | DAG |
| Manifestations 8: 20th Century Indian Art | | Kishore Singh | 2012 | DAG |
| Manifestations 9: 20th Century Indian Art | | Kishore Singh | 2013 | DAG |
| Manifestations 10: 20th Century Indian Art | | Kishore Singh | 2013 | DAG |
| Manifestations 11: 20th Century Indian Art | | Kishore Singh | 2014 | DAG |
| Ramkinkar Baij: A Retrospective | R Siva Kumar | Sonal Parmar | 2012 | DAG |
| Significant Indian Modern Art | | | 2014 | DAG |
| Significant Indian Modern Art | | | 2014 | DAG |
| Masterpieces I: Stars Above, Stars Below- Avinash Chandra | | Kishore Singh | 2016 | DAG |
| Masterpieces II: In His Office- Bikash Bhattacharjee | | Kishore Singh | 2016 | DAG |
| Masterpieces III: Christ- Dhanraj Bhagat | | Kishore Singh | 2016 | DAG |
| Masterpieces IV: A Still-Life of Kitchen Implements and a Rooster on a Table | | Kishore Singh | 2016 | DAG |
| Masterpieces V: Aspiration- G.R. Santosh | | Kishore Singh | 2016 | DAG |
| Masterpieces VI: Tantra Series- G.R. Santosh | | Kishore Singh | 2016 | DAG |
| Masterpieces VII: Manas Kamal- Hemen Mazumdar | | Kishore Singh | 2016 | DAG |
| Masterpieces VIII: Expectation- Kshitindranath Majumdar | | Kishore Singh | 2016 | DAG |
| Masterpieces IX: Shree Chaitanya Meets His Mother- Kshitindranath Majumdar | | Kishore Singh | 2016 | DAG |
| Masterpieces X: Three Graces- M.F. Husain | | Kishore Singh | 2016 | DAG |
| Masterpieces XI: Queen- M.F. Husain | | Kishore Singh | 2016 | DAG |
| Masterpieces XII: Portrait- M.F. Husain | | Kishore Singh | 2016 | DAG |
| Masterpieces XIV: Shakuntala's Life Story- Radha Charan Bagchi | | Kishore Singh | 2016 | DAG |
| Masterpieces XIII: Figure in Yellow- Rabindranath Tagore | | Kishore Singh | 2016 | DAG |
| Masterpieces XV: The Poet- Ramkinkar Baij | | Kishore Singh | 2016 | DAG |
| Masterpieces XVI: Mask- S.K. Bakre | | Kishore Singh | 2016 | DAG |
| Masterpieces XVII: Jala Bindu- S.H. Raza | | Kishore Singh | 2016 | DAG |
| Masterpieces XVIII: Bharatiya Samaroh- S.H. Raza | | Kishore Singh | 2016 | DAG |
| Masterpieces 31: At A Social Gathering | Vikash Bhattcharjee | | | |
| Masterpieces 32: The Starir Of Destiny | Rameshwar Broota | | | |
| Masterpieces 33: Untitled | Shanti Dave | | | |
| Masterpieces 34: Untilted (Two Figures With Cactus) | M.F. Mussain | | | |
| Masterpieces 35: Woman With A Basket Of Fruits | Krishen Khanna | | | |
| Masterpieces 36: Untitled (Landscape) | Ram Kumar | | | |
| Masterpieces 37: Diagonal | Tyeb Mehta | | | |
| Masterpieces 38: Man Acting As King | Ravin Mondal | | | |
| Masterpieces 39: Untitled (Christ) | Jamini Roy | | | |
| Masterpieces 40: Untitled (tantra) | G.R. Santosh | | | |
| Masterpieces 41: Untitled | F.M. Souza | | | |
| Still-Life Adaptations in 20th Century Indian Art | | Roobina Karode | 2007 | DAG |
| 20th Century Indian Modern Art | | Kishore Singh | 2014 | DAG |
| Indian Modern Art: A Visual History | | Kishore Singh | 2016 | DAG |
| A Visual History of Indian Modern Art: The Pre-Moderns Vol 1 | | Kishore Singh | 2015 | DAG |
| A Visual History of Indian Modern Art: Birth of Modernism Vol 2 | | Kishore Singh | 2015 | DAG |
| A Visual History of Indian Modern Art: Revivalism & Beyond Vol 3 | | Kishore Singh | 2015 | DAG |
| A Visual History of Indian Modern Art: Bengal Modernists Vol 4 | | Kishore Singh | 2015 | DAG |
| A Visual History of Indian Modern Art: Rise of Modernism Vol 5 | | Kishore Singh | 2015 | DAG |
| A Visual History of Indian Modern Art: A Modern Vernacular Vol 6 | | Kishore Singh | 2015 | DAG |
| A Visual History of Indian Modern Art: Alternate Sensibilities Vol 7 | | Kishore Singh | 2015 | DAG |
| A Visual History of Indian Modern Art: Region and Identity Vol 8 | | Kishore Singh | 2015 | DAG |
| A Visual History of Indian Modern Art: The Sacred & the Sensual Vol 9 | | Kishore Singh | 2015 | DAG |
| A Visual History of Indian Modern Art: In the Round Vol 10 | | Kishore Singh | 2015 | DAG |
| 20th Century Indian Art | | | 2017 | DAG |
| 20th Century Indian Art | | | 2016 | DAG |
| Amitava: The Complete Works | | Kishore Singh | 2013 | DAG |
| Auction Of Indian Art | | | 2016 | DAG |
| Indian Modern Art | | | 2015 | DAG |
| Art Loot Spring 2012 | | | 2012 | DAG |
| Maps Of Mughal India | Susan Gole | | 1988 | Manohar Publications |
| Maps Of Mughal India | Susan Gole | | 1988 | Manohar Publications |
| The Kingdom That Was Kotah | M.K. Briraj Singh | | 1985 | Lalit Kala Akademi |
| Monuments of Assam | | | 2001 | National Museum, New Delhi |
| Manuscript Painting of Assam | | | 2000 | National Museum, New Delhi |
| Art History of Tripura | | | 2003 | National Museum, New Delhi |
| Art History of Tripura | | | 2003 | National Museum, New Delhi |
| Indian Miniature Paintings | | | 2000 | National Museum, New Delhi |
| Ramayana: The Story of Rama in Indian Miniature Paintings | | | 2004 | National Museum, New Delhi |
| Baburnama: Memoirs of Zahiruddin Muhammad Babur Padshah Gazi | | | 2004 | National Museum, New Delhi |
| Kahilipara hoard of Bronzes, Assam | | | 2004 | National Museum, New Delhi |
| Sculptural Heritage of Assam | | | 2000 | National Museum, New Delhi |
| Miniature Paintings of Rajasthan | | | 2000 | National Museum, New Delhi |
| Bhopal | | | 2003/04/01 | Directorate of Archaeology, Archives and Museum |
| Gwalior | | | 2004 | DAAM / MPM |
| Atlas Of Ancient Indian History | Ifran Habib, Faiz Habib | | 2010 | Oxford University Press |
| Munzpragung Des Kusanreiches | Robert Gobl | | 1984 | Verlag Der Osterreichischen Akademie Der Wissenschaften |
| An Atlas of the Mughal Empire | Ifran Habib | | 1982 | Oxford University Press |
| An Atlas of the Mughal Empire | Ifran Habib | | 1982 | Oxford University Press |
| Atlas of the World | | | 2002 | The Royal Geographical Society |
| Indian Paintings In The Los Angeles Museum | Pratapaditya Pal | | 1982 | Lalit Kala Akademi |
| K. Venkatappa: A Pictorial Volume | | | | Directorate of Kanada And Culture |
| Ancient Hairstyles of India | Ila Pal Choudhuri | | 1974 | Rupa & Co. |
| Untranslated Chinese Art Book | Ashrani Mathur | | | Libro |
| Atlas of Past times | John Haywood | | 2003 | Grange Books |
| History of Trains | Collin Garratt | | 1989 | Hamlyn Publishers |
| Modern Indian Painting: Jana & Kito de Boer Collection | | Rob Dean, Giles Tilotson | | Mapin Publications |
| The Artful Life of R. Vijay | Annapurna Garimella | Preface: Kavita Singh | 2015 | Shane Suvikapakornkul, Serindia, Serindia Contemporary |
| Waswo x. Waswo Photowallah | Christopher Pinney, Illustrations: R. Vijay | | | Tasveer Arts Publishers |
| Elite Collectors of Modern & Contemporary Indian Art | Purrshottam Bhaggeria, Pavan Malhotra | | 2008 | Elite Media Publishers |
| Gauri Dancers | Waswo x Waswo, Sonika Soni | | 2019 | Mapin Publications |
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| Coins - An Illustrated Survey 650 B.C. to the Present Day | | Martin Jessop Price | 1980 | Methuen & British Museum Publication Ltd. |
| Haryana ke Pracheen lakshyansthan (Ancient Seals of Haryana) (Hindi) | Sarswati, Swami Omamnand | | 1979 | Haryana Prantiya Puratattva Sangrahalaya |
| Minutes of Evidence Taken before the Royal Commission on Indian Currency & Finance Vol. 4 | | | 1926 | Royal Commission I.C.& F |
| Appendices to the Report of the Royal Commission on Indian Currency & Finance Vol. 2 | | | 1926 | Royal Commission I.C.& F |
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| 2003 Standard Catalog of World Coins | Chester L. Krause, Clifford Mishler | Colin R. Bruce II | 2003 | Krause Publications |
| 2006 Standard Catalog of World Coins | Chester L. Krause, Clifford Mishler | Colin R. Bruce II | 2006 | Krause Publications |
| 1998 Standard Catalog of World Paper Money, Modern issues 1961-1998, Vol. III | | Colin R. Bruce II, Neil Shafer | 1998 | Krause Publications |
| Standard Catalogue Of World Paper Money | Albert Pick | Colin R. Bruce II, Neil Shafer | | krause publications |
| Standard Catalog of World Paper Money, Specialized Issues, Vol. 1 | Based on the original writings of Albert Pick | Colin R. Bruce II, Neil Shafer | | Krause Publications |
| Standard Catalog of World Coins 1601-1700, 17th Century | Chester L. Krause, Clifford Mishler | Colin R. Bruce II | 1999 | Krause Publications |
| Standard Catalogue Of World Coins, Special 18th century edition | Chester L. Krause, Clifford Mishler | Colin R. Bruce II | 2006 | krause publications |
| 1996 Standard Catalog of World Coins | Chester L. Krause, Clifford Mishler | Colin R. Bruce II | 1996 | Krause Publications |
| 2002 Standard Catalog of World Coins | Chester L. Krause, Clifford Mishler | Colin R. Bruce II | 2002 | Krause Publications |
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| Catalogue of the Coins in the Indian Museum, Calcutta, Vol. III | H. Nelson Wright | | 1908 | Oxford at the Clarendon Press |
| 1996 Standard Catalog of World Coins | Chester L. Krause, Clifford Mishler | Colin R. Bruce II | 1996 | Krause Publications |
| Standard Catalog of World Paper Money, General issues, Vol. 2 | | Neil Shafer, Colin R. Bruce II | 2000 | Krause Publications |
| Standard Catalog of World Paper Money, General issues, Vol. 2 | | Neil Shafer, Colin R. Bruce II | 2000 | Krause Publications |
| Standard Catalog of World Paper Money, Modern issues 1961-2001, Vol. 3 | | Colin R. Bruce II, George S. Cuhaj, Neil Shafer | 2001 | Krause Publications |
| Standard Catalog of World Coins, World Coin Listings by Date and Mint, 1701-1800, 18th century Edition | Chester L. Krause, Clifford Mishler | Colin R. Bruce II | | Krause Publications |
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| Standard Catalog of World Coins- 17th Century Edition-1601-1700 A.D. | Chester L.Krause and Cliffor Mishler | Colin R.Bruce II | 1996 | Krause Publications |
| World Coins- 17th Century-2nd Edition | Chester L.Krause and Cliffor Mishler | Colin R.Bruce II | 1999 | Krause Publications |
| Standard Catalogue of World Paper Money-Eighth Edition-Volume One | Colin R.Bruce II/Neil Shafer | Colin R.Bruce II | 1998 | Krause Publications |
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| Standard Catalogue Of World Paper Money 1961-1995 Volume 3 | Colin R. Bruce II & George S. Cuhaj | | 1961-1995 | Krause Publications |
| Indian Paper Money | Kishore Jhunjhunwala/Rezwan Razack | | 2012 | Currencies and Coins, Mumbai |
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| Indian Paper Money | Kishore Jhunjhunwala/Rezwan Razack | | 2012 | Currencies and Coins, Mumbai |
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| History of Pancala- Vol.II-Corpus of Coins | Krishna Mohan Shrimali | | 1985 | Munshiram Manoharlal Publishers Pvt. Limited |
| Ancient Indian Weights | Edward Thomas | | 1970 | Prithvi Prakashan |
| Catalogue of the coins Part 2 | Chas J. Rodgers | | 1894 | Haptist Mission Press |
| Catalogue of the Coins in the Indian Museum, Calcutta, Vol. I, Parts I & II | Vincent A. Smith | | 1906 | Oxford at the Clarendon Press |
| Catalogue of the Coins in the Indian Museum, Calcutta, Vol. I, Part III | Vincent A. Smith | | 1906 | Oxford at the Clarendon Press |
| The Second Supplementary Catalogue of Coins to Volume I. | S.P. Basu | | 1977 | Indian Museum, Kolkata |
| The Coinage of the Gupta Empire/ Corpus of Indian Coins Volume IV | A. S. Altekar | | 1957 | Numismatic Society of India, BHU |
| Numismatic Studies, Vol. 4 | Multiple authors | Ajay Mitra Shastri, Manmohan Kumar | 1996 | Harman Publishing House |
| Occasional Memoirs Of The Numismatic Society Of India: Historical Studies In Mughal Numismatics | Shahpurshah Hormasji Hodivala | | 1976 | Numismatic Society Of India |
| Coins of Ancient India | Alexander Cunningham | ? | ? | ? |
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| A Collector's Guide to Muhammadan Coins of India, 1200 A.D. to 1860 A.D. | Donald B. Hull | | 1972 | Donal B.Hull |
| Standard Catalogue of World Gold Coins | Chester L.Krause/Clifford Mishler | Colin R.Bruce II | 2000 | Krause Publications |
| 32nd Edition Standard Cat. of World Coins 1901-Present | Chester L. Krause, Clifford Mishler | | 2004 | Krause Publications |
| Standard Catalogue of World Coins | Chester L.Krause/Clifford Mishler | Colin R.Bruce II | 1999 | Krause Publications |
| The Journal of Academy of Indian Numismatics & Sigillography, vol. 1 | Dr.S.K.Bhatt | | 1977 | Academy of Indian Numismatics and Sigillography |
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