| | | | |
| Eastern Indian School Of Medieval Sculpture | R.D. Banerji | | 1981 | Ramanand Vidya Bhawan |
| Masterpieces Of Indian Sculpture | Rustam J. Mehta | | 1968 | D.B. Taraporevala Sons & Co. Pvt. Ltd. |
| Rampur Raza Library, Monohgraphs | W.H. Sidiqi | | 1998 | Rampur Raza Library |
| Masterpieces of Indian Terracottas | M.K. Dhavalikar | | 1977 | D.B. Taraporevala Sons & Co. |
| Art Of Terracotta | Arputha Rani Sengupta | | 2005 | Agam Kala Prakasha |
| Indian Art and Connoisseurship Essays in Honour of Douglas Barrett | | John Guy | 1995 | Mapin Publishing Pvt. Ltd. |
| Rock Art Studies in India | Somnath Chakraverty | | 2003 | Dilip Coomer Ghose, General Secretary, The Asiatic Society |
| The Ethno-archaeological view of Indian Terracottas | Vidula Jayaswal, Kalyan Krishna | | 1986 | Agam Kala Publishers |
| Catalogue Of Primitive Art And Indian Sculpture | | | 1969 | Sotherby & Co. |
| Ritual Bronzes Of Maharashtra And Karnataka: Including the Bhuta Region | Leo S Figiel | | | (published by author) |
| Temple Vahanas of Tamil Nadu (in English and Tamil) | Pradeep Chakravarthy | | 2010 | Kalamkriya Limited |
| Bhormadev | Sitaram Sharma | | 1989 | Madhya Pradesh Hindi Granth Academi |
| Pranchin Bharatiya Murthi Vigyan | Dr. Neelkanth Purushotham Joshi | | 2000 | Bihar Rashtra Bhasha Parishad |
| Pranchin Bharatiya Murthi Vigyan | Dr. Neelkanth Purushotham Joshi | | 2000 | Bihar Rashtra Bhasha Parishad |
| A Carreira Da India: The India run | Francisco Contente Domingues | | 1998 | CTT Correios |
| Agroha Ki Mranmurtiya | Virjanand Devkarni | | 2008 | Haryana Prantiiya Puratatva Sangrahalaya |
| Exhibition of Ancient Art of India (In Chinese) | | | | |
| Bhartiya kala ko Bihar ki Den | Vindyeshwari Prasad Sinha | | 1920 | Bihar Rashtrabhasha Parishad |
| Bhartiya kala ko Bihar ki Den | Vindyeshwari Prasad Sinha | | 1920 | Bihar Rashtrabhasha Parishad |
| Mewar ki Lekh Kala: Phad | Vandana Joshi | | 2012 | Pashchim Chetra Sanskritik Kendra, Himanshu Publication |
| Shan-E-Awadh | Dr.Guru Sharan Lal | | 1666 | Bharat Book Centre |
| Prachin Bharat Mein Yaudheya Ganarajaya | Dr. Yoganand Shastri | | 1999 | Prachin Bharatiya Ithihas Shod Parishad |
| Kushan Prastar Murtiyon Mein Samaj Evam Dharma | Srivastav, Dr. Rani | | 1990 | Pratibha Prakashan |
| Bharatiya Kala Ka Ithihas | Bhagvath Saran Upathyay | | 1981 | Peoples Publishing House Pvt. Ltd |
| Manifestations of Shiva | Stella Kramrisch | George H. Marcus | 1981 | Philadelphia Museum of Art |
| Animals in Indian Sculpture | K. Bharatha Iyer | | 1997 | Taraporevala |
| A Dictionary of Buddhist and Hindu Iconography Illustrated | Fredrick W. Bunce | | 2014 | DK. Printwworld |
| Art of the Vijayanagara-Nayakas: Architecture & Iconography | R.K.K. Rajarajan | | 2006 | Sharada Publishing House |
| Art of the Vijayanagara-Nayakas: Architecture & Iconography | R.K.K. Rajarajan | | 2006 | Sharada Publishing House |
| Studies in Indian Iconography | P.K. Agarwala | | 1994 | Publication Scheme |
| Images, Attributes and Motifs: Studies in Early Indian Art and Numismatics, Vol. 1 | Arundhati Banerji | | 1993 | Sundeep Prakashan |
| Images, Attributes and Motifs: Studies in Early Indian Art and Numismatics, Vol. 1 | Arundhati Banerji | | 1993 | Sundeep Prakashan |
| Images, Attributes and Motifs: Studies in Early Indian Art and Numismatics, Vol. 2 | Arundhati Banerji | | 1993 | Sundeep Prakashan |
| Images, Attributes and Motifs: Studies in Early Indian Art and Numismatics, Vol. 2 | Arundhati Banerji | | 1993 | Sundeep Prakashan |
| Hanuman in Art, Culture, Thought and Literature | Shanti Lal Nagar | | 1995 | Intellectual Publishing House |
| Elephant in Indian Art And Mythology | SK Gupta | | 1983 | Abhinav Publications |
| Buddhist Iconography In The National Museums Of Tokyo And Kyoto | A.K. Bhattacharyya | | 2006 | Indian Museum,Calcutta |
| Buddhist Iconography In The National Museums Of Tokyo And Kyoto | A.K. Bhattacharyya | | 2006 | Indian Museum,Calcutta |
| Studies in Buddhist Iconography | DC Bhattacharyya | | 1978 | Manohar Publishers & Distributors Pvt. Ltd. |
| Iconography of Southern India | Jouveau-Dubreuil G. & Martin, A.C. | | 1978 | Bharatiya Publishing House |
| Vaisnava Iconology in Nepal (original done in1970) | Pratapaditya Pal | | 1985 | The Asiatic Society Publication |
| Elements of Indian Art: Including Temple Architecture, Iconography & Iconometry | S.P. Gupta, Shashi Prabha Asthana | | 2007 | Indraprastha Museum of Art & Arch |
| The Lotus Symbol in Indian Literature and Art | Santona Basu | | 2002 | Low Price Publications |
| Horse in Early Indian Art | T K Biswas | | 1987 | MRML |
| Elements of Hindu Iconography( 1 Vols. In 2 parts bound in 1) | T A Gopinatha Rao | | 1999 | Low Price Publications |
| Elements of Hindu Iconography( 2 Vols. In 2 parts bound in 1) | T A Gopinatha Rao | | 1999 | Low Price Publications |
| Symbols in Art and Religion | Karel Werner | | 1991 | Motilal Banarsidass Publishers Pvt. Ltd. |
| Mythical Animals in indian Art | Krishna Murthy | | 1985 | Abhinav Publications |
| Sculpture Inspired by Kalidasa | C. Sivaramamurti | | 1984 | KAnak Publications |
| Sculpture Inspired by Kalidasa | C. Sivaramamurti | | 1984 | Kanak Publications |
| Myths and Symbols in Indian Art and Civilization | Heinrich Zimmer | Joseph Campbell | 1962 | Harper Torchbooks the Bollingen Library Harper & Brothers, |
| S.V.University Oriental Series No. 21- Hayagriva The Horseheaded Deity in Indian Culture | Babu, Prof. D. Sridhara | | 1990 | Sri Venkateswara University - Oriental Research Institute |
| Myths and Deities: Some Aspects of Hindu Iconographic Traditions | Rao, G. Satyanarayana | | 1993 | New Era Publications |
| Images of Skanda-Karttikeya-Murugan: An Iconographic Study | Haripriya Rangarajan | | 2010 | Sharada Publishing House |
| Bull in Early Indian Art | Bhogendra Jha | | 2004 | D.K. PrintWorld |
| Nandyavarta: An Auspicious Symbol in Indian Art | A.L. Srivastava | | 1991 | Kitab Mahal |
| Garuda The Celestial Bird in Indian Art and Literature | Shanti Lal Nagar | | 1992 | Book India Publishing Co. |
| Ganesha Beyond the Form | Lakshmi lal | | 1991 | IBH Publishers Pvt. Ltd. |
| Mahabodhi: The Great Buddhist Temple | Alexander Cunningham | | | Munshiram Manoharlal Publishers |
| Monograph On Rock Art And Cave Art | Dr. R. Kannan | | 2003 | The Commissioner of Agriculture and Museums |
| Epigraphy & Art | S.B. Singh | | 1996 | Agam Kala Prakashan |
| Studies in Early buddhist Monuments and Brahmi Inscriptions of Andhra Desa | I K Sharma | | 1988 | Dattsons |
| Department of Archaeology and Museums, Govt. of Andhra Pradesh Archaeological Seires No. 25, A Monograph on The Discovery of Mural Paintings of Kalyani Chalukyas At Alladurg | Khan, Md. Abdul Waheed | Ramesan, Dr. N. | 1968 | Department of Archaeology & Museums, Govt. of Andhra Pradesh |
| Elements of Buddhist Iconography | Ananda K. Coomaraswamy | | 1998 | Munshiram Manoharlal Publishers |
| Indian Symbolism- Symbold as Sources of Our Customs and Beliefs | Rai Govind Chandra | | 1996 | Munshiram Moharlal Publishers Private Limited |
| Izzat: Historical Records and Iconography of Indian cavalry Regiments 1750-2007 | Ashok Nath | | 2009 | Centre For Armed Forces Historical reserach |
| Forms of Devotion The Spiritual in Indian Art Vol I | Sushma K. Bahl | | | Niyogi Books, MOSA |
| Forms of Devotion The Spiritual in Indian Art Vol II | Sushma K. Bahl | | | Niyogi Books, MOSA |
| Temple of Karnataka(Ground Plans and Elevations) | Dr. K.M. Suresh | | 2003 | Bharatiya Kala Prakashan |
| Temple of Karnataka(Ground Plans and Elevations) | Dr. K.M. Suresh | | 2003 | Bharatiya Kala Prakashan |
| Temples and Sculptures of Bhubaneshwar | Kanwar Lal | | 1970 | Arts & Letters |
| Temples and Sculptures of Bhubaneshwar | Kanwar Lal | | 1970 | Arts & Letters |
| The Vaikuntha Perumal Temple at Kanchipuram | D. Dennis Hudson | | 2009 | Prakriti Foundation |
| Elephanta: The Island Of Mystery | Owen C. Kail | | 1984 | Taraporevala |
| Markandi Temples | Deo, S. B. | | 1973 | Nagpur University |
| Masterpieces of Indian Temples | R.J. Mehta | | 1974 | Taraporevala Sons & Co. Pvt. Ltd. |
| Later Chola Temples Kulottunga I to Rajendra III ( A.D. 1070 - 1280) | Balasubrahmanyam, S.R. | | 1979 | Mudgala Trust |
| Temple Art Under The Chola Queens | B. Venkataraman | | 1976 | Thomson Press (India) Ltd. |
| Early Chalukyan Temples: Art, Architecture & Iconography (with special reference to Aihole) | J. Soundararajan | | 2009 | Sharada Publishing House |
| Saptarsisvara Temple in the Lower Kaveri Delta: A Study of History Architecture and Sculpture | R. Ramasamy | | 2003 | Book India Publishing Co. |
| Cave Temples of Pandya Country: Art and Ritual | V. Latha | | 2005 | Sharada Publishing House |
| BrahmÄ Worship: Tradition and Iconography | Rajani Mishra | | 1989 | Kanishka Publishing House |
| Indian Temples | Monod-Bruhl, Levi | | 1952 | OUP |
| Musical Instruments in Sculpture in Karnataka | B. Chaitanya Deva | | 1989 | Motilal Banarsidas |
| Route Guides to the Study of Indian Temple Architecture | Shankar A. Aiyar | | 1974 | The Book Centre Centre Pvt. Ltd. |
| Costume Coiffure And Ornaments In The Temple Sculpture Of Northern Andhra | B. Sree Padma | | 1991 | Agam Kala Prakashan |
| Buddha Gaya Temple: Its History | Dipak K. Barua | | 1981 | Buddha Gaya Temple Management Committee |
| Temples of South India, India the Land and the People | Srinivasan, K. R. | | 1993 | National Book Trust |
| Badami・Aihole ・ Pattadakal | George Michell | | 2011 | Pictor |
| Hampi Vijayanagara | John M Fritz & George Michell | | 2014 | Jaico Publishing House |
| Elephanta | Geroge Michell | | 2002 | Jaico Publishing House |
| Rhythms In Stone: The Temples Of South India | Indira Menon | | 2013 | Ambi Knowledge Resources |
| A Monograph On Temples Of Srikalahasti | G. Chandraiah | Lal Rosem | 1998 | Government of Andhra Pradesh |
| Architectural And Sculptural Imagery Of Lauriya-Nandangarh | Balarka Batabyal | | 2003 | Bharatiya Vidya Bhavan |
| Architectural And Sculptural Imagery Of Lauriya-Nandangarh | Balarka Batabyal | | 2003 | Bharatiya Vidya Bhavan |
| Gujarat University These Publication Series 3 Some Medieval Sculptures of North Gujarat | H. A. Majumdar | | 1968 | Gujarat University Ahmedabad |
| Life of Buddha in Indian Sculpture | Asita Maha Pratiharya & Ratan Parimoo | | 1982 | Kanak Publications |
| Life of Buddha in Indian Sculpture | Asita Maha Pratiharya & Ratan Parimoo | | 1982 | Kanak Publications |
| Cire Perdue Casting in India | Krishnan, M.V. | | 1976 | Kanak Publications |
| New Satavahana Sculptures | P. Sitapati | | 1980 | The govt of andhra pradesh |
| Epic Scenes in Indian Plastic Art | Kala, Jayantika | | 1988 | Abhinav Publications |
| Mathura Sculptures: A Catalogue of sculptures of Mathura School in the Indian Museum, Kolkata | Mangala Chakrabarti | | 2006 | Indian Museum Kolkata |
| Mathura Sculptures: A Catalogue of sculptures of Mathura School in the Indian Museum, Kolkata | Mangala Chakrabarti | | 2006 | Indian Museum Kolkata |
| Terracotta Figurines From Kausambi | S C Kala | | 1950 | The Municipal Museum, Allahabad |
| Nolamba Sculptures | C. Sivaramamurti | | 2000 | Madras Government Museum |
| Kushana Sculptures from Sanghol vol 1 | S P Gupta | | 1985 | National Museum |
| Kushana Sculptures from Sanghol vol 1 | S P Gupta | | 1985 | National Museum |
| Kushana Sculptures from Sanghol vol 1 | S P Gupta | | 1985 | National Museum |
| Rare Sculptures, Selections from some Indian Museums Exhibited in Japan | Sihare, Laxmi P. | | 1984 | National Museum |
| Terracotta Figurines Of Ahichchhatra | Vasudeva S. Agarwala | | 1985 | Prithvi Prakashan |
| Woman In Indian Sculpture | M.L. Varadpande | | 2006 | Abhinav Publications |
| Sixty Four Yogini Temple Hirapur | Suresh Balabantaray | | 2010 | Intach |
| Eastern Indian bronzes | Ray, Nihar Ranjan & Khandalavala, K & Gorakshkar, Sadashiv | Karl Khandalavala | 1986 | Lalit Kala Akademi |
| Bactrian Gold From The Excavation of the Tillya Tepe Necropolis In Northern Afghanistan | Sarianidi, Victor & Tr, by Shkarovsky_Raffe, Arthur | | 1985 | Aurora Art Publiations |
| Rati-Lila | Guiseppe Tucci | | 1969 | Nagel Publishers |
| Indian Sculpture: Masterpieces of Indian, Khmer And Cham Art | M.M. Deneck | | 1962 | Spring Books |
| The Sculptural Heritage of Tibet | David Weldon & Jane Casey Singer | | 1999 | Laurence King |
| Sculpture Of Western Himalayas | Dr. V. G. Ohri | | 1991 | Agam Kala Prakashan |
| Bronzes of South India, Bulletin of the Madras Govt. Museum Vol. 8 | P.K. Srinivasan | | 1994 | The Commissioner of Museums, Govt. Museum |
| Ajanta: Ajanta painting of the sacred and the secular | Madanjeet Singh | | 1965 | Edita Lausanne |
| Ajanta: Ajanta painting of the sacred and the secular | Madanjeet Singh | | 1965 | Edita Lausanne |
| The Great Tradition: Indian Bronze Masterpieces | | | | |
| Masterpieces of Indian Bronzes and Metal Sculpture | Rustam J. Mehta | | 1971 | Russi Jal Taporewala, for D.B. Taporevala Sons & Co |
| South Indian Bronzes | O.C. Ganguly | | 2013 | Shubhi Publications |
| South Indian Bronzes | O.C. Ganguly | | 1978 | Ranjit Saha, Nababharat Publishers |
| Indian Metalware | Jamila Brij Bhushan | | 1961 | All India Handicrafts Board, Ministry of Commerce and Industry, Government of India |
| Metal Plating & Patination Cultural, Technical & Historical developments | | Susan La Niece & Paul Craddock | 1993 | Butterworth Heinemann |
| Indian Silver | S. K. Pathak | | 2008 | Lustre Press, Roli Books |
| Horse Brasses | Peter Brears | | 1981 | Country Life Books |
| Splendour of Silver | Deepthi Sasidharan & Mrinalini Vwnateshwaran | | | Mewar Charitable Foundation |
| Cultural Heritage of the Dogras | Jyoteeshwar Pathik/D.C. Sharma | | 1980 | Light and Life Publishers |
| Cultural Heritage of the Dogras | Jyoteeshwar Pathik/D.C. Sharma | | 1980 | Light and Life Publishers |
| Banganga- Sacred tank on Malabar Hill | Rahul Mehrotra/Sharada Dwivedi | | 1996/2006 | Eminence Designs Pvt. Limited |
| Bassein: the Portuguese interlude | Teresa Albuquerque | | 2004 | Wenden Offset Private Limited |
| Treasure of Indian Art Heritage | Prakash Parimal | | | National Publishing House |
| Deccan College Building Centenary and Silver Jubilee Series No. 42, Sanchi: a cultural study | M. K. Dhavalikar | | 1965 | Deccan College Postgraduate & Research Institute, Poona |
| Deccan College Building Centenary and Silver Jubilee Series No. 42, Sanchi: a cultural study | M. K. Dhavalikar | | 1965 | Deccan College Postgraduate & Research Institute, Poona |
| The Vijayanagara-Nayakas: Art And Culture | A. Mahalingam | | 2012 | Sharada Publishing House |
| Cultural Heritage Of Narmada Valley (Spl. Reference to Hoshangabad) | | Pankaj Rag, Faiz Ahamad Kidwai, Om Prakash Misra | 2007 | Govt. of Madhya Pradesh, District Archaeological Association |
| Cultural Heritage Of Narmada Valley (Spl. Reference to Hoshangabad) | | Pankaj Rag, Faiz Ahamad Kidwai, Om Prakash Misra | 2007 | Govt. of Madhya Pradesh, District Archaeological Association |
| The Cultural Heritage of India Volume 1 | Radhakrishnan, Dr. Sarvepalli (Ed. ) | | 1975 | The Ramakrishna Mission Institute of Culture |
| The Cultural Heritage of India Volume 3 | Bhattacharyya, Haridas (Ed. ) | | 1975 | The Ramakrishna Mission Institute of Culture |
| The Cultural Heritage of India Volume 4 | | Haridas Bhattacharrya | 1975 | The Ramakrishna Mission Institute of Culture |
| The Heritage of the Adil Shahis of Bijapur | Dr.M.A.Nayeem | | 2008 | Hyderabad Publishers |
| Indian Heritage | | Vasanti Arun Muzumdar | 1981 | Indian Council of Social Welfare, Bombay |
| Splendours of the Subcontinent: A Prince's Tour Of India 1875-6 | Kajal Meghani | | 2017 | Royal Collection Trust |
| Gwalior Fort | Kalyan Kumar Chakravarty | | 1984 | Arnold- Heinemann |
| The Taj at Apollo Bunder | Charles Allen, Sharada Dwivedi | Chandralekha Maitra | 2010 | Pictor Publishing Pvt. Ltd. |
| The Historic Palace Of The Monte Dei Paschi Di Siena Bank: Its Architecture And The Art Collection | | Luciano Bellosi | 2009 | Banca Monte Dei Paschi Di Siena |
| Splendours Of The East | | Mortimer Wheeler | 1970 | Hamlyn Publishing Group |
| A City Icon: Victoria Terminus Bombay 1887 now Chhatrapati Shivaji Terminus Mumbai 1996 | Rahul Mehrotra, Sharada Dwivedi | | 2006 | Eminence Designs Pvt. Ltd. |
| Mansions of Chettinad | Bharath Ramamrutham, George Michell | Anthony Kroner | | Meenakhi Meyyappan, Graf |
| Mansions of Chettinad | Bharath Ramamrutham, George Michell | Anthony Kroner | | Meenakhi Meyyappan, Graf |
| The Vanishing Stepwells of India | Victoria Lautman | | 2017 | Merrell |
| Discovering Vidisha- Art, Archaeology and Architecture | | Yogendra Sharma/Om Prakash Mishra | 2010 | Aryan Books International |
| Religious Traditions at Vijayanagara as Revealed Through Its Monuments | Anila Verghese | | 1995 | Smerican Institute Of Indian Studies |
| Lucknow: City of Illusions | | Ebrahim Alkazi, Rosie Llewellyn-Jones | 2004 | Prestel |
| Invisble City, The Hidden Monuments of Delhi | Rakhshanda Jalil | | 2008 | Nyogi Books |
| Invisble City, The Hidden Monuments of Delhi | Rakhshanda Jalil | | 2008 | Nyogi Books |
| Forts and Strongholds of Rajasthan (1st Pub. 1922) | L. P. Mathur | | 1986 | Inter-India Publications |
| Goa Dourada: The Indo-Portuguese Bouquet | T. P. Issar | | 1997 | T. P. Issar |
| Indian Architecture: Hindu, Buddhist and Jain | Dr. Surendra Sahai | | 2006 | Prakash Books |
| The City Beautiful: A celebration of the architectural heritage and city-aesthetics of Bangalore | T.P. Issar | | 1988 | Bangalore Urban Art Commission |
| Early Indian Residential Architecture | Munni Pareek | | 2002 | Harman Publishing House |
| Mansions At Dusk: The Havelis of Old Delhi | Pavan K. Varma | | 1992 | Spantech Publishers |
| Thatta Islamic Architecture | Ahmad Hasan Dani | | | Institute of Islamic History, Culture & Civilization |
| Abha Narain Lambha Associates: Conservation Architects And Historic Building Consultants | | | | |
| The Guide to the Architecture of the Indian Subcontinent | Takeo Kamiya | Annabel Lopez, Bevinda Collaco | 2004 | Jindal Art Foundation |
| Agra And Its Monumental Glory | R. Nath | | 1977 | Taraporevala |
| Monumental Art And Architecture Of India | K. Sundaram | | 1974 | Taraporevala |
| Monuments of Himachal Pradesh | Vogel, H. Hargreaves, Hirananda, S.M Sethi | | 2005 | H.P Academy of Arts, Culture and Languages |
| Indo-Islamic Architecture | Ziyaud-din Desai | | 1892 | Publications Division, Ministry of Information & Broadcasting |
| Forts Of India | Amrit Verma | | 1985 | Publications Division, Ministry of Information & Broadcasting |
| Forts Of India | Amrit Verma | | 1985 | Publications Division, Ministry of Information & Broadcasting |
| Glimpses of Architecture in Kerala: Temples and Palaces | Ramu Katakam | | 2006 | Rupa & Co. |
| Shivaji The Last Great Fort Architect | Ramesh Desai | | 1987 | Maharashtra Information Centre |
| Architecture of the World: India | | Henri Stierlin | | Benedikt Taschen |
| History of Indian & Eastern Architecture | James Fergusson | | 2006 | Low Price Publications |
| Indo-Turkish Architecture | Mansura Haidar | Halil Akinci | 2010 | Archaeology & Art Publications |
| Kashmir- Hindu, Buddhist and Muslim Architecture | Manohar Kaul | | 1971 | Sagar Publications |
| The Bhilsa Topes Buddhist Monuments of Central India | A. Cunningham | | 2009 | Aryan Books International |
| Churches In India | P. Thomas | | 1981 | Publications Division, Ministry of Information & Broadcasting |
| Ancient Ephesus with reconstructions and aerial photographs | M. Dogan Gumus | | | Dilam Publication |
| The Queen's Stepwell at Patan | Kirit Mankodi | | 1991 | Franco-Indian Research Private Limited |
| The Crucible of Painting: The Art of Jehangir Sabavala | Ranjit Hoskote | | 2005 | Eminence Designs pvt. ltd. |
| The Poetry of Line and Color | Gopal S. Adivrekar | | | The Great Art Printers |
| The Poetry of Line and Color | Gopal S. Adivrekar | | | The Great Art Printers |
| Francis Newton Souza: Dhoomimal Gallery Collection | | Vinod Bhardwaj | 2009 | Dhoomimal Gallery |
| Francis Newton Souza: Dhoomimal Gallery Collection | | Vinod Bhardwaj | 2009 | Dhoomimal Gallery |
| Francis Newton Souza: Dhoomimal Gallery Collection | | Vinod Bhardwaj | 2009 | Dhoomimal Gallery |
| The Wonder of it All | Sakti Burman | | 2012 | Pundole Art Gallery, Apparao Galleries |
| "Now and Then" | Sakti Burman | | 2008 | UNESCO |
| "Now and Then" | Sakti Burman | | 2008 | UNESCO |
| RSA: Rumy Shroff and Associates | Amita Kanekar | | 2002 | Rumy Shroff and Associates- Architects |
| Jamini Roy | Uma Nair | | 2016 | Dhoomimal Gallery |
| Enigmatic Visions | Jogen Chowdhury | Shernaz Vasunia | 2005 | Glenbarra Art Museum |
| Devalakunda Vadiraj | Professor S. K. Ramachandra Rao | | | Directorate of Archaeology and Museums |
| Remembering The Master: Works by M.F. Husain | | | | Institute of Contemporary Indian Art |
| Sakti Burman: What's he going to be next? | Ranjit Hoskote | | 2016 | After Image Publishing |
| Where Art Thou | M.F. Husain with Khalid Mohamed | | 2002 | M.F. Husain Foundation |
| Where Art Thou | M.F. Husain with Khalid Mohamed | | 2002 | M.F. Husain Foundation |
| R K Laxman, The Uncommon Man: Collection of works from 1948 to 2008 | Dr Dharmendra Bhandari | | 2009 | Dr Dharmendra Bhandari, Indus Ind Bank |
| Drawings and Engravings a Retrospective Exhibition spanning 40 years | Jatin Das | | 2002 | The All-India Fine Arts & Crafts Society |
| Van Gogh | Andre Leclerc | | | The Hyperion Press |
| Oriental Scenery: Thomas and William Daniell: The famous coloured aquatints, views in Hindoostan of the Architecture, Landscape &
| | | | |
| 1977 | Thos. Agnew & Sons Ltd. | Art & Architecture | | |
| Raja Ravi Varma: The Painter Prince- 1848-1906 | | | 2003 | Parsaram Mangharam |
| India Yesterday and Today | Thomas and Wiliam Daniell | | 1990 | Swan Hill Press |
| The Wonder of it All | Sakti Burman | | 2012 | Pundole Art Gallery, Apparao Galleries |
| Sakti Burman: Dreamer on the Ark | Manasij Majumder | | 2001 | Pundole Art Gallery |
| Tyeb Mehta - Ideas Images Exchanges | | | 2005 | Vadhera Art Gallery |
| Vistaar SH Raza | Ranjit Hoskote, Ashok Vajpeyi, Yashodhara Dalmia, Avni Doshi | | | After Image Publishings (Art Musings) |
| Ram Kumar: A Journey Within | | Gagan Gill | 1996 | Vadhera Art Gallery |
| Raja Ravi Varma The Most Celebrated Painter of India 1848—1906 | Parsaram Mangharam | | 2007 | Parsaram Mangharam |
| Raja Ravi Varma (1848-1906) | | | 2006 | The Government of Kerala |
| Inside India: Quintessential Indian Style | Monisha Bharadwaj | | 1998 | Kyle Cathie Limited |
| The Art of Subho Tagore | | Srichandra Sen | 1933 | Thacker Spink Ltd. |
| Visions: Paintings and Sculptures | Somnath Hore, Ganesh Pyne, Bikash Bhattacharjee, Jogen Chowdhury | R. P. Gupta | 1986 | Ladies Study Group |
| Artist Adventurers in Eighteenth Century India: Thomas and William Daniell | | | 1974 | Spink & Son |
| India and the Daniells: Additional Oil Paintings of India and the East | Maurice Shellim | | 1988 | Spink London |
| The Daniells in India | | | | Smithsonian Publications |
| Malerische Reise durch Indien 1786-1794 (Picturesque journey through India 1786-1794) | Thomas and William Daniell, Roland Steffan | | | Stiftung St. Galler Museum |
| Daniell: An Illustrated Journey Rounf the World | Thomas, William & Samuel Daniell | Katherine Prior | 2007 | The Folio Society |
| The Daniells: Artists and Travellers | Thomas Sutton | | 1954 | The Bodley Head |
| The Daniells: Artists and Travellers | Thomas Sutton | | 1954 | The Bodley Head |
| The Daniells in India And The Waterfall At Papanasam | Maurice Shellim | | | The Statesman Ltd. |
| India and the Daniells | Maurice Shellim | | 1988 | Spink London |
| Duveen: The Story of the most spectacular art dealer of all times | S. N. Behrman | | 2014 | Daunt Books |
| Walker's Quarterly: Thomas Daniell (1749-1840), William Daniell (1769-1837) | Martin Hardie, Muriel Clayton | | 1932 | Walker's GalleriesLtd |
| Walker's Quarterly: Thomas Daniell (1749-1840), William Daniell (1769-1837) | Martin Hardie, Muriel Clayton | | 1932 | Walker's GalleriesLtd |
| An Ode to the Geniuses | | | | Asset & Wealth Management |
| 100 Tributes to Gandhiji on his 100 Portraits by his 100 contemporaries in thier own handwritings | | Ramesh Thaakar | 2013 | Navajivan Publishing House |
| Trends in Indian Painting | Manohar Kaul | | 1961 | Dhoomimal Ramchand |
| Stories In Glass: The Stained Glass Heritage of Bombay | Jude Holliday | | | Eminence Designs Pvt. Ltd. |
| The Arts and Antiquities of India an Illustrated Section, Arms and Armour;Standards and Insgnia, Miscellaneous Exhibits, Farmans, Letters Etc.;Specimens of Calligraphy Pictures | Gordon Sanderson | | 1983 | Cosmo Publications |
| The India Collection Catalogue of a Collection of over 2200 Books Covering The British Period | | | 1982 | The British Council |
| Indian Art | M.M Deneck | | 1967 | Paul Hamlyn |
| Art in Detail: 100 Masterpieces | Susie Hodge | | 2016 | Thames and Hudson |
| Incredible India: Arrested Movement Sculpture & Painting | Kapila Vatsyayan | | 2007 | Wisdom Tree |
| Reverse Glass Painting In India | Anna L Dallapiccola | Malini Saigal | 2017 | Niyogi Books |
| Introduction to Everyday art of India | Jyotindra Jain | | 1984 | Om Prakash Jain fro Sanskriti Pratishthan |
| Introduction to Everyday art of India | Jyotindra Jain | | 1984 | Om Prakash Jain fro Sanskriti Pratishthan |
| Jatakas In Indian Art | Shanti Lal Nagar | | 1993 | Parimal Publications/Radha Publications |
| Decorative Arts of India | M L Nigam | | 1987 | Salar Jung Museum |
| Decorative Arts of India | M L Nigam | | 1987 | Salar Jung Museum |
| Introducing Indian Art | J. P. Guha | | 1963 | R. & K. Publishing House |
| Glass | Macdonald Junior Reference Library | Lady Plowden | 1970 | B.P.C. Publishing Limited |
| Great works of Indian Art | Douglas Mannering | | 1996 | Parragon Book Service |
| Celebrating India: The Tulika Diary of Indian Crafts (Diary) | | | | |
| Jain Art Publication Series No. 4 - 419 Illustrations of Indian Music and Dance in Western Indian Style | Vidya sarabhai Newab | | 1964 | Sarabhai Manilal nawab |
| Dancing to the Flute Museum and Dance in Indian Art | Pratapaditya Pal | | 1997 | Thames and Hudson |
| Creations | Mrinalini Sarabhai | | | Mapin Publishing |
| An Introduction to Indian Music | Chaitanya B Deva | | 1992 | Publications Division |
| Manipuri Dances | Leela Roy Dayal | | 1951 | OUP |
| The Art of Mohiniyattam | Bharati Shivaji | | 1986 | Lance International |
| The Art of Mohiniyattam | Bharati Shivaji | | 1986 | Lance International |
| The Art of Mohiniyattam | Bharati Shivaji | | 1986 | Lance International |
| Musical Instruments of India History and Development | Sangeeta Acharya | | 1983 | Pankaj Publications |
| The Dances of India A General Survey and Dancers' Guide | Raginald & Jamila Massey | | 1989 | Tricolour Books |
| Hindustani Music, India the Land and the People | Ashok Da Ranade | | 1997 | National Book Trust |
| Traditional Folk Media In India | Shyam Parmar | | 1975 | Geka Books |
| The Art of Hindu Dance | Bhadhury, Manjulika & Chatterjee, Santosh | | 1945 | Bankim Chandra Chatterjea |
| Folk Dance of India | Projesh Banerji | | 1944 | Kitabistan |
| The Antiquities And Art Treasures (Act No. 52 Of 1972) With Rules, 1973 And Notifications | | | | Delhi Law House |
| The Times Of India: Laxman Rekhas | | Nina Martyris | 2005 | Bennet, Coleman & Co. Ltd. |
| 5000 Years of Indian Art | Sushma K Bahl | | 2016 | Lustre Press, Roli Books |
| 5000 Years of Indian Art | Sushma K Bahl | | 2012 | Lustre Press, Roli Books |
| 5000 Years of Indian Art | Sushma K Bahl | | 2012 | Lustre Press, Roli Books |
| Always Looking: Essays on Art | John Updike | Christopher Carduff | 2012 | Alfred A Knopf |
| Tandava- Laksanam or The Fundamentals Of Ancient Hindu Dancing | Venkata Narayanaswami Naidu, Srinivasulu Naidu, Venkata Rangayya Pantulu | | 1936 | G.S. Press |
| The Penguin Dictionary of Indian Classical Music | Raghava R.Menon | | 1995 | Penguin Books India |
| Sudarshan Sahoo- A Legacy Set in Stone | Sudarshan Sahoo | Brijesh Joshi | 2018 | Sudarshan Sahoo |
| | | | |
| Masters of Indian Painting I 110-1650, II 1650-1900 | | Milo C. Beach, Eberhard Fischer, B. N. Goswamy | | Niyogi Books |
| Bagta and Chokha | | Milo C. Beach, Rawat Nahar Singh II | | Artibus Asiae Publishers |
| Court Painting at Udaipur | Andrew Topsfield | | | Artibus Asiae Publishers |
| Timur Nama | Multiple Artists | | | Khuda Baksha Oriental Public Library |
| Timur Nama | Multiple Artists | | | Khuda Baksha Oriental Public Library |
| Baramasa Paintings | S. B. Deshmukh | | | Marathwada University |
| Album of Art treasures (Series Five): Kangra Kalam | R. C. Sharma | | | Indian Museum, Kolkata |
| Master of India Contemporary Art | | | 2013 | Palette Art Gallery |
| Treasure of Indian Art in Bharat Kala Bhavan: Indian Coins (Part One) | Dr. Savita Sharma | | | Banaras Hindu University |
| Treasure of Indian Art in Bharat Kala Bhavan: Indian Coins (Part One) | Dr. Savita Sharma | | | Banaras Hindu University |
| Treasure of Indian Art in Bharat Kala Bhavan: Indian Coins (Part One) | Dr. Savita Sharma | | | Banaras Hindu University |
| Perspectives on Mughal India, Rulers, Historians, 'Ulama' and Sufis | Sajida Sultana Alvi | Rehana Khandwalla, Manal Shakir and Ghousia Gofran Ali | 2012 | Oxford University Press |
| Private Life of the Mughals of India (1526-1803 A.D.) | R.Nath | | 2013 | Rupa Publications India |
| The History of Humayun, Humayun-Nama | Gul-Badan Begam, Annette S. Beveridge (Translator) | | 2001 | Munshiram Manoharlal Publishers |
| Workshop and Patron in Mughal Inida | John Seyller | Thomas Lawton | | Publikationsstiftung |
| The Taj Mahal- India Under the Moguls | David Carroll | Josph L.Gardner | | Newsweek Book Division |
| The Taj Mahal | David Carroll | Joseph L.Gardner | | Newsweek Book Division |
| Mughal Painters and Their Work- A Biographical Survey and Comprehensive Catalogue | Som Prakash Verma | | 1994 | Oxford University Press, India |
| Painting the Mughal Experience | Som Prakash Verma | | 2005 | Oxford University Press, India |
| Flora and Fauna In Mughal Art | Shanti Swarup | | 1983 | Russi Jal Taraporevala for D.B. Taraporevala |
| The Story of Islamic Calligraphy | Atiq R. Siddiqui | | 1990 | P.S. Negi for Sarita Book House, Delhi |
| Islamic Art Past And Modern | Nuzhat Kazmi | | 2009 | Roli Books |
| Mosques | Razia Grover | | 2006 | Roli Books |
| Masterpieces of Indo-Islamic Architecture | Rustam J. Mehta | | 1976 | Taraporevala Sons & Co. Pvt. Ltd. |
| Arts of Mughal India: Studies In Honour Of Robert Skelton | | Rosemary Gill, Susan Stronge, Andrew Topsfield | 2004 | Victoria And Albert Museum, Mapin Publishing |
| Mughal India- Art, Culture and Empire | J.P. Losty and Malini Roy | | 2012 | The British Library |
| Islamic Calligraphy | Yasin Hamid Safadi | | 1978 | Thames and Hudson |
| A guide to Indian Miniatures | Pramod Ganpatye | | 1994 | National Museum |
| The Indian Heritage- Court life and Arts under Mughal Rule | Victoria and Albert Museum | | 1982 | Festival of India/Victoria and Albert Museum |
| The Glory of Indian Miniatures | Dr Daljeet | | 1988 | Mahindra Publications |
| Mughal Painting During Jehangir's Time | Asok Kumar Das | | 1978 | Professor Dilip Coomer Ghose for the Asiatic Society |
| Mughal Painting During Jehangir's Time | Asok Kumar Das | | 1978 | Professor Dilip Coomer Ghose for the Asiatic Society |
| Mughal Painting During Jehangir's Time | Asok Kumar Das | | 1978 | Professor Dilip Coomer Ghose for the Asiatic Society |
| Mughal Painting During Jehangir's Time | Asok Kumar Das | | 1978 | Professor Dilip Coomer Ghose for the Asiatic Society |
| A Monograph on Moslem Calligraphy | Mohammed Ziauddin | | 1936 | Vishwa-Bharati Bookshop |
| Islamic Calligraphy in Medieval India | Pares I.S.M. Rahman | | 1979 | University Press Limited, Bangladesh |
| Collection of Mughal Miniatures | | | | Trimex |
| The Gardens of Mughal India | Sylvia Crowe/Sheila Haywood | | 1972 | Thames and Hudson |
| Miniatures Mogholes- Mogolminiaturen | | | 1994 | Musees Royaux d'Art et d'Histoire/Musee National de New Delhi, India |
| Neither Islamic nor Persian- A History of Mughal Painting | Suhail Zaheer Lari | | 2002 | The Heritage Foundation |
| Bijapur And Its Architectural Remains | Henry Cousens | | 1977 | K.B. Publications |
| Treasure of Islam | Philip Bamborough | | 1976 | Blandford Press |
| Outlines of Islamic Culture | A.M.A Shustery | | 1992 | BAPPCO- Bangalore Printing and Publishing Co. Private Limited |
| Indian Miniatures | Mario Bussagli | Paul Hamlyn | 1969 | The Hamlyn Publishing Group Ltd. |
| Indian Miniatures | Mario Bussagli | Paul Hamlyn | 1969 | The Hamlyn Publishing Group Ltd. |
| Mir Ali Heravi- A Selection of The Persian and Hindu Albums from Global Museums | Mohamad Mahdi Zaredar/Gholamhossein Amirkhani | | 2014 | Ravagh-E Honar |
| Miniatures of Babur-Nama | Professor Hamid Suleiman | | 1978 | "Fan" Publishing house of the Uzbek SSR, Tashkent |
| King of the World- The Padshahnama | Oliver Everett | | 1997 | Azimuth Editions Limited and Smithsonian Institution |
| King of the World- The Padshahnama | Oliver Everett | | 1997 | Azimuth Editions Limited and Smithsonian Institution |
| A Leaf Turns Yellow: The Sufis of Awadh | | Muzaffar Ali | 2013 | Rumi Foundation |
| Princes and Painters in Mughal Delhi, 1707-1857 | | William Dalrymple & Yuthika Sharma | 2012 | Penguin Studio |
| Princes and Painters in Mughal Delhi, 1707-1857 | | | 2012 | Asia Society, Yale University Press |
| The Tiger and the Thistle- Tipu Sultan and the Scots in India 1700-1800 | Anne Buddle | | 1999 | The Trustees of the National Gallery of Scotland |
| Mughal Style- The Art and Architecture of Islamic India | George Mitchelll | Carmen Kagal | 2007 | India Book House |
| Made For Mughal Emperors-Royal Treasures From Hindustan | Susan Stronge | Neelam Narula | 2010 | Roli Books |
| Indian Miniature Painting- 16th through 19th Centuries | R.K. Tandan | | 1982 | Natesan Publishers |
| Court Paintings from India and Persia 1500-1900 | Francesca Galloway | | 2016 | Francesca Galloway |
| Indian Miniature Paintings | Anjan Chakraverty | | 1996 | Lustre Press Private Limited |
| Angels And Madonnas In Islam | Dr. Franz-Josef Vollmer | | | Franz-Josef Vollmer |
| The Kidnapping of Amir Hamza | Mamta Dalal Mangaldas, Saker Mistri | | 2007 | HarperCollins Children's Book |
| The Miniaturist | Kunal Basu | | 2017 | HarperCollins Book |
| The Mughal Empire From Jahangir to Shah Jahan | | Ebba Koch, Ali Anooshahr | 2019 | Marg |
| Masterpieces of Hoysala Art Belur-Halebid-Somnathpur | S. K. Maity | | 1978 | Taraporevala Sons & Co. Pvt. Ltd. |
| Masterpieces of Hoysala Art Belur-Halebid-Somnathpur | S. K. Maity | | 1978 | Taraporevala Sons & Co. Pvt. Ltd. |
| Aspects of Indian Art and Culture | S.K. Saraswati | | ? | ? |
| Gupta Art (A History of Indian Art in the Gupta period 300-600 A.D.) | Prof Vasudeva S.Agrawala | Dr. Prithvi K.Agrawala | 1977 | Prithvi Prakashan |
| Matrkas: Mothers In Kushan Art | N.P. Joshi | | 1986 | Kanak Publications |
| Matrkas: Mothers In Kushan Art | N.P. Joshi | | 1986 | Kanak Publications |
| Maurya and Post-Maurya Art | Ray, Niharranjan | | 1975 | ICHR |
| Pre-Kushan Art Of Mathura | Vasudeva S. Agrawala | | 1984 | Prithvi Prakashan |
| Early Chola Art | S.R. Balasubrahmanyam | | 1966 | Asia Publishing House |
| The Heritage Of Indian Art | V.S. Agrawala | | 1964 | Publication Division, Ministry of Information and Broadcasting |
| The Heritage Of Indian Art | V.S. Agrawala | | 1964 | Publication Division, Ministry of Information and Broadcasting |
| The Heritage Of Indian Art | V.S. Agrawala | | 1964 | Publication Division, Ministry of Information and Broadcasting |
| Tanjavur Painting of the Maratha Period | Jaya Appasamy | | 1980 | Abhinav Publications |
| Fine Arts in Ancient India | Anil Baran Ganguly | | 1979 | Shakti Malik, Abhinav Publications |
| A History of Indian Paintings, Manuscripts, Moghul and Deccani Traditions | Krishna Chaitanya | | 1979 | Abhinav Publications |
| Glorious art of the Sunga age | B.C. Sinha | | 1985 | Durga Publications |
| A Concise History of Indian Art | Roy C. Craven | | 1976 | OUP |
| A Concise History of Indian Art | Roy C. Craven | | 1976 | OUP |
| Art And Tradition | Asit Kumar Haldar | | 1952 | The Universal Publishers Ltd. |
| Thakkura Pheru's Rayanaparikkha A Medieval Prakrit Text On Gemmology | S.P. Sarma | | 1984 | Viveka Publications |
| The Timeline History of Islamic Art and Architecture | Nasser D. Khalili | | 2005 | Worth Press |
| India: Treasures from an Indian World | Marilia Albanse | Valeria Manferto De Fabianis | 2001 | White Star s.p.a. |
| Paintings of Bygone Years | | | 1991 | Published Mrs. Jean Trindade By Vakils, Feffer and Sons |
| A Secret Garden- Indian Paintings from the Porret Collection | B.N Goswamy, Jeremiah P.Losty and John Seyller | | 2013 | Scheideggar and Spiess |
| Sultans of Deccan India 1500-1700: Opulence and Fantasy | Navina Najat Haidar, Marika Sardar | | 2015 | The Metropolitan Museum of Art, New York |
| Sufi & Mystic India | Nandini Mahesh | | 2009 | Ninaad Music & Marketing Pvt. Ltd |
| Mughal Silver Magnificence- Magnificence de L'Argenterie Moghole (XVI-XIXth Century) (English and French Text) | Terlinden, Christiane (Ed.) | | 1987 | Antalaga |
| Masterpieces Of Rashtrakuta Art The Kailas | M.K. Dhavalikar | | 1983 | D.B. Taraporevala Sons & Co. |
| Masterpieces Of Rashtrakuta Art The Kailas | M.K. Dhavalikar | | 1983 | D.B. Taraporevala Sons & Co. |
| Masterpieces Of Vijayanagara Art | S. Rajasekhara | | 1983 | Taraporevala |
| Masterpieces Of Vijayanagara Art | S. Rajasekhara | | 1983 | Taraporevala |
| Paper, Parchment, Steel and Stone- Calligraphy and the Arts of Islam from 8th to the 19th century | Simon Ray | | 1998 | Spink, London |
| The Spirit of Indian Painting: Close Encounters with 101 Great Works 1100-1900 | B.N. Goswamy | | 2014 | Penguin Books |
| Ancient Artists And Art-Activity | R.N. Misra | | 1975 | Indian Institute Of Advanced Study Simla |
| Hindu Culture in Greater India | Swami Sadanand | | 1949 | All India Arya Dharma Sewa Sangha |
| The Art of Ancient India Buddhist, Hindu, Jain | Susan L. Huntington, John C. Huntington | | 1985 | Weather Hill |
| Masterpieces of Pallava Art | S.K. Maity | | 1982 | Russi Jal Taporevala for D.B. Taporevala |
| Arts of India 1500-1900, Victoria & Albert Museum | John Guy, Deborah Swallow | | 1990 | Victoria & Albert Museum |
| The Social Function of Art | Badhakamal Mukherjee | | 1951 | Hind Kitabs Limited |
| Treasures Of The Deccan: Jewels Of The Nizams & Painted Visions | Navina Najat Haider | | 2018 | graf |
| Orientalism, Western Conceptions of the Orient | Edward W. Said | | 2001 | Penguin Books |
| 199 Sketches from Ajanta | N.L. Bose | Copyright: Supratik Bose | 2019 | Pundole's |
| Living Traditions in Indian Art | | | 2010 | Museum of Sacred Art, Mapin Publishing |
| Buddhist Art And Culture: Symbols & Significance | ArputhRani Sengupta | | 2013 | Agam Kala Prakashan |
| Buddhist Art And Culture: Symbols & Significance | ArputhRani Sengupta | | 2013 | Agam Kala Prakashan |
| Miniature Paintings and Sculptures on Krsna | Shantilal Nagar | | 2003 | B.R. Publishing Corp. |
| I See No Stranger: Early Sikh Art and Devotion | B.N. Gosway, Caron Smith | | 2006 | Rubin Museum of Art, Mapin Publishing |
| Forms of the Formless- The Hindu Vision | Alaister Shearer | | 1993 | Thames and Hudson Limited, London |
| Christian Painting In India Through The Centuries | Mathew Lederle | | | Gujarat Sahitya Prakash |
| The Cult of Trees and Tree-Worship in Buddhist-Hindu Sculpture | M. S. Randhawa | | | All India Fine Arts & Crafts Society |
| Srivatsa: The Babe Of Goddess Sri | Dr. Prithvi K. Agrawala | | 1974 | Prithvi Prakashan |
| Srivatsa: The Babe Of Goddess Sri | Dr. Prithvi K. Agrawala | | 1974 | Prithvi Prakashan |
| Trans-Himalayan Wall Paintings | A. K. Singh | | 1985 | Agam Kala Prakashan |
| Chitrasutra of the Vishnudharmottra | C. Sivaramamurti | | 1978 | Jayant Baxi for Kanak Publications |
| Chitrasutra of the Vishnudharmottra | C. Sivaramamurti | | 1978 | Jayant Baxi for Kanak Publications |
| Chitrasutra of the Vishnudharmottra | C. Sivaramamurti | | 1978 | Jayant Baxi for Kanak Publications |
| Sri Lakshmi in Indian Art and Thought | C. Sivaramamurti | | 1982 | Kanak Publications |
| Sri Lakshmi in Indian Art and Thought | C. Sivaramamurti | | 1982 | Kanak Publications |
| Perceptions From The Precipice | Gopikrishna | | 2013 | Art Musings |
| Sacred Hindu Symbols | Gautam Chatterjee | | 2001 | Abhinav Publications |
| Images of Devi in Pahari Paintings | Chhote Bharany | C. Sivaramamurti | 1984 | Clarion Books |
| FACE: Folk Art and Cultural Expressions | George J. Thaliyath | | 2013 | Folklore Museum |
| Birth of Bhakti in Indian Religion and Art | Pande, Susmita | | 1982 | Books & Books |
| Studies In Buddhist Art Of South Asia | | A.K. Narain | 1985 | Kanak Publications |
| Studies In Buddhist Art Of South Asia | | A.K. Narain | 1985 | Kanak Publications |
| Ancient Indian Mother-Goddess Votive Discs | Dr Prithvi Agrawala | | 1983 | Books Asia/Prithivi Prakashan |
| The Palio and its Image: History Culture and Representation of Siena's Festival | | Maria A. Ceppari Ridolfi, Marco Ciampolini, Patrizia Turrini | 2001 | Monte Dei Paschi Di Siena |
| Christianity in Asia: Sacred Art and Visual Splendour | Pedro Moura Carvalho | | 2016 | Asian Civilisations Museum |
| Christianity in Asia: Sacred Art and Visual Splendour | Pedro Moura Carvalho | | 2016 | Asian Civilisations Museum |
| Christianity in Asia: Sacred Art and Visual Splendour | Pedro Moura Carvalho | | 2016 | Asian Civilisations Museum |
| Aspects of Jaina Art and Architecture | U.P. Shah, M.A. Dhaky | U.P. Shah, M.A. Dhaky | 1975 | Gujurat State Commitee for the Celebration of 2500th Anniversary of Bhagvan Mahaviras Nirvana |
| Treasures of Jaina Bhandaras | Umkant P.Shah | Dalsukh Malvania, Nagin J. Shah | 1978 | Dr. N.J. Shah, Director, L.D. Institute of Technology |
| On the Path to Nirvana: Buddhism | Swati Chopra, Lokesh Chandra | | 2005 | Brijbasi Art Press Ltd. |
| The Peaceful Liberators: Jain Art from India | | Pratapaditya Pal | 1996 | Los Angeles County Museum of Art |
| A Library Of Manuscripts from India | | | 2016 | Sam Fogg Ltd. |
| The Word is Sacred and Sacred is the Word | B.N. Goswamy | | 2006 | Niyogi Offset Private Limited |
| More Documents Of Jaina Paintings And Gujarati Paintings Of Sixteenth And Later Centuries | Dr. Umakant P. Shah | | 1976 | L.D. Institute Of Indology |
| Rishis In Indian Art And Literature | C. Sivaramamurthi | | 1981 | Kanak Publications |
| Rishis in Indian Art and Literature | C. Sivaramamurti | | 1981 | Jayant Baxi for Kanak Publications |
| Tantrayana An Album | S.K. Saraswati | | 1977 | Asiatic Society |
| Tantrayana An Album | S.K. Saraswati | | 1977 | Asiatic Society |
| Tantrayana An Album | S.K. Saraswati | | 1977 | Asiatic Society |
| Jaina Paintings | Kiran Kumar Thapyal | | 1995 | Wiely Eastern |
| Jaina Shrines in India | O. P. Tandon | | 2002 | Publications Division M. |
| Belur | | | 1992 | Art Publishers of India |
| Mural Painting in India | J.C. Nagpal | | 1988 | Gian Publishing House |
| The Mucukunda Murals in the Tyagarajaswami temple, Tiruvarur | V.K. Rajamani and David Shulman | | 2011 | Prakriti Foundation |
| Reflections of Indian Consciousness | R.C. Mishra | | 2008 | The Director General, The National Museum, Delhi |
| The Oxford Dictionary of Christian Art and Architecture | Peter And Linda Morray | Tom Devonshire | 2004 | Oxford univeristy Press |
| South Indian Paintings | C. Sivaramamurti | | | |
| Garhwal Painting | Mukandi Lal | | 1982 | Publications Division, Ministry of Information & Boardcasting |
| Nainsukh of Guler: A Great Indian Painter froma Small Hill State | BN Goswamy | | 2011 | Niyogi Books |
| Pahari Masters | BN Goswamy and Eberhard Fischer | | 2009 | Niyogi Books |
| Deccani Scroll Paintings, in the Jagdish and Kamla Mittal Museum of Indian Art | Jagdish Mittal | | 2014 | Jagdish and Kamla Mittal Museum of Indian Art, Hyderabad |
| Deccani Scroll Paintings, in the Jagdish and Kamla Mittal Museum of Indian Art | Jagdish Mittal | | 2014 | Jagdish and Kamla Mittal Museum of Indian Art, Hyderabad |
| Pahari Drawings in the Jagdish and Kamla Mittal Museum of Indian Art | Jagdish Mittal, John Seyller | | 2013 | Jagdish and Kamla Mittal Museum of Indian Art |
| Deccani Paintings, Drawings, and Manuscripts in the Jagdish and Kamla Mittal Museum of Indian Art | Jagdish Mittal, John Seyller | | 2018 | Jagdish and Kamla Mittal Museum of Indian Art |
| Deccani Paintings, Drawings, and Manuscripts in the Jagdish and Kamla Mittal Museum of Indian Art | Jagdish Mittal, John Seyller | | 2018 | Jagdish and Kamla Mittal Museum of Indian Art |
| India's Fabled City: The Art of Courtly Lucknow | Stephen Markel, Tushara Bindu Gude | | 2011 | Los Angeles County Museum of Art, DelMonico Books |
| Arts of Himachal | | Vishwa Chander Ohri | 1975 | State Museum Simla |
| Arts of Himachal | | Vishwa Chander Ohri | 1975 | State Museum Simla |
| Chamba Paintings | M.S. Randhawa | | 1967 | Lalit Kala Akademi |
| The Ramayana In Pahari Miniature Painting | Jutta Jain-Neubauer | | 1981 | L. D. Iinstitute of Indology |
| Paintings of Tanjore and Mysore | Chintamani Vya and Dr.Daljee | | 1988 | Vishwanath Sharma, Geeta Publishers Jhansi |
| Wall Paintings of Rajasthan | Y. K. Shukla | | 1980 | Nagin J. Shah |
| The Splendour of South India | S. Muthiah | Monisha Mukundan | 1992 | UBSPD |
| Splendour Of Malwa Paintings | M.D Khare, D. Khare | | | Cosmo Publications |
| Deccan Woodwork | M.S. Mate | | 1967 | Deccan College |
| Guler Painting | M.S. Randhawa, D.S. Randhawa | | 1982 | Publications Division, Ministry of Information & Broadcasting |
| Art Of Manipur | Nilima Roy | | 1979 | Agam Kala Prakashan |
| Kangra Valley Painting | M.S. Randhawa | | 1954 | Publications Division, New Delhi |
| Mathura Kala (Catalogue of Mathura Sculptures in National Museum) | Late Dr. Shashi Prabha Asthana | S.P. Gupta | 1999 | National Museum |
| Arts of Bengal an Exhibition organized by Whitechapel Art Gallery in collabration with the Victorial and Albert Museum The Heritage of Bangladesh and eastern India | | | 1980 | Manchester City Art Gallery |
| Tribal Arts and Crafts of Madhya Pradesh | | Shampa Shah | 1996 | Mapin Publishing Pvt. Ltd |
| Tribal Arts and Crafts of Madhya Pradesh | | Shampa Shah | 1996 | Mapin Publishing Pvt. Ltd |
| East Indian Art Styles: A Study in Parallel Trends | B. N. Mukherjee | | 1980 | K P Bagchi & Company |
| Pahari Folk Art | O.C. Handa | | 1975 | Taraporevala |
| Paintings From The Rajput Courts | Andrew Topsfield | | 1986 | Indar Pasricha Fine Arts |
| Mathura Terracottas | Vasudeva S. Agrawala | | 1984 | Prithvi Prakashan |
| Mathura Terracottas | Vasudeva S. Agrawala | | 1984 | Prithvi Prakashan |
| Painting As A Source Of Rajasthan History | Ram Pande | | 1984 | Jaipur Publishing House |
| The Art And Architecture Of Mandu | Professor S.K. Bhatt | | 2002 | Academy Of Indian Numismatics And Sigillography Indore |
| The Art And Architecture Of Mandu | Professor S.K. Bhatt | | 2002 | Academy Of Indian Numismatics And Sigillography Indore |
| The Art And Architecture Of Mandu | Professor S.K. Bhatt | | 2002 | Academy Of Indian Numismatics And Sigillography Indore |
| Descriptive Catalogue Of Rajasthani Manuscripts | | Ambika Charan Mhamia | 2003 | The Asiatic Society |
| Myths And Legends Of Champaner Pavagadh | Sonal Mithal Modi | | | Heritage Trust |
| Himalayan Art | Madanjeet Singh | | 1971 | UNESCO Art Books, the Macmillan Company |
| Himalayan Art | Madanjeet Singh | | 1971 | UNESCO Art Books, the Macmillan Company |
| South Indian Portraits In Stone And Metal | T.G. Aravamuthan | | 1988 | Asian Educational Services |
| Patna Painting | Mildred Archer | | 1947 | Royal India Society |
| Andhra Arts and Crafts | | | 1990 | Gayathri Ramachandran |
| 100 Years survey of Punjab Painting (1841-1941) | K.C. Aryan | | 1975 | Gurcharan Singh, Punjabi University, Patiala |
| The Art of Indian Asia | Heinrich Zimmer | Joseph Campbell | 1984 | Motilal Banarasidass |
| Ceramic Traditions in South India (Down to 300 A.D) | S Gurumurthy | | 1981 | University of Madras |
| The Art of India: Khajuraho | Kalyan Kumar Chakravarty | | 1985 | Arnold-Heinemann Publishers |
| Eastern Encounters: Four Centuries Of Painting And Manuscripts From The Subcontinent | Emily Hannam | | 2018 | Royal India Society |
| The Arts of Champa | Carl Heffley | | 1972 | Cultural Affair Office |
| Kangra Paintings on Love | Randhawa, M. S. | | 1962 | National Museum |
| Calico Painting & Printing in the East Indies in the XVIIth and XVIIIth Centuries | G.P. Parker | | 2013 | |
| Costumes and Textiles of Royal India | Ritu Kumar | Cathy Muscat | | Christies Books, London |
| Costume, Textiles and Jewellery of India- Traditions in Rajasthan | Vandana Bhandari | | | Mercury Books, London |
| Masterpieces of Indian Textiles | Rustam J.Mehta | | 1970 | Russsi Jal Taporewala, for D.B. Taporewala and Sons |
| Tanabana- Handwoven and Handcrafted Textiles of India | | Mallika Sarabhai | 2007 | Ministry of Textiles, Government of India |
| Indian Costumes In The Collection of The Calico Museum of Textiles: 18th to mid 20th century mostly from North and Western India | B.N. Goswamy, Kalyan Krishna | | 2010 | Calico Museum |
| Indian Jewellery, Ornaments and Decorative Designs | Jamila Brij Bhushan | | | J.H. Taporewala |
| Negar-E-Zan An Historical Pageant of Women's Dress On Iran | | Houri H.Moghadam | 1973 | The International Women's Club of Iran |
| Expressions: Ethnic Indian Textile Designs | By K.Prakash | | 1992 | K. Prakash |
| Indian Armours- In the National Museum Collection- A Catalogue | G.N. Pant, K.K. Sharma | M.C. Pandey | 2001 | National Museum, New Delhi |
| Indian Armours- In the National Museum Collection- A Catalogue | G.N. Pant, K.K. Sharma | M.C. Pandey | 2001 | National Museum, New Delhi |
| Three Centuries of Moghul and Rajput Costumes- Libaas | Talmiz Ahmad | | 2002 | The National Museum, Riyadh |
| Indian Jewellery | M L Nigam | | 2001 | Lustre Press, Roli Books Ltd. |
| Masterpieces of Indian Jewelllery | Jamila Brijbhushan | | 1979 | Russi Jal Taporevala for D.B. Taporevala |
| Indian Costumes | Anamika Pattnaik | Dipa Chaudhuri/Padma Pegu | 2006 | Roli Books |
| A Study Of The Beads From Kausambi | Manik Chandra Gupta | | 1997 | Swabha Prakashan |
| Indian Textiles- A Select Bibliography | I.B. Singh, S.B. Singh | | 1986 | Bharat Kala Bhavan |
| Costumes and Ornaments as depicted in the Early sculptures of the Gwalior Museum | Sulochana Ayyar | | 1987 | K.M. Mittal, Mittal Publications |
| The History of Beads | Lois Sher Dubin | | 1995 | Thames and Hudson |
| Military Costumes of India (from the Earliest Times) | Thapliyal, Dr. U. P. | | 1991 | Historical Section Ministry of Defence, Govt. of India |
| Military Costumes of India (from the Earliest Times) | Thapliyal, Dr. U. P. | | 1991 | Historical Section Ministry of Defence, Govt. of India |
| Indian Beads A Cultural and Technological Study | Deo, S . B. | | 2000 | Deccan College & Postgraduate Research Institute |
| Indian Costume (Bharatiya Vesabhusa) | G.S. Ghurye | | 1951 | G.R. Bhatkal, Popular Book Depot |
| Etched Beads In India | Moreshwar Gangadhar Dikshit | | 1949 | Deccan College & Postgraduate Research Institute |
| Indo-Greek Jewellery | Chandra, Rai Govinda | | 1973 | Abhinav Publishing |
| Dress and Jewellery of Women: Satavahana to Kakatiya | C.S. Uma Maheshwari | | 1995 | New Era Publications |
| Dress and Jewellery of Women: Satavahana to Kakatiya | C.S. Uma Maheshwari | | 1995 | New Era Publications |
| Jade Collection in the Salar Jung Museum | Dr.M.L.Nigam | | 1979 | Salar Jung Museum Board, Hyderabad |
| Silk Brocades | Agrawal, Yashodhara | | 2006 | Roli Books Pvt Ltd |
| By My Sword and Shield' Traditional weapon of the Indian Warrior | E. Jaiwant Paul | | 1995 | The Lotus Collection |
| Ancient Indian Costume | Roshen Alkazi | | 1996 | Art Heritage |
| Ancient Indian Costume | Roshen Alkazi | | 1996 | Art Heritage |
| Great Diamonds of India | Monisha Bharadwaj | Monisha Ahmed | 2002 | India Book House Private Limited |
| Meissen Porcelain Plauen Lace | Hoffman, Hans-Joachim | | 1983 | GDR Centre for Art Exhibitions |
| Oriental carpets | Michele Campana | Paul Hamlyn | 1969 | The Hamlyn Publishing Group Limited |
| A Knight and His Armour | Oakeshott, R. Ewart | | 1961 | Lutterworth Press |
| Woven Wonders: The Tradition of Indian Textiles | Ashna Mathur | | 2002 | Rupa & Co. |
| Geometric Patterns | | | | Pepin Press |
| Textiles for Temple, Trade and Dowry | Jyotindra Jain | | | Sankriti Museum of Everyday Art, New Delhi |
| Oriental Rugs: A Buyers Guide | Lee Allane | | 1988 | Thames and Hudson Ltd, London |
| Important English Furniture and Decorations | | | 1986 | Sotheby's |
| Indian Kaleen | | | | The Handicrafts and Handlooms Exports |
| Oriental Rugs, Care and Repair | Majid Amini | | 1981 | Orbis Publishing Ltd. |
| Handmade Rugs From Practically Anything | Laury, Jean Ray & Aiken, Joyce | | 1971 | Thomas Nelson Ltd. |
| Carpets and Floor Coverings of India | Kamaladevi Chattopadhyay | | 1969 | Russi Jal Taporevala for D.B. Taporevala |
| Carpets and Floor Coverings of India | Kamaladevi Chattopadhyay | D.B. Taporevala | 1976 | Russi Jal Taporevala for D.B. Taporevala |
| Oriental Carpets | Ulrich Schurmann | | 1979 | Ebeling Publishing Ltd. |
| All Colour Book of Oriental Carpets and Rugs | Stanley Reed | | 1972 | Octopus Books Limited |
| Rugs and Carpets from the Caucasus | Liatif Kerimov, Nonna Stephanian, Tatyana Grigoliya, David Tsitsivili | | 1984 | Allen Lane/ Penguin Books |
| Oriental Carpet Identifier | Ian Brennet | | 1996 | Granze Books |
| A Study Of Stone Beads In Ancient India | Niharika | | 1993 | Bharatiya Kala Prakashan |
| The Ring of Truth, Myths of Sex and Jewelry | Wendy Doniger | | 2017 | Speaking Tiger Publishers |
| Kama Sutra | | | 1996 | Lustre Press, Roli Books Pvt. Ltd |
| Erotica: The Art of Loving | Dr. Prakash Kothari | Rachna Kothari | 2010 | VRP Publications |
| Erotica: The Art of Loving | Dr. Prakash Kothari | Rachna Kothari | 2010 | VRP Publications |
| Ancient Indian Massage: Traditional Massage Techniques Based of the Ayurveda | Harish Johari | | 1988 | MRML |
| The Kamasutra of Vatsyayana | Aditya Patankar | | 1988 | Lustre Press |
| The Erotic Sentiment in the Paintings of India and Nepal: The Pillow Book, Volume One | Nik Douglas, Penny Slinger | | 1989 | Park Street Press |
| The Perfumed Garden | Fowkes, Ches Ed. Burton, Sir Richard | | 1989 | Hamlyn |
| The Religion of Love | Lal, Kanwqar | | 1971 | Arts & Letters |
| The Love Teachings of Kama Sutra With Extracts from Koka Shastra, Ananga Ranga and other Famous Indian Works on Love | Sinha, Indra | | 1996 | Bookwise India Pvt Ltd. |
| Kamayoga | Mulk Raj Anand | | 1991 | Arnold Publishers (India) Pvt Ltd. |
| The Perfumed Garden | Fowkes, Ches Ed. Burton, Sir Richard | | 1989 | Hamlyn |
| The Cult of Desire: An Interpretation of Erotic Sculpture of India | Kanwar Lal | | 1966 | Asia Press |
| The Cult of Desire: An Interpretation of Erotic Sculpture of India | Kanwar Lal | | 1966 | Asia Press |
| Temples of Love: Khajuraho | Pramila Poddar, Pramod Kapoor | | 1992 | Lustre |
| Kamasutra | | | 2002 | Oxford University Press |
| Kama Kalpa Or The Hindu Ritual Of Love | P. Thomas | | 1959 | D.B.Taraporevala Sons & Co. Private Ltd. |
| Sexual Secrets | Nik Douglas/Penny Slinger | | 1979 | Arrow Books Limited |
| The Joy of Sex- A Gourmet Guide to Love-making | | Alex Comfort | 1986 | Pocket Books |
| Arts of People 1, From Goddess to Pin-up: Icons of Femininity in Indian Calender Art | | | 2000 | Fukuoka Art Museum |
| | | | |
| Pundole's: The Works On Paper Sale | | | 2018 | Pundole's |
| Classical And Modern Indian Art | | | 2016 | Pundole's |
| Indian Art: Classical To Modern | | | 2015 | Pundole's |
| The Fine Art Sale: Including Works From The Collections Of Roshan Sabavala And Emanuel Schlesinger | | | 2015 | Pundole's |
| Pundole's: The Fine Art Sale | | | 2017 | Pundole's |
| Art Of The Himalayas: From The Collection Of Roshan Sabavala | | | 2014 | Pundole's |
| Property From The Estate Of The Late Ernevaz K. Dubash | | | 2015 | Pundole's |
| Tree Matters | Gangu Bai, Gita Wolf, B. Geeta | | 2014 | Tara Books Private Limited |
| Tree Matters | Gangu Bai, Gita Wolf, B. Geeta | | 2014 | Tara Books Private Limited |
| Bhimayan | Bhimrao Ramji Ambedkar | | | Navayana |
| The Enduring Ark | Joydeb Chitrakar, Geeta wolf | | 2012 | Tara Books |
| Sita's Ramayan | Samhita Arni, Moina Chitrakar | | 2015 | Tara Books |
| Sultana's Dream | Durga Bai (Illustration) | | 2014 | Tara Books Private Limited |
| 8 ways to draw fish | Luisa Martela with various artists | | | |
| Satrangi: A Gond Expression | | | 2015 | Ojas Art Ward |
| Mattancherry Mix | Sosa Joseph | | | Galerie Mirchandani + Steinruecke |
| The Art of Banking: The art collection of the Internationale Nederland Bank | | | | NMB Bank |
| Aditi | | | 1982 | The Handicrafts and Handlooms Exports Corporation of India Ltd |
| Aditi | | | 1982 | The Handicrafts and Handlooms Exports Corporation of India Ltd |
| Treasure house of Medieval Cairo Life | | | | The Genzah Collection of the Ben Ezra Synogogue |
| Art Exhibit 2016: Masters of Modern Art | | | | Global Art Hub |
| The Museum of Art & Photography | | | | MAP |
| The Prado Guide | | Maria Dolores Jimenez- Blanco | | Museo Nacional Del Prado |
| Catalogue of the exhibition of paintings of Rampur Raza Library held at India Inyernational Centre, New Delhi | Dr. W.H. Siddiqi | | 2006 | Dr. W.H. Siddiqi |
| Varunika Saraf: The Chair in the Cloud | | | 2010 | Galerie Mirchandani + Steinruecke |
| Akshaya Kumar Maitreya Museum Incorporating Raja Rajaram Museum Collection North Bengal University Catalogue Part II (Sculptures) | Pranab Kumar Bhattacharyya | | 2005 | K.P. Bagchi & Company |
| Francisi Awadhi Ta'allugaat | | | | |
| Art Exhibit 2017: Indian Modern and Contemporay Works on Paper (The Highlights) | | | 2017 | Global Art Hub |
| Such Treasure and Rich Merchandize | Annamma Spudich | | 2008 | NCBS |
| Such Treasure and Rich Merchandize | Annamma Spudich | | 2008 | NCBS |
| Revisiting Gandhi: The art of Shelly Jyoti 2009-2018 | Shelly Jyoti | | 2018 | Archana Advertising Pvt. Ltd. |
| Revisiting Gandhi: The art of Shelly Jyoti 2009-2018 | Shelly Jyoti | | 2018 | Archana Advertising Pvt. Ltd. |
| The Craft Traditions Of India | Jaya Jaitly | | 1990 | Lusture Press |
| Handicrafts In India | T.M. Abraham | | 1964 | Graphics Columbia |
| Sixty Years of Writing on Art & Crafts in India (from Roopa-lekha 1928-88) | | Ram Dhamija | 1988 | Sterling Publishers |
| Sixty Years of Writing on Art & Crafts in India (from Roopa-lekha 1928-88) | | Ram Dhamija | 1988 | Sterling Publishers |
| The Handicrafts Of Tamil Nadu | | | | The Tamilnadu Handicrafts Development Corp. Ltd. |
| Handicrafts Of West Bengal | S. Chakraborty, R.K. Bari | | 1991 | Institute of Art And Handicraft |
| Finding My Way | Venkat Raman Singh, Shyam S. Anand | | 2016 | Navayana Publishing |
| Census of India 1961, Vol. 05, Part-07-A, Selected Crafts of Gujarat | R.K. Trivedi | | 1968 | Superintendent of Census Operations |
| Auspicious Designs: Batik for Peranakan Altar | Lee, Kerlogue, Chiesa, Joseph | | 2015 | Asian Civilisations Museum |
| Crafts Of Jammu, Kashmir & Ladakh | Kamal Sahai (photography) | Jaya Jaitly | 1990 | Mapin Publishing Pvt Ltd |
| Handicrafts of India | Kamaladevi Chattopadhyay | | 1985 | Indian Council For Cultural Relations |
| Handicrafts of India | Kamaladevi Chattopadhyay | | 1975 | Indian Council For Cultural Relations |
| Arts And Crafts Of India | Ilay Cooper, John Gillow | | 1996 | Thames & Hudson |
| Pottery Techniques In Peasant India | Baidyanath Saraswati, Nab Kishore Behura | | 1966 | Anthropological Survey Of India |
| Handcrafted Indian Enamel Jewellery | Rita Devi Sharma, M. Varadarajan | | 2004 | Roli Books |
| Indian Handicrafts | Kamaladevi Chattopadhyaya | | 1963 | Allied Publishers |
| Industrial Arts of India | B.K. Bhattacharjee | | 1998 | Indian Publishers Distributors |
| Jangarh Kalam | Udayan Vajpeyi | | 2008 | Tribal Welfare Department, Madhya Pradesh |
| Jangarh Singh Shyam- A Conjuror's Archive | Jyotindra Jain | | 2018 | Mapin Publishing, Ahmedabad |
| Many Indias | | Dr. Alka Pande (Curator) | 2016 | The Kanha Museum of Life and Art, Gallerie AK, Must Art Gallery |
| Waterlife | Rambharos Jha | | 2015 | Tara Books Pvt. Ltd. |
| Alone In The Forest | Bhajju Shyam, Gita Wolf, Andrea Anastasio | | 2012 | Tara Books |
| Hope Is A Girl Selling Fruit | Amrita Das | | 2013 | Tara Books |
| Tribal Art And Craft | A.K. Das | | 1979 | Agam Kala Prakashan |
| Now That The Trees Have Spoken | Ranjit Hoskote | | 2009 | Pundole Art Gallery |
| The Painted World of the Warlis: Art and Ritual of the Warli Tribes of Maharashtra | Yashodhara Dalmia | | 1988 | Lalit Kala Akademi, New Delhi |
| Jangarh Singh Shyam: Drawings & Paintings from the Crites Collection | | | 2015 | Mitchell S. Crites |
| Following My Paint Brush | Dulari Devi, Gita Wolf | | 2010 | Tara Books |
| between Memory and Museum: a dialogue with folk and tribal arts | | Arun Wolf and Gita Wolf | 2015 | Tara Books Private Ltd. |
| Do! | Gita Wolf | | 2014 | Tara Books |
| Pata-Painting Of Orissa | B. Mohanty | | 1984 | Publications Division, Ministry of Information & Broadcasting |
| The Art of Bhajju Shyam Master Gond Artist | | | 2016 | Ojas Art |
| Paramparik Karigar: an association of craftspersons | | | 2011 | Spenta Multimedia |
| Paramparik Karigar: an association of craftspersons | Brinda Gill | Seetha Natesh, Lipi Mehta | 2013 | Maneek Daveer, Spenta Multimedia |
| Handmade in India: A Geographical Encyclopedia Of Indian Handicrafts | | Aditi Ranjan, M.P Ranjan | 2007 | Mapin Publishing |
| The Night Life of Trees | Bhajju Shyam, Durga Bai, Ram Singh Urveti | | 2015 | Tara Books |
| The Night Life of Trees | Bhajju Shyam, Durga Bai, Ram Singh Urveti | | 2006 | Tara Books |
| Indian Crafts: Development and Potential | D.N. Saraf | | 1985 | Vikas Publishing House |
| Crafts Atlas of India | Jaya Jaitly | | 2012 | Niyogi Books |
| Crafts Atlas of India | Jaya Jaitly | | 2012 | Niyogi Books |
| Gobble You Up! | Gita Wolf | | 2013 | Tara Books Pvt. Ltd. |
| Creation | Bhajju Shyam, Gita Wolf | | 2014 | Tara Books |
| Creation | Bhajju Shyam, Gita Wolf | | 2014 | Tara Books |
| The Fabric of India | | | 2015 | V&A Publishing |
| Paramparik Karigar: Gadwakam, Kalamkari, Mithila Kala, Mitti Kam, Tana Bana | | | 2005 | Paramparik Karigar Publication |
| The Cloth of the Mother Goddess | Jagdish Chitara | | 2015 | Tara Books |
| Aranyakas | Dr Alka Pande | | 2016 | The Kanha Museum of Life and Art |
| Signature: Patterns in Gond Art | | Gita Wolf, Bhajju Shyam, Jonathan Yamakami | 2010 | Tara Books |
| Ganjifa The Playing Cards of India a general survey, with a catalogue of the Victoria and Albert Museum Collection | Rudolf Von Leyden | | 1982 | Victoria & Albert Museum |
| Jangarh Kalam: Contemporary Art of the Adivasis | Udayan Vajpeyi | | 2010 | Art Alive Gallery |
| Tribal Ornaments | | | 2009 | Tribal Research & Development Institute |
| Rerouted Realities: Santosh Kumar Das, Exhibition Catalogue | Kathryn Myers | | 2018 | |
| Village of Painters: Narrative Scrolls from West Bengal | Frank J. Korom | | 2006 | Museum of New Mexico |
| Satrangi: Bengal Patachitra | Ojas Art | Ojas Art | 2018 | |
| Satrangi: The Art Of Bheel | Ojas Art | Ojas Art | 2017 | |
| Satrangi: Art of the Warlis | Ojas Art | Ojas Art | 2019 | |
| Beasts of India | | Kanchana Arni and Gita Wolf | 2017 | Tara Books Private Limited |
| Indian Art Series: Madhubani Art | Bharti Dayal | | 2015 | Niyogi Books, Museum of Sacred Art (MOSA) |
| A Picturesque Tour Along the River Ganges and Jumna in India : Consists of twenty four highly finished and coloured views, a map, and vignettes, from original drawings made on the spot; with illustrations, historical and depictive | Lieutenant-Colonel Forrest | | | Rackermann |
| Indian Painting for the British 1780-1880 | Niall Hobhouse | | 2001 | Walpole Gallery |
| India of Rajahs | Louis Rousselet | | 1985 | Franco Maria Ricci |
| The Vision Of Kings | Michael Brand | | 1996 | National Gallery Of Australia |
| Maps of Delhi | Pilar Maria Guerrieri | | 2017 | Niyogi Books |
| Adapting the Eye: An Archive Of The British In India, 1770-1830 | | | 2011 | Yale Centre For British Art |
| Indian Painting during the British Period | | | 1986 | Hobhouse Limited |
| Gaekwad Cenotaphs | Gupte, Taramati | | 1947 | Baptist Mission Press |
| Kashmir Painted by Major E Molyneux as described by Sir Francis Younghusband | Sir Francis Younghusband | | 1908 | A&C Black |
| Impossible Picturesqueness Edward Lear's Indian Watercolors, 1873-1875 | Dehejia, Vidya | | 1989 | Mapin Publishing Pvt. Ltd. |
| Picturesque Views of India Sita Ram: Lord Hastings's Journey from Calcutta to the Punjab, 1814-15 | J.P. Losty | | | Lustre Press, Roli Books |
| Faces Of Colonial India: The Work of Goan Artist Antonio Xavier de Trindade | Fatima da Silva Gracias | | 2014 | Fundacao Oriente |
| Indian Painting for British Patrons 1770-1860 | Niall Hobhouse | | 1991 | Hazlitt, Gooden & Fox |
| Room for Wonder: Indian Painting During the British Period 1760-1880 | Stuart Cary Welch | | 1978 | The American Federation of Arts |
| Indian Art at Delhi 1903 (Being the Official Catalogue othe Delhi Exhibition 1902-1903) | George Watt | | 1987 | Motilal Banarsidass |
| Visions of India The Sketchbooks of William Simpson 1859-62 | Archer Mildred, and Theroux Poul | | 1986 | Alfalak Scorpion |
| Indian Painting for the British 1770-1880 | M & W. G. Archer | | 1955 | Oxford University Press |
| Art and Nationalism in Colonial India, 1850-1922 | Mitter | | 1994 | Cambridge University Press |
| Indian Painting for the British 1770 - 1880: An Essay by Mildred And W.G. Archer | Mildred And W.G. Archer | | 1955 | Oxford University Press |
| Temple Tents for Goddesses in Gujarat, India | Dr. Eberhard Fischer | | 2014 | Niyogi Books |
| Indigenius Artist India | Sunita Nair | | 2003 | Author, Taj |
| Indian Life and the People in the 19th Century: Company Paintings in the Tapi Collection | J.P. Losty | | 2018 | Roli Books |
| Asian Art Museum of San Francisco- Collection Highlights | Jay Xu | Clare Jacobson | 2018 | Asian Art Museum |
| Armenia- Art, Religion and Trade in the Middle Ages | | Helen C.Evans | | Yale University Press |
| Revisiting Gandhi: The Art Of Shelly Joshi 2009-2018 | Shelly Joshi | | 2018 | Archana Advertising Pvt. Ltd. |
| The Museum Newsletter-Special Issue: Indian and the world- a History in Nine Stories | CSMVS | | 2018 | Chhatrapati Shivaji Maharaj Vastu Sanghrahalaya |
| The Museum Newsletter-Special Issue: Indian and the world- a History in Nine Stories | CSMVS | | 2018 | Chhatrapati Shivaji Maharaj Vastu Sanghrahalaya |
| Spiegel, Der Mensch im Widerschein | Museum Rietberg | | | Wienand |
| Kalamkari Temple Hangings | Anna L. Dallapiccola | | 2015 | Mapin Publishing |
| Armours Delight: The Amarushataka Palm Leaf Manuscript | Eberhard Fischer, Dinanath Pathy | | 2006 | Artibus Asiae |
| Cosmology to Cartography | Dr Vivek Nanda, Dr. Alexander Johnson | | | Narional Museum |
| Indian Textiles | John Gillow and Nicholas Barnard | Thames and Hudson | 2014 | Om Books International |
| Textile motifs of India | | The Pepin Press | Pepin van Roojen | 2008 | Agile Rabbit |
| Indian Texties: The Karun Thakar Collection | John Guy, Rosemary Crill, Karun Thakar | HALI Publications ltd | 2014 | HALI publications ltd. |
| Speaking With Pictures: Folk Art and the Narrative Tradition in India | Roma Chatterji | | 2019 | Routledge India |
| Light Of Asia Buddha Sakyamuni in Asian Art | Pratapaditya Pal | | 1984 | Los Angeles County Museum of Art |
| Views in India, China and on the Shores of the Red Sea Vol. 1 and 2 | From Original Sketches by Commander Robert Elliot | | 1986 | Gian Publishing House |
| Folk Heritage Of Pakistan | | | 1977 | Institute of Folk Heritage |
| Prints 1400-1800 A Loan Exhibition from Museums and Private Collections | Harold Joachim | | 1957 | Minneaplois Institute of Arts |
| The Collector's Encyclopaedia of English Ceramics | | | 1986 | Abbey Library |
| Living Traditions Of Iran's Crafts | Jasleen Dhamija | | 1979 | Vikas Publishing House |
| Living Traditions Of Iran's Crafts | Jasleen Dhamija | | 1979 | Vikas Publishing House |
| A Gift Of Sunlight: The Fortune and Quest of the Davies sisters of Llandinnam | Trevor Fishlock | | 2014 | Gomer |
| History of Indian and Indonesian Art | Coomaraswamy, A. K. | | 1965 | Dover Publications, Inc. |
| History of Indian and Indonesian Art | Coomaraswamy, A. K. | | 1972 | MRML |
| Great Monuments of India, Bhutan, Nepal, Pakistan and Shri Lanka | Shobita Punja | | 1994 | The Guidebook Company, Hong Kong |
| Exploring Mysterious Kathmandu | Katharine Hoag | | | Avalok |
| The Art and Architecture of the Indian Subcontinent | J. C, Harle | | 1986 | Penguin Books |
| A History of Greek Art With an introductiory on Art in Egypt and Mesopotamia | Tarbell, F. B. | | 1896 | The Chautauqua Centurp Press |
| Escape To Egypt According to Coptic Tradition | | | 1993 | Lehnert & Landrock |
| Treasures From Italy: Gold And Hardstone Objects From Antiquity And The Renaissance | | | 1995 | National Museum New Delhi |
| Roman and Palaeo-Christian Painting | Geral Gassiot-Talabot | Claude Schaeffner | 1968 | Heron Books |
| Byzantine And Russian Painting | Kostas Papaioannou | Claude Schaeffner | 1968 | Heron Books |
| A History of European Picture Frames | Paul Mitchell, Lynn Roberts | | 1996 | Merrell Holberton Publishers Ltd. |
| The King's Pictures | Francis Haskell | Karen Serres | 2013 | Yale University Press |
| Old Macau | Tom Briggs, Colin Crisswell | | 1984 | China |
| Muslim Art Heritage of Pakistan | Dr. Ahmad Nabi Khan | | | Ministry of Information and Media Development, Pakistan |
| The Wonders of France | | | 1961 | Thames and Hudson |
| The Flowering of the Middle Ages | | Joan Evans | 1985 | Thames & Hudson |
| The Quest For Eternity: Chinese Ceramic Sculptures from the Peoples Republic of China | | Susan L. Caroselli | 1988 | Thames & Hudson |
| The Encyclopedia of Tibetan Symbols and motifs | Robert Beer | | 1999 | Shambala Publications/Serindia Publications |
| The Iconography of Tibetan Lamaism | Antoinette K. Gordon | | 1959 | Tuttle |
| The British as art collectors: From the Tudors to the Present | James Stourton, Charles Sebag-Montefiore | | 2012 | Scala Publishers |
| The Crossroads of Asia of Transfromation in Image and Symbol in the Art of Ancient Afghanistan and Pakistan | Errington, Cribb | | 1992 | The Ancient India and Iran Trust |
| Moorcroft Pottery: A Guide to the Pottery of William and Walter Moorcroft, 1897-1986 | Paul Atterbury | | 1987 | Richard Dennis and Hugh Edwards |
| The Freemasons - Unlocking the 1000 - year-old mysteries of the Brotherhood: the Masonic rituals,codes,signs and symbols explained with over 200 photographs and illustrations | Jeremy Harwood | | 2006 | Hermes House( Anness Pub. Ltd.) |
| The Freemasons - Unlocking the 1000 - year-old mysteries of the Brotherhood: the Masonic rituals,codes,signs and symbols explained with over 200 photographs and illustrations | Jeremy Harwood | | 2006 | Hermes House( Anness Pub. Ltd.) |
| Yugoslavia A journey through her Art | Miodrag Kolaric | Nada Miljkovic | 1973 | |
| Christian Themes in India Art from Mogul times till today | Anand Amaladass SJ, Gudrun Lowner | | 2012 | Ajay Kumar Jain |
| Indian Art Treasures Suresh Neotia Collection | Sharma, R.C., Giri, K. & Chakraverty, A. | | 2006 | Mosaic Books |
| India's Contribution to World Thought and Culture | | Lokesh Chandra | 1970 | Vivekananda Rock Memorial Committee |
| India's Contribution to World Thought and Culture | | Lokesh Chandra | 1970 | Vivekananda Rock Memorial Committee |
| Treasures of indian Art Germany's Tribute to india's Cultural Heritage | | Saryu Doshi | | National Museum |
| Indian Art The Royal Bequest | Saryu Doshi | | 1995 | |
| The Art Of India | Stella Kramrisch | | 1954 | Phaidon Press |
| The Art Of India | Stella Kramrisch | | 1954 | Motilal Banarsidass |
| Art Of India Prehistory to the Present | | Frederick M. Asher | 2003 | Encyclopedia Britannica |
| The Anand-Vana of Indian Art | Dr.Anand Krishna | Naval Krishna & Manu Krishna | 2004 | Indica Books and Abhidha Prakashan |
| The Indian Experience | Barret, Ken & Sharma , Suresh (Ed) | | 1982 | Media TransAsia |
| Ethical Fragrance In Indian Art And Literature | C. Sivaramamurthi | | 1980 | Kanak Publications |
| Ethical Fragrance In Indian Art And Literature | C. Sivaramamurthi | | 1980 | Kanak Publications |
| Ethical Fragrance In Indian Art And Literature | C. Sivaramamurthi | | 1980 | Kanak Publications |
| The Colour Library Of Art- Indian Art- 48 plates in full colour | Margaret-Marie Deneck | | 1967 | Hamlyn |
| Indian Art | V.S. Agrawala | | 2003 | Prithivi Prakashan |
| Aesthetic Theories Of India | Dr. Padma Sudhi | | 1988 | Intellectual Publishing House |
| Approach to Nature in Indian Art and Thought | C. Sivaramurti | | 1980 | Kanak Publications |
| Approach to Nature in Indian Art and Thought | Sivaramamurthi, C. | | 1980 | Kanak Publications |
| Approach to Nature in Indian Art and Thought | Sivaramamurthi, C. | | 1980 | Kanak Publications |
| Approach to Nature in Indian Art and Thought | Sivaramamurthi, C. | | 1980 | Kanak Publications |
| Approach to Nature in Indian Art and Thought | Sivaramamurthi, C. | | 1980 | Kanak Publications |
| Indian Art | H.G. Rawlison, K. de B. Codrington, J.V.S. Wilkinson, John Irwin | Sir Richard Winstedt | 1947 | Faber and Faber Limited |
| Celebration of the Human Image: The Human Figure in Indian Contemporary Painting | | Yvette Kumar (compiled) | 2000 | thinking eye |
| Private Mythology: Contemporary Art from India | | | 1998 | The Japan Foundation Asia Centre |
| Fifty-One Flowers: Botanical Watercolour from Bengal | Niall Hobhouse | | 2006 | Colnaghi |
| Contemplative Colour: A Photographer's Tribute to Abstract Painting | Ashvin Mehta | | 2007 | Archer |
| Contemporary Indian Art: Glenbarra Art Museum Collection | | Masanori Fukuoka (Director) | 1993 | Glenbarra Art Museum |
| India and Modern Art | W.G. Archer | | 1959 | George Allen & Unwin Ltd. |
| Valley of Flowers | Dileep Sharma | | | Institute of Contemporary Indian Art |
| Contemporary Expressions: Art Of The Jogi Family | Tulika Kedia | | 2016 | Limited Editions |
| The Vertical Women, Reminisscences of B. C. Dayal (1902-1947) | | Santo Datta | 1998 | National Gallery of Modern Art |
| Roerichs: Collections of paintings with Karnataka chitrakala parishath | | | 1997 | Karnataka Chittrakala Parishad |
| From Miniature To Modern | | | 2010 | Pundole |
| K.H. Ara: A Private Collection | | | 2017 | The Viewing Room |
| Kanwal Krishna and Devyani Krishna: Contemporary Indian Art Series | | | 1994 | Lalit Kala Akademi |
| Museum Bhavan | Dayanita Singh | | | Steidl Publishers, Germany |
| Footboard Rider | Gieve Patel | | | Galerie Mirchandani+Steinruecke |
| Collecting Contemporary Art | Adam Lindemann | | | Taschen |
| Guide to Dutch Art | | | 1953 | Government Printing and Publishing Office |
| Owning art, the contemporary art collector's handbook | Louisa Buck & Judith Greer | | | Cultureshock Media Ltd |
| Memories of the First Impressionist Art Dealer (1831-1922) | Paul Durand-Ruel | | 2014 | Flammarion |
| Icones Americaines | | | 2015 | Grand Palias |
| Bengal And Modernity: Early 20th Century Art in India | Landrus, Bhandare, Mitter, Pal, Lahiri | | 2015 | Ashmolean Museum of Art, Oxford |
| Modern Indian Painting | | Rob Dean, Giles Tillotson | 2019 | Mapin |
| Dancing For Themselves | Mohan Khokar | | 1987 | Himalayan Books |
| The Royal bequest: Art Treasures of the Baroda Museum and Picture Gallery | Saryu Doshi | Saryu Doshi | 1995 | India Book house Limited |
| India Art and Culture- 1300-1900 | Stuart Cary Welch | John P.O'Neill | 1985 | The Metropolitan Museum of Art |
| India Art and Culture 1300-1900 | Stuart Cary Welch | John P. O'Neill | 1985 | The Metropolitan Museum of Art |
| The Steins Collect: Matisse, Picasso, and the Parsian Avant-Garde | | Bishop, Debray, Rabinow | 2011-2012 | Yale University Press, San Francisco Museum of Modern Art |
| A Tale Of Thangkas | Pia and Louis Van der Wee | | | Ethnographic Museum of Antwerp |
| Glimpses from the Mysore Royal Art Collection | | | | Arivar Art Consultants |
| Special Exhibition to Honour the 1400th Anniversary Celebrations of the Hijra Era: Islamic Heritage of India | | | 1981 | National Museum, New Delhi |
| Special Exhibition to Honour the 1400th Anniversary Celebrations of the Hijra Era: Islamic Heritage of India | | | 1981 | National Museum, New Delhi |
| The Bible In the British Museum Interpreting the Evidence | T.C. Mitchell | | 1988 | British Museum |
| Bulletin of the Madras Govt. Museum, Catalogue Of The South Indian Hindu Metal Images In The Madras Govt. Museum Vol. 1, Pt. 2, 1932 | Gravely, F. H. & Ramachandran, T. N. | | 2002 | Commissioner of Museums, Government of Tamil Nadu |
| Dr D R Bannerjee | | 1967 | Publication Division Ministery of I. & B., Govt. of India |
| Treasures of the National Museum | Dr D R Bannerjee | | 1967 | Publication Division Ministery of I. & B., Govt. of India |
| Treasures of the National Museum | Dr D R Bannerjee | | 1967 | Publication Division Ministery of I. & B., Govt. of India |
| Masterpieces of Mathura Museum | Jitendra Kumar | | 1989 | Mathura Museum |
| Masterpieces of Mathura Museum | Jitendra Kumar | | 1989 | Mathura Museum |
| Masterpieces of Mathura Museum | Jitendra Kumar | | 1989 | Mathura Museum |
| Masterpieces in the State Museum Lucknow | Dr S. D. Trivedi | | 1989 | State Museum |
| Masterpieces in the State Museum Lucknow | Dr S. D. Trivedi | | 1989 | State Museum |
| Tibet House Museum | | | 1965 | Tibet House Museum |
| Tibet House Museum | | | 1965 | Tibet House Museum |
| Schatze Indischer Kunst | | | 1984 | Forum Des Niedersachsischen Landesmuseum |
| Beautiful inside my head forever | | | 2008 | Damien Thurst |
| Tenth Anniversary | | | 1999 | Gallerie Ganesha |
| Sacred India | Annc Boger, Joellen K Deoreo | | 1985 | Cleeveland Museum of Arts |
| Sanskriti | | | 1991 | |
| Madras Govt. Museum Guide to The Principal Exhibition in the Govt. Museum, Pudukkothai | M S Chandrashekhar | | 1966 | Government of Madras |
| Handbook of the Madras Government Museum | Satyamurti, S. T. | | 1998 | Commissioner of Museums, Government of Tamil Nadu |
| Guide to Bharat Kala Bhavan | | | 1998 | Banaras Hindu University |
| Guide to Bharat Kala Bhavan | | | 1998 | Banaras Hindu University |
| Museums | Joan Miro | | | Ediciones Aldeasa |
| Tibetan Thankas in the Indian Museum | Sipra Chakravarti | | 1980 | Indian Museum, Calcutta |
| Tibetan Thankas in the Indian Museum | Sipra Chakravarti | | 1980 | Indian Museum, Calcutta |
| A Catalogue on Phulkari Textiles | Devyani Mitra Dutta | | 1985 | Indian Museum Calcutta |
| Victoria and Albert Museum- Indian Art | | | 1969 | London: Her Majesty's Stationery Office |
| Kala: The Journal of Indian Art History Congress Vol.VIII | | Maruti Nandan Tiwari, Kamal Giri | 2003 | Dr. R. D. Choudhary, Indian Art History Congress |
| Masterpieces of Indian Craftsmaship in Marble and Sandstone | Rustam J.Mehta | | 1980 | D.B.Taraporevala Sons & Co. Private Ltd. |
| The Power of Love | Kalpana shah | | 2010 | Tao Art Gallery |
| The K. R. Cama Oriental Institute Seminar On The Shahnameh | | | 2011 | |
| Indien Als Bilderbuch Die Konstruktion Der Pittoresken Fremde: Einhundert indische Gouachen um 1800 aus Lindenaus Kunst-bibliothek | Kraus, Viswanathan Peterson, Jena, Hofman | | 2011 | Lindenau- Museum Altenburg |
| The Foundation Maeght | Connaissance des Arts | | 2014 | Societe Francaise de Promotion Artistique |
| art Issue: Heritage (Centenary Volume 1994-1995) | | Dr. R. N. Mehta | 1996 | Department of Museums, Vadodara |
| Inside the Egyptian Museum | Zahi Hawas | | 2009 | Heitage World Press Ltd. |
| Ackhout: Volta Ao Brasil 1644-2002 (Return to Brazil) | Albert Eckhout | | 2002 | Nationalmuseet |
| Indian Paintings In The Sarabhai Foundation | B.N. Goswamy | | 2010 | Sarabhai Foundation |
| The City Palace Museum Udaipur: Painting of Mewar Court Life | Andrew Topsfield | | 2009 | Mapin Publishing |
| The Emperors' Album | Stuart Cary Welch, Annemarie Schimmel, Marie L. Switochowski, Wheeler M.
| | | |
| The Metropolitan Museum Of Art | Art & Architecture | | | |
| Cézanne en Provence | | | 2006 | Washington National Gallery of Art |
| Museum of Christian Art: Convent of Santa Monica, Goa, India | | | 2011 | Calouste Gulbenkian Foundation |
| Mughal Paintings, Drawings, And Islamic Calligraphy in the Jagdish and Kamla Mittal Museum of India Art | John Seyller, Jagdish Mittal | | 2013 | Jagdish and Kamal Mittal Museum of Indian Art |
| Mughal Paintings, Drawings, And Islamic Calligraphy in the Jagdish and Kamla Mittal Museum of India Art | John Seyller, Jagdish Mittal | | 2013 | Jagdish and Kamal Mittal Museum of Indian Art |
| Sublime Delights Through Works Of Art | | Jagdish Mittal | 2007 | Jagdish and Kamal Mittal Museum of Indian Art |
| Shatabda-Kaumudi | Multiple Authors | | 1964 | Centenary Celebrations Committee, Central Museum, Nagpur |
| Art Musings | Jayasri Burman | | 2014 | Art Musings |
| Prakriti: The Creative Feminine | Tulika Kedia | | 2017 | Must Art Private Limited |
| Frida Kahlo: Making Herself Up | | Claire Wilcox, Circe Henestrosa | 2018 | V&A Publishing |
| Golden Goa | Dr. Mulk Raj Anand, Dr. Jose Pereira, Dr. Richard Lannoy | | 1980 | MARG Publications |
| Bodhgaya: the Sight of Enlightenment | Janice Leoshko | | 1988 | MARG Publications |
| In Praise of Aihole, Badami, Mahakuta, Pattadakal | Dr. Mulk Raj Anand, S. Settar, Carmel Berkson, George Michell | | | MARG Publications |
| A Mirror for Princes from India | | Grube, Ernst J. (Ed. ) | 1991 | MARG Publications |
| Splendours of Vijaynagara Empire: Hampi | | George Michell, Vasundhara Filliozat | 1981 | MARG Publications |
| Homage of Karnataka | | Dr Sarayu Doshi | 1982 | MARG Publications |
| Homage to Shravana Belgola | | Dr Sarayu Doshi | | MARG Publications |
| Changing Visions, Lasting Images: Calcutta Through 300 years | | Pratapaditya Pal | 1990 | MARG Publications |
| The Golden Age | | Karl Khandalavala | 1991 | MARG Publications |
| Splendours of Tamil Nadu | | | 1980 | MARG Publications |
| Lucknow: Then and Now | Rosie Lewellyn-Jones, Mukul Mangalik, Sudipta Dev, Ian Shepherd, Christopher W. London, Neeta Das, Lucian Harris | Rosie Llewellyn-Jones | 2010 | MARG Publications |
| Orchha and Beyond: Design at the Court of Raja Bir Singh Dev Bundela Vol. 63 | Edward Leland Rothfarb | Pratapaditya Pal | 2012 | MARG Publications |
| Chidambaram: Home of Nataraja Vol. 55 | | Vivek Nanda, George Michell | 2004 | MARG Publications |
| Kanara: A Land Apart, The Artistic Heritage of Coastal Karnataka | | George Michell | | MARG Publications |
| Jannat: Paradise in Islamic Art | | Mumtaz Currim | 2012 | MARG Publications |
| Jannat: Paradise in Islamic Art | | Mumtaz Currim | 2012 | MARG Publications |
| The Great Temple At Thanjavur: One Thousand Years, 1010-2010/ Vol. 62. No.1 | George Mitchell, Viswanathan
| | | |
| MARG Publications | Art & Architecture | | | |
| The Great Temple At Thanjavur: One Thousand Years, 1010-2010/ Vol. 62. No.1 | George Mitchell, Viswanathan
| | | |
| MARG Publications | Art & Architecture | | | |
| Indus Civilisation Sites in Delhi: New Discoveries | Dilip Chakrabarti, Madhu Bala, Jagat Pati Joshi, Nayanjot Lahiri, D.P. SHarma, Rakesh Tiwari, Vasant Shinde, V.H. Sonawane, Gregory L. Possehl, Y.M. Chitawala, Kuldeep Bhan | Dilip K. Chakrabarti | 2004 | MARG Publications |
| Indus Civilisation Sites in Delhi: New Discoveries | Dilip Chakrabarti, Madhu Bala, Jagat Pati Joshi, Nayanjot Lahiri, D.P. SHarma, Rakesh Tiwari, Vasant Shinde, V.H. Sonawane, Gregory L. Possehl, Y.M. Chitawala, Kuldeep Bhan | Dilip K. Chakrabarti | 2004 | MARG Publications |
| The Idea of Delhi Vol. 56 | | Romi Khosla | 2005 | MARG Publications |
| Murshidabad: The Forgotten Capital of Bengal | | Rosie Llewellyn-Jones | | MARG Publications |
| Lahore: Paintings, Murals and Calligraphy | Barbara Schmitz | | | MARG Publications |
| Thanjavur's Gilded Gods | Anna L. Dallapiccola | | 2018 | MARG Publications |
| In Pursuit of the Past: Collecting Old Art in Modern India circa 1875-1950 | Pratapaditya Pal | Jyotindra Jain, Naman Ahuja | 2015 | MARG Publications |
| Kizil on the Silk Road: Crossroads of Commerce & Meeting of Minda | | Rajeshwari Ghose | 2008 | MARG Publications |
| Scent upon a Southern Breeze | | Kavita Singh | 2018 | Marg |
| Marg- A Magazine of the Arts- The Weight of a Petal- Ars Botanica | | Jyotindra Jain, Naman Ahuja | 2018/2019 | Marg |
| Marg- A Magazine of the Arts- Cloth and India: 1947-2015 | | Jyotindra Jain, Naman Ahuja | 2016 | Marg |
| Indian Pictorial Education | | | | Photos by the Times of India, Central Publicity Bureau |
| | | | |
| MARG: A Magazine of the Arts Vol. 1 | | Mulk Raj Anand | 1946 | MARG Publications |
| No.1: Planning And Dreaming Editorial | The Editor, Marg | | | |
| No.1: Architecture and You | M.A.R.G. | | | |
| No.1: The Story of a Town (The Growth of Jamshedpur) | M.A.R.G. | | | |
| No.1: Historical Survey (Mohenjodaro) | M.A.R.G. | | | |
| No.1: Worker's Housing | Kanji Dwarkadas | | | |
| No.1: Notes on some Paintings from the Collection of the late B.N. Treasuryvala | Karl Khandalavala | | | |
| No.1: Amrita Sher Gill | Francis Thompson | | | |
| No.1: Reminiscenses of Amrita Sher Gill | Baldoon Dhingra | | | |
| No.1: The Sculpture of Ambernath | R.Van Leyden | | | |
| No.1: Notes on Indian Jewellery | | | | |
| No.1: Book Reviews | Herman Goetz and R.V.I. | | | |
| No.1: Notes- Art In Industry | | | | |
| No.1: The Need for Urban Planning | Percy Marshall of A.R.I.B.A. | | | |
| | | | |
| MARG: A Magazine of the Arts Vol. 2 | | Mulk Raj Anand | | MARG Publications |
| No.1: Reflections on Sculpture: Editorial | George Keyt | | | |
| No.1: A Review of the Greater Bombay Plan | Dr.Otto Koenigsberger | | | |
| No.1: Ahmedabad | Homi Dallas | | | |
| No.1: Jamini Roy | Shahid Suhrawardy | | | |
| No.1: Textiles | Premalata Jayakar | | | |
| No.1: An Approace to Hindu Erotic Sculpture | Alain Danielou | | | |
| No.1: Book Reviews | F.Antia, A.deS., M.R.A. | | | |
| No.1: Notes-Exhibitons an Lectures | | | | |
| No.1: Rajput Plate | | | | |
| No.2: Editorial: Letter to an Englishman | The Editor, Marg | | | |
| No.2: Architecture: New Bearings in Indian Architecture | A.B. Schwarz | | | |
| No.2: Historical- John Company Architecture | Hilary & Ruth Waddington | | | |
| No.2: Landscape Gardening- Gardens and Cement | | | | |
| No.2: Painting: Birds in Moghul Art | Kumar Saraswati | | | |
| No.2: Nicholas Roerich | L.Andreyev | | | |
| No.2: Sculpture: Konarak | | | | |
| No.2: Crafts- Experiments In Ceramic | | | | |
| No:2: Book Reviews- Books Received | | | | |
| No.2: Notes: Exhibitions | | | | |
| No.3: Editorial: Architectural Education | MARG | | | |
| No.3: Architecture: Trees and Open Spaces | | | | |
| MARG: A Magazine of the Arts Vol. 3 | | Mulk Raj Anand, P. Richardson | | MARG Publications |
| No.1: Editorial: Renaissance or Revival | MARG | | | |
| No.1: Architecture: Ceylon's First University | | | | |
| No.1: Painting: Indian Miniatures in the Berling Museum | E.Kuehnel | | | |
| No.1: Crafts: Frayed Fabrics of Old Bengal | Ajit Ghose | | | |
| No.1: Sculpture: Medieval Sinhalese Wrestling | P.E.P. Deraniyagala | | | |
| No.1: Photography: Photography in India and the Far East | Sam Tata | | | |
| No.1: Proposed Academy of Arts | | | | |
| No.2: Editorial: The Problems of Aesthetics | Mlle.J.Auboyer | | | |
| No.2: Planning a New Hospital In India | A.T.W. Simeons | | | |
| No.2: Flexgarh | John Terry | | | |
| No.2: Offices and Stores | S.Moloobhoy | | | |
| No.2: Kanthas of Bengal | Stella Kramrisch | | | |
| No.2: Some Dance Poses in the Chidambaram Temple | Shirin Vajifdar | | | |
| No.2: Kathakali Dance Drama | Fernau Hall | | | |
| No.2: An Introductuiion to Indian Dancing | Ramgopal | | | |
| No.2: Rathin Motra | R.Chatterjee | | | |
| No.2: Jana Gana Mana | | | | |
| No.3: Editorial: An Approach to Modern Indian Architecture | Andrew Boyd | | | |
| No.3: Town Planning in Britain: A Compilation | | | | |
| No.3: On Planning | Patrick Geddes | | | |
| No.3: Maithil Painting | W.G. Archer | | | |
| No.3: Rebel, Artist: Francish Newton | Dr.H.Goetz | | | |
| No.3: Colour While you Work | G.H.Gates Reed | | | |
| No.4: Editorial: The Changing Conceptions of Art | Herbert Reed | | | |
| No.4: The Charter of Athens- The C.I.A.M. Thesis on Town Planning | | | | |
| No.4: Jaipur | Durga Shankar Bajpai | | | |
| No.4: Vande Mataram | | | | |
| No.4: "The Way of Pleasure"- The Kishangarh Paintings | Eric Dickenson | | | |
| No.4: Ganjifa: The Playing Cards of India | R and N. Von Leyden | | | |
| No.4: The Calico Museum | Dr.H.Goetz | | | |
| MARG: A Magazine of the Arts Vol. 4 | | Mulk Raj Anand | 1950, 1951 | MARG Publications |
| No.1: Editorial: Art of Tibet | W.G. Raffe | | | |
| No.1: Solar and Lunar Symbolism | Lama Anagarika Govinda | | | |
| No.1: Some Nepalese & Tibetan Bronzes | Karl Khandalaval | | | |
| No.1: A Painted Scroll From Nepal | Dr.Moti Chandra | | | |
| No.1: A Note on two Nepalese Wooden Sculptures | Karl Khandalavala | | | |
| No.1: Ram Jor: A Modern Tibetan Painting | Alain Danielou | | | |
| No.1:Commentary on Taranatha's Chapter on Buddhist Art | Karl Khandalavala | | | |
| No.2: Editorial: Lalita Kala | Dr.V.S. Agrawala | | | |
| No.2: Design for Living: Present Trends in Architecture | Solus | | | |
| No.2: On Making Our India | Paul Zils | | | |
| No.2: Aldous Huxley on the Taj Mahal | | | | |
| No.2: The Amsterdam Nataraja | John Irwin | | | |
| No.2: Jean Renoir films the RIver | T. Gupta | | | |
| No.2: Three Hoysala Temples | Marcella Hardy | | | |
| No.2: Decline and Rebirth of Medieval Indian Art: Western Indian Painting | Dr.H.Goetz | | | |
| No.3: Editorial: Leaves from Rajasthan | Karl Khanadalvala | | | |
| No.3: The Victory Hall at Bangalore | | | | |
| No.3: The Great Adventure | Eric Mendelsohn | | | |
| No.3: Some Contemporary Artists | | | | |
| No.3: Votive Lamps | V.M. Narasimhan | | | |
| No.3: The Significance of Andolan | Jag Mohan | | | |
| No.3: Editorial: Co-operative Housing | Durga Bajpai | | | |
| No.3: Masterpieces in South Indian & Nepalese Bronze Images | Karl Khandalavala | | | |
| No.3: Two Rare Pallave Metal Images | K.J.K. | | | |
| No.3: Indian Dolls and Toys | Ajit Mookerjee | | | |
| No.3: The Problem of Molaram | Prof. O.C.Gangoly | | | |
| No.3: Cotton Prints of Gujarat and Kathiawar | Pupul Jayakar | | | |
| No.3: Puppets on the Screen | Dr.P.V. Pathy | | | |
| No.3: Exhibition Notes: Bombay and Delhi | | | | |
| MARG: A Magazine of the Arts Vol. 5 | | Mulk Raj Anand | 1951 | MARG Publications |
| No.1: Editorial: Present-Day Art Criticism | J.P. Hodin | | | |
| No.1: The Problems of Bikaner Paintings | W.G. Archer | | | |
| No.1: A Controversy; Letters from Dr.H,Goetz and Mr.K.J. Khanadalavala | | | | |
| No.1: Portraits of Ibrahim Adil Shah II | Dr.Moti Chandra | | | |
| No.1: Action Drawings at Recent Dance Recitals | S.Chavda | | | |
| No.1: Colonel Tod On: The Achalgar Sculpture of a Pramana King | | | | |
| No.1: The Sun Temple | Silloo Bharucha | | | |
| No.1: In my Bad Books | Cyprian Blagden | | | |
| No.2: Editorial: Architecture and Painting | John Summerson | | | |
| No.2: The Crystal and The Fruit | R.Von Leyden | | | |
| No.2: West Asiatic Ancestors of India | Phyllis Ackerman | | | |
| No.2: Five Miniatures: From The Collection of Sir Cowasji Jehangir | Karl Khandalaval | | | |
| No.2: Pattadakal: A Short Historical Note | | | | |
| No.2: A Landmark In Indian Art History | Dr.H.Goetz | | | |
| No.2: Rupa-Sattra | Dr.V.S. Agrawala | | | |
| No.2: Bharata Natya Shastra | P.Srinivasalu Naidu | | | |
| No.3: Editorial | | | | |
| No.3: The Selalhini Sandesa | Totagamuve Sri Rahula | | | |
| No.3: Anuradhapura | C.W. Nicholas & L.C. Van Geyzel | | | |
| No.3:Polonnarua | Elspeth Huxley | | | |
| No.3: Baur Building | P.M. Goldschmid | | | |
| No.3: A Bronze Image | P.E.P. Deraniyagala | | | |
| No.3: A Note on Siha-Giri: And Some Frescoes from Ceylon | | | | |
| No.3: Modern Movement, In Sinhalese Art | Jag Mohan | | | |
| No.3: Contemporary Artists | | | | |
| No.3: Souvenirs from Kandyan Dances | Beryl de Zoete | | | |
| No.3: Sinhala Folk Art and Mask of Ceylon | | | | |
| MARG: A Magazine of the Arts Vol. 6 | | Mulk Raj Anand | | MARG Publications |
| No.1: The Need for Open-Air Theatres | G.D.Sondhi | | | |
| No.1: In Memoriam- Eric Dickinson | Iqbal Singh | | | |
| No.1: Gandhara Art | Eric Dickinson | | | |
| No.1: Indian Painting in the Punjab Hills | Dr.Moti Chandra | | | |
| No.1: Seven Contemporaries | Notes and Reproductions | | | |
| No.1: The Kashmir Shawl | John Lewis | | | |
| No.1: Design in Tradtional Jewellery: 1.The Punjab | | | | |
| No.1: Recent Trends in European Art | J.P. Hodin. | | | |
| No.2: Role of Cottage Industries | Pupul Jayakar | | | |
| No.2: Indian Influence on the American Architecture of the XIX Century | Clay Lancaster | | | |
| No.2: Archaic Indian Terracottas | Dr.Ananda Coomaraswamy | | | |
| No.2: Intermingling of Mogul & Rajput Art | Basil Gray | | | |
| No.2: Masterpieces of Mogul Painting- The Album of Emperor Jehangir | Dr.H.Goetz | | | |
| No.2: Some Action Drawings: Uday Shankar | Eilean Pearcey | | | |
| No.2: A Note on Tibetan Religious Art | Peter Fingesten | | | |
| No.2: Studies in Development of K.H. Ara, M.F. Husain and J.Sabavala | | | | |
| No.2:Design in Traditional Jewellery-2. Bengal | | | | |
| No.2: Some hair Styles of Ancient India | | | | |
| No.3: Editorial: Le Corbusier on Town Planning | | | | |
| No.3: A House at Kandy | | | | |
| No.3: Some Indian Images in the Worcester Art Museum | | | | |
| No.3: The Development of Painting in India In the 16th Century | Basil Gray | | | |
| No.3: A Review of Kangra Paintings | Karl Khandalavala | | | |
| No.3: The Drawings of Homi Bhabha | R.V. Leyden | | | |
| No.3: A Survey of Modern Mexican Art | Guillermo Garces Contreras | | | |
| No.3: The Little Ballet Troupe- Scenes from The Ramayana | | | | |
| No.3: Design in Traditional Jewellery- 3. Central India | | | | |
| No.4: Conversation with Stella Kramrisch | Dorothy Norman | | | |
| No.4: A Note on Le Corbusier | B.Doshi | | | |
| No.4: Urbanism | Le Corbusier | | | |
| No.4: Jane Drew, on the Chandigrah Scheme | | | | |
| No.4: Chandigarh: The First and the Revised Projects | Otto Koenigsberger | | | |
| No.4: The Laud Ragmala Miniatures | | | | |
| No.4: Guler: Birthplace of Kangra Art | M.S. Randhawa | | | |
| No.4: An old Indian Swing | J.Auboyer | | | |
| No.4: Nritya Darpana: A Study In Modern Choreography | Fernau Hall | | | |
| No.4: Report on the I.C.A. Sculture Competition- With a Review and Some letters on the Controversy | | | | |
| No.4: The Calcutta Group | Dr.Klaus Fischer | | | |
| No.4: Exhibitions: Bombay-Delhi | | | | |
| MARG: A Magazine of the Arts Vol. 7 | | Mulk Raj Anand | 1953, 1954 | MARG Publications |
| No.1: The Dust of Prejudice | | | | |
| No.1: The Recent Worls of Frank LLoyd Wright | Wayne Andrews | | | |
| No.1: The Temples of Eastern Bengal | S.Mookerjee | | | |
| No.1: Ballet Costumes- In Akbar's Time | Dr.C.L. Fabri | | | |
| No.1: The Mogul Room, in the Victoria and Albert Museum | John Irwin | | | |
| No.1: Some Terracotta Figurines | Pupul Jayakar | | | |
| No.1: Indian Sculpture- Selections from Madanjeet SIngh Photographs | | | | |
| No.1: Indian Theatre- 2200 years old | K.Deva | | | |
| No.1: Modern Indian Painting- Book Review | | | | |
| No.1: A Report on Modern Religious Art | Joseph Pereira | | | |
| No.2: Editorial: Problems of Art Display | | | | |
| No.2: Mathura of the Gods | C.L. Fabri | | | |
| No.2: Painting Under the Sikhs | Mulk Raj Anand | | | |
| No.2: Three Contemporary Painters | Laxman Pai, S.B. Palsikar, Mohan B.Samant | | | |
| No.2: A Report on Abstract Art | | | | |
| No.2: Special Supplement on Low Cost Housing Exhibition | | | | |
| No.2: Some-Indian Postage Stamps- Saint-Poet, Poet Series | | | | |
| No.2: Exhibitions: Delhi-First Quarter | | | | |
| No.3: Editorial: Air Conditioning | | | | |
| No.3: Picture and Architecture | Erik Thelaus | | | |
| No.3: Sujanpur Tira: The Cradle of Kangra Art | M.S.Randhawa | | | |
| No.3: Three Contemporaries (Abroad) | | | | |
| 1. George Keyt | | | | |
| 2. Akbar Padamsee | | | | |
| 3. Chinatomoni Kar | | | | |
| No.3: Journey Into Rajasthan (Kanswa and Paranagar) | Pupul Jayakar | | | |
| No.3: Rangoli: Some Reproductions from the Book | Bhaktiben Shah | | | |
| No.3: Prithvi Raj Kapoor- An Estimate | Herbert Marshall | | | |
| No.3: Exhibtions Delhi-Second Quarter | | | | |
| No.4: Editorial: On Seeing a Natural Object | | | | |
| No.4: Rajput Portraits | O.C. Ganguly | | | |
| No.4: Chamba Rumals | Mulk Raj Anand | | | |
| No.4: A Review of Pupul Jayakar's Indian Printed Textiles | John Irwin | | | |
| No.4: A Special Supplement on Ellora | | | | |
| No.4: Contemporary Australian Art | Maie Casey | | | |
| No.4: Some Contemporary Painters of Delhi | Jaya Appaswamy | | | |
| No.4: Book Review: Art and Architecture of India | | | | |
| No.4: Exhibitions- Delhi-Third Quarter | | | | |
| No.4: Judgement on the Trial of Akbar Padamsee for Alleged Obscene Paitings | | | | |
| MARG: A Magazine of the Arts Vol. 8 | | Mulk Raj Anand | 1954, 1955 | MARG Publications |
| No.1: Editorial: The Place of Christian Art In India | | | | |
| No.1: The Significance and Originality of Goan Art | Jose Pereira | | | |
| No.1: Thematic Symbols of the Main Emotional Trends in Goan Art: Portfolio | | | | |
| No.1: Aspects of the Religious Architecture in Portuguese India | Mario Taveres Chico | | | |
| No.1: Some Contemporary Painters of Goa: | Albano Francisco Couto | | | |
| No.1: Goan Furniture | Dr.Jorge De Andrade | | | |
| No.1: Goan Minor Arts: Cloth and Gold | Estanislau Lobo | | | |
| No.1: Indo-Portuguese Ivories | | | | |
| No.1: Some Impressions of the Cunbi Dances | Aires Menezes | | | |
| No.1: The Love Song of Goa | Lucio Rodrigues | | | |
| No.1: The Mando Dance | Floriano Barreto | | | |
| No.1: The History and Evolution of Goan Music | Prof.Antsher Lobo | | | |
| No.1: The Mando- A Note on Some of the Musical Charecteristics | Micael Martins | | | |
| No.1: Representative Examples of the Classical Vocal Music of Goa | | | | |
| Section 1: Mandos | | | | |
| Section 2: Hymns and Antiphones | | | | |
| No.1: Baroque And Roccoco in Latin America: Book Review | | | | |
| No.2: Editorial: On Inheriting The Past | | | | |
| No.2: Editorial: On Inheriting The Past | | | | |
| No.2: Anthology | | | | |
| No.2: Chronological Chart of the History of Kashmir | | | | |
| No.2: Portfolio | | | | |
| 1. Cartier Bresson | | | | |
| 2. D.R.D. Wadia | | | | |
| 3. Soli Batliwala | | | | |
| 4. R.R. Bharadwaj | | | | |
| 5. S.Chavda | | | | |
| No.2: Architecture of Kashmir (Hindu & Buddhist) | Percy Brown | | | |
| No.2: Akhnur Terracottas | C.L. Fabri | | | |
| No.2: Mediaeval Sculptures | Dr.H.Goetz | | | |
| No.2: Muhammadan Architecture | J.R. Nichols | | | |
| No.2: Mogul Gardens | | | | |
| No:2: 4 Contemporaries | | | | |
| No.2: Arts and Crafts | John Irwin | | | |
| 1. Shawls | | | | |
| 2. Jewellery | | | | |
| 3. Wood Carving | | | | |
| 4. Brass Ware | | | | |
| No.2: Music | M.L. Aima | | | |
| No.3: Editorial: A Building is an Experience | Emily Polk | | | |
| No.3: Some Nurpur Paintings: A Symposium | W.G. Archer & M.S. Randhawa | | | |
| No.3: Some Ramayana and Bhagwata Drawings of Chamba | Jagdish Mittal | | | |
| No.3: Garhwal Painting: A Review | Prof O.C. Ganguly | | | |
| No.3: The Wall Paintings of Chamba | Jagdish Mittal | | | |
| No.3: Contemporaries, Dhanraj Bhagat, Amarnath Sehgal, Jagdish and Kamala Mittal | | | | |
| No.3: Phulkaris- A Folk Art of the Punjab | Adris Banerji | | | |
| No.3: Glimpses of Mughal Architecture- An Essay | Jadunath Sarkar | | | |
| No.3: Dance Festival- Sketches | Chittaprasad and Tana | | | |
| No.3: Music Festival- Sketches | Tana | | | |
| No.3: Homage to Henri Matisse | M.H. Murcia | | | |
| No.3: City Planning and Architecture in India Today | Richard Neutra | | | |
| No.4: Editorial: Homage to Orissa | | | | |
| No.4: Stanzas from the Gita-Govinda of Jayadeva | | | | |
| No.4: Portfolio: Photos | | | | |
| No.4: A Note on Khandgiri & Udayagiri Caves: Buddhist Art In Orissa | Prof. Nabin Kumar Sahu | | | |
| No.4: Orissan Art In The Evolution of Post Classical Indian Culture | Klaus Fischer | | | |
| No.4: Orissan Temple Architecture: Symposium | Deva Prasad Ghose & Nand Kumar Bose | | | |
| No.4: Sculpture Photos | Bhogilal Mistry & Sunil Janah | | | |
| No.4: Summary Survey of Orissan Paintings | Prof. O.C. Gangoly | | | |
| No.4: Frescoes of Keonjargarh | T.N.Ramachandran | | | |
| No.4: Some Saora Drawings | Courtesy of Verrier Elwin | | | |
| No.4: Prefatory on the survival of Ancient Arts and Crafts in Orisssa | Pandit Sadash Rath Sharma | | | |
| No.4: The Hirakud Dam | M.S. Thirumal Iyengar | | | |
| No.4: New Capital at Bhubaneshwar | R.R. Handa & J.L. Vaz | | | |
| MARG: A Magazine of the Arts Vol. 9 | | Mulk Raj Anand | 1955, 1956 | MARG Publications |
| No.1: Editorial- In Praise of Early Buddhist Art | | | | |
| No.1:: The Continuity of Tradition: Portfolio | | | | |
| No1: Glimpses of Buddhist India | T.W. Rhys Davies | | | |
| No.1: Evolution of Buddhist Architecture & Sculpture In The Time of Satavahanas | Krishna Gairola | | | |
| 1. Preliminary: Historical Note | | | | |
| 2. Architecture: Sanchi, Bhaja, Kondane, Bedsa, Ajanta, Nasik, Kanheri, Amaravati | | | | |
| 3. Sculpture: Bhaja, Kondane, Bedsa, Karle, Kanheri, Sanchi, Ajanta, Amaravati | | | | |
| No.1: Painting: The Charm of Ajanta | S.L. | | | |
| No.1: Frescoes of Ajanta: An Essay | C.L. Fabri | | | |
| No.1: Some motifs from Ancient Indian Jewellery | | | | |
| No.2: Editorial- in Praise of Later Buddhist Art | | | | |
| No.2: Buddha and the Gospel of Buddhism | Alice Getty | | | |
| No:2: Links between Early and Later Buddhist Art | | | | |
| 1. Preliminary | M.R.A. | | | |
| 2. bharhut | Kalapriya | | | |
| 3. Bodh-Gaya | B.Barua | | | |
| 4. Sanchi | Stella Kramrisch | | | |
| No.2: Gandhara and it's Grassroots | Dr.C.L. Fabri | | | |
| No.2. Mathura of the Gods | R. De B Coddington | | | |
| No.2: The Road to Central Asia | | | | |
| 1. Afghanistan | Agasteya | | | |
| 2. Central Asia | N.D. | | | |
| 3. Kashmir | S.D. | | | |
| No.2: The Golden Age of Buddhist Art | | | | |
| 1. Amravati | Douglas Barret | | | |
| 2. Nagarjunakonda | Dr.C Shivaramamurti | | | |
| 3. Gupta Period | Benjamin Rowland | | | |
| 3a. Preliminary | | | | |
| 3b. Architecture | | | | |
| 3c. Sculpture | | | | |
| 3d. Painting: Ajanta | Dr.H.Goetz | | | |
| No.2: Medieval Buddhist Art and It's Offshoots | | | | |
| 1. Preliminary: Pala Sena Period | | | | |
| 2. Nalanda | Prof.A.S. Altekar | | | |
| 3. Nepal | Dr.C.Krishna Gairola | | | |
| 4. TIbet | George Roerich | | | |
| 5. Ceylon | | | | |
| No.3: Editorial: In Praise of Buddhist Art In Burma | | | | |
| No.3: The Cultural Background of Burma | Reginald Le May | | | |
| No.3: Ananda Temple at Pagan | | | | |
| 1. Architecture | Sir Richard Temple | | | |
| 2. Sculpture | Nihar-Ranjan Roy | | | |
| 3. Frescoes | Nihar-Ranjan Roy | | | |
| No.3: The Fantastic World of the Thirrty-Seven Nats | | | | |
| No.3: A Buddhist Building for 20th Century, Burma | Benjamin Polk | | | |
| No.4: Editorial: In Praise of Buddhist Art In Cambodia, Champa, Laos, Siam Borobudur | | | | |
| No.4: Cambodia, Champa and Laos | | | | |
| 1. Preliminary | Tara Ali Baig | | | |
| 2. Notes on Buddhist Sculptures | Jean Boisselier and Victor Golobew | | | |
| No.4: Siam | | | | |
| 1. Preliminary | Prof.George Coedes | | | |
| 2. Buddhist Sculpture in Siam | Reginald Le May | | | |
| No.4: Borobudur | | | | |
| 1. Preliminary; A Brief Historical Survey of Buddhist Art in Indonesia | Dr.H.Goetz | | | |
| 2. The Influence of Tantric Buddhism in Ancient Indonesian Civilization | Dr.P.H. Pott | | | |
| 3. Borobudur Stupa | Dr.C.Shivaramamurti | | | |
| MARG: A Magazine of the Arts Vol. 10 | | Mulk Raj Anand | 1956, 1957 | MARG Publications |
| No.1: Editorial: The Nature of Space | | | | |
| No.1: Murshidabad Painting | Robert Skelton | | | |
| No.1: Indian Temple Sculpture | | | | |
| No.1: Contemporaries | | | | |
| 1.Amina Ahmed | Rita Reignier | | | |
| 2. Jehangir Sabavala | Richard Lannoy | | | |
| 3. Pradosh Das Gupta | M.R.A. | | | |
| 4. Lain Singh Barnodel | C.Krishna Gairola | | | |
| 5. The International Exhibition of Iranian Art at Rome | H.Goetz | | | |
| 6. Art Chronicle: Autumn 1955-56 | Shirin Sabavala | | | |
| American Supplement | | | | |
| No.1: Twentieth Century in the United States | Holger Cahill | | | |
| 1.Painting | | | | |
| 2. Sculpture | | | | |
| No.1: U.S. Embassy Building | | | | |
| No.1: Stanvac Building in Bombay | | | | |
| No.2: Editorial: Heritage of the Punjab | | | | |
| No.2: Ancient Period: Archeaology of the Punjab | Charles Fabri | | | |
| No.2: Medieval Period: Preliminary | | | | |
| 1. Antiquities of the Punjab Hill Districts of Chamba | Hermann Goetz | | | |
| 2. Splendours of Mughal Architecture- Notes | S.A.L. | | | |
| 3. Remnants in the Kangra Valley | Dr. V.Ph.Vogel | | | |
| 4. Synthesis of Hindu and Muslim Influences in the Sikh Shrines- Notes | P.B. | | | |
| No.2: Problems of Painting in the Punjab Hills | W.G. Archer | | | |
| No.2: Specimens of Paintings, Under the Sikhs | Mulk Raj Anand | | | |
| No.2: Conremporary: | | | | |
| 1. Chandigarh Symposium | | | | |
| a. Pierre Jeannert | | | | |
| b. T.J. Manickam | | | | |
| c. Manish M.Rana | | | | |
| 2. Bhakra Nangal Dam | Marg | | | |
| 3. Shamaspur | Marg | | | |
| 4. Jallianwalla Bagh Memorial | Benjamin Polk | | | |
| 5. Paintting and Sculpture | | | | |
| a. Amrita Sher Gill | | | | |
| b. K.C.Aryan | | | | |
| c. Dhanraj Bhagat | | | | |
| d. Satish Gujral | | | | |
| e. Har Kishan Lal | | | | |
| f. Krishan Khanna | | | | |
| g. Kanwal Krishna | | | | |
| h. Ram Kumar | | | | |
| i. Prannath Mago | | | | |
| j. Prashar | | | | |
| k.Bhabesh Sanyal | | | | |
| l.Amarnath Sehgal | | | | |
| m. Shobha Singh | | | | |
| n. Thakur Singh | | | | |
| 6. Pottery | | | | |
| 7. Dance: Bhangra and Giddha | | | | |
| 8. Music: Sheila Bhatia's Opera on Heer Ranja | | | | |
| No.3: Editorial: Homage to Khajuraho | | | | |
| No.3: Portfolio: Life's Daily Round from Dawn to Dusk | | | | |
| No.3: Reflections on the House and Body of God | Stella Kramrisch | | | |
| No.3: Shrines in the Landscape of the Absolute | A.C. | | | |
| No.3: Of Kamakala- Some Notes on the Philosophical Basis of Hindu Erotic Sculpture | Mulk Raj Anand | | | |
| No.4: Editorial: In Praise of Bharata Natyam | | | | |
| No.4: The Spiritual Background of Bharata Natyam | Rukmini Devi | | | |
| No.4: A Brief Historical Survey | E.Krishna Iyer | | | |
| No.4: The Musical Content of Bharata Natyam | Prof. Sambamoorthy | | | |
| No.4: Nritt: | | | | |
| 1. Hastas (Samyukta) | | | | |
| 2. Karanas | | | | |
| 3. Adavus Text by Mohan Khokar & Poses by M.K. Saroja | | | | |
| 4. Nrittya | | | | |
| 1. Hastas (Asamyukta) | | | | |
| 2. Padams | | | | |
| 3. Sabdas | | | | |
| 4. Slokas | | | | |
| No.4: Bhagavata Mela and Kuchipudi | Mohan Khokar | | | |
| No.4: Geneologies of Gurus | E. Krishna Iyer | | | |
| No.4: A Note on the Repertory from Alaripu to Tillana | E.Krishna Iyer | | | |
| MARG: A Magazine of the Arts Vol. 11 | | Mulk Raj Anand | 1957, 1958 | MARG Publications |
| No.1: Editorial: Kathakali-Theatre of Imagination | | | | |
| No,1: The Tradition: A Brief Survey | Mohan Khokar | | | |
| No.1: Angikabhinaya: An Actor Prepares | | | | |
| 1. The Movements of the Eye | | | | |
| 2, Physical Exercise and Massage | | | | |
| 3. Mudras or Hand Gentures | | | | |
| No.1: Rasabhinayas: Navarasas or Moods | | | | |
| No.1: Aharyabhinaya | Ragini Devi | | | |
| 1.Rhythm of the Greenroom | | | | |
| 2. Costumes and Jewellery | | | | |
| No.1: The Orchestra | V.Madhavan Nair | | | |
| No.1: The Play | Rasika | | | |
| No.1: Atta Katha | Dr.S.K.Nair | | | |
| Scenes from Kathakali | | | | |
| 1. Bali's Victory | | | | |
| 2. Duryodhana's Slaughter | | | | |
| 3. Nalacharitam | | | | |
| The Episode of Damayanti and the Golden Swan | Unnayi Varier | | | |
| No.1: Ottam Thullal: The Poor Man's Kathakali | Mohan Khokar | | | |
| No.1: Contemporaries: | | | | |
| a. Vallathol Narayan Menon | | | | |
| b. Chenganoor Raman Pillai | | | | |
| c. Kunchu Kurup | | | | |
| d. Krishnan Nair | | | | |
| e. Vazenkhata Kunchu Nair | | | | |
| f. Mankulam Vishnu Namboodiri | | | | |
| g. Asan Ramunni Nair | | | | |
| h. Champakulam Pachu Pillai | | | | |
| i. Kudamaloor Karunakaran Nair | | | | |
| j. Raghavan Pillai | | | | |
| k. Krishnan Kutty | | | | |
| l. Kurichi Kunjan Panickar | | | | |
| m. Raman Kutty Nair | | | | |
| n. Gopinath | | | | |
| o. Anandashivram | | | | |
| No.1: Mohini Attam | | | | |
| i. Shanta Rao | | | | |
| ii. Mrinalini Sarabai | | | | |
| iii. Roshan Vajifdar | | | | |
| No.2: Editorial: The Heroic Encounter | | | | |
| No.2: Problems of Rajasthani Paintings | | | | |
| 1. The Origin and Development of Rajasthani Painting | Karl Khandalavala | | | |
| 2. Some Pre-Akbari examples of Rajasthani Illustrations | Rai Anand Kishan | | | |
| 3. Rajasthani Portraits | O.C. Gangoly | | | |
| 4. Ragamala Paintings of Rajasthan | Rasika | | | |
| 5. Some Playing Cards of Rajasthan | R.Von Leyden | | | |
| No.2: General Survey of Rajasthani Styles | | | | |
| 1. An Outline of Early Rajasthani Painting | Pramod Chandra | | | |
| 2. Mewar | Hermann Goetz | | | |
| 3. Mewar (with some paintings of Jodhpur from Kumar Sangram Singh) | Hermann Goetz | | | |
| 4. Bundi | Moti Chandra | | | |
| 5. Jaipur | Hermann Goetz | | | |
| 6. Kishangarh | Eric Dickenson | | | |
| 7. Bikaner | Hermann Goetz | | | |
| 8. Kotah | W.G. Archer | | | |
| No.3: Editorial: The Master Builder | | | | |
| No.3: Architecture: | | | | |
| 1. Background of Indo Islamic Architecture- Notes | John Terry | | | |
| 2. Beginnings of Mughal Architecture- Note | Marg | | | |
| 3. Mughal Architecture: Synthesis of Hindu and Islamic Forms- Fatehpur Sikri | | | | |
| No.3: Painting: | | | | |
| 1. Introduction to the Study of Indo-Persian Painting | Shahid Suhrawardy | | | |
| 2. The Background of Mughal Painting | Mulk Raj Anand | | | |
| 3. Miniatures from a 16th Centure Manuscript- "Babur Namah Manuscript" | Professor S.I. Tulayev | | | |
| 4. Scenes from the Akbar Nama | | | | |
| 5. Miniatures from a Manuscript of the Diwan-i-Hafiz | Stewart C.Welch Jr. | | | |
| 6. Miniatures from a Razm Namah | Ernst Cohn-Wiener | | | |
| No.4: Editorial: Problems of Later Mughal Art | | | | |
| No.4: Architecture: | | | | |
| 1. Transition from Stone to Marble | | | | |
| 2. Later Mughal Architecture | Dr.Herman Goetz | | | |
| No.4: Painting: | | | | |
| 1.Jehangir the Epicurean | | | | |
| 2. The Early Muraqqa's of the Emperor Jehangir | Dr.Herman Goetz | | | |
| 3. Portraits | | | | |
| 4. Birds and Animals | | | | |
| 5. Shah Jahan | A. Hidayat | | | |
| 6. The Decline | M.Ashraf | | | |
| 7. Eighteenth Century Mughal Paintings (Some Charecteristics and Some Misconceptions) | Karl Khandalavala | | | |
| MARG: A Magazine of the Arts Vol. 12 | | Mulk Raj Anand | 1958, 1959 | MARG Publications |
| No.1: Editorial: Homage to Konarak | | | | |
| No.1: Portfolio: The Rising Splendour of the Sun | | | | |
| No.1: Reflections on the Wonder and Enigma of Konarak | M.Mansimha | | | |
| No.1: The Sculpture of the Sun Temple- A Study in Styles | Charles Fabri | | | |
| No.1: The Great Delight- An Essay on the Spiritual Background of the Erotic Sculptures of Konarak | Mulk Raj Anand | | | |
| No.2: Editorial: Rajasthani Sculpture | | | | |
| No.2: On the Origins of the Descendants of the Sun: Some Notes on the Historical Background of Rajasthan | Mulk Raj Anand | | | |
| No.2: Remnants Shores Against the Ruin: Portfolio With notes | R.C. Agarwala, U.C. Bhattacharya, S.P. Srivastava, MARG | | | |
| No.2: Early Terracottas: | | | | |
| 1. Sunga, Kushan, Gupta, Suratgarh, Rangmahal, Bharatpur, Bairat, Rairh with Notes | H. Goetz | | | |
| 2. Nagari- Notes | H.D.Sankalia | | | |
| No.2: Medieval Sculptures: | | | | |
| 1. Abaneri | Pupul Jayakar and R.C. Agrawala | | | |
| 2. Atru | L.K. Jha | | | |
| 3.Abu | S.Bharadwaj | | | |
| 4.Baroli | C.Verma | | | |
| 5.Chandravati | H.C.Chaturvedi | | | |
| 6.Chitorgarh | H.Goetz | | | |
| 7. Kiradu | R.C.Agrawala | | | |
| 8.Kishan Vilas | L.K. Jha | | | |
| 9.Nagda (Sas Bahu) | Brij Narayan | | | |
| 10.Osian | Pupul Jayakar | | | |
| 11.Paranagar | Pupul Jayakar | | | |
| 12.Ramgarh | D.S. | | | |
| 13.Ranakpur | P.L.Mathur | | | |
| 14.Sikar | R.C.Agrawala | | | |
| No.3: Editorial: In Praise of Mandu | | | | |
| No.3: Architecture: | | | | |
| 1. Chronological Chart of Mandu | | | | |
| 2. Preliminary: Survey of Important Monuments of Mandu | Ghulam Yazdani | | | |
| 3. The Development of Mandu Architecture | MARG | | | |
| 4. The First Phase: | | | | |
| a.Lat Masjid, Dhar | | | | |
| b.Dilawar Khan's Mosque | | | | |
| c. Mosque of Malik Mughith | | | | |
| 5. The Secon Phase: | | | | |
| a. Jami Masjid | | | | |
| b. Ashrafi Mahal | | | | |
| c. Tower of Victory | | | | |
| d. Hoshangs's Tomb | | | | |
| e. Hindola Mahal | | | | |
| f. Jahaj Mahal | | | | |
| g. Champa Baoli and Ujala Baoli | | | | |
| 6. The Third Phase | | | | |
| a. Baz Bahadur's Palace | | | | |
| b. Rupmati's Pavilions | | | | |
| c. Nilkanth Palace | | | | |
| d. Chisti Khan's Tomb | | | | |
| e. Gada Shah's Shop and Gada Shah's House | | | | |
| No.4: Painting | | | | |
| 1. The Bustan Manuscript of Sultan Nasir Shah Khalji | RIchard Ettinghausen | | | |
| 2. The Ni'mat Nama: A Landmark in Malwa Painting | Robert Skelton | | | |
| 3. Notes on Mandu Kalpasutra | Pramod Chandra | | | |
| No.4: Editorial: In Praise of Kathak | | | | |
| No.4: Historical Survey | | | | |
| 1. Background of Kathak | D.G. Vyas | | | |
| 2. Technical Terms pertaining to Dance in general and used in Kathak | Nirmala Joshi | | | |
| 3. The Schools of Kathak: | | | | |
| a.Lucknow Gharana | Mohan Khokar | | | |
| b.Jaipur Gharana | S.K.Saxena | | | |
| c. Benaras Gharana | Natavara | | | |
| 4. Nautch Girl | Baijnath | | | |
| 5. Raigarh Raja's contrubution to Kathak | Rasdhari | | | |
| 6.'Menaka', Pioneer of Kathak Dance Drama | Shirin Vajifdar | | | |
| No.4: The Techniques of Kathak: | | | | |
| 1. Nritta | M.S.Kalyanpurkar | | | |
| 2.Nritya | Mohan Khokar | | | |
| 3. Hastas in Kathak | Maya Rao | | | |
| No.4: Music, Theme and Costume: | | | | |
| 1. The Role of Rhythm in Kathak | S.K. Saxena | | | |
| 2. Raslila- An Operatic Drama | S.Awasthi | | | |
| 3. The Kathak costumes in Mughal TImes | C.L. Fabri | | | |
| 4. Some songs of Binda Din Maharaj | Nirmala Joshi | | | |
| MARG: A Magazine of the Arts Vol. 13 | | Mulk Raj Anand | 1959, 1960 | MARG Publications |
| No.4: Editorial: Folk Dances of India | Mulk Raj Anand | | | |
| No.4: Regional Dances: | | | | |
| 1.Andhra | Mohan Khokar | | | |
| 2.Assam | Maheshwar Neog | | | |
| 3.Bengal | | | | |
| 4. Bihar | Hari Uppal | | | |
| 5. Gujarat | Banwari | | | |
| 6.Himachal Pradesh | M.K. | | | |
| 7.Kanara | K.S. Karanth | | | |
| 8. Kerala | Mohan Khokar | | | |
| 9. Kashmir | Rasika | | | |
| 10. Maharashtra & Konkan | S.S.Paranjape | | | |
| 11. Madhya Pradesh | Verrier Elwin | | | |
| 12. Orissa | Verrier Elwin | | | |
| 13. Punjab | Balwant Gargi & M.K. | | | |
| 14.Rajasthan | Baijnath | | | |
| 15. Saurashtra | Satyawan | | | |
| 16. Uttar Pradesh | Projesh Banerji | | | |
| No.2: Editorial: Reflections on Orissi Dance | | | | |
| No.2: Introduction to Orissi Dance | Charles Fabri | | | |
| No.2: Historical Survey: Preliminary Note | | | | |
| 1. The Evidence of Dance Sculptures from Orissan Temples | P.Misra | | | |
| 2. Myths, Legends and Historical Facts | Mohan Khokar | | | |
| 3. A Note on Maharis and Gotipuas | M.K. | | | |
| 4. Some Notes on Manuscripts on Orissi Dance | Sadashiv Rath Sharma | | | |
| 5. The Cult of Jagganath | Harekrishna Mahtab | | | |
| No.2: Technique and Repertory | Mohan Khokar | | | |
| 1. A Note on Hastas | Dhirendra Nath Pattnaik | | | |
| No.2: Musical Instruments in Orissi dance and Temple Sculpture | Sadashiv Rath Sharma | | | |
| No.2: Songs in Orissa that are Danced Away | Mayadhar Mansinha | | | |
| No.2: Costumes, Ornaments and Make-Up in Orissi | Dhirendra Nath Pattnaik | | | |
| No.2: Orissi Dance Today and It's Exponents | Nilmadhab Bose | | | |
| No.3: Editorial: Short Films of India | | | | |
| No.3: Historical Survey: | | | | |
| 1. The Background of the short film in India and future of Documentary | Mohan Bhavnani | | | |
| 2. Panorama of the Private Sector of Indian Short Film Industry | Jag Mohan | | | |
| MARG: A Magazine of the Arts Vol. 14 | | Mulk Raj Anand | 1960, 1961 | MARG Publications |
| No.1: Editorial: Photography as an Art Form | | | | |
| No.1: Conversation with Henri Cartier-Bresson | | | | |
| No.1: Indian Photography-50 years | J.N. Unwalla | | | |
| No.1: The Amatuer and His Camera | Shama Kilanjar | | | |
| No.1: Contemporary Trends in Indian Photography | R.J. Chinwalla | | | |
| No.1: Portfolio | | | | |
| 1. Birth | | | | |
| 2, Marriage | | | | |
| 3. Work | | | | |
| 4. Rhythm | | | | |
| 5. Festival | | | | |
| 6. Woman | | | | |
| 7. Love | | | | |
| 8. Marriage | | | | |
| 9. Family | | | | |
| 10. Faith | | | | |
| 11. Pain | | | | |
| 12. Old Age | | | | |
| 13. Death | | | | |
| 14. New Beginning | | | | |
| No.1: Symposium- What Makes a Photograph | | | | |
| No.2: Paintings of Rabindranath Tagore | Mulk Raj Anand | | | |
| No.2: Prelimnary | | | | |
| No.2: The Background | | | | |
| No.2: Rhythm as the Essence of his approach to Paintin | | | | |
| No.2: Unconscious as the Source of his Paintings | | | | |
| No.2: Transition from Child Art to Man Art | | | | |
| 1. (a) Scribble | | | | |
| (b) Forms | | | | |
| (c) Composition | | | | |
| 2. Symbolism | | | | |
| 3. Crystal Form | | | | |
| 4. Expressionism | | | | |
| 5. Supernatural | | | | |
| 6. Transition | | | | |
| No.2: Supplement: | | | | |
| 1. Tradition and creative evolution in Indian Art | Hermann Goetz | | | |
| 2. Book Reviews | | | | |
| 3. Exhibition Notes | | | | |
| No.3: Editorial: Space, Time and Clay | | | | |
| No.3: Evolution of Pottery Forms and Fabrics in India | Z.D. Ansari | | | |
| No.3: Ceramics of the Indus Valley in Gujarat (2500 B.C. to 800 B.C.) | S.R. Rao | | | |
| No.3: The Copper and Stone age Pottery of Maheshwar-Navdatoli | H.D. Sankalia | | | |
| No.3: Northern Black Polished Ware | J.S.Nigam | | | |
| No.3: Decorated Pottery of North India (200 B.C. to 650 A.D.) | J.S. Nigam | | | |
| No.3: a Note on Ceramic Industry in Bihar | Sita Ram Roy | | | |
| No.3: Islamic Pottery | Dr.Mohammed Baqir | | | |
| No.3: A Note on Folk Pottery | | | | |
| No.3: Contemporary Pottery: A Note By Primula Pandit | | | | |
| i. Gurucharan Singh | | | | |
| ii. Ratna Fabri | | | | |
| iii. Primula Pandit | | | | |
| iv. Nirmala Patwardhan | | | | |
| v. Ira Chaudhari | | | | |
| vi. B.K. Barua | | | | |
| vii. Hari Haran | | | | |
| viii. Vimoo Sanghvi | | | | |
| ix. Malti Divecha | | | | |
| No.4: Editorial: In Praise of Manipuri | | | | |
| No.4: Myths, Legends, and History | Mohan Khokar | | | |
| No.4: Technique | Nayana Jhaveri | | | |
| No.4: "Abhinaya" | Guru Bipin Singh | | | |
| No.4: Lai Hairaoba | E. Nilkanta Singh | | | |
| No.4: Rasleela | Ranjana Jhaveri | | | |
| No.4: Sankirtan and Choloms | Surachand Sharma | | | |
| No.4: Tagore and Manipuri Dances | Shantidev Ghosh | | | |
| No.4: Music | Suvarna and Darshana Jhaveri | | | |
| No.4: Manipuri Costume, Ornaments and Make-Up | Ritha Devi | | | |
| No.4: Guru Pranalika | Surachand Sharma | | | |
| No.4: Contemporary Gurus and Artists | E. Nilkanta Singh | | | |
| MARG: A Magazine of the Arts Vol. 15 | | Mulk Raj Anand | 1961, 1962 | MARG Publications |
| No:1: Editorial: New Planned City | | | | |
| No.1: The Master Plan | Le Courbusier | | | |
| a. The Secreteriat | | | | |
| b. High Court | | | | |
| c. The Assembly | | | | |
| No.1: Problems of Chandigarh Architecture | E.Maxwell Fry | | | |
| No.1: Living | | | | |
| a. Sector 22 | Jane B.Drew | | | |
| b. High Cost Housing and Anteriors | U.E. Choudhary | | | |
| c. Low Cost Housing | Jeet Malhotra | | | |
| d. Architectural Control- Shops, Flats, etc. | Aditya Prakash | | | |
| No.1: Working | | | | |
| a. Educational Institutions | B.P. Mathur | | | |
| b. Public Building- Library, Polytechnic, Atomic Energy Monument, Printing Press, Chandigarh Club, etc. | M.N. Sharma, P.Jeanneret, E.Maxwell Fry, and Jeet Malhotra | | | |
| c. Industrial Area | N.S. Lamba | | | |
| No.1: Care of Body and Spirit: Landscape Gardening | M.S. Randhawa | | | |
| No.1: Miscellanous: | | | | |
| a. Engineering in the Service of the Community | G.R. Nangea | | | |
| b. The City Centre | A.R. Prabhawalkar | | | |
| No.1: Aesthetic: Reflections on beauty of Line Shape and form | P. Jeanneret | | | |
| No.2: Editorial: Mathura of the Gods | | | | |
| No.2: Chronology | | | | |
| No.2: Historical Background: Kanishka and the Saka Era | Prof D.D.Kosambi | | | |
| No.2: Origin of the Buddha Image | | | | |
| (a) by Mulk Raj Anand | | | | |
| (b) by Y.Krishan | | | | |
| (c) Portfolio | | | | |
| No.2: The Kusana Art of Mathura | Prof K.D.Bajpai | | | |
| No.2: Kusana Art And The Historic Effigies of Mat (India) and Surkh Kotal (Afghanistan) | C.M. Kieffer | | | |
| No.2: The Gupta Art of Mathura | V.N. Srivastava | | | |
| No.2: Bibliography | | | | |
| No:2: Supplement | | | | |
| a. Book Reviews | | | | |
| b. Exhibition Notes | | | | |
| No.3: Editorial: Homage to Africa: | | | | |
| Discourse I | Tristan Tzara | | | |
| Discourse II | Mukraj Raj Anand | | | |
| Discourse III | James Johnson Sweeney | | | |
| No.3: Tribes of Africa: | | | | |
| I. Sudan: | | | | |
| 1. Bambara | | | | |
| 2. Bobo | | | | |
| 3. Dogon | | | | |
| 4. Mossi | | | | |
| II. Sierra Leone: | | | | |
| Mende | | | | |
| III. Ivory Coast | | | | |
| 1. Baule | | | | |
| 2. Dan | | | | |
| 3. Guro | | | | |
| 4. Senulo | | | | |
| IV. Ghana: Ashanti | | | | |
| V. Dohemey | | | | |
| VI. Nigeria | | | | |
| 1. Ibibio | | | | |
| 2. Ibo | | | | |
| 3. Ijo | | | | |
| 4. Yaruba | | | | |
| VII. Cameroon Grasslands: | | | | |
| 1. Bamende | | | | |
| 2. Bamum | | | | |
| 3. Duala | | | | |
| VIII. Guinea Coast: | | | | |
| 1. Baga | | | | |
| 2. Benin | | | | |
| 3. Ekoi | | | | |
| 4. Fang | | | | |
| 5. Ogoni | | | | |
| 6. Ife | | | | |
| IX. Congo | | | | |
| 1. Azande | | | | |
| 2. Bajokwe | | | | |
| 3.Bakota | | | | |
| 4. Baluba | | | | |
| 5. Bakongo | | | | |
| 6. Basonge | | | | |
| 7. Basuku | | | | |
| 8. Bayaka | | | | |
| 9. Bateke | | | | |
| 10. Bushongo | | | | |
| 11. Basundi | | | | |
| 12. Mangbetu | | | | |
| 13. Ourua | | | | |
| 14. Bena Lulua | | | | |
| 15. Bapende | | | | |
| No.4: Editorial: Homage to the Handlooms | Mulk Raj Anand and Pupul Jayakar | | | |
| No.4: Indian Textiles in Historical Perspective | John Irwin | | | |
| No.4: Traditional Textiles of India: | Pupul Jayakar | | | |
| Introduction | | | | |
| 1; Himroo, Paithan- (Maharashtra) | | | | |
| 2. Patola, Gharchola (Saurashtra) | | | | |
| Dhabla- (Gujarat) | | | | |
| 3. Tasar, Chanderi (Madhya Pradesh) | | | | |
| 4. Daccai Jamdani, Baluchar- (West Bengal) | | | | |
| 5. Bandhani- (Rajasthan) | | | | |
| 6. Phulkari (Punjab) | | | | |
| 7. Vichitrapuri Sari (Orissa) | | | | |
| 8. Varanasi Brocades (Uttar Pradesh) | | | | |
| 9. Telia Rumals of Pochampalli, Chirali, Kalamkari-(Andhra) | | | | |
| 10. Kanchipuram Saris- (Madras) | | | | |
| 11. Manipur, Naga and Assam Fabrics, Bleeding Madras | M.P. Nachimuthu Mudaliar | | | |
| No.4: Contemporary Design Development in Handlooms: | K.G. Subramanyam | | | |
| (a) Contemporary Weaves of Nelly Mehta | | | | |
| (b) Contemporary Designs of Rangjyot | | | | |
| No.4: Symposiums: | | | | |
| 1. Handloom Industry in the Third Plan | W.R. Natu | | | |
| 2. Looms | D.S.V. Iyer | | | |
| 3. Weaver's Service Centres of the All India Handloom Board | Pupul Jayakar | | | |
| 4. Export Organization | S.Ratnam | | | |
| 5. Quality Control | C.S. Ramanathan | | | |
| 6. Internal Marketing | M.Somappa | | | |
| 7. Display | Ratna Fabri | | | |
| 8. Appendix: Important Information on Handloms | | | | |
| MARG: A Magazine of the Arts Vol. 16 | | Mulk Raj Anand | 1962, 1963 | MARG Publications |
| No.1: Editorial: Confusion Worse Confounded | | | | |
| No.1: The Background | | | | |
| No.1: Transformation in the West | | | | |
| No.1: Indian Contemporaries: | | | | |
| 1. Abindranath Tagore | | | | |
| 2. D.P. Roy Chaudhari | | | | |
| 3. Prodosh Das Gupta | | | | |
| 4. Ramkinkar | | | | |
| 5. Chintamani Kar | | | | |
| 6. Shanko Chowdhury | | | | |
| 7. Dhanraj Bhagat | | | | |
| 8. Amarnath Sehgal | | | | |
| 9. S.L.Prashar | | | | |
| 10.Dharmani | | | | |
| 11. Piloo Pochkhanawala | | | | |
| 12. A Davierwalla | | | | |
| 13. Raghvan Kaneria | | | | |
| 14. Raja Ram | | | | |
| 15. Dhanapala | | | | |
| 16. Rajnikanth Panchal | | | | |
| 17. Nagajibhai Patel | | | | |
| 18. Raman Patel | | | | |
| No.2: Editorial | Mulk Raj Anand | | | |
| No.2: Portfolio: Text and Pictures By: | | | | |
| 1. Stuart C.Welch Junior | | | | |
| 2. Richard Ettinghausen | | | | |
| 3. Jagdish Mittal | | | | |
| No.2: Reflections on Deccani Painting | Karl Khandalavala | | | |
| No.2: Part One: | | | | |
| 1. Ahmednagar | Marg | | | |
| 2. Bijapur | | | | |
| Text and Pictures by | | | | |
| (1). Robert C.Welch | | | | |
| (2). Richard Ettinghausen | | | | |
| (3). Robert Skelton | | | | |
| 3. Golconda | Muhammed Ashraf | | | |
| No.2: Part Two | | | | |
| 1. Paintings of the Hyderbad School | Jagdish Mittal | | | |
| 2. Glass Paintings of Hyderbad | J.M. | | | |
| 3. Deccani Painting at the Samasthans of Wanparthy, Gadwal and Shorapur | Jagdish Mittal | | | |
| 4. Kurnool (Cudappa) | M.A. | | | |
| 5. Arcot | M.A. | | | |
| No.2: Chronology: Rulers of Centres of Deccani Painting | V.K. Bawa and Syed Mohiddin | | | |
| No.2: Bibliography | Jagdish Mittal | | | |
| No.2: Book Supplement | | | | |
| 1. Pigments. | | | | |
| 2. Book Reviews: | | | | |
| Stuart C.Welch | | | | |
| Amita Ray | | | | |
| W.G. Archer | | | | |
| B.Das Gupta Mulk Raj Anand | | | | |
| No.3: Editorial | Amita Ray | | | |
| No.3: Portfolio: The Development of Carving from Buddhsit Primitive Art to the Early Medieval Period | | | | |
| No.3: The Lesser Vehicle. The Greater Vehicle and the Worshippers of the Many Gods | Mulk Raj Anand | | | |
| No.3: Sculptures in Aurangabad | Amita Ray | | | |
| No.4: Editorial: Three Answers from the Dalai Lama | | | | |
| 2. The Land and It's People | Raghu Vira | | | |
| 3. The Many Precious Thigs in the Story of Tibetan Lamaism | Mulk Raj Anand | | | |
| The Arts: Preliminary | | | | |
| No.4: Architecture: Solar and Lunar in the Development of Stupa Architecture | Lama Anagarika Govinda | | | |
| No.4: Painting: Preliminary | | | | |
| 1. Buddhist Painting in TIbet | Rahula Sankrityayana | | | |
| 2. Technique in Tibetan Painting | Rahula Sankrityayana | | | |
| 3. Buddha and the sixteen Great Arhats- Seven Thangka's of the Province of Khams in Tibet | George Roerich | | | |
| 4. Chart of Iconography | | | | |
| No,4: Bronzes | | | | |
| No.4: Ritual Objects | | | | |
| No.4:Metalware and Brassware | | | | |
| No.4: Calligraphy and Books | | | | |
| MARG: A Magazine of the Arts Vol. 17 | | Mulk Raj Anand | 1963, 1964 | MARG Publications |
| No.1: Editorial | M.R.A. | | | |
| No.1: Architecture and You | Marg | | | |
| No.1: Reflections on the House, The Stupa, The Temple, The Mausoleum, from the Earliest Times till Today | Mulk Raj Anand | | | |
| No.1: Living | | | | |
| No.1: Working | | | | |
| No.1: Care of Body and Spirit | | | | |
| No.2: Editorial | Kamladevi Chattopadhyaya | | | |
| No.2: Origin and Development of Embroidery in our Land | Kamladevi Chattopadhyaya | | | |
| No.2: The Survey of Embroidery Traditions | Jasleen Dhamija | | | |
| No.2: Place of Embroidery in Indian Crafts | Kamala Dongerkery | | | |
| No.2: The Commercial Embroidery of Gujerat in the 17th Century | John Irwin | | | |
| No.3: Editorial: World of Colour | M.R.A. | | | |
| No.3: Vaishnamvism: Inspiration of Rajput Painting | M.S. Randhawa | | | |
| No.3: Some notes on the Composition of Pahari Murals | Mulk Raj Anand | | | |
| No.3: Technical Notes | K.C. Aryan, T.R. Gairola | | | |
| No.3: Akki | M.S.R. | | | |
| No.3: Chamba | Jagdish Mittal | | | |
| No.3: Dada Siba | B.N. Goswamy | | | |
| No.3: Dharamsal (Hoshiarpur Dist) | B.N. Goswamy | | | |
| No.3: Jammu | Khajuria | | | |
| No.3: Kankhal | Jagdish Mittal | | | |
| No.3: Kulu | Jagdish Mittal | | | |
| No.3: Mandi | M.R.A. | | | |
| No.3: Nadaun | B.N. Goswamy | | | |
| No.3: Nurpur | K.C. Aryan | | | |
| No.3: Sujanpur TIra | M.R.A. | | | |
| MARG: A Magazine of the Arts Vol. 18 | | Mulk Raj Anand | 1964, 1965 | MARG Publications |
| No.1: Editorial: Revival or Transformation | | | | |
| No.1: Glimpses of Evidence of Ancient Handicrafts of Rajasthan Based on Excavations | R.C. Agrawala | | | |
| No.1: The Background | Satya Prakash Srivastava | | | |
| No.1: Survey of Arts and Crafts of Rajasthan | Jasleen Dhamija | | | |
| 1. Textile | Jasleen Dhamija | | | |
| 2. Metal | P.N. Mago | | | |
| 3. Stone | Surendra Kalia | | | |
| 4. Pottery | Jasleen Dhamija | | | |
| 5. Woodwork | Jasleen Dhamija | | | |
| 6. Toys | Jasleen Dhamija | | | |
| 7. Leatherwork | Jasleen Dhamija | | | |
| 8. Jewellery | P.N. Mago | | | |
| No.1: Folk Instruments | Komal Kothari | | | |
| No.1: Tribal Culture | J.D. Mehra | | | |
| No1: Architecture | Ranjit Sabikhi | | | |
| No.2: Editorial: Old Criticism and New Criticism | | | | |
| No.2: Conversation in Nagarjunakonda | Mulk Raj Anand | | | |
| No.2: Sculptures of Nagarjunakonda | Amita Ray | | | |
| No.2: The Plastic Situation | Mulk Raj Anand | | | |
| No.3: Editorial: In Dreams Begins Responsiblity | | | | |
| No.3: Splendours and Miseries of Bombay | Mulk Raj Anand | | | |
| No.3: Symposium: Observation on the Development Plan for Greater Bombay | V.N. Modak | | | |
| No.3: Symposium: The Future of Our City | Dr.Jal F.Balsara | | | |
| No.3: Municipal Plan | | | | |
| No.3: Planning for Bombay | Charles M.Correa, Pravina Mehta and Shirish B.Patel | | | |
| No.4: Editorial: Carpets are Works of Art | K.C. | | | |
| No.4: Origin of Pile Carpets and their Development in India | Kamladevi Chattopadhyaya | | | |
| No.4: Historical Carpets | Charles Grant Ellis, John Irwin | | | |
| No.4: Survey of Pile Carpet Industry | Jasleen Dhamija | | | |
| MARG: A Magazine of the Arts Vol. 19 | | Mulk Raj Anand | 1965, 1966 | MARG Publications |
| No.1: Editorial: Museum- The House of Muses | | | | |
| 1. Survey of Some Important Museums in India | | | | |
| 1. Ashutosh Museum | D.P.Ghosh | | | |
| 2. Baroda Museum | V.L. Devkar | | | |
| 3. Bharat Kala Bhavan | Anand Krishan | | | |
| 4. Crafts Museum | Ajit Mookerjee | | | |
| 5. Indian Museum (Calcutta) | A.K.Bhattacharyya | | | |
| 6. Mathura Museum | A.M. | | | |
| 7. Madras Museum | A.Aiyappan | | | |
| 8.National Museum | Grace Morley | | | |
| 9.Prince of Wales Museum | S.V.Gorakshkar | | | |
| 10. Rabindra Sadana | Sobhanlal Ganguli and Sisirkumar Ghose | | | |
| 11. Salar Jung Msueum | V.L. Devkar | | | |
| 12. Teen Murti Museum | M.V. Rajan | | | |
| 13. Industrial and Technical Museums | | | | |
| a. Viswesvarayya Industrial Museum | | | | |
| b. Birla Industrial & Technical Musuem | | | | |
| No.1: Problems of Technical Display | Grace Morley | | | |
| No.1: Preservation, Conservation of Museum Objects | T.R. Gairola | | | |
| No.2: Editorial: Invitation to the Dance: Bhagavat Mela Yakshagana, Kuchipudi,Krishnattam | | | | |
| No.2: Tamil Nad | | | | |
| a. Classical Bhagavata Mela Dance Drama | E.Krishna Iyer | | | |
| b. Therukoothu or Street Play | E.Krishna Iyer | | | |
| No.2: Karnatak | | | | |
| a. Yakshagana | K.S. Karanath | | | |
| No.2: Andhra | | | | |
| a. The Kuchipudi Dance Drama | Banda Kanakalingeshwara Rao | | | |
| b. The Revival of Kuchipudi Nritya | Ragini Devi | | | |
| No.2: Kerala | | | | |
| a. Krishnattam | Mrinalini Sarbhai | | | |
| b. Festivals of the Goddess Bhagvati in Kerala | Ragini Devi | | | |
| No.2: Book Supplement | | | | |
| a. In memoriam: Homi Bhabha | | | | |
| b. Book reviews and notes | | | | |
| No.3: Editorial: Research in Lacquer Magic | M.R.A. | | | |
| No.3: Lac and It's Antiquity | | | | |
| No.3: Portfolio | | | | |
| No.3: Lac-Turnery | | | | |
| No.3: Art Conceptions | | | | |
| No.3: Production Centres | | | | |
| 1. Mysore | | | | |
| 2. Rajasthan | | | | |
| 3. Madhya Pradesh | | | | |
| 4. Andhra Pradesh | | | | |
| 5. Bihar | | | | |
| 6. Punjab | | | | |
| 7. Uttar Pradesh | | | | |
| 8. Gujarat | | | | |
| 9. Navrangpur | | | | |
| No.3: Sales and Exports | | | | |
| No.4: Poem | | | | |
| No.4: Part 1: Genesis, Task, Techniques: | | | | |
| i. Genesis of Graphics | Mulk Raj Anand | | | |
| ii. The Task | Bhupendra Karia | | | |
| iii. Technique | Bhupendra Karia | | | |
| No.4: Part II: Contemporary Graphic Artists | Bhupendra Karia | | | |
| i. Dilip Bakshi | | | | |
| ii. Jyoti Bhatt | | | | |
| iii. Arun Bose | | | | |
| iv. Roy Dalgarno | | | | |
| v. Somnath Hore | | | | |
| vi. Bhupendra Karia | | | | |
| vii. Kanwal Krishna | | | | |
| viii. Sailen Mitra | | | | |
| ix. Krishna Reddy | | | | |
| x. Magen Soma | | | | |
| No.4: Appendix: UNESCO I.A.P.A. Report | | | | |
| MARG: A Magazine of the Arts Vol. 20 | | Mulk Raj Anand | 1966, 1967 | MARG Publications |
| No.1: Editorial: Handicrafts in the Nations Economy | Mulk Raj Anand | | | |
| No.1: Historical-Cultural Heritage | J.C. Mathur | | | |
| No.1: Ancient Handicrafts | P.L. Gupta | | | |
| No.1:Survey of Crafts | Jasleen Dhamija | | | |
| 1. Terracotta and Pottery | | | | |
| 2. Sikri and Moonj Work | | | | |
| 3. Brass and Bell Metal | | | | |
| 4. Bamboo Craft | | | | |
| 5. Wood and Stone Carving | | | | |
| 6. Lacquerware | | | | |
| 7. Embroidery | | | | |
| 8. Jewellerry | | | | |
| 9. Masks | Ram Dhamija | | | |
| No.1: Domestic Arts of Mithila | | | | |
| 1. General Note | J.C. Mathur | | | |
| 2. Notes on Painting | Mildred Archer | | | |
| No.1: Bazaar Style | Mildred Archer | | | |
| No.1: Tribal Culture | Sachchidananda | | | |
| No.2: Editorial: Ajanta to Ellora- Shapes of the Unknown | | | | |
| No.2: Historical Background | | | | |
| I: Architectural Features: Groundplans and Pillars | | | | |
| II: Buddha Images | | | | MARG Publications |
| III: Female Figures | | | | MARG Publications |
| IV: Doorways | | | | |
| V: Dwarfs | | | | |
| VI: Guardians | | | | |
| VII: Old Men | | | | |
| VII: Pilasters | | | | |
| IX: Seated Couples | | | | |
| No.3: Design for Living | Mulk Raj Anand | | | |
| I: Design for Living: | | | | |
| 1. A Project for UNESCO action, sponsored by Consensus at the Nehru Round Table, New Delhi, September 1966. | | | | |
| 2. Draft resolution submitted to UNESCO, 14th General Assembly by Czechoslovakia, Finland, India, Japan, Mexico,Poland and Yugoslavia | | | | |
| II: Reflections on the crisis of Human Civilization and the possibilities of an integral programme for design for living. | Mulk Raj Anand | | | |
| III. The National Institute of Design | | | | |
| 1. National Institute of Design Campus | | | | |
| 2. Eames Report | | | | |
| 3. Educational Programme | | | | |
| 4. Architecture | | | | |
| 5. Work for Clients: A Multi-storeyed building comprising offices and flats | | | | |
| 6. Indian Institute of Management, Ahmedabad | | | | |
| 7. A Scheme for the Indian Pavilion at the Osaka World Fair | | | | |
| 8. Landscape | | | | |
| 9. A Preliminary Report for Palam Airport | | | | |
| 10. Research Project: Studies for a Student Dormitory | | | | |
| 11. Educational Programme: | | | | |
| a. Visual Communication | | | | |
| b. Excercises in Topography | | | | |
| 12. Work For Clients | | | | |
| a. Nehru Exhibition | | | | |
| b. Multiple Projections at Indian Pavilion Expo' 67 Montreal | | | | |
| 13. Animated FIlms: | | | | |
| a. "Swimmy" | | | | |
| b. "The Three Rooms" | | | | |
| 14. Devanagari | | | | |
| 15. Documentation of Rural Crafts in a Village of Saurashtra | | | | |
| 16. Educational Programme: | | | | |
| a. Product design | | | | |
| b. Textile Workshop | | | | |
| 17. Mass-produced Low-cost Furniture | | | | |
| 18. Research Product: Fan | | | | |
| 19. Work For Clients: | | | | |
| a. Electronic Instruments | | | | |
| b. Shaping Machine | | | | |
| 20. Interior Design and Tableware for a Restaurant | | | | |
| Supplement | | | | |
| No.4: Preliminary: Rhythmic Fury of the Ancient Cities | | | | |
| I. The Many Delhis: | | | | |
| 1. The River, the Ridge, the Forests, and the Many Delhis | | | | |
| 2. Myth, legend and the Vertical History fo Indraprashtha | | | | |
| 3. Qila-i-Rai Pithaura | | | | |
| II. Delhi Under the Sultanates: | | | | |
| 1. The Might of Islam and the Highest Victory Tower | | | | |
| 2. 'Sultan of the Cave' and the Iltutmish Mosque | | | | |
| 3. The True Arch in Balban's Tomb | | | | |
| 4. Alai Darwaza of Ala-ud-din Khilji | | | | |
| 5. Tughlakabad | | | | |
| 6. The 'Mad' Tughlak's Dream turned into Nightmares | | | | |
| 7. Firoz Shah Kotla and a thousand fruit gardens | | | | |
| 8. 'Not a Bird roved in Delhi after Timur' | | | | |
| 9. The First Sayyid | | | | |
| 10. The Struggle for the Keys of the Elephant Stables | | | | |
| 11. Bahlol Lodi's Tomb | | | | |
| III. Under the Mughals: Delhi | | | | |
| 1. Babur's Essays in Architecture | | | | |
| 2. The Brief interlude under Humayun and the beginning of Hindu-Muslim Synthesis | | | | |
| 3. Akbar's Agra | | | | |
| 4. Fatehpur Sikri | | | | |
| 5. Sikandra: Under Akbar and the Transition from Stone to Marble under Jehangir | | | | |
| 6. Itmud-ud-Daula | | | | |
| 7. Delhi Under Shah Jehan | | | | |
| 8. The Taj Mahal | | | | |
| 9. Delhi: Later Mughal- Safdarjung | | | | |
| MARG: A Magazine of the Arts Vol. 21 | | Mulk Raj Anand | 1967- 1968 | MARG Publications |
| No.1: Editorial: The Breakthrough: Notes on the Modern Movement in Sculpture | Mulk Raj Anand | | | |
| No.1: Supplement: | | | | |
| 1. Indian Art in the 1940's | Prodosh Das Gupta | | | |
| 2. Indian Art in the 1950's | Jaya Appaswamy | | | |
| 3. Indian Art in the 1960's | Geeta Kapur | | | |
| No.2: Editorial: Question from Vol.XXI, No.1, The Modern Movement in Sculpture | Mulk Raj Anand | | | |
| Preliminary | | | | |
| No.1: The Contemporaries | Mulk Raj Anand | | | |
| 1. Argentina | | | | |
| 2. Australia | | | | |
| 3. Austria | | | | |
| 4. Brazil | | | | |
| 5. Bulgaria | | | | |
| 6. Canada | | | | |
| 7. Chile | | | | |
| 8. Colombia | | | | |
| 9. Czechoslovakia | | | | |
| 10. Denmark | | | | |
| 11. Federal Republic of Germany | | | | |
| 12. Finland | | | | |
| 13. France | | | | |
| 14. German Democratic Republic | | | | |
| 15. Great Britain | | | | |
| 16. Greece | | | | |
| 17. Hungary | | | | |
| 18. India | | | | |
| 19. Italy | | | | |
| 20. Japan | | | | |
| 21. Lebanon | | | | |
| 22. Luxembourg | | | | |
| 23. Netherlands | | | | |
| 24. Norway | | | | |
| 25. Poland | | | | |
| 26. Spain | | | | |
| 27. Switzerland | | | | |
| 28. Turkey | | | | |
| 29. United States of America | | | | |
| 30. Union of Soviet Socialist Republics | | | | |
| 31. Yugoslavia | | | | |
| No.3: Editorial: The Creator, The Creation and the Sutradhara | Mulk Raj Anand- M.C. | | | |
| No.3: Various Types of Traditional Puppets of India | Meher Contractor | | | |
| 1. Rajasthan | | | | |
| 2. Orissa | | | | |
| 3. South India | | | | |
| a. String Puppets of South India | | | | |
| b. Yakshagana Puppets | | | | |
| 4. Rod Puppets of Bengal | | | | |
| 5. Glove Puppets of India | | | | |
| 6. Shadow Puppets | | | | |
| a. Shadow Play in Malabar | K.B. Iyer | | | |
| b. Karnataka Shadows | | | | |
| c. Andhra Shadows | | | | |
| 7. Contemporaries | | | | |
| a. The Darpana Academy, Ahmedabad- The Ramayana Revived with Andhra Shadow Puppets | | | | |
| b. Contemporary Puppeteers | | | | |
| No.4: The Pictorial Situation In Pahari Painting | Mulk Raj Anand | | | |
| No.4: Pahari Painting: The Family as the Basis of Style | B.N. Goswamy | | | |
| 1. The Argument | | | | |
| 2. The Clue | | | | |
| 3. The Family | | | | |
| 4. The Style | | | | |
| MARG: A Magazine of the Arts Vol. 22 | | Mulk Raj Anand | 1968-1969 | MARG Publications |
| No.1: Editiorial: Chhau Dance- Anandam | Mulk Raj Anand | | | |
| No.1: Chhau Dances of Saraikella | Sunil Kothari | | | |
| No.1: Technique | | | | |
| No.1: A Note on Masks | | | | |
| No.1: A Note on Music | | | | |
| No.1: Chhau Dances of Mayurbhanj | Jivan Pani | | | |
| No.1: Technique | | | | |
| No.1: Presentation | | | | |
| No.2: Bhitargaon | Mulk Raj Anand | | | |
| No.2: Bhitargaon: The Technique of Architecture | R.Nath | | | |
| No.3: Shah Jehan | Mulk Raj Anand | | | |
| No.3: The Taj Mahal: Dream in Marble | R.Nath | | | |
| No.4: Editorial: Gandhi on Art | Mulk Raj Anand | | | |
| No.4: The Hand on the Heart | Mulk Raj Anand | | | |
| No.4: Architecture | Rasika | | | |
| No.4: Sculpture | Ajit Mookerjee | | | |
| No.4: Painting | Pupul Jayakar | | | |
| No.4: Decorations | Priya Das Gupta | | | |
| No.4: The Present State of Handicrafts | Ashok Mitra | | | |
| | | | |
| MARG: A Magazine of the Arts Vol. 23 | | Mulk Raj Anand | 1969-1970 | MARG Publications |
| No.1: Editorial | Mulk Raj Anand | | | |
| No.1: Beauties in the Mud of the Potter's Yard | Mulk Raj Anand | | | |
| No.1: Portfolio | Ananda Coomaraswamy, K.P. Jayaswal, Stella Kramrisch, S.K. Saraswati, Mulk
| | | |
| S.P. Srivastava | R.Das Gupta" | | | |
| No.1: The Terracotta Art of India | Dr.H.D. Sankalia & M.K. Dhavalikar | | | |
| No.2: Editorial: Himachal Heritage | Mulk Raj Anand | | | |
| No.2: Architecture and Sculpture | | | | |
| 1. Masrur | P.N. Mago | | | |
| 2. Bajnath | Marg | | | |
| 3. Bajaura | Marg | | | |
| 4. Nirth | Marg | | | |
| 5. Kushala | Marg | | | |
| 6. Chamba | Marg | | | |
| No.2: Wall Paintings | Marg | | | |
| No.2: Wood Carving | Marg | | | |
| No.2 : Arts & Carfts | Jasleen Dhamija | | | |
| 5. Pottery- P.N. Mago | | | | |
| No.3: Editorial: Hymn to Mahalbalipuram | | | | |
| No.3: The Ballad and the Source | | | | |
| No.3: Arjuna's Penance | | | | |
| No.3: The Vision of the Rock and the Plastic Situation of the Panels | Mulk Raj Anand | | | |
| No.3: Mammalapuram | T.N. Ramachandran | | | |
| No.4: The Great Wrestler: The Continuity Under the Mahamalla | Mulk Raj Anand | | | |
| No.4: The Cave-Temples and the Rathas Under Narasimhavarman Mahamalla | T.N. Ramachandran | | | |
| No.4: The Temples and Sculptures under Rajasimha | | | | |
| MARG: A Magazine of the Arts Vol. 24 | | Mulk Raj Anand | 1970-1971 | MARG Publications |
| No.1: Editorial: Afghanistan: Cross Roads | M.R.A. | | | |
| No.1: Editorial: Ariana | Dr. Mustamandi | | | |
| No.1: Space, time and Deity | | | | |
| No.1: Colour, Form and Design in Islamic Architecture | Mulk Raj Anand | | | |
| No.1: The Development of Islamic Architecture in Afghanistan | Mulk Raj Anand | | | |
| No.1: Minar at Jam, Chist, Balkh, Minar at Daulatabad | | | | |
| No.1: Mazar-I-Sharif | | | | |
| No.1: Herat | | | | |
| No.1: Interrelations of Islamic Architecture in Afghanistan | | | | |
| No.2: Editorial: The Buddha as Cosmos | Mulk Raj Anand | | | |
| No.2: Editorial: Bamiyan: Past and Present | B.B. Lal | | | |
| No.2: Bamiyan | | | | |
| 1. Historical | Mulk Raj Anand | | | |
| 2.The Development of the Standing Buddha from Hoti Mardhan to Bamiyan | M.R.A. | | | |
| 3. The Colossal Buddha and the Monastic Grottos | Nancy Hatch Dupree | | | |
| No.2: The Wall Paintings of Bamiyan | Benjamin Rowland | | | |
| No.2: Fondukistan | | | | |
| No.2: Kakrak | | | | |
| No.3: Editorial Glimpses of Wonder and Beauty in Ivory | Mulk Raj Anand | | | |
| No.3: Conversation in Kapisa | Mulk Raj Anand | | | |
| No.3: Begram Ivories: The Transition of the Mastercraftsmen | C.Sivaramamurti | | | |
| No.3: Portfolio | | | | |
| No.3: Begram Ivories and Indian Stones | J.LeRoy Davidson | | | |
| No.3: Private Life In Ancient India as Seen from the Ivory Sculptures of Begram | Jeannine Auboyer | | | |
| No: 4: Guest Editorial: Achaemenid Persia: Mauryan India | Karl Khandalawala | | | |
| No. 4: The Background | Mulk Raj Anand | | | |
| No. 4: Chronological Development of Pasargadae, Persepolis and Naqsh-e-Rustam | | | | |
| No.4: The Transformation of Persepolis Architectural Motifs into Sculpture Under The Indian Mauryan Dynasty | Sir. Mortimer Wheeler | | | |
| MARG: A Magazine of the Arts Vol. 25 | | Mulk Raj Anand | 1971-1972 | MARG Publications |
| No.1: The Metamophosis of Magic and Art in Hittite Civilization | Mulk Raj Anand | | | |
| No.1: The Hittites | Kurt Bittel | | | |
| No.1: Portfolio | | | | |
| 1. Paleolithic (9000-8000 B.C.) | | | | |
| 2. Neolithic (7000 B.C.) | | | | |
| 3. Chalcolithic (5000-3000 B.C.) | | | | |
| 4. Early Bronze Age (3000-2500 B.C.) | | | | |
| 5. Old Assyrian Colony Age (1950-1750 B.C.) | | | | |
| 6. Old Hittite; New Hittite (1650-1450 B.C.) | | | | |
| a. Bogazkoy | | | | |
| b. Yazilikaya | | | | |
| c. Alacahoyuk | | | | |
| 7. Late Hittite Period (1450-700 B.C.) | | | | |
| 8. Phrygian Period (800-500 B.C.) | | | | |
| 9. Urartian Period (1000-600 B.C.) | | | | |
| No.1: The Importance of Hittite Art | Ekrem Akurgal | | | |
| No.3: Rhythm of Dance and Music in the Bagh Caves | Mulk Raj Anand | | | |
| No.3: Bagh Caves: Historical And Descriptive Analysis | John Anderson | | | |
| 1. Architecture | | | | |
| 2. Sculpture | | | | |
| 3. Painting | | | | |
| No: 4: Appreciation of Art In India Today | Mulk Raj Anand | | | |
| 1. "All Art is Useless" | | | | |
| 2. The Place of Art is in Civilization | | | | |
| 3.The Montage Man | | | | |
| No. 4: What is Architecture? | | | | |
| 1. Space, Time and Deity | | | | |
| 2. The Questions of the Buddha | | | | |
| 3. Monuments of the Age of the Gods | | | | |
| 4. Islamic Architecture | | | | |
| 5. The Model City of Jaipur | | | | |
| 6. Indo-Colonial Architecture | | | | |
| 7. Twentieth Century Compulsions | | | | |
| | | | |
| No.4: What is Sculpture?. | | | | |
| 1. Sculpture of the Age of the Gods | | | | |
| 2. Contemporary Sculptures | | | | |
| No. 4: What is Painting?. | | | | |
| 1. Paintings of the Age of the Gods | | | | |
| 2. Sultanate Paintings | | | | |
| 3. Mughal Painting | | | | |
| 4. Rajashtani Painting | | | | |
| 5. Pahari Painting | | | | |
| 6. Contemporary Paintings | Ashok Mitra, Geeta Kapur, J.Swaminathan & Biren De | | | |
| | | | |
| MARG: A Magazine of the Arts Vol. 26 | | Mulk Raj Anand | 1973 | MARG Publications |
| No.1: Treatment of Environment By the Mughals | Mulk Raj Anand | | | |
| Preliminary: Gardening and Waterr Sites of the Ancient Hindus | | | | |
| Part 1 | | | | |
| 1. Babur's Innovations | | | | |
| 2. Akbar | | | | |
| 3. Jehangir | | | | |
| 4. Shah Jehan | | | | |
| 5. Aurangzeb | | | | |
| Part 2- Tomb Gardens of the Mughals | | | | |
| 1. Under Akbar: Humayun's Tomb | | | | |
| 2. Akbar's Tomb at Sikandra | | | | |
| 3. Itmad-ud-daula under Jehangir and Nur Jahan | | | | |
| 4. Jehangir's Tomb | | | | |
| 5. Under Shah Jahan | | | | |
| Part 3- Indoor Water-devices in Palace Gardens of the Mughals: | R. Nath | | | |
| 1. Sikri | | | | |
| 2. Agra Fort | | | | |
| 3. Red Fort, Delhi | | | | |
| No.2: Editorial: Mohiniattam: Nature or Synthesis | Mulk Raj Anand | | | |
| I, The Charm of Mohiniattam | Y.G. Doraiswamy | | | |
| II. Myth | Kanak Rele | | | |
| III. The Origins | Kanak Rele | | | |
| IV. Historical Survey | Balakrishna Kurup | | | |
| V. Technique | | | | |
| VI. Repertoire | | | | |
| VII. The Three Surviving Traditional Dancers | | | | |
| VIII. Contemporary Exponents | | | | |
| IX. Costume and Makeup | | | | |
| X. Musical Content and Instruments | | | | |
| XI. Kamsa Natakam | Kanak Rele | | | |
| No.3: Editorial: Souvenirs of Madhya Pradesh Scuptures | Mulk Raj Anand | | | |
| I. Portfolio | Mulk Raj Anand | | | |
| II. Madhya Pradesh Sculpture Through the Ages | Prof. K.D. Bajpai | | | |
| 1. Historical | | | | |
| (i) Pre and Proto-history | | | | |
| (ii) Early History | | | | |
| (iii) The Gupta Period | | | | |
| (iv) Early Medieval | | | | |
| (v) Late Medieval | | | | |
| 2. Scupltural: | | | | |
| (i) Early Stages | | | | |
| (ii) Gupta Art | | | | |
| (iii) Medieval Sculpture | | | | |
| (iv) Jaina Pantheon | | | | |
| No.4: The Turkish Heritage in Painting | | | | |
| I. Portfolio | | | | |
| II. Development of Fourteenth-Fifteenth Century Painting in Khorasan, Iran and Turkey | Norah TItley | | | |
| III. Ottoman Turkish Miniatures | Filiz Cagman | | | |
| Book Supplement | | | | |
| MARG: A Magazine of the Arts Vol. 27 | | Mulk Raj Anand | 1973-1974 | MARG Publications |
| No.1: Editoral: A Foregtten Culture | Mulk Raj Ananda | | | |
| No.1 The Mask and the Smile: Chronology | | | | |
| No.1 The Glory that Was Angkor | T.Narayanan | | | |
| 1. Historical Background | | | | |
| 2. Civilization and Culture in the Mekong Valley | | | | |
| 3,The Thirteen Styles | | | | |
| 1. Ambor (Seventh Century A.D.) | | | | |
| 2. Prei Khmeng (first halfof eigth century .A.D.) | | | | |
| 3. Kompong Preah (Second half of the eigth century A.D.) | | | | |
| 4. Kulen (First half of the Ninth Century A.D.) | | | | |
| 5. Preah Koh (Second Half of the Ninth century A.D.) | | | | |
| 6.Bakong (Second Half of the Ninth Century A.D.) | | | | |
| 7. Phnom Bakheng (end of the ninth century and beginning of the tenth century A.D.) | | | | |
| 8. Koh Ker (about the middle of the tenth century A.D.) | | | | |
| 9.Banteay Sreay (second half of the tenth century A.D.) | | | | |
| 10. Kleang (End of the tenth century and first half of the eleventh century A.D.) | | | | |
| 11. Baphuon (second hald of the elevnth century A.D.) | | | | |
| 12. Angkor Wat (End of the eleventh and first half of the twelfth century A.D. | | | | |
| 13. Bayon (End of the twelfth and beginning of the thirteenth century A.D.) | | | | |
| No.2: Bangladesh Heritage | | | | |
| No.2: Green and Gold and Blue and Grey: The Background | Syed Ali Khan | | | |
| No.2: Architecture without Architects | | | | |
| No.2: Space Relations According to the law of the Near and Far | | | | |
| 1. Mahasthan | | | | |
| 2. Paharpur | | | | |
| 3. Mainamati | | | | |
| No.2: Return to the Native Country: Preliminary to Islamic Architecture | | | | |
| No.2: Islamic Architecture | | | | |
| 1. Mamluk Style | | | | |
| 2. The Ilyas Shahi Style | | | | |
| 3. The Classical Phase of Architecture in Guar | | | | |
| 4. The Husain Shahi Style | | | | |
| 5. Mughal Style | | | | |
| No.2: Regional Religious Architecture in Bengal: A Study of the Sources of Origin and Character | Hitearanjan Sanyal | | | |
| No.3: Preface | | | | |
| No,3: Buddhist Art In Licchavi Nepal | Pratyapaditya Pal | | | |
| A. Introduction | | | | |
| B. Buddhism in Licchavi Nepal and the Monastery | | | | |
| C. Licchavi Caitya | | | | |
| D. The Buddha Image | | | | |
| E. The Bodhisattvas | | | | |
| F. Conclusion | | | | |
| No.4: Editorial: Haryana Heritage | | | | |
| No.4: I: Pre-Historic | | | | |
| 1. Pre-Harappan | | | | |
| Banawali | | | | |
| Mitahal | | | | |
| 2. Harappan | | | | |
| Banawali | | | | |
| Mitahal | | | | |
| 3. Late Harappan | | | | |
| Daulatpur | | | | |
| II. Historical | | | | |
| 1.Raja Karna-ka-Qila | | | | |
| 2. Topra-Delhi Pillar of Ashoka | | | | |
| 3. Tosham | | | | |
| III. Early Medieval | | | | |
| 1. Thanesar | | | | |
| 2. Kalayar | | | | |
| 3. Pinjuar Sculptures | | | | |
| 4. Asthal Bohr (Rohtak) | | | | |
| 5. Remains of Fortifications | | | | |
| 6. Suraj Kund | | | | |
| 7. The Sun Image | | | | |
| 8.Hansi | | | | |
| IV.Medieval | | | | |
| 1. Fatehabad | | | | |
| 2. Tosham | | | | |
| 3. Jhajjar | | | | |
| 4. The Lat of Firoz Shah at Fatehabad | | | | |
| 5. Hansi | | | | |
| 6. Narnaul | | | | |
| 7. Pinjaur Garden | | | | |
| 8. Tomb of Sheikh Chilli | | | | |
| 9. Paintings and Marble screen in the Dargah-i-Qalandar | | | | |
| 10. Farouknagar | | | | |
| 11. Sohna | | | | |
| 12. Badkal Lake | | | | |
| MARG: A Magazine of the Arts Vol. 28 | | Mulk Raj Anand | 1974-1975 | MARG Publications |
| No.1: Editorial: Folk Art Versus Fine Art | | | | |
| I. The Background | | | | |
| II. The Art of Living in the Punjab VIllage | | | | |
| 1. The House | | | | |
| 2. Carpentry | | | | |
| 3. Pottery | | | | |
| 4. Weaving | | | | |
| 5. Embroidery | | | | |
| 6. Utensil making | | | | |
| 7. Leatherwork | | | | |
| No.2: Pahari Miniatures: A Concise History | W.G. Archer | | | |
| No.2: Introduction | | | | |
| 1. Mankot and Basohli | | | | |
| 2. Kulu | | | | |
| 3. Jammu, Jasrota, Bhota and Bandralta | | | | |
| 4. Mandi, Kahlur, Baghal, Hindur and Suket | | | | |
| 5. Nurpur and Chamba | | | | |
| 6. Guler, Garhwal and Sirmpur | | | | |
| 7. Kangra, Siba and Datarpur | | | | |
| No.2: Book Supplement | | | | |
| No.3: Editorial: Homage to Amir Khusrau | Mulk Raj Anand | | | |
| No.3: I: Persian Paintings of the 14th, 15th, 16th Centuries and it's influence on Indian Painting | Norah Titley | | | |
| No.3: II: Miniature Paintings Illustrating the Works of Amir Khusrau: 15th, 16th, 17th Centuries | Norah Titley | | | |
| No.4: Editorial: Bhimbetka | | | | |
| No.4: I: Pre-Historic Cave Paintings | V.S. Wakankar | | | |
| No.4: II: Indian Rock Paintings- Study in Symobology | S.K.Pandey | | | |
| | | | |
| MARG: A Magazine of the Arts Vol. 29 | | Mulk Raj Anand | 1975-1976 | MARG Publications |
| No.1: Editorial: Haryana Crafts | Mulk Raj Anand | | | |
| No.1: I: Sheafs Gleaned from the Harvests in Haryana | | | | |
| No.1: II: Rhythm of Life in Crafts | | | | |
| 1. Building | | | | |
| 2. Pots and Pans | | | | |
| 3. The Warp and the Woof | | | | |
| 4. The Needle and Thread | | | | |
| 5. Jewellery | | | | |
| 6. Decorative Art or Rhytmic Vitality | | | | |
| 7. Leather Work | | | | |
| No.2: Editorial: The Green City | Mulk Raj Anand | | | |
| No.2: I: Splendours of Samarkand Architecture | Prof. Pugacinkova | | | |
| No.2: II: Monuments | | | | |
| 1. Shah Zindeh | | | | |
| 2. Bibi Khanum | | | | |
| 3. Gur Emir | | | | |
| 4. Registan | | | | |
| a. Ulug Beg | | | | |
| b. Shir Dor | | | | |
| c. Tillya Kari | | | | |
| 5. Abdu-Darun | | | | |
| 6. Ishrat Khan | | | | |
| 7. Ak-Serai | | | | |
| No.3: Introduction | Richard Ettinghausen | | | |
| No.3: Sources of Arab Painting | Marg | | | |
| No.3: Arab Painting, 358 A.H./996 A.D.- 1112 A.H./1700 A.D. | David James | | | |
| No.3: Introduction | | | | |
| 1. Fatimid Painting, 358 A.H./969 A.D. - 567 A.H./1171 A.D. | | | | |
| 2. Syria and Mesopotamia- 545 A.H./1150 A.D.- 654 A.H./1128 A.D. | | | | |
| Southern Mesopotamia | | | | |
| The Baghdad Maqamat Manuscripts, Mosul. | | | | |
| 3. Developments after 656 A.H./1258 A.D. | | | | |
| 4. The Bahri Mamluks 648 A.H./1250 A.D. - 792 A.H./1390 A.D. | | | | |
| 5. Spain and North Africa. | | | | |
| North Africa. | | | | |
| 6. Painting after- 772 A.H./1370 A.D. | | | | |
| Foreign Influence | | | | |
| Christian Painting | | | | |
| New Styles | | | | |
| No.4: Indian Art in The Victoria and Albert Museum | John Irwin | | | |
| 1. Phase 1: 1791-1858 | | | | |
| 2. Phase 2: 1858-1879 | | | | |
| 3. Phase 3: 1879-1911 | | | | |
| 4. Phase 4: 1911-1949 | | | | |
| 5. Phase 5: 1949-1975 | | | | |
| No.4: The Human Form in Indian Sculpture | John Irwin | | | |
| No.4: Notes By Marg | | | | |
| (a). The Treatment of Space in Indian Painting | | | | |
| (b). Paintings of the Hamza Nama | | | | |
| (c) Paintings of the Akbar Nama | | | | |
| No.4: Indian Textiles in Historical Perspective | John Iriwn | | | |
| No.4: Fremlin Carpets | John Irwin | | | |
| No.4:Shah Jehan's Cup | S.D. | | | |
| MARG: A Magazine of the Arts Vol. 30 | | Mulk Raj Anand | 1976-1977 | MARG Publications |
| No.2: Bilzad and the Herat Renaissance | MARG | | | |
| No.2: The Sources of poetic imagination in the Fifteenth Century Persian Painting | Mulk Raj Anand | | | |
| No.2: Fifteenth Century Persian Miniature Painting | Norah Titley | | | |
| No.2: Herat Under the Timurid Sultan Husayn Beyqara | Basil Gray | | | |
| No.2: Bihzad: An Album | Mulk Raj Anand | | | |
| No.2: Bihzad and His School | B.W. Robinson | | | |
| No.3: Homage to Amritsar | Mulk Raj Anand | | | |
| No.3: The Pool of Nectar | K.C. Aryan | | | |
| No.3: Sri Hari Mandir Sahib: Evolution of the Shrine | Madanjit Kaur | | | |
| No.3: Art and Architecture of the Golden Temple | | | | |
| No.3: Akal Takht | | | | |
| No.3: Gurudwara Baba Atal Sahib | Kunwarjit Kang | | | |
| No.3: Painting and Prayer: A Note on the Heiratic Pictorial Art under the Sikhs | Mulk Raj Anand | | | |
| No.3: Survivals of the Wall Paintings in Amritsar | Kanwarjit Kang | | | |
| No.3: Janam Sakhis: A Guler Series | MARG | | | |
| No.3: Paintings under court Patronage, Folk Paintings | K.C. Aryan | | | |
| No.3: Metalware, Woodwork and Ivories | K.C. Aryan | | | |
| No.4: Homage to Jaipur | | | | |
| No.4: I: An Epistle Dedicatory to the Master Builder Sawai Jai SIngh | Mulk Raj Anand | | | |
| No.4: II: Architecture | | | | |
| 1. The Dream and the Plan | Ashim Kumar Roy | | | |
| 2. Album: Amber to Badal Mahal | | | | |
| 3. 'A Filigree city spun out of Nothingness' | Satish Davar | | | |
| 4. Jantar Mantar: Time, Space and Deity | Mulk Raj Anand | | | |
| No.4: III: Sanskriti: Cultivation of the Soil | | | | |
| 1. Albums of Wall Paintings | Kunwarjit Kang | | | |
| 2. Miniatures | Ashok Kumar Das | | | |
| 3. Costumes and Textiles | Chandramani | | | |
| 4. Enamels and Jewellery | Jamila Brij Bhushan | | | |
| | | | |
| MARG: A Magazine of the Arts Vol. 31 | | Mulk Raj Anand | 1977-1978 | MARG Publications |
| No.1: Editorial: In Praise of Hoysala Art | Mulk Raj Anand | | | |
| No.1: The Hoysala Legacy | Robert J.Del Bonta | | | |
| 1. Historical Background | | | | |
| 2. Stylistic Background | | | | |
| 3. The Architectural Style | | | | |
| (a). The Temple Plan | | | | |
| (b) Spatial Organization within the Compound | | | | |
| (c) Articulation of the Wallsl | | | | |
| 4. The Artists | | | | |
| 5. A Note on Iconography | | | | |
| 6. The Hoysala Legacy | | | | |
| No.1: Notes on Plates | Carmel Berkson | | | |
| No.2: Editorial- Glimpses of Wonder and Beauty- Indian Heritage | | | | |
| I. The Nude Godess in Indian Art | H.D. Sankalia | | | |
| II. Warli Pictographs | Pupul Jayakar | | | |
| III. The Best of Lovers- the Krishna Lila | Mulk Raj Anand | | | |
| IV. Souvenirs from Indian Jade | M.L. Nigam | | | |
| V. A Dream House in the Rocks- the Vision of Mehdi Nawaz Jung | Mulk Raj Anand | | | |
| VI. The Camera Eye- Six Visionaries | | | | |
| VII. Some new trends in Indian Sculpture | Janak Jhankar Narzary | | | |
| VIII. New Contemporaries | Gulam Mohammed Sheikh | | | |
| No.3: Editorial: Homage to Dinkar Kelkar | Mulk Raj Anand | | | |
| No.3: The House | Mulk Raj Anand | | | |
| a. Music | | | | |
| b. Toilet | | | | |
| c. Cooking | | | | |
| d. Working | | | | |
| e. Leisure | | | | |
| No.3: My Past is my Future | Dinkar Kelkar | | | |
| I. Daily Worship: The Icons and Ritual Accesories | | | | |
| II. The Light: Lamps of the Temple and the House | | | | |
| III, Wood Carving | | | | |
| IV. Artifacts for use in Writing: Ink wells and Pen Cases | | | | |
| V. The Culture of Tambula: Betel boxes, Lime containers and Nut-crackers | | | | |
| VI. Artefacts of Beauty Culture: Vajris, combs and Textiles | | | | |
| VII. Miscellaneous Utilities: | | | | |
| a. Kitchen utensils and implements | | | | |
| b. Smoking Pipes | | | | |
| c. Spitoons | | | | |
| d. Gunpowder Cases | | | | |
| e. Locks | | | | |
| f. Musical Instruments | | | | |
| g. Indoor Games | | | | |
| VIII. The Gaitra-Gauri Pata | Jutta-Jain Neubauer | | | |
| No.4: Editorial: Homage to Kalamkari | Mulk Raj Anand | | | |
| No.4: I: Towards a definition of Kalamkari | Lotika Varadarajan | | | |
| No.4: II: Gaiety in Colour and Form: Painted and Printed Cloths | Pupul Jayakar | | | |
| No.4: III: Spring Feeling: The Vasanta Vilasa (three vignettes) | Saryu Doshi | | | |
| No.4: IV: Painted Banners on Cloth: | | | | |
| 1. Vividha-tirtha-pata of Ahmedabad | Sridhar Andhare | | | |
| 2. The Pancha-kalyanaka Pata, School of Aurangabad | Saryu Doshi | | | |
| No.4: V: Dazzling to the Eye: Pichhvais from the Deccan | Saryu Doshi | | | |
| No.4: VI: Matano Chandarvo: Textile pieces for godess worship in Gujarat | Eberhard Fischer, Jyotindra Jain & Haku Shah | | | |
| No.4: VII: Patachitra of Orissa | J.P. Das | | | |
| No.4: VIII:The Significance of Chintz | John Irwin | | | |
| No.4: IX: Some Important Indian Chintzes | Katherine Brett | | | |
| No.4: X: Painters of Cotton: A Note on the Floorspread in the collection of the Victoria and Albert Museum, London | | | | |
| N.4: XI: Kalamkari: Transformation | Nelly Sethna, Yashodara Dalmia | | | |
| MARG: A Magazine of the Arts Vol. 32 | | Mulk Raj Anand | 1978-1979 | MARG Publications |
| No.1: Editorial: In Praise of Aihole, Badami, Mahakuta and Pattadakal | Mulk Raj Anand | | | |
| No.1: The Continuity of Symbols and Images | Mulk Raj Anand | | | |
| No.1: Roots, Relations and Relevance: The Chalukyan Backdrop | Mulk Raj Anand | | | |
| No.1: Temples of Early Chalukyas: Aihole, Badami, Mahakuta, and Pattadakal | George Mitchell | | | |
| No.2: Editorial: In Praise of Kerala Heritage | | | | |
| No.2: Architectural Developments of Kerala Temples | Ronald Bernier | | | |
| No.2: The Tradition of Wall Painting in Kerala | Mulk Raj Anand | | | |
| No.2: The Theatre of the Imagination | | | | |
| 1. Kathakali: The Sacred Dance: Drama of Kerala | Sunil Kothari | | | |
| 2. Kudiyattam: Fantasy and Poetry in Dance | D. Appukuttam Nair | | | |
| 3. Mohiniattam: The Dance of the Enchantress | Geeta Radhakrishna | | | |
| 4. Ecstasy of the Folk Dance: Mystical Rhythms of the Village Community | Kavalam Naryana Panikkar | | | |
| No.2: The Mosques of Kerala | T.P. Kuttiaummu | | | |
| No.2: The Synogogue: The Jewish Heritage | Carmel Berkson | | | |
| No.2: The Churches: Christian Heritage | D.Babu Paul | | | |
| No.3: Editorial: In Praise of Bharat Natyam | Mulk Raj Anand | | | |
| No.3: Spritual Background | Rukmini Devi | | | |
| No.3: Musical Content | Prof P.Sambamoorti | | | |
| No.3: History, Roots, Growth & Revival | Sunil Kothari | | | |
| No.3: Nritta | Sunil Kothari | | | |
| No.3: Nritya | Sunil Kothari | | | |
| No.3: Repertoire | E. Krishna Iyer | | | |
| No.3: Natya | Sunil Kothari | | | |
| No.3: Mysore School of Bharat Natyam | Sunil Kothari | | | |
| No.3: Guruparampara | Sunil Kothari | | | |
| No.3: Contemporaries | Sunil Kothari | | | |
| No.4: Editorial: In Praise of Christian Art in Goa | Mulk Raj Anand | | | |
| No.4: Portfolio | | | | |
| No.4: Shrines and Mansions of Goa | Jose Pereira | | | |
| 1. Panorama of Indian Baroque | | | | |
| 2. Rome of Asia | | | | |
| 3. Lost Seminary of Goa's Culture: Sao Paulo de Los Arcos | | | | |
| 4. Masterpiece of Indian Baroque: The Santana at Tallauli | | | | |
| 5. Rococo Goa | | | | |
| 6. Retables | | | | |
| MARG: A Magazine of the Arts Vol. 33 | | Mulk Raj Anand | | MARG Publications |
| No.1: Warp and Woof | Mulk Raj Anand | | | |
| No.1: The Story of the Calico Museum | Martand Singh | | | |
| No.1: Costumes through the Ages | Dr. Moti Chandra, Saryu Doshi & Marg | | | |
| No.1: Indian Textiles through the century | Pupul Jayakar | | | |
| No.1: The Romance of Indo-European Textile Trade | Marg | | | |
| No.2: Editorial: Splendours of Tamil Nadu | Mulk Raj Anand | | | |
| No.2: Tamil Temple Architecture and Art | K.V. Soundara Rajan | | | |
| No.2: On going Tamil Nadu Sculpture | Marg | | | |
| No.2: South Indian Bronzes | C. Sivaramamurthy | | | |
| No.2: Tamil Paintings | R.Nagaswamy | | | |
| No.3: Editorial: In Praise of Gomateshwara Shravana Belgola | Mulk Raj Anand | | | |
| No.3: The Pilgrim's Path at Shravana Belgola | Saryu Doshi | | | |
| No.3: The Three Jewels of Jain Philosophy | T.G. Kalghatgi | | | |
| No.3: The Legend of Bahubali, the Quintessence of Quest and Conquest | L.C. Jain | | | |
| No.3: Shravana Belgola in Legend and History | L.K. Srinivasan | | | |
| No.3: The Mahamastakabhisheka | Vilas A. Sanghave | | | |
| No.3: The Art Treasures of Shravana Belgola | Saryu Doshi | | | |
| No.3: Jain Metal Images from the Deccan Karnataka | Sadashiv Gorakshkar | | | |
| No.4: The RIse and Fall of the Vijayanagara Empire | Mulk Raj Anand | | | |
| No.4: History and Myth (Part I) | George Mitchell | | | |
| No.4: Man in Nature- Town Planning (Part II) | George Mitchell | | | |
| No.4: From Power to Pleasure (Part III) | George Mitchell | | | |
| No.4: God and Men (Part IV) | George Mitchell | | | |
| No.4: Muslim Influence (Part V) | Antony Hutt | | | |
| MARG: A Magazine of the Arts Vol. 34 | | Mulk Raj Anand | | MARG Publications |
| No.1: Editorial: Maharjah Ranjit Singh as Patron of the Arts | Mulk Raj Anand | | | |
| No.1: Transformation of Folk Images into Awareness of Beauty in Art Expression | Mulk Raj Anand | | | |
| No.1: Architecture | M.R.A. | | | |
| No.1: Wall Paintings under the Sikhs | Kanwarjit Singh Kang | | | |
| No.1: A Matter of Taste: Some Notes on the Context of Painting in Sikh Punjab | B.N. Goswamy | | | |
| No.1: Changing Faces of Maharajah Ranjit Singh in Sikh Punjab | Man Mohan Singh | | | |
| No.1: Maharajah Ranjit Singh's Court: Painters and the Painted | Man Mohan Singh | | | |
| No.2: Shivaji- The Founder of the Maratha Kingdom | A.R. Kulkarni | | | |
| No.2: Temple Architecture | M.S. Mate | | | |
| No.2: Maratha Manors | G.H. Khare | | | |
| No.2: Tradition of Painting- it's origin and continuity | M.S. Mate | | | |
| No.2: Miniature Painting | M.S. Mate | | | |
| No.2: Mural Tradition | Kamal Chavan | | | |
| No.2: The Tanjore Marathas | R.Nagaswamy | | | |
| No.3: Performing Arts- A Definition | Narayana Menon | | | |
| No.3: Gita Govinda- Processes of Diffusion | Kapila Vatsyayan | | | |
| No.3: Bharata Natyam | T.Balasaraswati | | | |
| No.3: Kalarpayattu of Kerala | G. Sankara Pillai | | | |
| No.3: Martial Dances of Manipur | E. Nilakanta Singh | | | |
| No.3: Gods and Ghosts- Teyyam and Bhuta Rituals | Bulan Nambiar | | | |
| No.3: Chaitra Parva Rituals- Chhau Dances | Mohan Khokar | | | |
| No.3: Indian Theatre Today- Grappling with New Realities | Kumud Mehta | | | |
| No.4: From The Editor | | | | |
| No.4: Architectural Decoration and Clothing Convention | Jan Pieper | | | |
| No.4: Temple Terracotta Decoration: Interaction between monumental and vernacular traditions | George Michell | | | |
| No.4: Traditional Woodwork in Secular Architecture | V.S. Pramar | | | |
| No.4: Wall Decorations of a Mobile People | Jutta Jain-Neubauer & Jyotindra Jain | | | |
| No.4: Haveli Facades: Concepts of Embellishments | Kulbhushan Jain | | | |
| No.4: Traditional Motifs in house ornamentation | G.K. Kanhere | | | |
| No.4: Newar Widows as elements of Architecture | Niels Gutschow | | | |
| No.4: Barber Shops of Madurai | Jan Pieper | | | |
| MARG: A Magazine of the Arts Vol. 35 | | Dr Saryu Doshi | | MARG Publications |
| No.1: From the Editor | | | | |
| No.1: Vestiges of Buddhist Art | S.Nagaraja | | | |
| No.1: Jaina Centre of Worship | Saryu Doshi and A.Sundara | | | |
| No.1: The Hindu Heritage | L.K. Srinivasan | | | |
| No.1: Traditions in Painting | B.V.K. Sastry | | | |
| No.1: The Islamic Legacy | Catherine B.Asher | | | |
| No.1: Monuments of Tipu Sultan | Radhika Sabavala | | | |
| No.2: The Heritage of Islamic Art in India | Karl Khandalavala | | | |
| No.2: The Snake and the Camel-Rider | Rai Anand Krishna | | | |
| No.2: Illustrated Islamic Manuscripts | Narindar Nath and Karl Khandalavala | | | |
| No.2: Indo-Islamic Arms & Armour | G.N. Pant | | | |
| No.2: Indo-Islamic Metal and Glassware | Jagdish Mittal | | | |
| No.2: Islamic Coinage in India | R.Vanaja | | | |
| No.2: The Mughal Jades of India | M.L.Nigam | | | |
| No.2: Glimpses of Muslim Architecture in India | R.Nath | | | |
| No.3: Introduction | Saryu Doshi | | | |
| No.3: The Hindu Past: Sculpture and Architecture | Gritli V.Mittervallner | | | |
| No.3: Temple Sanctuaries: Expressions of Devotion | Saryu Doshi & P.P. Shirodkar | | | |
| No.3: Christian Impress: Churches and Cloisters | J.Velinkar, S.J. | | | |
| No.3: Icons of Faith: Wood and Ivory | Kalpana S.Desai | | | |
| No.3: Of Silks and Embroidery: Indo-Portuguese Textiles | Lotika Varadrajan | | | |
| No.4: Continuity and Change: The Festival of India in Great Britain | | | | |
| No.4: Introduction | Saryu Doshi | | | |
| No.4: Ganjifa: The Playing Cards of India | Rudolph Von Leyden | | | |
| No.4: In the Image of Man: The Indian Perception of the Universe through 2000 years of Painting and Sculpture | Kapila Vatsyayan, Thomas Stuart Maxwell, George Michell, Linda Leach | | | |
| No.4: The Indian Heritage: Court Life and Arts under Mughal Rule | Rosemary Crill | | | |
| No.4: Six Indian Painters: Rabindranath Tagore, Jamini Roy, Amrita Sher-Gill, M.F. Husain, K.G. Subrmanyam, Bhupen Khakhar | Geeta Kapur | | | |
| No.4: Aditi | Priya Devi and Rajiv Sethi and Priya Devi | | | |
| No.4: The Living Arts of India: Craftsmen at Work | Swantantrata Prakash, Colin Ford | | | |
| No.4: The Master Weavers | Jyotindra Jain | | | |
| MARG: A Magazine of the Arts Vol. 36 | | Dr Saryu Doshi | | MARG Publications |
| No.1: Introduction | Saryu Doshi | | | |
| No.1: Continuity and Change | Mildred Archer | | | |
| No.1: The Art of the Book in India | Jeremiah P.Losty | | | |
| No.1: Contemporary Indian Art | Geeta Kapur | | | |
| No.1: Indian Art at Oxford | Ebraham Alkazi, Brian Durrans | | | |
| No.1: Vasna: Inside an Indian Village | Brian Durrans, Haku Shah | | | |
| No.1: Design In India | Nimesh Bhatt and S.Balaram | | | |
| No.2: Introduction: The Identity Crisis in the Visual and Performing Arts | Saryu Doshi | | | |
| No.2: Painting: Paintings and Sketches of Nandalal Bose | Ratan Parimoo | | | |
| No.2: Iconography: Metamorphosis in Myth, composite and animal forms in Vaishnava Art | Nandini and Haridas Swali | | | |
| No.2: Metalware: Ornamental Pandans of the Mughal Age | Mark Zebrowski | | | |
| No.2: Dance: Dance in Tradition, The Pioneers | Mohan Khokar | | | |
| No.3: Introduction | | | | |
| No.3: Manuscript Tradition | | | | |
| No.3: Miniature Painting | | | | |
| 1. Early Articulations: 1050-1350 A.D. | | | | |
| 2. Regional Interpretations: 1350-1550 A.D. | | | | |
| No.3: Legends | | | | |
| 1. Adi-Purana | | | | |
| 2. Kalpa Sutra | | | | |
| No.4: Introduction | Saryu Doshi | | | |
| No.4: Everyday Art | Anjali Munshi | | | |
| No.4: Crafts | Roshan Kalapesi | | | |
| No.4: Coins | Kalpana Desai | | | |
| No.4: Jewellery | R.S. Morwanchikar | | | |
| No.4: Ancient Metal Images | S. Gorakshkar | | | |
| No.4: Miniature Paintings | Saryu Doshi | | | |
| No.4: Contemporary Art | Baburao Sandwelkar | | | |
| | | | |
| MARG: A Magazine of the Arts Vol. 37 | | Dr Saryu Doshi | | MARG Publications |
| No.1: Introduction | Surya Doshi | | | |
| No.1:Rock-cut Temples | Karl Khandalavala | | | |
| No.1: Ancient Structures | A.P. Jamkhedkar | | | |
| No.1: Medieval Monuments | Shankar Menon | | | |
| No.1: Bombay | | | | |
| 1. Perspective | P.M. Joshi and S.S. Rege | | | |
| 2. Landmarks | Foy Nissen | | | |
| 3. Charisma | Behram Contractor | | | |
| No.2: Foreword | George A.Sioris | | | |
| No.2: Introduction | Saryu Doshi | | | |
| No.2: The Sublime and the Infinite | Lokesh Chandra | | | |
| No.2: Traditions | | | | |
| 1. The Emblems of Empire | R.Vanaja | | | |
| 2. Prophesy of Planets | M.C. Joshi | | | |
| 3. The Arrested Moment | Lolita Nehru | | | |
| No.2: A Cultural Diffusion | Chhaya Haesner | | | |
| No.3: Preface | George Michell | | | |
| No.3: Introduction | Annemarie Schimmel | | | |
| No.3: Chronological Maps and Chart | | | | |
| 1. Bahmani Coinage | Marie H.Martin | | | |
| 2. Daulatabad | John Burton-Page | | | |
| 3. Gulbarga | Elizabeth Merklinger | | | |
| 4. Bidar | George Michell | | | |
| 5. Bijapur | John Burton-Page | | | |
| 6. Golconda and Hyderabad | George Michell | | | |
| No.4: Guest Editor's Preface | | | | |
| No.4: Introduction | Pratapaditya Pal | | | |
| No.4: Charles Lang Freer (1856-1919) | Robert E.Fisher | | | |
| No.4: Avery Brundage (1887-1975) | Clarence F.Shangraw | | | |
| No.4: John D.Rockefeller, 3rd (1906-1978) | Robert L.Brown | | | |
| No.4: Selections from the Pan-Asian Collection | Pratapaditya Pal | | | |
| | | | |
| MARG: A Magazine of the Arts Vol. 38 | | Pratapaditya Pal | | MARG Publications |
| No.1: Nasli M.Heeramaneck (1902-1971) | Nancy Thomas | | | |
| No.1: Edward Binney, 3rd (1925-1986) | Thomas W.Lentz,Jr. | | | |
| No.1: Norton Simon (1907- ) | Pratapaditya Pal | | | |
| No.2: The Study of Fatehpur-Sikri | Milo C.Beach | | | |
| No.2: Urban Structures and Functions | Glenn D.Lowry | | | |
| No.2: The Geometry of Power: The City's Planning | Attilio Petruccioli | | | |
| No.2: The Imperial Capital | John.F.Richards | | | |
| No.2: The Economic and Social Setting | Irfan Habib | | | |
| No.2: The City as an Intellectual Center | Bruce B.Lawrence | | | |
| No.2: The City as an Artistic Center | Micheal Brand | | | |
| No.2: Conserving Fatehpur-Sikri: The Designer's Role | Ashoke Chatterjee | | | |
| No.3: A Glorious Awakening | Karl Khandalavala and Saryu Doshi | | | |
| No.3: Sculptures | Karl Khandalavala and Archana Roy | | | |
| No.3: Terracottas | Karl Khandalavala and Archana Roy | | | MARG Publications |
| No.3: The Tradition of Manuscript Illumination | Saryu Doshi | | | MARG Publications |
| No.4: Differing Concepts of Art: An Introduction | Ursula Bickelmann | | | |
| No.4: Remembering The Encounter | Nissim Ezekiel | | | |
| No.4: Art- East and West | George Lechner | | | |
| 1. Ernst Fuchs | | | | |
| 2. S.H. Raza | | | | |
| 3. Bikash Bhattacharjee | | | | |
| 4. Mark Prent | | | | |
| 5. Francis Newton Souza | | | | |
| 6. Peter Nagel | | | | |
| 7. Piloo Pochkhanawala | | | | |
| 8. Balan Nambiar | | | | |
| 9. G.R. Santosh | | | | |
| 10. Jeram Patel | | | | |
| 11. Wolfgang Laib | | | | |
| 12.Peter Kinley | | | | |
| 13. Claude Lagoutte | | | | |
| 14. Manjit Bawa | | | | |
| MARG: A Magazine of the Arts Vol. 39 | | Karl Khandalavala, Roshan Sabavala, Sadashiv Gorakshar | | MARG Publications |
| No.1: Introduction | Kapila Vatsayayan | | | |
| No.1: Patronage Under The Medici and The Mughals Cultural Parallels and Artistic Exchanges | Dalu Jones | | | |
| No.1: Pietre Dure and Other Artistic Contracts Beteween The Court of The Mughals and That of of The Medici | Ebba Koch | | | |
| No.1: The CIty as an Image of the King- Some notes on the Town-Planning of Mughal Capitals in the Sixteenth an Seventeenth Centuries | Attilio Petruccioli | | | |
| No.1: Hanging Gardens In the Princely Capitals of Rajasthan and In Early Renaissance Italy Sacred Space, Earthly Paradise, Secular Ritual. | Jan Pieper | | | |
| No.1: Metaphysical And Ephemeral Architeture | Guisto Puri Purini | | | |
| No.2: Patron, Artist and Temple- An Introduction | Vidya Dehejia | | | |
| No.2: Munificient Monarch and a Superior Sculptor- Eighth Century Chamba | Pratapaditya Pal | | | |
| No.2: Inspired Patron of Himalayan Art- Eighth Century Kashmir | Robert E.Fisher | | | |
| No.2: Kalachuri Monarch and His Circular Shrine of Yoginis- Tenth Century Bheraghat | Vidya Dehejia | | | |
| No.2: Lord of Kalanjara and His Shrine of the Emerald Linga- Eleventh Century Khajuraho | Devangana Desai | | | |
| No.2: Scholar Emperor and a Funerary Temple | Kirit Mankodi | | | |
| No.3: Maps | | | | |
| No.3: Historical Context | John Burton-Page | | | |
| No.3: Urban Context | R.N. Mehta & Rasesh Jamindar | | | |
| No.3: Mosques and Tombs | John Burton-Page | | | |
| No.4: A Pre-Kushan Buddha Image from Mathura | Pratapaditya Pal | | | |
| No.4: A Gandharan Bronze Buddha Statuette: It's Place in the Evolution of the Buddha Image in Gandhara | Martha L.Carter | | | |
| No.4: The Case of the two Witnesses to Buddha's Enlightenment | Janice Leoshko | | | |
| No.4: The Pesistence of Buddhism in Tamilnadu | Vidya Dehejia | | | |
| MARG: A Magazine of the Arts Vol. 40 | | Karl Khandalavala, Roshan Sabavala, Sadashiv Gorakshar | 1988-1989 | MARG Publications |
| No.1: Introduction | Janice Leoshko | | | |
| No.1: The Mahabodhi Temple | Geri H.Malandra | | | |
| No.1: The Vajrasana Buddha | Janice Leoshko | | | |
| No.1: Gaya: Monuments of the Pilgrimage Town | Frederick M.Asher | | | |
| No.1: Bodhgaya and South-east Asia | Robert L.Brown | | | |
| No.2: The Enigma of Harwan | Robert E.Fisher | | | |
| No.2: Buddhist Architecture | Robert E.Fisher | | | |
| No.2: Stone Temples | Robert E.Fisher | | | |
| No.2: Early Stone and Terracotta Sculpture | John Siudmak | | | |
| No.2: Kashmir and the Tibetan Connection | Pratapaditya Pal | | | |
| No.4: Introduction | Pauline Rohatgi & Pheroza Godrej | | | |
| No.4: The Peoples of India | Mildred Archer | | | |
| No.4: A Floral Paradise | Ray Desmond | | | |
| No.4: William Hodges and the Daniells at Agra | Pauline Rohatgi | | | |
| No.4: The Tipu Mania: Narrative Sketches of the Conquest of Mysore | Anne Buddle | | | |
| No.4: The Travels of Henry Salt And Lord Valentia In India | Pheroza Godrej | | | |
| MARG: A Magazine of the Arts Vol. 41 | | Karl Khandalavala, Roshan Sabavala, Sadashiv Gorakshar | 1990 | MARG Publications |
| No.1: Introduction | Paulin Rohatgi and Pheroza Godrej | | | |
| No.1: A Bountiful Ark | Ray Desmond | | | |
| No.1: Amatuer Artists in Western India: James Forbes and Robert Melville Grindlay | Pauline Rohatgi | | | |
| No.1: Eating Habits of the British In India | Shalini Devi Holkar | | | |
| No.1: Some Monuments of Old Madras | S.Muthiah and Pauline Rohatgi | | | |
| No.1: A Gallery of Governors-General | Pheroza Godrej | | | |
| No.2: Editorial | Saryu Doshi | | | |
| No.2: Introduction | Kapila Vatsyayana | | | |
| No.2: History: The Celestial Inheritage | E. Nilakanta Singh | | | |
| No.2: Lai-Haroba: The Gods Rejoice | R.K. Achoubsiana SIngh | | | |
| No.2: Sankirtan: The Dance of Devotion | Surachand Sharma | | | |
| No.2: Rasa-Lila: The Sacred Circle | Angana Jhaveri | | | |
| No.2: Technique: Choreographic Content | Ranjana Jhaveri and Darshana Jhaveri | | | |
| No.2: Abhinaya: The Aesthetics of Expression | Guru Bipin Singh and Kalavati Devi | | | |
| No.3: Introduction | Sheila R.Canby | | | |
| No.3: "Zenith of the Time" The Painter Pir Ahmed Bagshimali | B.W. Robinson | | | |
| No.3: Siyah Qalam | J.M. Rogers | | | |
| No.3: Changing Worlds: Bihzad and the New Painting | Thomas W.Lentz | | | |
| No.3: Sultan Mohammed Tabrizi: Painter at the Safavid Court | Priscilla Soucek | | | |
| No.3: Age and Time in the Work of Raza | Sheila R.Canby | | | |
| No.4: Kali, Calcutta, and Kalighat Pictures | Pratapaditya Pal | | | |
| No.4: Indian Artists and British Patrons in Calcutta | Pratapaditya Pal | | | |
| No.4: Early Photography in Calcutta | SIddharth Ghosh | | | |
| No.4: Calcutta and the Early Growth of the Bengal School of Painting | Amita Ray | | | |
| MARG: A Magazine of the Arts Vol. 42 | | Karl Khandalavala, Roshan Sabavala, Sadashiv Gorakshar | | MARG Publications |
| No.1: Foreword | Roy C.Craven, Jr. | | | |
| No.1: The Reign of Raja Dalip Singh (1695-1741) and the Siege of Lanka Series of Guler | Roy C.Craven, Jr. | | | |
| No.2: Foreword | | | | |
| No.2: Myths, Legends and History | | | | |
| No.2: Dance Sculptures | | | | |
| No.2: The Palm-leaf Manuscripts and the Sangita Texts | | | | |
| No.2: The Living traditions: The Maharis and the Gotipuas | | | | |
| No.2: Contemporaries | | | | |
| No.3: Editorial | Karl Khandalavala | | | |
| No.3: The Rulers of the Gupta Dynasty | Parmeshwari Lal Gupta | | | |
| No.3: Towards Understanding Gupta Sculpture | J.C. Harle | | | |
| No.3: Buddhist and Brahmanical Gupta Sculptures from Mathura | R.C. Sharma | | | |
| No.3: Jaina Art of the Gupta Period | M.N.P. Tiwari | | | |
| No.3: Gupta Coinage | R.Vanaja | | | |
| No.3: Gupta Bronzes | Sadashiv Gorakshar | | | |
| No.3: Kalidas in the Light of Gupta Art | D.C. Bhattacharya | | | |
| No.3: Dinna-The Mathura-Gupta Artist | Savitri Subrahmanyam | | | |
| No.4: Introduction | Pratyapaditya Pal | | | |
| No.4: Basawan | Anima Okada | | | |
| No.4: Miskin | Philippa Vaughan | | | |
| No.4: Mansur | Ashok Kumar Das | | | |
| No.4: Manohar | Terence McInerney | | | |
| MARG: A Magazine of the Arts Vol. 43 | | Karl Khandalavala, Roshan Sabavala, Sadashiv Gorakshar | 1991 | MARG Publications |
| No.1: Introduction | Ernst J.Grube | | | |
| No.1: Burzoy's/Burzayah's Voyage to India | | | | |
| No.1: The Panchatantra: From India to the West- and Back. | | | | |
| No.1: The Earliest Illustrations to Kalilah wa Dimmah | Julian Raby | | | |
| No.1: The Early Illustrated Kalilah Wa Dimnah Manuscripts | Ernst J.Grube | | | |
| No.1: The Istanbul University Library Kalilah wa Dimnah and other 14th century Persian Manuscripts | Ernst J.Grube | | | |
| No.2: Introduction | George Michell | | | |
| No.2: Vahanas: Conveyors of the Gods | Joanne Punzo Wagborne | | | |
| No.2: Chariot Panels from Tamil Nadu | George Michell | | | |
| No.2: Doors and Woodcrafts of Chettinad | Deborah Thiagarajan | | | |
| No.3: Christian Altar Figures | George Michell | | | |
| No.3: Carvings in Kerala Temples | George Michell | | | |
| No.3: Bhuta Figures of South Kanara | Nima Poovaya-Smith | | | |
| No.4: A Tradition in Transformation | Saryu Doshi | | | |
| No.4: Tribal Societies of India | Malti Nagar | | | |
| No.4: North-East India | A.K. Das | | | |
| No.4: Bengal | Sahita Ranjan Sarkar | | | |
| No.4: Orissa | S.K.Mohapatra | | | |
| MARG: A Magazine of the Arts Vol. 44 | | Karl Khandalavala, Sadashiv
| | |
| Art & Architecture | | | | |
| No.4: The Deccan: A Nucleus of Culutre | Shehbaz H,Safrani | | | |
| No.4: Hyderabad: Garden to a City | S.P. Shorey | | | |
| No.4: Golconda Picchwais: Epxressions of Devotion | Shehbaz H. Safrani | | | |
| No.4: Bidri ware: Lyric Patterns | Stephen M.Markel | | | |
| No.4: Deccani Drawings Reflections on Life | Shahbaz H.Safrani | | | |
| No.2: Introudction | Stephen Markel | | | |
| No:2:Early Chinese Jades | Robert E.Fischer | | | |
| No.2: The Working of Jade in the Ming and Qing Dynasties | James C.Y. Wan | | | |
| No.2: Jades from the Islamic World | Ralph Pinder-Watson | | | |
| No.2: Inception and Maturation in Mughal Jades | Stephen Markel | | | |
| No.3: Introduction | George Michell | | | |
| No.3: Kanchipuram | Dennis Hudson | | | |
| No.3: Thiruvannamalai | Francouse L'Hernailt | | | |
| No.4. Chidambaram | Daviid Smith | | | |
| No.3: The Philosdpjy of Kathakali | | | | |
| No.4: Three-dimensional Poetic Art. | | | | |
| No.4: Textual Scores for Performances | K.Ayyappa Panikkar | | | |
| No.4: Patrons, Troupes and Performers | Chitra Pannikar | | | |
| No.4: Major Kathakali Institutes: | | | | |
| Kerala Kalamandalam | Olapamma Subrahmaniam Nambudirippad | | | |
| No.4: Margi: An Art Resource Centre | G.S. Warrier | | | |
| No.4: Initiatiion and Training | Kalamandalam Padmanabhan Nair | | | |
| No.4: Textual Sources for Performances | | | | |
| MARG: A Magazine of the Arts Vol. 45 | | Pratapaditya Pal | 1993-1994 | MARG Publications |
| No.1: An Introduction to Abhinaya | Kalamandalam Ramankutty Nair | | | |
| No.1: The Visual Dimension | | | | |
| No.1: Aharyaabhinaya | Kamandalam Govinda Warrier | | | |
| No.1: Angikabhinaya | Kamandalam Gopi | | | |
| No.1: Sattwikaabhinaya | Sudha Gopalakrihnan | | | |
| No.1: Rasabhinaya | D.Appukuttan Nair | | | |
| No.2: Influences and Interactions | Saryu Doshi | | | |
| No.2: The Lotus and the Seed | Geeti Sen | | | |
| No.2: Interactions in Art | Mervat Seif-el-DIn | | | |
| No.2: Commerce and one Faith | Sahar Abdel Aziz Salem | | | |
| No.2: Colour, Motif and Arabesque | Saryu Doshi | | | |
| No.3: Rama: Hero and Avatar | Vidya Dehejia | | | |
| No.3: The Universe of Rama: Valmiki's Epic Poem | Barbara Stoler Miller | | | |
| No.3: Royal Legitmition: Ramayana Reliefs on the Papanatha Temple at Pattadakal | Helen J.Wechsler | | | |
| No.3: Ramayana Portraits: The Nageshwara Temple at Kumbakonom | David T.Sandford | | | |
| No.3: Akbar's Imperial Ramayana: Mughal Persian Manuscript | Ashok Kumar Das | | | |
| No.3: A Sub-Imperial Mughal Manuscript: The Ramyana of Abd al-Rahim Khankhanan | John Seyller | | | |
| No.4: Introduction | Parmeshwari Lal Gupta | | | |
| No.4: India's First Coinage: Punch-Marked Coins | Parmeshwari Lal Gupta | | | |
| No.4: Artistry and Realism: Coinage of the Indo-Greeks and Scytho-Parthians | B.N. Mukherjee | | | |
| No.4: Coins and Kingship: Kanishka and the Kushana Dynasty | Martha L.Carter | | | |
| No.4: Invention and Innovation: Royal Gupta Gold Coins | Ellen M.Raven | | | |
| No.4: Rupar Bangla: The Politics and Religion of Medieval Bengal Through coins | John Deyell | | | |
| MARG: A Magazine of the Arts Vol. 46 | | Pratapaditya Pal | 1994-1995 | MARG Publications |
| No.1: The Formative Period (Circa 1856-1910), Sir J.J. School of Art and the Raj | Partha Mitter | | | |
| No.1: Orientalizing the Raj, Indo-Saracenic Fantasies | Giles H.R. Tillotson | | | |
| No.1: Edwardian Architects of Bombay, George Wittet and John Begg | Christopher W.London | | | |
| No.1: A Poet's Vision: The Houses of Rabindranath Tagore | Andrew Robinson | | | |
| No.1: The Myth of the Monuments, Public Commemorative Statues | Mary Ann Steggles | | | |
| No.2: Princes of the Houses of Timur: The Written Record | Toby Falk | | | |
| No.2: Who Painted Princes of the House of Timur? | Heather Elgood | | | |
| No.2: Iranian Artists in the Service of Humayun | Robert Skelton | | | |
| No.2: Recycled Images: Overpainting in Early Mughal Art | John Seyller | | | |
| No.3: Introduction: Woven Silks of India | Jasleen Dhamija | | | |
| No.3: A Group of Early Silks: The Tree Motif | Steven Cohen | | | |
| No.3: Vaishnavite Silks: The Figured Textiles of Assam | Rosemary Crill | | | |
| No.3: Mughal Silks: The Metropolitain Museum Collection | Daniel Walker | | | |
| No.3: Paithani Weaves: An Ancient Tapestry Art | Jasleen Dhamija | | | |
| No.3: Kanchivani: The Saris of Kanchipuram | | | | |
| No.4: Introduction | Pauline Rohatgi and Pheroza Godrej | | | |
| No.4: The East India Company's Settlement Pictures- George Lambert and Samuel Scott | Brian Allen | | | |
| No.4: Sketching from Nature- Soldier Artists in India | Patricia Katterhorn | | | |
| No.4: Preface to a Lost Collection: The Pioneering Art of Francis Swin Ward | Pauline Rohatgi | | | |
| No.4: A Fair Picture: Hodges and Daniells at Rajmahal | G.H.R. Tillotson | | | |
| No.4: The Poet's Eye: The Intimate Landscape of George Chinnery | Patrrick Conner | | | |
| MARG: A Magazine of the Arts Vol. 47 | | Pratapaditya Pal | 1995-1996 | MARG Publications |
| No.1: Editorial | | | | |
| No.1: Introduction | Susan Strange | | | |
| No.1: Early Jewellery of Bengal: The Shunga Period | Zulekha Haque | | | |
| No.1: The Sacred ans the Secular: Jewellery in Buddhist Sculpture in the Northern Kushan Realm | Carolyn Woodford Schmidt | | | |
| No.1: Jewellery in the Temples of Karnataka | Choodamani Nanda Gopal | | | |
| No.1: Jewels and Gems in Goa from the Sixteenth to Eighteenth Century | Nuno Vassallo e Silva | | | |
| No.1: The Royal Jewels of Tirumala Nayaka of Madurai (1623-1659) | Jean-Francois Hurpre | | | |
| No.2: The Dual Role of Ganesh in the Buddhist Art of South Asia | Gouriswar Bhattacharya | | | |
| No.2: Abscences and Transformations: Ganesh in the Shvetamabara Jain Tradition | John E.Cort | | | |
| No.2: Images of Ganesh from South-East Asia | Robert L.Brown | | | |
| No.2: Spirit King, Demon, and God of Wealth: Ganesh in East Asia | Teresa Tse Bartholomew | | | |
| No.2: Collecting Ganesh Images | Vasant Chowdhury | | | |
| No.3: In Memoriam: Karl J. Khandalavala | | | | |
| No.3: From the General Editor's Desk | | | | |
| No.3: Introduction: Sanchi and the Art of Buddhism | Vidya Dehejia | | | |
| No.3: Discovery and Restoration of the Monuments | Deabala Mitra | | | |
| No.3: Constructing a Buddhist Ritual Site: Stupa and Monastery Architecture | Kevin Trainor | | | |
| No.3: The Animated World of the Toranas | Vidya Dehejia | | | |
| No.4: Foreword by His Holiness the Dalai Lama | | | | |
| No.4: From the Editors Desk | | | | |
| No.4: Early TIbetan Sculpture | Micheal Hens | | | |
| No.4: The Sacred Enclave of Gyantse | Erberto F.Lo Bue | | | |
| No.4: Sino-Tibetan Sculpture: The TIbetan Legacy | Sheila C. Bills | | | |
| No.4: TIbetan Bronzes: Techniacal Observations | Chanra L.Reddy | | | |
| MARG: A Magazine of the Arts Vol. 48 | | Pratapaditya Pal | 1996-1997 | MARG Publications |
| No.1: Foreward By His Holiness the Dalai Lama | | | | |
| No.1: From the Editors Desk | | | | |
| No.1: Early Thankas: Eleventh-Thirteenth Centuries | Jane Casey Singer | | | |
| No.1: Wall-Paintings in Western Tibet | Michael Henss | | | |
| No.1: Murals in the Early Temples of Alchi | Roger Goepper | | | |
| No.1: Fabric Images and their Special Role in TIbet | Valrae Reynolds | | | |
| No.2: From the General Editor's Desk | | | | |
| No.2: Introduction | Gayatri Sinha | | | |
| No.2: Gogi Saroj Pal: "Between Myth and Reality" | Uma Nair | | | |
| No.2: Nalini Malani: "Memory Stress and Recall" | Kamala Kapoor | | | |
| No.2: Latika Katt: Towards Demateralization of the Material | | | | |
| No.2: Navjyot: Of Response and of Respnsibility | | | | |
| No.2: Apana caur: Connecting Womanhoood | Gayatri SInha | | | |
| No.3: From the General Editor's Desk | | | | |
| No.3: Introduction | Farooq Ameen | | | |
| No.3: Social Institutions and a Sense of Place | Bal Krishna Doshi | | | |
| No.3: Land, Water and Man in Bengal, Themes for a Deltaic Architecture | Kazi Khaleed Ashraf | | | |
| No.3: Vernacular, Religion,and the Contemprary expression in Pakistan | Kamil Khan Mumtaz | | | |
| No.3.The Use of Traditon in Architecture and Urban Form | Raj Rewal | | | |
| No.4: From the General Editor's Desk | | | | |
| No.4: When We Get There: Bombay In Early Maps | Susan Gole | | | |
| No.4: Defining a Unique City: Surveying and Mapping Bombay after 1800. | Matthew H.Edney | | | |
| No.4: Early Impressions of the Islands: James Forbes and James Wales in Bombay 1766-95 | Paulin Rohatgi | | | |
| No.4: Whither the Towers?, The Changed view of Malabar Hill | Pheroza J.Godrej | | | |
| MARG: A Magazine of the Arts Vol. 49 | | Pratapaditya Pal | 1997-1998 | MARG Publications |
| No.1: From the General Editor's Desk | | | | |
| No.1: Evolution, Involution, and The City's Future: A Perspective on Bombay's Urban Form | Rahul Mehrotra | | | |
| No.1: Artless Objects: Post-Independence Architecture In Bombay | Himanshu Burte | | | |
| No.1: Bombay Shows the Way: Pioneering Urban Conservation | Cyrus Guzder | | | |
| No.1: New Bombay: Marg As An Urban Catalyst | Charles Correa | | | |
| No.2: From the General Editor's Desk | | | | |
| No.2: Introduction | Philippa Vaughan | | | |
| No.2: A Visible Monument: Architectural Policies and the Victoria Memorial Hall | G.H.R. Tillotson | | | |
| No.2: The Last of the Augustans: Lord Curzon and Indian Architecture | Derek Linstrum | | | |
| No.2: India and the European Cultural Inheritance: The Victoria Memorial Hall | | | | |
| No.2: Curzon's "National Gallery": The Art Collections | Deborah Swallow | | | |
| No.2: New Insights through Restoration: Oil Paintings of India by European Masters Circa 1760-1830 | Rupert Featherstone | | | |
| No.3: From the General Editor's Desk | | | | |
| No.3: The Painted Scrolls of the Garoda Picture and Showmen of Gujarat | Jyotindra Jain | | | |
| No.3: Itinerant Images: Embodiments of Art and Narrative in Telangana | Kirtana Thangavelu | | | |
| No.3: To Show, To See, To Tell, To Know: Patuas, Bhopas and their Audience | Kavita Singh | | | |
| No.3: The Persistence of Romance in the Paintings of Gulammohammed Sheikh | Geeta Kapur | | | |
| No.3: Mumbai: Looking Ahead | Charles Correa | | | |
| No.3: Culture Cut Apart? Rural Indian Embroideries and Commoditization | Victor Z.Rivers | | | |
| No.3: Newsletters | | | | |
| 1. From India | Monisha Ahmed | | | |
| 1. From Europe and Japan | John Siudmak | | | |
| 3. From the U.S.A. | Shehbaz H.Safrani, Tushara Bindu Gude | | | |
| No.3: From the General Editor's Desk | | | | |
| No.3: Kesu Das: The Impact of Western Art on Mughal Painting | Amina Okada | | | |
| No,3: Farrrukh Beg: Studies of Adorable Youths and Venerable Saints | Ashok Kumar Das | | | |
| No,3: Bishandas "Unequalled in his age in Taking Likenesses" | Ashok Kumar Das | | | |
| No.3: Govardhan: "Servant of Jehangir" | Milo C.Beach | | | |
| No.3: The Nyatapola Temple of Bhaktapur: A Mark of Nepalese Temple Design | Raimund O.A. Becker-Ritterspach | | | |
| No.3: The Afsarwali Majid and Afsarwala Gumbad at Nizamuddin, Delhi | Subhash Parihar | | | |
| No.3: Newsletters | | | | |
| From Mumbai- Monisha Ahmed | | | | |
| From London- John Siudmak | | | | |
| From the USA- Tushara Bindu Gude | | | | |
| Exhibition News from Prague- Hana Knizkova | | | | |
| MARG: A Magazine of the Arts Vol. 50 | | Pratapaditya Pal | 1998-1999 | MARG Publications |
| No.1: From the General Editors Desk | | | | |
| No.1: Nikka and Ranjha at the Court of Raj Singh of Chamba | Vishwa Chander Ohri | | | |
| No.1: Harkhu and Chhajju: Two Guler Artists in Chamba | Jagdish Mittal | | | |
| No.1: Gursahai: A Guler Painter at Basohli | Surwacha Paul | | | |
| No.1: Chaitu at Tehri Garhwal | Usha Bhatia | | | |
| No.1: The Guler Painter Fattu at Mandi | Vijay Sharma | | | |
| No.1: The Bohrawads of Sidhpur | Zoyab A.Kadi | | | |
| No.1: Renovated Textile Gallery at the National Museum, New Delhi | Anamika Pathak | | | |
| No.2: From the General Editor's Desk | | | | |
| No.2: Early Chinese Buddhist Architecture and It's Indian Origins | Nancy Shatzman Steinhardt | | | |
| No.2: Foreigners in Early Chinese Buddhist Art: Disciples, Lohans, and Barbarian Rulers | Janet Baker | | | |
| No.2: Avalokiteshwara in Sixth-Century China | Denise Patry Leidy | | | |
| No.2: Two Kushan Period Buddhist Sculptures | Pratyapaditya Pal | | | |
| No.2: The Conservation of Mohenjo-Daro | Shereen Ratnagar | | | |
| No.2: Architecture as a Second Nature- A Feminine Discourse? The Work of Itsugo Hasegawa | Udo Kultermann | | | |
| No.3: From the General Editor's Desk | | | | |
| No.3: Portraits of Birds and Animals Under Jehangir | Som Prakash Verma | | | |
| No.3: The Use of Flora and Fauna Imagery in Mughal Decorative Arts | Stephen Markel | | | |
| No.3: The Elephant in Mughal Painting | Ashol Kumar Das | | | |
| No.3: Mythical Animals in Mughal Art: Images, Symbols and Allusions | Philippa Vaughan | | | |
| No.3: The Fourteenth-Century Adina Mosque in Pandua | Naseem A. Banerji | | | |
| I. Connection between the Koranic Sura of Light, sufi Light Mysticism, and the Motif of a "Lamp within a Niche" | | | | |
| II. The Mihrabs in the Adina Mosque: Evidence of the Reuse of Late Pala-Sena Remains | | | | |
| No.3: Le Corbusier: Symbolic Themes at Chandigarh | Steven W.Hurtt | | | |
| No.4: From the General Editor's Desk | | | | |
| No.4: The Art of Pyu and Mon | John Guy | | | |
| No.4: Vishnu in Burma | Pamela Gutman | | | |
| No.4: Between India and Burma: The "Andagu" Stelae | Claudine Bautze-Picron | | | |
| No.4: Pagan Bronzes: Fresh Observations | Donald M.Stadtner | | | |
| No.4: Mahayana Buddhism in Sri Lanka | Ulrich Von Schroeder | | | |
| No.4: A General's Act of Piety: a Newly Discovered Buddhist Monastery of Ancient Bengal | Gautam Sengupta | | | |
| MARG: A Magazine of the Arts Vol. 51 | | Pratapaditya Pal | 1999-2000 | MARG Publications |
| No.1: From the General Editor's Desk | | | | |
| No.1: Tiruchirapalli and the Sacred Island of Srirangam | Crispin Branfoot | | | |
| No.1: Tanjavur: Capital of the Delta | Daud Ali | | | |
| No.1: Temple City of Kumbakonam | Vivek Nanda | | | |
| No.1: Baolis of Punjab and Haryana | Subhash Parihar | | | |
| No.1: Studies in Indian Art and Culture: Some Avoidable Presumptions and Speculative Theories | Ziyaud-Din A.Desai | | | |
| No.2: From the General Editor's Desk | | | | |
| No.2: Indian Symbols in a Southeast Asian Setting: Coins and medals of Ancient Dwarvati | Robert S.Wicks | | | |
| No.2: Early Buddhist Sculpture of Thailand: Circa Sixth-Thirteenth Century | Nandana Chutiwongs | | | |
| No.2: Vishnu Images from Ancient Thailand and the Concept of Kingship | Virginia Dofflemeyer | | | |
| No.2: Symbolism of Ashokan Pillars: A Reappraisal in the Light of Textual and Visual Evidence | Gautama V.Vajracharya | | | |
| No.3: From the General Editor's Desk | | | | |
| No.3: Early Painting at Bundi | Joachim K.Bautze | | | |
| No.3: The Saving Power of Soron: Sahibdin of Udaipur and the Surakshetra Mahatmya | Andrew Topsfield | | | |
| No.3: Court Paintign for the Amber Rulers, circa, 1590-1727 A.D. | Ashol Kumar Das | | | |
| No.3: New Discovieries | | | | |
| I. Exposition of the Bijamandaal Temple in Khajuraho | Phani Kanta Mishra | | | |
| II. Significance of a New FInd at Khajuraho: Gahapati Kokkala's Vaidyanath Temple?. | Devangana Desai | | | |
| No.3: The Splendours of Wood Carving in Vaso-Haveli, North Gujarat | V.S. Pramar | | | |
| No.3: Portraint of Muktambal, Swordwife fo Sarfoji II | Ramaa Nsrsysns | | | |
| No.3: New Asian Galleries at the Sorton Simon Museum, Pasadena | Jyotindra Jain | | | |
| No.4: From the General Editor's Desk | | | | |
| No.4: A Glorious Heritage: Maharao Lakhpatji and the Aina Mahal | Pramod J.Jethi and Christopher W.London | | | |
| No.4: The Aina Mahal: An Early Example of Europeanerie | Amin Joffer | | | |
| No.4: The Prag Mahal and Henry St.Clair Wilkins Architecture | Christopher W.London | | | |
| No.4: Architecture as Reinterpretation fo Context: Housing in Kutch | Sanjay Udamale | | | |
| No.4: The Looting of Antiquities | Dilip K.Chakrabarti | | | |
| MARG: A Magazine of the Arts Vol. 52 | | Pratapaditya Pal | 2000-2001 | MARG Publications |
| No.1:From the General Editor's Desk | | | | |
| No.1: Sculptural Embodiments: Unmaking and Remaking Modernity | Anshuman Das Gupta | | | |
| No.1: Towards a "Genre" Theory of Figurative Sculpture | Benoy P.J. | | | |
| No.1: Abstraction: Nature and the Numinous | Suresh Jayram | | | |
| No.1: Shifts in Medium: Trends, Tendencies and Breakthroughs | Sudhir Kumar Duppati | | | |
| No.1: Deorkothar Stupa: New Light on Early Buddhism | Phani Kanta Mishra | | | |
| No.2: From The General Editor's Desk | | | | |
| No.2: From Raga to Fusion: Hindustani Music | Sandeep Bagchee | | | |
| No.2: The State of Classical Dance: 2000. | Sunil Kothari | | | |
| No.2: "We need a House of Our Own": The Impasse of Indian Theatre after Independence | Rustom Bharucha | | | |
| No.2: The Enduring Allure of the Big Screen: A Century of Indian Cinema | Shyam Benegal | | | |
| No.2: The Power of the Small Screen: Television as Purveyor of Culture | Amita Malik | | | |
| No.2: Rediscovered: A Rare Portrait of Raja Rammohun Roy | Alyssa L.Langlais Dodge and Susan S.Bean | | | |
| No.3: Bhubaneshwar (Ekamra-kshetra), Temple Town and Cultural Centre | Thomas Eugen Donaldson | | | |
| No.3: Jaipur (Viraja-Kshetra) and Shakta Art | Thomas Eugen Donaldson | | | |
| No.3: Conserving the Temple of Lord Jagganath | Gopal C.Chauley | | | |
| No.3: Closer to heaven than the Gods: Jain Monks in Pre-Kushan Mathura | Sonya Rhie Quintanilla | | | |
| No.3: Tomb of Subhan: A Little Known Monument in the Lodi Period | Subhash Parihar | | | |
| No.4: From the General Editor's Desk | | | | |
| No.4: Of Buildings and Books: The Theory and the Practice of the Architect Madan | Rima Hooja | | | |
| N0:4: Mandala by Design: The Courtyard of a Haveli Temple in Jaipur | Vibhuti Sachdeva | | | |
| No.4: Palaces of the Rajput Kings | Giles TIlotson | | | |
| No.4: Dating the Natraja Dacne Icon: Technical Insights | Sharada Srinivasan | | | |
| No.4: On the God Mask in the Dionysia and Indra Jatra | Francois Pannier | | | |
| MARG: A Magazine of the Arts Vol. 53 | | Pratapaditya Pal | 2001-2002 | MARG Publications |
| No.1: A Message fron the General Editor's Desk | | | | |
| No.1: Architecture and Royal Authority under the Early Sangamas | Phillip B.Wagoner | | | |
| No,1: The Temple District of Vitthalapura | Alexandra Mack | | | |
| No.1: Memorial Stones | Anila Verghese | | | |
| No.1: Revisiting Narnaul's Architectural Legacy | Jyoti and Janhwij Sharma | | | |
| No.1: The Portrai of Kunga Gyatsenpel Sanpo | E.V.Ganevskaya, E.D. Ogneva, and A.F. Dubrovin | | | |
| No,2: From the General Editor's Desk | | | | |
| No.2: Kochi: Begginings of European Architecture in India | Jayaram Poduwal | | | |
| No.2: The Portuguese in Bengal | Gautam Sengupta | | | |
| No.2: Codice Casanatense: An Indo-Portuguese Portrait of Life in 16th-Century India | Maria Manuela Mota | | | |
| No.2: The End of the "Catholic Era" in Mughal Painting: Jehangir's dream Pictures, English Painting, and the Renaissance Frontispiece | Gauvin Alexander Bailey | | | |
| No.2: Jangarh Singh Shyam and the Great Machine | Kavita Singh | | | |
| No.3: From the General Editor's Desk | | | | |
| No.3: Culture Specificity, Art Language, and the Practice of Modernism: An Indian Perspective | R.Siva Kumar | | | |
| No.3: Abindranath Tagore: A New Context | Ella Dutta | | | |
| No.3: Folk Artists of Bengal and Contemporary Images: A Case of Reverse Appropriation | Jyotindra Jain | | | |
| No.3: Bagh Caves- Predicament for Conservators | Panikant Mishra and Ritu Mishra | | | |
| No.3: Hakoti- Religious Sactity and Cultural Heritage | Hari Chauhan | | | |
| No.3: Photo Essay: On Stage | Namai Ghosh | | | |
| No.4: Editorial | | | | |
| No.4: Mughal Painting during the Reign of Muhammed Shah | Terence McInerney | | | |
| No.4: Towards a New Naturalism: Portraiture in Murshidabad ad Avadh, 1750-80 A.D. | J.P.Losty | | | |
| No.4: Important Illustrated Manuscripts in the National Museum, New Delhi | Barbara Schmitz and Nasim Akhtar | | | |
| No.4: An Album with Miniatures by the Persian Safavid Painter Sultan Muhammed | Ziyaud-Din A.Desai | | | |
| No.4: The Unique Wood-Carved Muslim Havelis of Patan | V.S.Pramar | | | |
| No.4: Photo Essay: My Sangeet Yatra | | | | |
| MARG: A Magazine of the Arts Vol. 54 | | Pratapaditya Pal | 2002-2003 | MARG Publications |
| No.1: From the General Editor's Desk | | | | |
| No.1: Terracotta of the Harappan Civilization with Special Reference to Indian Sites | Dilip K.Chakrabarti | | | |
| No.1: Creative Legacy of the Nilgiri Hills: Terracotta Offerings from South Indian Megalithic Burials | Corinna Wessels-Mevissen | | | |
| No,1: Terracotta Sculpture from the Ancient Northwest: 300 BCE- 60 CE | John Siudmak | | | |
| No.1: Dating of Akhnur Terracotta in the Light of the Recent Excavations at Ambaran | B.R. Mani | | | |
| No.1: Dating of the Bundi-style Chunar Ragamala: A New Approach | Lakshmi Dutt Vyas | | | |
| No.1: Photo Essay: The Third Eye | Praful C.Patel | | | |
| No.2: From the General Editor's Desk | | | | |
| No.2: The Marraige Customs of the Jewish Community in Cochin | Samuel H.Hallegua | | | |
| No.2: The Ritual Cycle of Cochin Jewish Holidays: A Malabari Perspective | Galia Hacco | | | |
| No.2: Bene Isreali Rites and Routines | Shalva Wiel | | | |
| No.2: Photo Essay: Jews of Cochin | Ketaki Sheth | | | |
| No.2: Stone, Sweat & Inspiration: The Restoration of Elphinstone College | Abha Narain Lambha | | | |
| No.2: Professor Herbert Hartel and the Museum fur Indische Kunst Berlin | Adalbert J.Gail | | | |
| No.3 From the General Editor's Desk | | | | |
| No.3 Bishnupur: Land of Wrestlers | Ashok K.Bhattacharya | | | |
| No.3 Hooghly: The Common Emporium | Gautam Sengupta | | | |
| No.3: Murshidabad: Capital of Fleeting Glory | Pratyapaditya Pal | | | |
| No.3 Harijan Painting of Mithila | Neel Rekha | | | |
| No.3 Photo Essay: I am as I am | Dayanita Singh | | | |
| No.4: Editorial | | | | |
| No.4: Brick by Sacred Brick: Architectural Projects of Guru Arjan and Guru Hargobind | Gurmeet Rai and Kavita SIngh | | | |
| No.4: Illustration and Illumination in Sikh Scriptural Manuscripts | Jeevan Singh Deol | | | |
| No.4: Allegories of Good Kingship: Wall Paintings in the Qila Mubarak at Patiala | Kavita Singh | | | |
| No.4: A Tale of Two Animal Paintings and a Drawing | Divyabhanusinh | | | |
| No.4: Relics and Represnetation in Gandhara | Kurt Behrendt | | | |
| MARG: A Magazine of the Arts Vol. 55 | | Pratapaditya Pal | 2003-2004 | MARG Publications |
| No.1: From The General Editor's Desk | | | | |
| No.1: Off the Tourist Trail: The "Unknown" Lucknow | Rosie Llewelyn-Jones | | | |
| No.1: Lucknow Food, Streets and Bazaars | Muku; Manglik | | | |
| No.1: Arts and Crafts: Lucknow's Living Traditions | Sudipta Dev | | | |
| No.1: New Documentary on Pahari Painter Families | Vijay Sharma | | | |
| No.1: Kabuli Bagh Mosque: Babur's Unknown Masjid | Abha Narain Lambha | | | |
| No.1: The Crossroads of Paradise: Islamic Art in a Hawaiian Home | Sharon Littlefield. | | | |
| No.2: Editorial | | | | |
| No.2: Innovation in Kathak | Kumudini Lakhia | | | |
| No.2: Manipuri Dances: Extending the Boundaries | Sunil Kothari | | | |
| No.2: Navanritya- Contemporary Methodology: History, Theory, Practice | Ranjabari Sircar | | | |
| No.2: Atmospheric Gestation: Dicephering Ajanta Ceiling Paintings and Other Related Works (Part 1) | Gautam V.Vajracharya | | | |
| No.2: Bertram H.Schaffner: A True Rasika | Amy G.Potter | | | |
| No.2: New Galleries for Indian Art at the Peabody Museum | Susan S.Bean | | | |
| No.3: From the General Editor's Desk | | | | |
| No.3: Saurashtra and the Harappan Sites of Padri and Kuntasi | Vasant Shinde | | | |
| No.3: Nageshwar: A Centre of Harappan Shell Craft in Saurashtra | V.H. Sonawane | | | |
| No.3: Rojdi: A Sorath Harappan Settlement in Saurashtra | Gregory L.Possehl | | | |
| No.3: The Spread of the Harappan Civilization in Kutch and Saurashtra | Y.M. Chitalwala | | | |
| No.3: Atmospheric Gestation: Deciphering Ajanta Ceiling Paintings and Other Related Works (Part 2) | Gautama V.Vajracharya | | | |
| No.3: A Unique Chamba Rumal on the Gajantaka Theme | Anamika Pathak | | | |
| No.4 From the General Editor's Desk | Indira Vishwanathan Peterson | | | |
| No.4 Chidabambaram and the Dance of Shiva in South Indian Myth and Poetry | B.Natarajan | | | |
| No.4 Ritual Life of the Nataraja Temple | Paul Younger | | | |
| No.4: Discovering the Anthropomerphic Lion in Indian Art | Raja Deekshitar | | | |
| No.4: Medieval Sirhind and It's Monuments | Subhash Parihar | | | |
| No.4: Point of View: Retrieving the Connections | Carmel Berkson | | | |
| MARG: A Magazine of the Arts Vol. 56 | | Pratapaditya Pal | 2004-2005 | MARG Publications |
| No.1: Editorial | | | | |
| No.1: Delhi: Dargah of Shaykh Salim Chishti | Abdur Rahman Momin | | | |
| No.1: Fatehpur Sikri: Dargah of Shaykh Salim Chishti | Micheal Brand | | | |
| No.1: Ajmer: Dargah of Khwaja Muinuddin Chishti | Ali S.Anani | | | |
| No.1: Mapping Space, Mapping Identity: Imagining Hyderabad's Walled City in the 19th Century | Alison Mackenzie Shah | | | |
| No.1: Pilgrimage to Yamuna Riverfront, Agra: A Cultural Heritage Landscape | Terence Harkness and Amita Sinha | | | |
| No.1: An Unknown Prabhavali from Himachal | Subhashini Aryan | | | |
| No.1: Photo Essay: Kailash Temple at Ellora | Praful C.Patel | | | |
| No.2: In Memoriam: Mulk Raj Anand | | | | |
| No.2: Crown Jewel of Newar Painting: Discovery of a Masterpiece | Gautama V.Vajracharya | | | |
| No.2: Musical Miniatures from Nepal: Two Newar Ragamalas | Gert-Mathias Wegner and Richard Widdess | | | |
| No.2: Gods and Monuments in Late Malla Period Paintings | Anne Vergati | | | |
| No.2: The Aesthetic Ascetic: Abhinavagupta's Perspective on Poetry, Religion and Visual Art | Gerald James Larson | | | |
| No.2: Bastar's Adivasi Women and their Art | Subhlakshmi Shukla | | | |
| No.2: Watson's Esplanade Hotel: A Birdcage gone to Seed?. | Abha Narain Lambha | | | |
| No.2: Photo Essay: Bombay Jadoo | Betsy Karel | | | |
| No.3: From the General Editor's Desk | | | | |
| No.3: Rambling through Some of the Pasts of Delhi | Romila Thapar | | | |
| No.3: The Delhi that Once Was | Akhilesh Mithal | | | |
| No.3: The Glory of Empire: Imperial Delhi | Romi Khosla | | | |
| No.3: Delhi Cityscapes: 19th Century Lithographs from Urdu Books | Som Prakash Verma | | | |
| No.3: Cement, Design, and the Spectral Architect | Curt Gambetta | | | |
| No.3: Leo Figiel: A Passion for Sharing | Sasha Atlaf | | | |
| No.4: From the Generla Editor's Desk | | | | |
| No.4: Mulk and Modern Indian Architecture | Mustansir Dalvi | | | |
| No.4: Mulk Raj Anand at 100 | Charles Correa | | | |
| No.4: Colonial Bhuleshwar: Community, Locality, and Cultures of Migration | Kaiwan Mehta | | | |
| No.4: Photo Essay: Kamsale in Focus | Naramsimha Suryanarayana and Jayant Prabhakar | | | |
| MARG: A Magazine of the Arts Vol. 57 | | Pratapaditya Pal | 2005-2006 | MARG Publications |
| No.1: From the General Editor's Desk | | | | |
| No.1: The Turquoise Headdress of Ladakh | Ravina Aggarwal | | | |
| No.1: Textile Arts of Ladakh: Nomadic Weaves to Silk-Brocade | Monisha Ahmed | | | |
| No.1: Reshaping Tradition: The Life and Work of Nawang Tsering | Clare Harris | | | |
| No.1: Photo Essay | Sonam Dorje | | | |
| No.1: A Decorated Kavacha in a Temple at Chamba | Vijay Sharma | | | |
| No.1: Profile: Sharan Rani and the Divine Sarod | Irfan Zuberi | | | |
| No.2: From the General Editors Desk | | | | |
| No.2: Mosques and Tombs of Banaras | Klaus Rotzer | | | |
| No.2: Ghats and Riverside Places | Julia A.B. Hegewald | | | |
| No.2: Temple Styles in Banaras | George Michell | | | |
| No.2: General Bibliography on Banaras | | | | |
| No.2: Kangra Painting and Manaku of Guler | Vishwa Chander Ohri | | | |
| No.2: Some Unique Wood-carved Haveli-temples of Gujarat | V.S. Pramar | | | |
| No.3: From the General Editor's Desk | | | | |
| No.3: A Metallic Mirror: Changing Repesentations of Sovereignty during the Raj | Shailendra Bhandare | | | |
| No.3: Conducting Excavations and Collecting Coins: Maharaja Ranjir Singh's Kindgom | Jean-Marie Lafont | | | |
| No.3: Coins: Some Persistence Issues | Indira Ramarajan | | | |
| No.3: Images of Brahma Found in Thane District, Maharashtra | Kumud Kanitkar | | | |
| No.3: Profile: Pandit T.D.Janorikar: Torchbearer of the Bhendi Bazaar Gharana | Irfan Zuberi | | | |
| No.3: Photo Essay: Champaner | Abraham Mathai | | | |
| No.4: From the General Editor's Desk | | | | |
| No.4: "Madras Manade": How Chennai Remained with Tamil Nadu | A.R.Venkatachalapathy | | | |
| No.4: Geography of a Lingua Franca, History of a Lunguistic Fracas | Pushpa Arabindoo | | | |
| No.4: Urban Mobility and the History of Cinama-Going in Chennai | Stephen Hughes | | | |
| No.4: Woodcarvings from Pabbar Valley, Himachal | Hari Chauhan | | | |
| No.4: Madhu Krishna Chitrakar | Gert-Mathias Wegner | | | |
| MARG: A Magazine of the Arts Vol. 58 | | Pratapaditya Pal | 2006-2007 | MARG Publications |
| No.1: From the General Editor's Desk | | | | |
| No.1: From the Sharqis of Jaunpur | Abha Narain Lambah | | | |
| No.1: Building a Legacy: Sher Shah Sur's Architecture and the Politics of Propaganda | Catherine B.Asher | | | |
| No.1: From Province to Sultanate: The Architecture of Gujarat during the 12th through 16th Centuries | Alka Patel | | | |
| No.1: Arab Sarai at Nizamuddin, Delhi | Subhash Parihar | | | |
| No.1: Adivasi Churches in South Gujarat: An Interplay between Inculturation and Syncretism | Jothi F.Xavier | | | |
| No.2: Editorial | | | | |
| No.2: The Furniture of Play: Games Boards and Boxes in India | Amin Jaffer | | | |
| No.2: Games and Puzzles of Maharaja Krishnaraja Wodeyar of Mysore: "Broadcast them to the World" | Vasantha Rangachar | | | |
| No.2: Some Mysore Games in British Collections | Andrew Topsfield | | | |
| No.2: The Dynamics of Gaze in Mughal Paintings | Gregory Minissale | | | |
| No.2: Lesser-Known Textiles of Punjab: An Overview of the 19th and early 20th Centuries | Jasvinder Kaur | | | |
| No.3: From the General Editor's Desk | | | | |
| No.3: The Representation of the Buddha's Birth and Death in the Aniconic Period | J.E. Van Loihuizen de Leeuw | | | |
| No.3: Observations on "The Representation of the Buddha's Birth and Death in the Aconic Period | Sonya Rhie Quintanilla | | | |
| No.3: An Unusual Naga-Protected Buddha from Thailand | Pratyapaditya Pal | | | MARG Publications |
| No.3: Seeing Eye-to-Eye with Mughal Miniatures: Some Observations on the Outward-Gazing figure | Gregory Minissale | | | MARG Publications |
| No.3: Vidushi Dhodhutai Kulkarni: Stalwart of the Jaipur Atrauli Gharana | Irfan Zuberi | | | |
| No.4: From the General Editor's Desk | | | | |
| No.4: Embroidered Gardens of Flowers: Bagh and Phulkari of Punjab | Jasleen Dhamija | | | |
| No.4: Weaving a Vision: Doria of Chinnur | Uzramma and Annapurna M. | | | |
| No.4: Kashimiri Embroidery | Jenny Housego | | | |
| No.4: A Remakable Kushana Image- Linga from Mathura discovered by Bhagwanlal Indraji | Devangana Desai | | | |
| No.4: Scupltures of Kalji from Kerala: Two Hitherto Underscribed Forms | Preeta Nayar | | | |
| No.4: Photo Essay: Indian Portraits | Gerald Appel | | | |
| MARG: A Magazine of the Arts Vol. 59 | | Pratapaditya Pal | 2007-2008 | MARG Publications |
| No.1: From the General Editor's Desk | | | | |
| No.1: Reading and Riding: Horses in Image and Text | Vibhuti Sachdev | | | |
| No.1: Tod as an Observer of Landscape in Rajasthan | Florence D'Souza | | | |
| No.1: Visual Narratives of the revolt of 1857. | Som Prakash Verma | | | |
| No.1: A Triumphant Homecoming: The Freize Programme on Maharaja Sawai Madho Singh II's Cenotaph | Melia Belli | | | |
| No.1: Photo Essay | Mukunda De | | | |
| No.2: Editorial | | | | |
| No.2: Optics for the Stage: Curtains of the Surabhi Company | Anuradha Kapoor | | | |
| No.2: India's Republic Day Parade: Restoring identities, constructing the Nation | Jyotindra Jain | | | |
| No.2: Models and Copies in Pahari Paintings: New Insights | Vijay Sharma | | | |
| No:2: Discovery of a Pre-Pala Monastic Complex at Moghalmari, West Bengal | Ashok Datta | | | |
| No,2; Conversation Newsletter: restoration of the Maitreya Buddha temples, Bagso, Ladakh | Abha Narain Lambha | | | |
| No,2: Book Feature- Bombay Mix by Ketaki Sheth | Sadanand Menon | | | |
| No.3: From the General Editor's Desk | | | | |
| No.3: Maitreya in Literatrure and in the Art of Xinjiang | Marianne Yaldiz | | | |
| No.3: The Ceiling Murals of Kizil as Symbol of the Buddhist Universe | Miao Lihui | | | |
| No.3: Uncovering Histories: Iconic and not so Iconic Images and their Little-known Authors | Sabeena Gadihoke | | | |
| No.3: A Delhi Nabob's Pursuit of Leisure: The Transformation of Built-heritage into a Pleasure Retreat | Jyoti P.Sharma | | | |
| No.3: Book Feature- Geet Govinda: Paintings in Kanheri Style by Narmada Prasad | Kapila Vatsyayan | | | |
| No.4: From the General Editor's Desk | | | | |
| No.4: Artists from Afar: Company Painters in the Princely Courts of India, 1770-1900 | Charles Greig | | | |
| No.4: Portraits of the Nawabs: Images from the Lucknow Court, 1775-1856 | Rosie Llewellyn-Jones | | | |
| No.4: The Colonial Project and the Shifting Gaze | Sophie Gordon | | | |
| No.4: Frescos Unveiled: Maharajah Ranjit Singh;s Samadhi in Lahore | Nadhra Shabbaz Naeem | | | |
| No.4: Forts on a Sacred Hill: Champaner-Pavagadh in Gujarat | Amita Sinha | | | |
| MARG: A Magazine of the Arts Vol. 60 | | Pratapaditya Pal | 2008-2009 | MARG Publications |
| No.1: From the General Editor's Desk | | | | |
| No.1: The Living Textile Traditions of Sindh | Noorjehan Bilgrami | | | |
| No.1: Picturing Sindh: Britisih Representations | Rosemary Raza | | | |
| No.1: Kalachi, Kurrachee, Karachi: A Bibliography of a Metropolis | Nandita Bhavnani | | | |
| No.1: The "Light" of the Timuria: Jahan Ara Begum's Petronage, Piety, and Poetry in the 17th-Century Mughal India | Afshan Bokhari | | | |
| No.1: "Magni Mogolis Imperium": An Early Manuscript Map of India | Anirban Sadhu | | | |
| No.2: Editorials | | | | |
| No.2: The Mughal Port Cities of Surat and Hugli | Farhar Hasan | | | |
| No.2: Mapping the Landscape of Pondicherry in the 17th Century | S.Jeyaseela Stephen | | | |
| No.2: Of Merchants, Monarchs, and Monks: An 18th Century Patolu Re-examined | Shilpa Shah | | | |
| No.2: The Toddler Saint of Tamil Nadu | Pratyapaditya Pal | | | |
| No.2: Dancing in the Dark: Robert Heinecken's "Manifestations of Shiva" | Colin Westerbeck | | | |
| No.3: From the General Editor's Desk | | | | |
| No.3: Changra and Changpa: Pashmina Goats and their Herders | Monisha Ahmed | | | |
| No.3: Pashmina Spinners, Weavers and Needleworkers | Janet Rizvi | | | |
| No.3: Innovation and Continuity: A New Temple for Kala Bhairava at Adichunchanagiri, Karnataka | Corinna Wessels-Mevissen | | | |
| No.3: Photo Essay: Images from Ladakh's Monasteries | A.Khambata | | | |
| No.4: From the General Editor's Desk | | | | |
| No.4: The Kashmir Shawl in the Mughal Period | Janet Rizvi | | | |
| No.4: Travelling with the Mughals: A Survey of the Agra-Lahore Highway | Subhash Parihar | | | |
| No.4: Review Article: Vande Mataram | Pratyapaditya Pal | | | |
| No.4: Photo Essay: Ahmedabad | Aryan Ghosh | | | |
| MARG: A Magazine of the Arts Vol. 61 | | Pratapaditya Pal | 2009-2010 | MARG Publications |
| No.1: From the General Editor's Desk | | | | |
| No.1: Aperture and Identity: Early Photography in India | Rahaab Allana | | | |
| No.1: Ephemeral Encounter: Three Artists in India, 1857-59 | Rahaab Allana | | | |
| No.1: The Camera's Beloved H.H. Nawab Mir Mahboob Ali Khan- Patron of Photography | Anita M.Jacob | | | |
| No.1: A Different Stage of Existence: The Canning Album | Deepthi Shashidharan | | | |
| No.1: The Photograph as Field-Note: The Visual Trace and Transitions within Early Anthropology in India | Akshaya Tankha | | | |
| No.1: Master of Ajanta: A Study of Major Robert Gill- An Artist, Draughtsman and Photographer | Divia Patel | | | |
| No.1: Found Pictures and Lost People: Seven Photographs from 19th Century Kashmir | Shuddhabrata Sengupta | | | |
| No.1: Panoramas of Mumbai | Sharada Dwivedi | | | |
| No.1: Centre and Periphery: Photography's Spatial Field | Christopher Pinney | | | |
| No.1: A Photographer's Thoughts: Interview with Madan Mehta of Mahatta Studio | Akshaya Tankha | | | |
| No.1: The Photography Archive at the City Palace Museum, Udaipur | Pramod Kumar A.G. | | | |
| No.2: Editorial Note | | | | |
| No.2: Of Echoes and Silent Raptures: The Zamindari Mansion of North Calcutta | Kamalika Bose | | | |
| No.2: Three Hunting Pictures from 19th Century Nepal | Gautam V.Vajrachaya | | | |
| No.2: An Art Without Tradition: A Survey of Indian Comics | Bharat Murthy | | | |
| No.2: Modernity at the Crossroads: Ravi Varma's "Shakuntala Looks Back in Love" | Niharika Dinkar | | | |
| No.2: Chaam: Listener's Tale | Arghya Basu | | | |
| No.2: An Interesting Bronze from Kohlapur, Maharashtra | Vaishaili Welankar | | | |
| No.2: Making a Mohra | Alka Hingorani | | | |
| No.3: Editorial Note | | | | |
| No.3: Introduction | Sanjay Jhaveri | | | |
| No,3: Mumbai's Cinema Halls | Zubin Pastakia & Erika Balsom | | | |
| No.3: At a Tambu Near You: The Tent Cinemas of Maharashtra | Amit Madheshiya & Shirley Abraham | | | |
| No.3: Hindi FIlms and Their Audiences | Rachel Dwyer | | | |
| No.3: Ray and the Shadow of Political Cinema | Mainak Biswas | | | |
| No.3: A Significant Abscence: The Colonial State and the Globalization of Mass Entertainment in Early 20th Century South Asia | Kaushik Bhaumik | | | |
| No.3: It's Snowing in Mumbai: The Cinema of Ashim Ahluwalia | Kaunteya Shah | | | |
| No.3: Let My Promise be Met: Star | Sanjay Jhaveri | | | |
| No.3: Our Phantom Friends | Shumona Goel and Dale Cannedy-Azim | | | |
| No.4: Editorial Note | | | | |
| No.4: Rama Retold without a Pause: Ayodhya's Anavarat Ramlila | Scharada Dubey | | | |
| No.4: Kothi Bega, Samru: A Tale of Transformation in 19th Century Delhi | Jyoti P.Sharma | | | |
| No.4: No Holds Barred: The Garadimanes (Gymnasiums) of Gadag | Kamala Vasudevan | | | |
| No.4: Slow Loss | Aria Abraham | | | |
| No.4: The Mughal Scenic Animal Carpet in the National Gallery of Art, Washington, D.C. | Syamali Das | | | |
| No.4: Two Rare Works by Olinto Ghilardi (1848-1930) | Anirban Sadhu | | | |
| No.4: "To This Day I feel That I Touched Time" | Chadralekha and Sadananda Menon | | | |
| No.4: Imagining India: An Odd Trilogy | Geral James Larson | | | |
| MARG: A Magazine of the Arts Vol. 62 | | Pratapaditya Pal | 2010-2011 | MARG Publications |
| No.1: Editorial Note | | | | |
| No.1: Abstract Paintings of Assamese Bhagavata Purana | Samiran Boruah | | | |
| No.1: Fabric and Tradition- Textiles of the Northeast | Latika Varadrajan | | | |
| No.1: Golden Peaks and Tinkling Bells: Gilt Metal Craft in Kathmandu Valley Architecture | Raimund O.A. Becker-Ritterspach | | | |
| No.1: Critical Modernism in Raymond's "Golconde" | Smita Dalvi | | | |
| No.1: Nizamuddin at Night | Alexander Keefe | | | |
| No.1: The Case of the Bhim ki Chauri Ruins at Mukandara | Jagat Narayan and K.L.Mankodi | | | |
| No.1: Decoding the Talim | Peter Harris | | | |
| No.1: Romancing AjantA: Ajanta: History and Development by Walter M.Spink | Pratyapaditya Pal | | | |
| No.2: Editorial Note | | | | |
| No.2: Introduction | Ashrafi S.Bhagat | | | |
| No.2: Pioneering Vistas: Conflation of Modern And Regional Cultures at Madras | Ashrafi S.Bhagat | | | |
| No.2: The Intuitive Fusion of the Native and the Modern: Changing Trends of Andhra Art in the 20th Century | Avani Rao Gandra | | | |
| No.2: Frameworks of Artistic Modernity in Kerala: Cross-Cultural Vibes | Kavitha Balakrishnan | | | |
| No,2: New Voices, New Directions | Ashrafi S.Bhagat | | | |
| No.2: The Pop Palette of the Urban Carvans: Contemporary Truck Art in Kerala | George K. | | | |
| No.2: The Icon Maker: P.V.Jankiram (1930-95) | Renu Nayar | | | |
| No.2: The Gestural Abstractions of L.Munuswamy | Ashrafi S.Bhagat | | | |
| No.2: Reconfiguring the Miraculous: Deities and Devotees in South Indian Devotional Film Posters | Vaishnavi Ramanathan | | | |
| No.3: Editorial Note | | | | |
| No.3: Gothic Revival at Faridkot | Subbash Parihar | | | |
| No.3: Ananda's Tandava "The Dance of Shiva" Reconsidered | Saskia Kersenboom | | | |
| No.3: Led Up The Garden Path: The Rose Garden Hidden By History | Peter Blohm | | | |
| No.3: Mahadeva Temple at Tambdi Surla, Goa | Kumud Kanitkar | | | |
| No.3: Photo Essay- "The Simple Grace of His Being" E.O. Hoppe's Photographs of Rabindranath Tagore | Pratyapaditya Pal | | | |
| No.3: Shivaji Designs for Stained-Glass Windows: The Art of Ervin Bossanyi | Raju Sobhag Shah | | | |
| No.3: Arrangiamenti | Michele Miegge | | | |
| No.4: Editorial Note | | | | |
| No.4: Framing Women: Gender Modernity in Colonial India | Niharika Dinkar | | | |
| No.4: Staging the Self: Photographic Representations of Benodini Dasi | Swati Chattopadhyaya | | | |
| No.4: Photographing the Feminine | Suryanandini Narain | | | |
| No.4: Orientalizing Gender, Sexuality, and Identity: Photogrphs of the Seventh Nizam's Zenana | Gianna M.Carotenuto | | | |
| No.4: Letter from an Unknonw Woman: The Film Actress in Laten Colonial Bombay | Debashree Mukherjee | | | |
| No.4: Reform and Sartorial Styles in 19th Century Bengal | Malavika Karlekar | | | |
| No.4: Amrita Sher-Gill "Two Girls", 1939 | Niharika Dinkar | | | |
| No.4: Setting Gender Roles in Early Indian Print Advertisement | Latika Gupta | | | |
| No.4: Sidelines: The Courtesans of Lucknow | Yousuf Saeed | | | |
| MARG: A Magazine of the Arts Vol. 63 | | Pratapaditya Pal | 2011-2012 | MARG Publications |
| No.1: Editorial Note | | | | |
| No.1: Narrative Reliefs in Kanaganahalli: Their Importance for Buddhis Sculptures | Monika Zin | | | |
| No.1: Living Beyond Death: Chola Sepulchres | Pradeep Chakravarthy | | | |
| No.1: Memorial Parks in Lucknow | Amita Sinha | | | |
| No.1: Johann Zoffany: The Last Supper,1787 | Pradip Kumar Das | | | |
| No.1: Cinema Play House | Nandita Raman | | | |
| No.1: Little-known Antiquities of Farrukhnagar | Ranbir Singh | | | |
| No.2: Introduction | Corinna Wessels-Mevissen | | | |
| No.2: Visualizing the Gods | Gilles Tarabout | | | |
| No.2: The Buddha Revisited: Ritualizing and Visualizing Sacred Places | Karel R.Van Kooij | | | |
| No.2: Bhadramandalas: Invoking Divinities in Smarta Rituals | Gudrun Buhnemann | | | |
| No.2: Jhanki: Ritual Visualization of Hindu Deities in Himachal Pradesh | Brigitte Luchesi | | | |
| No.2: Chandreshvara, the "Fierce Lord": Gaurdian of Temples, Eater of Offerings, Chastiser of Transgressions | Dominic Godall | | | |
| No.2: Shila, Shilpa, Devata: Invoking the Divine in South Indian Sculpture | Parul Pandya Dhar | | | |
| No.2: The Divine Play on Earth: The Sirha tradition of Orissa | Cornelia Mallebrein | | | |
| No.2; Rite and Representation: Recent Discoveries of Pallava Goddesses of the Tamil Land | Charlotte Schmid | | | |
| No.3: Editorial Note | | | | |
| No.3: Ars Erotica: "Visualizing" Sufism in Mughal Paintings and the Mystical Memoirs of Jahan Ara Begam (1614-81) | Afshan Bokhari | | | |
| No.3: Holy Metamorphosis! The Incremental Urbanism of the Hindu Temple | Vinayak Bharne | | | |
| No.3: A Century of Conservation at the Mumbai Caves; Learning in Retrospect | Brinda Gaitonde-Nayak | | | |
| No.3: Mughal Wall-Paintings at Doraha | Subhash Parihar | | | |
| No.3: The Maker and the Made | Sarah E.Braddock Clarke | | | |
| No.3: A Terracotta Buddha Image from Anturli, Maharashtra | Chetan Shankar Sali | | | |
| No.3: The Buddhist Caves at Aurangabad by Pia Branaccio | Walter Spink | | | |
| No.4: Editorial Note | | | | |
| No.4: Introduction | | | | |
| No.4: Arunachal Pradesh: Myth, Memory, Meaning: The Ancient Civilization of Kojum Koje | | | | |
| No.4: Nagaland: Tenyimia Festivals: The Basis of the Socio-Cultural Life of the Community | | | | |
| No.4: Meghalaya: Nature as a Metaphor: Khasi Rice Myths | | | | |
| No.4: The Use of Bamboo, Can and Timber in A'chik Culture | | | | |
| No.4: Manipur: Beyond the Spectrum: The Tradition of Lai Haraoba | | | | |
| No.4: Arunachal Pradesh: Folksongs of the Siang Valley | | | | |
| No.4: Mizoram: Time for a Change of Mindset | | | | |
| No.4: The Intangible as Cultural Heritage | | | | |
| No.4: Assam: Phaneng: A Journey into Personal Engagement | | | | |
| MARG: A Magazine of the Arts Vol. 64 | | Vidya Dehejia | 2012-2013 | MARG Publications |
| No.1: Editorial Note | | | | |
| No.1: Monument, Memory, and Meaning: Heterotopia at Borobudur, Indonesia | Swati Chemburkar | | | |
| No.1: Between Local Community and Global Nation: The Predicament of Afghanistan's Cultural Heritage | Alka Patel | | | |
| No.1: Afghanistan Impressions | Jaroslav Poncar | | | |
| No.1: New "Galleries" for "Islamic Art" at the Metropolitain Musuem of Art, New York | Barbara Schmitz | | | |
| No.1: Lightness and Being: The Museum of Islamic Art, Doha, Qatar | Sean S.Anderson | | | |
| No.1: Wonders of the Ages: A Review of Indian Art Exhibitions and Catalogues in the West in 2011 | Pratyapaditya Pal | | | |
| No.1: Newari Woodcarvings | Gautama Vajracharya | | | |
| No.2: Editorial Note | | | | |
| No.2: Introduction | Savia Viegas | | | |
| No.2: Literature from the Konkan Coast | | | | |
| No.2: Writing in Goa | Maria Aurora Cuoto | | | |
| No.2: Notes of a Native Son | Damodar Mauzo | | | |
| No.2: The Sounds of Music: From Ghumott and Violin to Trance | Francisco C.Colaco | | | |
| No.2: Destined Journeys: The Paintings of Angelo da Fonseca and Vamona Navelcar | Savia Viegas | | | |
| No.2: Revisiting the Colonial Archive | Savia Viegas | | | |
| No.2: Tiatr: Living in the Love of the Common People | Jose Lourenco | | | |
| No.2: Clothes in TIme: The Warp and the Weft | Wendell Rodricks | | | |
| No.2: Into the Melting Pot | Fatima da Silva Gracias | | | |
| No.3: Editorial Note | | | | |
| No.3: The Temple Door of Lachuse: Early Wood Art From Ladakh | Heinrich Poell | | | |
| No.3: The Enigma of Jantar Mantar at Delhi | Anisha Shekhar Mukherji | | | |
| No.3: The Tender Shoots: Some Early Drawings of Rabindranath Tagore | Pratyapaditya Pal | | | |
| No.3: Kalachuri Heritage: Temple Remains and Rock-Cut Caves at Hara Chauka | A.K.Singh | | | |
| No.3: Blue Gold | Ratna Raman | | | |
| No.3: Being Italian in British India in 1940: Father Luca and the Artist Nino La Civita | Luca Zordan | | | |
| No.3: Recyling in Sri Lanka | Keith Andrew | | | |
| No.4: Editorial Note | | | | |
| No.4: Introduction | Kaushik Bhawmik | | | |
| No.4: Towards New Genealogies for Histories of Bombay Cinema: The Career of the Sagar Film Company (1929-1940) | Virchand Dharamsey | | | |
| No.4: On "Disreputable" Genres: B-Movies and Revisionary Histories of Bombay Cinema | Subhajit Chatterjee | | | |
| No.4: The "Pirate" DJ | Vebbuti Duggal | | | |
| No.4: 100 Years of the Bombay Cinema Hero: A Brisk Review | Kaushik Bhawmik | | | |
| No.4: The Politics of Re-Presentation: Distribution and Exhibition of Indian Cinema in Turkey | Ahmet Guerata | | | |
| No.4: Stitches for the Stars | Clare M.Wilkinson-Weber | | | |
| No.4: Fourteen Stations | Atul Dodiya | | | |
| MARG: A Magazine of the Arts Vol. 65 | | Vidya Dehejia | 2013-2014 | MARG Publications |
| No.1: Editorial Note | | | | |
| No.1: The Naga's: Prakriti's Proctectors | Maureen Drdak | | | |
| No.1: Clowning Politics: The Bhand in Kashmir | Ria Basu | | | |
| No.1: Preservation of India's Intangible Cultural Heritage: The Case of Chhau Dance | Shubha Srinivasan | | | |
| No.1: The Sahmat Collective: Art and Activism in India since 1989 | Siddhartha V.Shah | | | |
| No.1: Priests in Retirement | Anisha Crasto | | | |
| No.1: Scattered Vishnu Sculptures from the Konkan Coast | Kumud Kanitkar | | | |
| No.2: Editorial Note | | | | |
| No.2: Foreword | Kasturi Gupta Menon | | | |
| No.2: Only Connect | Jenny Balfour-Patel | | | |
| No.2: Recalculating Colour: Thomas Wardle's Remarkable Dye Experiments | Brenda King | | | |
| No.2: Rangeen: Colours of Life | Ruby Ghaznavi | | | |
| No 2: Indigo: From Bengal to Blue Jeans | Jenny Balfour-Patel | | | |
| No.2: The Colours of Chinz: Empirical Knowledge of Chimistry in 18th-Century India | Dominique Cardon | | | |
| No.2: A Calcutta Florilegia: William Roxburgh's Flore Indica Drawings | Pramod Kumar K.G. | | | |
| No.2: Chay Red: The Forgotten Dye of the Coromandel Coast | Bessie Cecil | | | |
| No.2: Ajit Kumar Das: Using Natural Dyes in Art | Kanika Mukherji | | | |
| No.2: Unexpected Treasures from the Sea | Rex Cowan | | | |
| No.2: Indian Dyes and Textiles at the Royal Botanical Gardens, Kew | Mark Nesbitt | | | |
| No.3: Editorial Note | | | | |
| No.3: The Painting of Charles Rollier: Influence of Indian Culture on a European Artist | Erberto La Blue | | | |
| No.3: The Hermetic Nomadology of Jehangir Sabavala: National and Diasporic Strategies of Homecoming | Debashish Banerji | | | |
| No.3: The China Feeling: Experiments with Clay in the Middle Country | Anjani Khanna | | | |
| No.3: A Early Photographer in Ladakha- Rupert Wilmot | Roger Bates | | | |
| No.3: Badge of Honour, Men and Valour: The Sherpas of Darjeeling | Meher Marfatia | | | |
| No.3: Restoration of the Gomti Riverfront in Lucknow- Claude Martin's Legacy | Anita Sinha | | | |
| No.3: An Emerging Model in Auction House Sales: Footsteps of the Buddha | Siddhartha V.Shah | | | |
| No.4: Editorial Note | | | | |
| No.4: Introduction | Prava Rai | | | |
| No.4: The Newars in Sikkim: Culture and Identity in the Diaspora | Bal Gopal Shreestha | | | |
| No.4: Negotiating Lepcha Identity in Multi-Ethnic Sikkim | Jenny Bentley | | | |
| No.4: Lamas and Shamans of the Sacred Hidden Land | Anna Balikci Denjongpa | | | |
| No.4: The Denjong Kho of Sikkim | Sanam Tashi Gyaltsen | | | |
| No.4: The Artist Within: Tashi Namgyal | Tenzin C.Tashi | | | |
| No.4: Through Whose Eyes? The Work of Patuman Lohrung Rai | Prava Rai | | | |
| No.4: Hee Gyathang: Restoration fo the 12 Village Monastery | Chetan Raj Shreestha | | | |
| No.4: Ancient Roots of Modern Sikkim | Shital Pradhan | | | |
| MARG: A Magazine of the Arts Vol. 66 | | Vidya Dehejia | 2014 | MARG Publications |
| No.1: Master of Swirling Skies an Anonymous Painter of Jammu | Steven Kossak | | | |
| No.1: Mithila Painting: 1949-2014 | David Szanton | | | |
| No.1: The Clock is Ticking: The Blue Shores Prison Art Project | Margaret Mascarenhas & Swatee Nair | | | |
| No.1: Mughal Mystic: The Khalili Collection of Islamicn Art | Anjali Devidyal | | | |
| No.1: The Ass Curse Stele Tradition: Gaddhegal of Ancient Maharashtra | Rupali Mokashi | | | |
| No.1: Hindu Symbolism in Sikh Art: Brickwork in Haveli Naunihal Singh | Humaira Iftikhar & Shaukat Mahmood | | | |
| No.1: The Magic of India | Nicoletta Celli | | | |
| No.2: Introduction | Aniruddha Sen Gupta | | | |
| No.2: Telling Stories and Building Community: Making Comics in India | Jeremy Stoll | | | |
| No.2: Panels Registers and Frames: Creative Engagements with traditional Visual Narrative forms | Vidyun Sabhaney | | | |
| No.2: Art in Comics | Gokul Gopalakrisnan | | | |
| No.2: Narmada Sketchbooks: Comics and Making of River of Stories | Orijit Sen | | | |
| No.2: City of the Ninth Art | Amruta Patil | | | |
| No.2: Growing Up (and raising kids) with Comic Books | Vivek Menezes | | | |
| No.2: Grassroots Comics: An Indigenous Global Movement | Sharad Sharma | | | |
| No.2: Issued in the Public Interest | Amitabha Kumar | | | |
| No.2: Shut up About the Market and Show me your Internal Organs | Rakesh Khanna | | | |
| No.3: Fragile Legacy: The Paintings of Ajanta Caves 9 and 10 | William Dalrymple | | | |
| No.3: Dating the Hamzanama: A re-examination | Zahar Faridany-Akhavan | | | |
| No.3: The Temple at Thirukurungudi:Flights of Fancy in Stone, Wood and Words | Pradeep Chakravarthy | | | |
| No.3: The Diverse facts of Burma | Andre Baldeck | | | |
| No.3: An Early Woman Artist at Shantiniketan: Chatraniva Chowdhury | Latika Gupta | | | |
| No.3: Journeys into the Sublime: V.Ramesh's Works, 2003-2013 | Soma Sen | | | |
| No.3: What's in a Name?, The Arts of Islam" at the Louvre | Ashrafi S.Bhagat | | | |
| No.3: Sahib, Bibi, Nawab: Baluchar Silks of Bengal, 1750-1900 | Monisha Ahmed | | | |
| No.4: Introduction: Art In Bhutan | Susan S.Bean | | | |
| No.4: Wangduechhoeling Palace: The Birthplace of Bhutan's Monarchy | Ugen Choden | | | |
| No.4: A Cultural Epiphany: Religious Dances of Bhutan and their Costumes | Francoise Pommaret | | | |
| No.4: Bhutanese Fashion and Textiles in the 21st Century | Dian K.Myers | | | |
| No.4: The Emerging Contemporary Artscape of Bhutan | Kinley Wangmo | | | |
| No.4: A Passion for Preservation: The Photography of Yeshey Dorji | Madeline Drexler | | | |
| No.4: What is Bhutanese about Paintings from Bhutan | Christian Luczanits And Dorji Namgyel | | | |
| MARG: A Magazine of the Arts Vol. 67 | | Jyotindra Jain, Naman P. Ahuja | 2015 | MARG Publications |
| No.1: Subaltern Rustle: Raqs Media Collective, the Colour Blue and the Colonial Archive | Natasha Eaton | | | |
| No.1: Book Art: Contemporary Practices in the Indian Subcontinent | Amit Kumar Jain and Ruhania Perera | | | |
| No.1: The (Un)Making of a Man: The Work of Baptist Coelho | Janice Pariat | | | |
| No.1: Finding Home: The Worlds of Siona Benjamin | Ori Z.Soltes | | | |
| No.1: The Maarak and the Tradition of Imambadas in Kashmi | Hakim Sameer Hamdani | | | |
| No.1: The Digital Reunification of a 17th-century Ramayana Manuscript from Mewar | Roda Ahluwalia | | | |
| No.1: Collecting Paradise: Buddhist Art of Kashmir and Its Legacies | Monisha Ahmed | | | |
| No.2: Introduction | | | | |
| No.2: Serpent-enthroned Buddha of Angkor | Peter D.Sharrock | | | |
| No.2: Indic Epics in Khmer Art: Narrative Reliefs of Baphuon | Rachel Loizeau | | | |
| No.2: Indigenous Roots of the Cambodian Dance Drama | Paul Cravath | | | |
| No.2: Khmer Traditional Dresss and Textiles: Early Manifestations of Indian Styles and Motifs | Gillian Green | | | |
| No.2: The Bayon: Interpretations Continue | Olivier Cunin | | | |
| No.2: Pola-Inspired Vajryana Buddhism Bronzes from the Korat Plateau: The Khmer-Pala Link | Emma C.Bunker | | | |
| No.2: Angkor: Diary of a Modern Explorer | Kenison Kwok | | | |
| No.3: Icons and Identities: The Work and Lives of Bronzecasters in Swamimalai | Sowparnika Balaswaminathan | | | |
| No.3: "Wherrever a Person lives, he ends up belonging there": A Brief Anecdotal History of Upar Kot | Meher Ali | | | |
| No.3: Invisible Identities, Uncertain Futures? Upholding the Cultural Heritage of Kolkata's Chinatown | Kamalika Bose | | | |
| No.3: Photo Essay: Laura Letinsky- Telephone Game: Photography and Textiles in Translation | Colin Westerbeck | | | |
| No.3: The Condition of Tibetan Monasteries in the 1930's and 40's as recorded by Guiseppe Tucci | Erberto Lo Bue | | | |
| No.3: Reflections on In the Name of the Goddess | Gayatri Sinha | | | |
| No.3: Exhibitions: The Fabric of India | Monisha Ahmed | | | |
| No.4: Introduction: Towards Recent Histories of Indian Textiles | Mayank Mansingh Kaul | | | |
| No.4: Shaping Textile Futures: Those who Led the Way | Ritu Sethi | | | |
| No.4: Revivalism and Revivalists | Laila Tyabji | | | |
| No.4: Textiles in India: Fashioning the Contemporary | Mayank Mansingh Kaul and Meher Varma | | | |
| No.4: The Enduring Sari and It's Metamorphoses | Sujata Assomull | | | |
| No.4: Recipes for Re-Enchantment: Natural Dyes and Dyeing | Aarti Kawlra | | | |
| No.4: Trends in Embroidery | Vandana Bhandari | | | |
| No.4: The Loom as an Ideology: Suraiya Apa's Legacy | Radhika Singh | | | |
| No.4: Jadunath Suparkar and Design Revival in Banaras Brocades | Anjan Chakraverty | | | |
| MARG: A Magazine of the Arts Vol. 68 | | Jyotindra Jain, Naman P. Ahuja | 2016 | MARG Publications |
| No.1: Preface | Geeta Kapur | | | |
| No.1: The Elegant Complexity of Nasreen Mohamedi | Brinda Kumar | | | |
| No.1: Zarina's Language Question | Aamir R.Mufti | | | |
| No.1: Lala Rukh: Lines of Agency | Natasha Ginwala | | | |
| No.1: Revolution in Poetic Language: Manisha Parekh' | Rakhee Balaram | | | |
| No.1: Abstracting/Constructing- Sheila Makhijani and Pooja Iranna | Roobina Karode | | | |
| No.1: Strategic Abstractions: On Seher Shah's Large-Formar Drawings | Murtaza Vali | | | |
| No.1: In the Light of What we See: On Prabhavathi Meppayil and Rana Begum | Deepak Ananth | | | |
| No.1: Parul Gupta's Performative Space | Meenakshi Thirukode | | | |
| No.1: Archives of Compressed time: Measure and Movement in the Work of Tanya Goel | Amanda Sroka | | | |
| No.2: Kochi-Muziris: Biennale as South Asian Form | Natasha Ginwala | | | |
| No.2: Muziris and the Many Pasts of Kochi | Riyas Komu | | | |
| No.2: Caste Slavery and Structural Violence in Kochi | Sanal Mohan | | | |
| No.2: Kochi-Muziris Biennale and the Biennale Phenomenon | Geeta Kapur & Natasha Ginwala | | | |
| No.2: A Biennale in the Making | Bose Krishnamachari | | | |
| No.2: Impressions on the Second Kochi-Muziris Biennale | Dieter Roelstrate and Abigail Winograd | | | |
| No.2: Towards an Open Archealogy: On Vivan Sundaram's Black Gold | Nada Raza | | | |
| No.2: Mandalay Hall, in Memoriam: Reflection on a Collateral Project during KMB 2012 | Zasha Colah | | | |
| No.2: An Artistic Creed: Responses to Benitha Perciyal's Fires of Faith | Rosalyn D'Mello | | | |
| No.2: Imagined Features: Works by Marie Valerdi | Meera Menezes | | | |
| No.2: The Eyes Have it: Naeem Mohaimen's Kazi in Nomansland and the Crisis of History | Murtaza Vali | | | |
| No.2: Liquid History of Vasco Da Gama | Sarnath Banerjee | | | |
| No.2: Make-Beling in Retrospect: The Artists' Cinema at KMB 2014 | Ashish Rajadhakshya | | | |
| No.2: Solar: A Meltdown | Ho Rui An | | | |
| Bombay to Mumbai: Changing Perspectives | | Pauline Rohatgi, Pheroza Godrej, Rahul Mehrotra | 2006 | MARG Publications |
| Ahmadabad | John-Burton Page | George Michell, Snehal Shah | 1988 | MARG Publications |
| Splendours of Kerala | Mulk raj anand | | | MARG Publications |
| Goa- Cultural Patters | | Dr. Saryu Doshi | 1983 | MARG Publications |
| Marg, India and Greece Connections and Parallels | | Dr. Saryu Doshi | 1985 | MARG Publications |
| India- A Pageant of Prints | | Radhika Sabavala | 2006 | MARG Publications |
| American Collectors of Asian Art | | Pratapaditya Pal | 1986 | MARG Publications |
| American Collectors of Asian Art | | Pratapaditya Pal | 1986 | MARG Publications |
| | | | MARG Publications |
| The Performing Arts | | Doshi, Dr. Saryu (Ed. ) & Menon, Narayana (Guest Editor) | 1982 | MARG Publications |
| The Performing Arts | | Doshi, Dr. Saryu (Ed. ) & Menon, Narayana (Guest Editor) | 1982 | MARG Publications |
| Bharat Natyam | | | 1957 | MARG Publications |
| | | | MARG Publications |
| Marg , Vol.01, No.1, Oct 1946 | | Mulk Raj Anand | 1946 | MARG Publications |
| Marg Vol 01,Jan 1947, Number 02 - | | Mulk Raj Anand | 1947 | MARG Publications |
| Marg Vol 01, Number 03 - | | Mulk Raj Anand | | MARG Publications |
| Marg Vol. 02, No. 3, Journey into Rajasthan | | | | |
| Marg Vol 02, Number 04 -Special Dipavali Number | | Mulk Raj Anand | | MARG Publications |
| Marg , Vol. 07, No.03,June 1954 | | Mulk Raj Anand | 1954 | MARG Publications |
| Marg Vol 08, Mar 1955 Number 02 -On Inheriting The Past | | Mulk Raj Anand | 1955 | MARG Publications |
| Marg , Vol. 08, No.03, June 1955 | | Mulk Raj Anand | 1955 | MARG Publications |
| Marg, Vol.9, No.1- In Praise of Early Buddhist Art | | Mulk Raj Anand | 1955 | MARG Publications |
| Marg Vol 10, June 1957 Number 03 -Homage To Khajuraho | | Mulk Raj Anand | 1957 | MARG Publications |
| Marg Vol 10, Sept 1957 Number 04 -Bharata Natyam | | Mulk Raj Anand | 1957 | MARG Publications |
| Marg Vol 11, June 1958 Number 03 -Early Mughal Art | | Mulk Raj Anand | 1958 | MARG Publications |
| Marg: A Magazine of the arts Later Mughal Art | | | | |
| Marg Vol 12, Dec 1958 Number 01 -Homage To Konark | | Mulk Raj Anand | 1958 | MARG Publications |
| Marg Vol 12, March 1959 Number 02 -Rajasthani Sculptures | | Mulk Raj Anand | 1959 | MARG Publications |
| Marg Vol 12, June 1959 Number 03 -In Praise Of Mandu | | Mulk Raj Anand | 1959 | MARG Publications |
| Marg - Deccani Kalams Vol. 16 No.2 | | Mulk Raj Anand | 1963 | MARG Publications |
| Marg, Vol. 23, No. 01,1969 Terracottas | | Mulk Raj Anand | 1969 | MARG Publications |
| Marg - The Mystery And Beauty of Hittite Art Vol.25, No.1 | | Mulk Raj Anand | 1971 | MARG Publications |
| Marg, Vol. 28 A Magazine of the Art,Supplyment No. 2 March 1975: Pahari Miniatures | Dr. Archer's .W. | | 1975 | MARG Publications |
| Marg, Vol. 30, No. 02, March 1977, Persian Painting - Fifteenth Century | | Mulk Raj Anand | 1977 | MARG Publications |
| Marg,Vol. 30, No. 03, 1977, Homage to Amritsar | | Mulk Raj Anand | 1977 | MARG Publications |
| Marg,Vol. 30, No. 03, 1977, Homage to Amritsar | | Mulk Raj Anand | 1977 | MARG Publications |
| Marg,Vol. 30, No. 03, 1977, Homage to Amritsar | | Mulk Raj Anand | 1977 | MARG Publications |
| Marg - In Praise of Hoysala Art Vol.31, No.1 | | Mulk Raj Anand | 1977 | MARG Publications |
| Marg, Vol. 31, No. 02, Glimpses of Wonder and Beauty- Indian Heritage | | Mulk Raj Anand | 1978 | MARG Publications |
| Marg, Vol. 31, No. 02, Glimpses of Wonder and Beauty- Indian Heritage | | Mulk Raj Anand | 1978 | MARG Publications |
| Marg, Treasures of Everyday Art- Raja Dinkar Kelkar Museum, Vol. 31, No.3 | | Mulk Raj Anand | 1978 | MARG Publications |
| Marg, Treasures of Everyday Art- Raja Dinkar Kelkar Museum, Vol. 31, No.3 | | Mulk Raj Anand | 1978 | MARG Publications |
| Marg - Vol 32, Number 01- In Praise Of Aihole - Badami- Mahakuta - Pattadakal | | Mulk Raj Anand | | MARG Publications |
| Marg, Vol. 32, No. 04, In Praise of Christian Art in Goa | | Mulk Raj Anand | | MARG Publications |
| Marg, Vol. 33, No. 02. In Praise of Tamil Nadu Heritage | | Mulk Raj Anand | | MARG Publications |
| Marg, Vol. 33, No. 02. In Praise of Tamil Nadu Heritage | | Mulk Raj Anand | | MARG Publications |
| Marg, Vol. 33, No. 04, Homage to Hampi | | Mulk Raj Anand | | MARG Publications |
| Marg, Vol. 33, No. 04, Homage to Hampi | | Mulk Raj Anand | | MARG Publications |
| Marg, Vol. 33, No. 04, Homage to Hampi | | Mulk Raj Anand | | MARG Publications |
| Marg, Vol. 34, No. 01, Appreciation of Creative Arts Under Maharaja Ranjit Singh | | Mulk Raj Anand | | MARG Publications |
| Marg, Vol. 34, No. 02, The Art Of Chhatrapatis and Peshwas | | Dr. Saryu Doshi | | MARG Publications |
| Marg, Vol. 34, No. 02, The Art Of Chhatrapatis and Peshwas | | Dr. Saryu Doshi | | MARG Publications |
| Marg, Vol. 34, No. 04, Rhythms And Accents In Tradtional Indian Architecture | | Dr. Saryu Doshi | | MARG Publications |
| Marg, Vol. 34, No. 04, Rhythms And Accents In Tradtional Indian Architecture | | Dr. Saryu Doshi | | MARG Publications |
| Marg, Vol. 35, No. 01, Heritage Of Karnataka | | Dr. Saryu Doshi | | MARG Publications |
| Marg, Vol. 35, No. 01, Heritage Of Karnataka | | Dr. Saryu Doshi | | MARG Publications |
| Marg, Vol. 35, No. 01, Heritage Of Karnataka | | Dr. Saryu Doshi | | MARG Publications |
| Marg, Vol. 35, No. 03, Goa An Encounter | | Dr. Saryu Doshi | | MARG Publications |
| Marg, Vol. 35, No. 03, Goa An Encounter | | Dr. Saryu Doshi | | MARG Publications |
| Marg, Vol. 35, No. 03, Goa An Encounter | | Dr. Saryu Doshi | | MARG Publications |
| Marg, Vol. 35, No. 04, Continuity And Change- Festival Of India in Great Britain | | Doshi, Dr. Saryu (Ed) | | MARG Publications |
| Marg, Vol. 36, No. 01, Images And Traditions- Festival Of India in Great Britain | | Dr. Saryu Doshi | | MARG Publications |
| Marg, Vol. 36, No. 03, The Iconic And Narrative In Jain Painting | | Dr. Saryu Doshi | | MARG Publications |
| Marg, Vol. 36, No. 04, Maharashtra- Traditions In Art | | Dr. Saryu Doshi | | MARG Publications |
| Marg, Vol. 37, No. 01, Maharashtra- Religious And Secular Architecture | | Dr. Saryu Doshi | | MARG Publications |
| Marg, Vol. 37, No. 01, Maharashtra- Religious And Secular Architecture | | Dr. Saryu Doshi | | MARG Publications |
| Marg, Vol. 37, No. 02, Hind And Hellas | | Dr. Saryu Doshi | | MARG Publications |
| Marg, Vol. 37, No. 02, Hind And Hellas | | Dr. Saryu Doshi | | MARG Publications |
| Marg, Vol. 37, No. 03, Masterpieces of the Deccan Sultanates | | Karl Khandalavala | | MARG Publications |
| Marg, Vol. 37, No. 03, Masterpieces of the Deccan Sultanates | | Karl Khandalavala | | MARG Publications |
| Three American Collections of Asian Art- Freer, Brundage and Rockfeller/ Vol XXXVII, No. 4 | | Dr. Pratapaditya Pal | | MARG Publications |
| Marg, Vol.38, No. 01,Three American Collections Of Asian Art- Heeramaneck,Binney,3rd and Simon | | Karl Khandalavala | | MARG Publications |
| Marg, Vol. 38, No. 03, Treasures Of Indian Art | | Dr. Saryu Doshi | | MARG Publications |
| Marg- Vol. 40, No. 01 Visions of Enlightenment the Heritage of Bodhgaya | | Karl Khandalavala | | MARG Publications |
| Marg, Vol. 40, No. 04, A Selection Of Prints: People,Places and Flora | | Karl Khandalavala | | MARG Publications |
| Marg, Vol. 41, No. 03, Painters Of Persia And Their Art | | Karl Khandalavala | | MARG Publications |
| Marg, Vol. 42, No. 1, Ramayana: Paintings from the hills | | | | MARG Publications |
| Marg, Vol. 44, No. 01, The Qutb Shahs Of Golconda | | Karl Khandalavala | | MARG Publications |
| Marg, Vol. 45, No. 02, India And Egypt: Thought,Art, And Trade | | Pratapaditya Pal | | MARG Publications |
| Marg- Humayun's Garden Party Princes of the House of Timur and Ey Mughal Painting Vol.46, No.2 | | Sheila Canby | 1994 | MARG Publications |
| Marg, Vol. 46, No. 03, Woven splendours: Indian Silks | | Pratapaditya Pal | | MARG Publications |
| Marg Vol. 46, No. 04, Of Kings and Coins | | Carter, Martha L. | 1994 | MARG Publications |
| Marg, Vol. 48, No. 02, Contemporary Women Artists | | Pratapaditya Pal | | MARG Publications |
| Marg-A Magazine of the Arts, Vol. 48. No. 3 | | Farooq Ameen | 1997 | MARG Publications |
| Marg, Vol. 50, No. 03,1999 | | Pratapaditya Pal | 1999 | MARG Publications |
| MARG: A Magazine of the Arts, Vol. 50 | | Pratapaditya Pal | 2010 | MARG Publications |
| Marg, Vol. 51, No. 02, 1999, | | Pratapaditya Pal | 1999 | MARG Publications |
| MARG: A Magazine Of The Arts Vol. 59, No. 4 | | Mulk Raj Anand | 2008 | MARG Publications |
| MARG: A Magazine Of The Arts Vol. 59, No. 4 | | Mulk Raj Anand | 2008 | MARG Publications |
| Marg, Vol. 62, Contemporary Art of South India | | | | MARG Publications |
| MARG: A Magazine of the Arts Vol. 65 | | Mulk Raj Anand | 2013 | MARG Publications |
| MARG: A Magazine of the Arts: India-France: Artistic Exchanges, Vol. 69, No. 1 | | Jyotindra Jain, Naman P. Ahuja | 2017 | MARG Publications |
| Marg - Homage to Jaipur | | Mulk Raj Anand | | MARG Publications |
| material history, material memory | | Sarya Doshi | 1982 | MARG Publications |
| | | | |
| A Treasury of Indian Coins | | Carter, Martha L. | 1994 | MARG Publications |
| A Treasury of Indian Coins | | Carter, Martha L. | 1994 | MARG Publications |
| A Treasury of Indian Coins | | Carter, Martha L. | 1994 | MARG Publications |
| Coins in India: Power and Communication | | Himanshu Prabha Ray | 2006 | MARG Publications |
| Coins in India: Power and Communication | | Himanshu Prabha Ray | 2006 | MARG Publications |
| Coins in India: Power and Communication | | Himanshu Prabha Ray | 2006 | MARG Publications |
| Marg, Maharaja Ranjit Singh as Patron of the Arts | | Mulk Raj Anand | 1981 | MARG Publications |
| Maharaja Ranjit Singh as a Patron of the Arts | | Mulk Raj Anand | 1981 | MARG Publications |
| Maharaja Ranjit Singh as a Patron of the Arts | | Mulk Raj Anand | 1981 | MARG Publications |
| Unseen Presence: The Buddha and Sanchi | Dehejia, Vidya | | 1996 | MARG Publications |
| Marg, Bodhgaya - the Site of Enlightenment | | | 1988 | MARG Publications |
| Marg, Golconda and Hyderabad | | Safrani, Shehbaz H. (Ed. ) | 1992 | MARG Publications |
| Marg, Splendours of the Vijayanagara Empire Hampi | | Michell, George & Filliozat, Vasundhara (Guest Editors) | 1981 | MARG Publications |
| Marg, The Art of the Burma New Studies | | Stadtner, Donald M. (Ed. ) | 1999 | MARG Publications |
| Eternal Kaveri : Historical Sites Along South India's Greatest River | | George Michell | 1999 | MARG Publications |
| Marg, Odissi, Indian Classical Dance Art | | Kothari, Sunil & Pasricha, Avinash | 1990 | MARG Publications |
| Marg - Bharata Natyam | | Mulk Raj Anand | 1997 | MARG Publications |
| Marg - Bharata Natyam | | Mulk Raj Anand | 1997 | MARG Publications |
| Marg- Kathakali- The Art of the Non-Worldly | | Nair, D.Appukuttan & Paniker K. Ayyappa | 1993 | MARG Publications |
| Marg- Contemporary Women Artists, Experessions and Evocations | | Pratapaditya Pal | 1996 | MARG Publications |
| Marg, Master Artist of the Imperial Mughal Court | | Pratapaditya Pal | 1991 | MARG Publications |
| Marg -Contemporary Architecture And City Form The South Asian Paradigm | | Farooq Ameen | 1997 | MARG Publications |
| Marg, the World of Jade | | Markel, Stephen | 1992 | MARG Publications |
| Marg- Pageant of Indian Art Festival of India in Great Britain | | Dr. Saryu Doshi | 1983 | MARG Publications |
| Water Design: Environment and Histories | | Jutta Jain-Neubauer | 2016 | MARG Publications |
| Dargahs: Abodes of the Saints, Vol. 56. No.1 | | Mumtaz Currim, George Michell | 2004 | MARG Publications |
| The Architecture of the Indian Sultanates | | Abha Narain Lambah, Alka Patel | 2006 | MARG Publications |
| Wonders of Nature: Ustad Mansur at the Mughal Court | Asok Kumar Das | Vidya Dehejia | 2012 | MARG Publications |
| The Story of Asia's Lions | Divya Bhanusinh | | 2005 | MARG Publications |
| Living Jewels From The Indian Jungle | | Ashok S. Khotari, Boman F. Chhapgar | 2009 | Oxford University Press, Bombay Natural History Society |
| Living Jewels From The Indian Jungle | | Ashok S. Khotari, Boman F. Chhapgar | 2009 | Oxford University Press, Bombay Natural History Society |
| The Story Of Indian Unicorns | | Jotindra Jain, Naman P. Ahuja | 2018 | Marg Publication |
| A Mirror for Princes from India | | Grube, Ernst J. (Ed. ) | 1991 | MARG Publications |
| Buddhist Art Form and Meaning | | Pratapditya Pal | 2007 | MARG Publications |
| Masterpieces of Indian Modern Art | | Kishore Singh | 2016 | DAG |
| Masterpieces of Indian Modern Art: Edition II | | Kishore Singh | 2017 | DAG |
| Masterpieces of Indian Modern Art: Edition II | | Kishore Singh | 2017 | DAG |
| The Printed Picture: Four Centuries of Indian Printmaking Vol. 1: Essays | Paula Sengupta | Kishore Singh | 2012 | DAG |
| The Printed Picture: Four Centuries of Indian Printmaking Vol. 1: Essays | Paula Sengupta | Kishore Singh | 2012 | DAG |
| The Printed Picture: Four Centuries of Indian Printmaking Vol. 2: Exibitin Plates | Paula Sengupta | Kishore Singh | 2012 | DAG |
| The Printed Picture: Four Centuries of Indian Printmaking Vol. 2: Exibitin Plates | Paula Sengupta | Kishore Singh | 2012 | DAG |
| Indian Abstracts: An Absence Of Form | | Kishore Singh | 2014 | DAG |
| Indian Portraits: The Face of a People | | Kishore Singh | 2013 | DAG |
| The Naked and the Nude: The Body in Indian Modern Art | | Kishore Singh | 2013 | DAG |
| Indian Landscapes - The Changing Horizon | | Kishore Singh | 2012 | DAG |
| Indian Divine: Gods & Goddesses In 19th Century
| | | | |
| 2014 | DAG | Art & Architecture | | |
| The Naked and the Nude: The Body in Indian Modern Art Edition Two | | Kishore Singh | 2015 | DAG |
| The Art of Bengal | | Kishore Singh | 2012 | DAG |
| The Art of Bengal | | Kishore Singh | 2012 | DAG |
| Mumbai Modern Progressive Artists' Groups: 1947-2013 | | Kishore Singh | 2013 | DAG |
| Continuum: Progressive Artists' Group | | Kishore Singh | 2011 | DAG |
| India Modern: Narrative from 20th Century Indian Art | | Kishore Singh | 2014 | DAG |
| | | | |
| Awakening: A Retrospective of G.R. Santosh | | Kishore Singh | 2011 | DAG |
| Awakening: A Retrospective of G.R. Santosh | | Kishore Singh | 2011 | DAG |
| Altaf: A Retrospective | | Kishore Singh | 2017 | DAG |
| Chittaprosad: A Retrospective | | Kishore Singh | 2011 | DAG |
| Chittaprosad: A Retrospective | | Kishore Singh | 2011 | DAG |
| India's Rockerfeller Artists | | Kishore Singh | 2017 | DAG |
| Group 1890: India's Indigenous Modernism | | Kishore Singh | 2016 | DAG |
| The Feminine Unbound | Gogi Saroj Pal | | 2011 | DAG |
| The Curious Seeker | Madhvi Parekh | | 2017 | DAG |
| Hungry Bengal: A Tour through Mindapur District, by ChittaProad in November 1943 | | | 2011 | DAG |
| A Sketch book of 30 potraits by Chittaprosad | | | 2011 | DAG |
| Yours Chitta: Translated excerpts from select letters from Chittaprosad | Sanjoy Kumar Malik | | 2011 | DAG |
| Nemai Ghosh: Satyajit Ray and Beyond | | Kishore Singh | 2013 | DAG |
| Memory & Identity: Indian Aritists Abroad | | Kishore Singh | 2016 | DAG |
| India's Neo-Tantrists: G. R. Santosh, Biren De | | Kishore Singh | 2017 | DAG |
| M.V. Dhurandar The Romantic Realist | Suhas Babulkar | | 2018 | DAG |
| Manifestations 5: 20th Century Indian Art | | Kishore Singh | 2011 | DAG |
| Manifestations 6: 75 Artists | | Kishore Singh | 2011 | DAG |
| Manifestations 7: 20th Century Indian Art | | Kishore Singh | 2012 | DAG |
| Manifestations 8: 20th Century Indian Art | | Kishore Singh | 2012 | DAG |
| Manifestations 9: 20th Century Indian Art | | Kishore Singh | 2013 | DAG |
| Manifestations 10: 20th Century Indian Art | | Kishore Singh | 2013 | DAG |
| Manifestations 11: 20th Century Indian Art | | Kishore Singh | 2014 | DAG |
| Ramkinkar Baij: A Retrospective | R Siva Kumar | Sonal Parmar | 2012 | DAG |
| Significant Indian Modern Art | | | 2014 | DAG |
| Significant Indian Modern Art | | | 2014 | DAG |
| Masterpieces I: Stars Above, Stars Below- Avinash Chandra | | Kishore Singh | 2016 | DAG |
| Masterpieces II: In His Office- Bikash Bhattacharjee | | Kishore Singh | 2016 | DAG |
| Masterpieces III: Christ- Dhanraj Bhagat | | Kishore Singh | 2016 | DAG |
| Masterpieces IV: A Still-Life of Kitchen Implements and a Rooster on a Table | | Kishore Singh | 2016 | DAG |
| Masterpieces V: Aspiration- G.R. Santosh | | Kishore Singh | 2016 | DAG |
| Masterpieces VI: Tantra Series- G.R. Santosh | | Kishore Singh | 2016 | DAG |
| Masterpieces VII: Manas Kamal- Hemen Mazumdar | | Kishore Singh | 2016 | DAG |
| Masterpieces VIII: Expectation- Kshitindranath Majumdar | | Kishore Singh | 2016 | DAG |
| Masterpieces IX: Shree Chaitanya Meets His Mother- Kshitindranath Majumdar | | Kishore Singh | 2016 | DAG |
| Masterpieces X: Three Graces- M.F. Husain | | Kishore Singh | 2016 | DAG |
| Masterpieces XI: Queen- M.F. Husain | | Kishore Singh | 2016 | DAG |
| Masterpieces XII: Portrait- M.F. Husain | | Kishore Singh | 2016 | DAG |
| Masterpieces XIV: Shakuntala's Life Story- Radha Charan Bagchi | | Kishore Singh | 2016 | DAG |
| Masterpieces XIII: Figure in Yellow- Rabindranath Tagore | | Kishore Singh | 2016 | DAG |
| Masterpieces XV: The Poet- Ramkinkar Baij | | Kishore Singh | 2016 | DAG |
| Masterpieces XVI: Mask- S.K. Bakre | | Kishore Singh | 2016 | DAG |
| Masterpieces XVII: Jala Bindu- S.H. Raza | | Kishore Singh | 2016 | DAG |
| Masterpieces XVIII: Bharatiya Samaroh- S.H. Raza | | Kishore Singh | 2016 | DAG |
| Masterpieces 31: At A Social Gathering | Vikash Bhattcharjee | | | |
| Masterpieces 32: The Starir Of Destiny | Rameshwar Broota | | | |
| Masterpieces 33: Untitled | Shanti Dave | | | |
| Masterpieces 34: Untilted (Two Figures With Cactus) | M.F. Mussain | | | |
| Masterpieces 35: Woman With A Basket Of Fruits | Krishen Khanna | | | |
| Masterpieces 36: Untitled (Landscape) | Ram Kumar | | | |
| Masterpieces 37: Diagonal | Tyeb Mehta | | | |
| Masterpieces 38: Man Acting As King | Ravin Mondal | | | |
| Masterpieces 39: Untitled (Christ) | Jamini Roy | | | |
| Masterpieces 40: Untitled (tantra) | G.R. Santosh | | | |
| Masterpieces 41: Untitled | F.M. Souza | | | |
| Still-Life Adaptations in 20th Century Indian Art | | Roobina Karode | 2007 | DAG |
| 20th Century Indian Modern Art | | Kishore Singh | 2014 | DAG |
| Indian Modern Art: A Visual History | | Kishore Singh | 2016 | DAG |
| A Visual History of Indian Modern Art: The Pre-Moderns Vol 1 | | Kishore Singh | 2015 | DAG |
| A Visual History of Indian Modern Art: Birth of Modernism Vol 2 | | Kishore Singh | 2015 | DAG |
| A Visual History of Indian Modern Art: Revivalism & Beyond Vol 3 | | Kishore Singh | 2015 | DAG |
| A Visual History of Indian Modern Art: Bengal Modernists Vol 4 | | Kishore Singh | 2015 | DAG |
| A Visual History of Indian Modern Art: Rise of Modernism Vol 5 | | Kishore Singh | 2015 | DAG |
| A Visual History of Indian Modern Art: A Modern Vernacular Vol 6 | | Kishore Singh | 2015 | DAG |
| A Visual History of Indian Modern Art: Alternate Sensibilities Vol 7 | | Kishore Singh | 2015 | DAG |
| A Visual History of Indian Modern Art: Region and Identity Vol 8 | | Kishore Singh | 2015 | DAG |
| A Visual History of Indian Modern Art: The Sacred & the Sensual Vol 9 | | Kishore Singh | 2015 | DAG |
| A Visual History of Indian Modern Art: In the Round Vol 10 | | Kishore Singh | 2015 | DAG |
| 20th Century Indian Art | | | 2017 | DAG |
| 20th Century Indian Art | | | 2016 | DAG |
| Amitava: The Complete Works | | Kishore Singh | 2013 | DAG |
| Auction Of Indian Art | | | 2016 | DAG |
| Indian Modern Art | | | 2015 | DAG |
| Art Loot Spring 2012 | | | 2012 | DAG |
| Maps Of Mughal India | Susan Gole | | 1988 | Manohar Publications |
| Maps Of Mughal India | Susan Gole | | 1988 | Manohar Publications |
| The Kingdom That Was Kotah | M.K. Briraj Singh | | 1985 | Lalit Kala Akademi |
| Monuments of Assam | | | 2001 | National Museum, New Delhi |
| Manuscript Painting of Assam | | | 2000 | National Museum, New Delhi |
| Art History of Tripura | | | 2003 | National Museum, New Delhi |
| Art History of Tripura | | | 2003 | National Museum, New Delhi |
| Indian Miniature Paintings | | | 2000 | National Museum, New Delhi |
| Ramayana: The Story of Rama in Indian Miniature Paintings | | | 2004 | National Museum, New Delhi |
| Baburnama: Memoirs of Zahiruddin Muhammad Babur Padshah Gazi | | | 2004 | National Museum, New Delhi |
| Kahilipara hoard of Bronzes, Assam | | | 2004 | National Museum, New Delhi |
| Sculptural Heritage of Assam | | | 2000 | National Museum, New Delhi |
| Miniature Paintings of Rajasthan | | | 2000 | National Museum, New Delhi |
| Bhopal | | | 2003/04/01 | Directorate of Archaeology, Archives and Museum |
| Gwalior | | | 2004 | DAAM / MPM |
| Atlas Of Ancient Indian History | Ifran Habib, Faiz Habib | | 2010 | Oxford University Press |
| Munzpragung Des Kusanreiches | Robert Gobl | | 1984 | Verlag Der Osterreichischen Akademie Der Wissenschaften |
| An Atlas of the Mughal Empire | Ifran Habib | | 1982 | Oxford University Press |
| An Atlas of the Mughal Empire | Ifran Habib | | 1982 | Oxford University Press |
| Atlas of the World | | | 2002 | The Royal Geographical Society |
| Indian Paintings In The Los Angeles Museum | Pratapaditya Pal | | 1982 | Lalit Kala Akademi |
| K. Venkatappa: A Pictorial Volume | | | | Directorate of Kanada And Culture |
| Ancient Hairstyles of India | Ila Pal Choudhuri | | 1974 | Rupa & Co. |
| Untranslated Chinese Art Book | Ashrani Mathur | | | Libro |
| Atlas of Past times | John Haywood | | 2003 | Grange Books |
| History of Trains | Collin Garratt | | 1989 | Hamlyn Publishers |
| Modern Indian Painting: Jana & Kito de Boer Collection | | Rob Dean, Giles Tilotson | | Mapin Publications |
| The Artful Life of R. Vijay | Annapurna Garimella | Preface: Kavita Singh | 2015 | Shane Suvikapakornkul, Serindia, Serindia Contemporary |
| Waswo x. Waswo Photowallah | Christopher Pinney, Illustrations: R. Vijay | | | Tasveer Arts Publishers |
| Elite Collectors of Modern & Contemporary Indian Art | Purrshottam Bhaggeria, Pavan Malhotra | | 2008 | Elite Media Publishers |
| Gauri Dancers | Waswo x Waswo, Sonika Soni | | 2019 | Mapin Publications |
| Author | Editor | Year | Publisher |
| | | | |
| Coins - An Illustrated Survey 650 B.C. to the Present Day | | Martin Jessop Price | 1980 | Methuen & British Museum Publication Ltd. |
| Haryana ke Pracheen lakshyansthan (Ancient Seals of Haryana) (Hindi) | Sarswati, Swami Omamnand | | 1979 | Haryana Prantiya Puratattva Sangrahalaya |
| Minutes of Evidence Taken before the Royal Commission on Indian Currency & Finance Vol. 4 | | | 1926 | Royal Commission I.C.& F |
| Appendices to the Report of the Royal Commission on Indian Currency & Finance Vol. 2 | | | 1926 | Royal Commission I.C.& F |
| Oriental Numismatics Society Vol. I
| | | | |
| | | | |
| | | | |
| | Numismatics | Newsletters, papers | Vol. I |
| Oriental Numismatics Society Vol. II
| | | | |
| | Numismatics | Newsletters | Vol. II |
| Oriental Numismatics Society Vol. III
| | | | |
| | Numismatics | Newsletters | Vol. III |
| 2003 Standard Catalog of World Coins | Chester L. Krause, Clifford Mishler | Colin R. Bruce II | 2003 | Krause Publications |
| 2006 Standard Catalog of World Coins | Chester L. Krause, Clifford Mishler | Colin R. Bruce II | 2006 | Krause Publications |
| 1998 Standard Catalog of World Paper Money, Modern issues 1961-1998, Vol. III | | Colin R. Bruce II, Neil Shafer | 1998 | Krause Publications |
| Standard Catalogue Of World Paper Money | Albert Pick | Colin R. Bruce II, Neil Shafer | | krause publications |
| Standard Catalog of World Paper Money, Specialized Issues, Vol. 1 | Based on the original writings of Albert Pick | Colin R. Bruce II, Neil Shafer | | Krause Publications |
| Standard Catalog of World Coins 1601-1700, 17th Century | Chester L. Krause, Clifford Mishler | Colin R. Bruce II | 1999 | Krause Publications |
| Standard Catalogue Of World Coins, Special 18th century edition | Chester L. Krause, Clifford Mishler | Colin R. Bruce II | 2006 | krause publications |
| 1996 Standard Catalog of World Coins | Chester L. Krause, Clifford Mishler | Colin R. Bruce II | 1996 | Krause Publications |
| 2002 Standard Catalog of World Coins | Chester L. Krause, Clifford Mishler | Colin R. Bruce II | 2002 | Krause Publications |
| | | | |
| Memoirs Series 06: Coins and Early Indian Economy | | | 1912-14 | Journal and Proceeding Asiatic Society of Bengal |
| Monnaies Greco-Bactriennes et Indo-Grecques, Catalogue Raisonne (French) | Osmund Bopearachchi | | 1991 | Bibliotheque Nationale |
| Catalogue of the Coins in the Indian Museum, Calcutta, Vol. I, Parts I, II & III | Vincent A. Smith | | 1906 | Oxford at the Clarendon Press |
| Catalogue of the Coins in the Indian Museum, Calcutta, Vol. III | H. Nelson Wright | | 1908 | Oxford at the Clarendon Press |
| 1996 Standard Catalog of World Coins | Chester L. Krause, Clifford Mishler | Colin R. Bruce II | 1996 | Krause Publications |
| Standard Catalog of World Paper Money, General issues, Vol. 2 | | Neil Shafer, Colin R. Bruce II | 2000 | Krause Publications |
| Standard Catalog of World Paper Money, General issues, Vol. 2 | | Neil Shafer, Colin R. Bruce II | 2000 | Krause Publications |
| Standard Catalog of World Paper Money, Modern issues 1961-2001, Vol. 3 | | Colin R. Bruce II, George S. Cuhaj, Neil Shafer | 2001 | Krause Publications |
| Standard Catalog of World Coins, World Coin Listings by Date and Mint, 1701-1800, 18th century Edition | Chester L. Krause, Clifford Mishler | Colin R. Bruce II | | Krause Publications |
| Standard Catalog of World Gold Coins | Chester L. Krause, Clifford Mishler | Colin R. Bruce II | 1986 | Krause Publications |
| Standard Catalog of World Coins- 17th Century Edition-1601-1700 A.D. | Chester L.Krause and Cliffor Mishler | Colin R.Bruce II | 1996 | Krause Publications |
| World Coins- 17th Century-2nd Edition | Chester L.Krause and Cliffor Mishler | Colin R.Bruce II | 1999 | Krause Publications |
| Standard Catalogue of World Paper Money-Eighth Edition-Volume One | Colin R.Bruce II/Neil Shafer | Colin R.Bruce II | 1998 | Krause Publications |
| Unusuall World Coins: A Standard Catalog Of World Coins Companion Listing And Price Guide Of Novel
| | | | |
| 1980 | KP Bagchi and Co. | Numismatics | catalogue | 3rd edition |
| Standard Catalogue of World Coins 19th century, 2nd Edition 1801-1900 | C.L. Krause/C.Mishler | Colin R.Bruce II | | Krause Publications |
| Standard Catalogue Of World Paper Money 1961-1995 Volume 3 | Colin R. Bruce II & George S. Cuhaj | | 1961-1995 | Krause Publications |
| Indian Paper Money | Kishore Jhunjhunwala/Rezwan Razack | | 2012 | Currencies and Coins, Mumbai |
| Indian Paper Money | Kishore Jhunjhunwala/Rezwan Razack | | 2012 | Currencies and Coins, Mumbai |
| Indian Paper Money | Kishore Jhunjhunwala/Rezwan Razack | | 2012 | Currencies and Coins, Mumbai |
| | | | |
| | | | |
| History of Pancala- Vol.II-Corpus of Coins | Krishna Mohan Shrimali | | 1985 | Munshiram Manoharlal Publishers Pvt. Limited |
| Ancient Indian Weights | Edward Thomas | | 1970 | Prithvi Prakashan |
| Catalogue of the coins Part 2 | Chas J. Rodgers | | 1894 | Haptist Mission Press |
| Catalogue of the Coins in the Indian Museum, Calcutta, Vol. I, Parts I & II | Vincent A. Smith | | 1906 | Oxford at the Clarendon Press |
| Catalogue of the Coins in the Indian Museum, Calcutta, Vol. I, Part III | Vincent A. Smith | | 1906 | Oxford at the Clarendon Press |
| The Second Supplementary Catalogue of Coins to Volume I. | S.P. Basu | | 1977 | Indian Museum, Kolkata |
| The Coinage of the Gupta Empire/ Corpus of Indian Coins Volume IV | A. S. Altekar | | 1957 | Numismatic Society of India, BHU |
| Numismatic Studies, Vol. 4 | Multiple authors | Ajay Mitra Shastri, Manmohan Kumar | 1996 | Harman Publishing House |
| Occasional Memoirs Of The Numismatic Society Of India: Historical Studies In Mughal Numismatics | Shahpurshah Hormasji Hodivala | | 1976 | Numismatic Society Of India |
| Coins of Ancient India | Alexander Cunningham | ? | ? | ? |
| Mandlateel Nani | G.H. Kare | ? | ? | ? |
| A Collector's Guide to Muhammadan Coins of India, 1200 A.D. to 1860 A.D. | Donald B. Hull | | 1972 | Donal B.Hull |
| Standard Catalogue of World Gold Coins | Chester L.Krause/Clifford Mishler | Colin R.Bruce II | 2000 | Krause Publications |
| 32nd Edition Standard Cat. of World Coins 1901-Present | Chester L. Krause, Clifford Mishler | | 2004 | Krause Publications |
| Standard Catalogue of World Coins | Chester L.Krause/Clifford Mishler | Colin R.Bruce II | 1999 | Krause Publications |
| The Journal of Academy of Indian Numismatics & Sigillography, vol. 1 | Dr.S.K.Bhatt | | 1977 | Academy of Indian Numismatics and Sigillography |
| Catalogue of the Provincial Coin Cabinet Assam | A. W. Botham | | 1986 | Eastern Book House |
| Catalogue of the Coins in the Indian Museum, Calcutta, Vol. I, Part III | Vincent A. Smith | | 1906 | Oxford at the Clarendon Press |
| Andhra Pradesh Government Archaeological Series No 4. A Catalogue of the Vijaynagara Coins of the Andhra Pradesh Government Museum | N. ramesan | | 1962 | The government of Andhra Pradesh |
| Inscriptions of the Early Gupta Kings and their Successors | Ram Swaroop Sharma | | 1971 | Banaras Hindu Univesity |
| Bharatiya Itihaas Ke Strotra Sikke (Sources of Indian History: Coins by E. J. Rapson Hindi Translation) (Hindi) | E. J. Rapson | | 1966 | Chowkhamba Vidyabhawan |
| A Tribal History of Ancient India | Kalyan Kumar Dasgupta | | 1974 | Nababharat Publishers |
| The Coins of the Mogul Emperors of India | Chas J. Rodgers | | 1894 | Baptist Mission Press |
| Seminar Papers on the Indology of the Punch marked coins | A. K. Narain | Lallanji Gopal | 1966 | Banaras Hindu University (BHU) |
| The Journal of the Numismatic Society of India, Vol. 42, Parts 1-2 | | Lallanji Gopal, T. P. Verma, B. Chatterjee, O. P. Singh | 1981 | The Numismatic Society of India |
| The Journal of the Numismatic Society of India, Volume 47, Parts I & II | | Upendra Thakur | 1985 | The Numismatic Society of India |
| The Journal of the Numismatic Society of India, Vol. 30, Dr. Richard Bertram Whitehead Commemoration Volume | | A. K. Narain, P. L. Gupta, J. P. Singh | 1968 | The Numismatic Society of India |
| The Prospectus of the Numismatic Society of India | | | 1959 | The Numismatic Society of India |
| Bibliography of Indian Numismatics, Part I (Ancient India) | S.J. Mangalam | | 1989 | Numismatic Society of India |
| Bibliography of Indian Numismatics, Part I (Ancient India) | S.J. Mangalam | | 1989 | Numismatic Society of India |
| Biblography of Indian Numismatics Part 2, Medieval and modern 1971-80 | Prashant P. Kulkarni | | 1991 | Numismatic Society of India |
| Biblography of Indian Numismatics Part 2, Medieval and modern 1971-80 | Prashant P. Kulkarni | | 1991 | Numismatic Society of India |
| Bibliography of Indian Numismatics, Part II (Medieval and Modern) | Parmeshwari Lal Gupta | | 1979 | The Numismatic Society of India |
| Bibliography of Indian Numismatics, Part II (Medieval and Modern) | Parmeshwari Lal Gupta | | 1979 | The Numismatic Society of India |
| Biblography of Indian Numismatics Part 1 (Non-Muhammadan Series) | C. R. Singal | A. S. Altekar | 1950 | Numismatic Society of India, Bombay |
| Memoirs Series- No.6-Coins and Early Indian Economy | | Ajay Mitra Shastri | 1976 | The Numismatic Society of India |
| Memoirs Series- No.6-Coins and Early Indian Economy | | Ajay Mitra Shastri | 1975 | The Numismatic Society of India |
| Memoirs Series- No.6-Coins and Early Indian Economy | | Ajay Mitra Shastri | 1975 | The Numismatic Society of India |
| Numismatic Society of India- Proceedings of the Annual Meeting 1939 | | R.G. Gyani/A.S. Altekar | 1939-1940 | Numismatic Society of India |
| Paper Currency in India | B. b. das Gupta | | 1927 | University of Calcutta |
| Coinage of Republic of India | R. S. Sharma, V. Mittal | | 1999 | Authors |
| Coinage of Republic of India | R. S. Sharma, V. Mittal | | 1999 | Authors |
| Coins of India, Bulletin No. 9 | | | 1963 | S.I.T.U. Publications Limited |
| Numismatic Notes and Monographs, No. 17, Part I, Coinage of Tripura | Ramanimohan Sarma | Lallanji Gopal, Jai Prakash Singh | 1980 | The Numismatic Society of India |
| Satavahana Coins in the Andhra Pradesh government Museum (Series No. 2) | M. Ramarao | N. Ramesan | 1961 | Andhra Pradesh Government Museum |
| Journal of the Bombay Branch of the Royal Asiatic Society | | | 1844 | Bombay Branch of the Royal Asiatic Society |
| Historical Studies in Mughal Numismatics | Shahpurshah Hormasji Hodivala | | 1976 | Professor L.Gopal for the Numismatic Society of India |
| Encyclopedia of Hinduism, Vol. 1 | | K. L. Seshagiri Rao, Kapil Kapoor | 2013 | Mandala Publishing |
| Encyclopedia of Hinduism, Vol. 2 | | K. L. Seshagiri Rao, Kapil Kapoor | 2013 | Mandala Publishing |
| Encyclopedia of Hinduism, Vol. 3 | | K. L. Seshagiri Rao, Kapil Kapoor | 2013 | Mandala Publishing |
| Encyclopedia of Hinduism, Vol. 4 | | K. L. Seshagiri Rao, Kapil Kapoor | 2013 | Mandala Publishing |
| Encyclopedia of Hinduism, Vol. 5 | | K. L. Seshagiri Rao, Kapil Kapoor | 2013 | Mandala Publishing |
| Encyclopedia of Hinduism, Vol. 6 | | K. L. Seshagiri Rao, Kapil Kapoor | 2013 | Mandala Publishing |
| Encyclopedia of Hinduism, Vol. 7 | | K. L. Seshagiri Rao, Kapil Kapoor | 2013 | Mandala Publishing |
| Encyclopedia of Hinduism, Vol. 8 | | K. L. Seshagiri Rao, Kapil Kapoor | 2013 | Mandala Publishing |
| Encyclopedia of Hinduism, Vol. 9 | | K. L. Seshagiri Rao, Kapil Kapoor | 2013 | Mandala Publishing |
| Encyclopedia of Hinduism, Vol. 10 | | K. L. Seshagiri Rao, Kapil Kapoor | 2013 | Mandala Publishing |
| Encyclopedia of Hinduism, Vol.11 | | K. L. Seshagiri Rao, Kapil Kapoor | 2013 | Mandala Publishing |
| Treasures of Indian Art in Bharat Kala Bhavan, Indian Coins (Part Two) | Savita Sharma | | 1993 | Bharat Kala Bhavan, Banaras Hindu University |
| Treasures of Indian Art in Bharat Kala Bhavan, Indian Coins (Part Two) | Savita Sharma | | 1993 | Bharat Kala Bhavan, Banaras Hindu University |
| The Mahabharata: Aranyakaparvan, Vol. 4 | | V.S. Sukthankar | 2006 | Bhandarkar Oriental Research Institute |
| The Mahabharata: The Karnaparvan, Vol. 10 | | V.S. Sukthankar, S.K. Belvalkar | 2003 | Bhandarkar Oriental Research Institute |
| The Mahabharata: Santiparvan, Vol 16 Part- 3B | | V.S. Sukthankar, S.K. Belvalkar | 2005 | Bhandarkar Oriental Research Institute |
| The Mahabharata: Asvamedhikaparvan, Vol. 18 | | V.S. Sukthankar, S.K. Belvalkar | 1960 | Bhandarkar Oriental Research Institute |
| Chavi: Global Jublie Volume | | Anand Krishna | 1971 | Bharat Kala Bhavan, Banaras Hindu University |
| Chavi 2: Rai Krishnadasa Felicitation Volume | | Anand Krishna | 1981 | Bharat Kala Bhavan, Banaras Hindu University |
| The French Revolution | Louis Madelin | | 1930 | William Heinemann Ltd. |
| Life Of Napoleon Bonaparte | Charles Macfarlane | | 1880 | George Routledge and Sons |
| The Wonder that was India | A. L. Basham | | 1974 | Fontana Books, Rupa & Co. |
| History Of The World | | W.N. Weech | | Odhams Press Limited |
| The Imperial Gazzettere of India- The India Empire Vol 2 | | | 1909 | Oxford Press |
| The Journal of the Bihar and Orissa Research Society Vol XVI | | | 1980 | Bihar and Orissa Research Society |
| A Genealogical and Heraldic Dictionary of the Peerage and Baronetage | Sir Bernard Bruke | | 1889 | Harrison and Sons, London |
| The coronation Book of King George VI and Queen Elizabeth | | | 1936 | Odhams Press Limited |
| Bihar and Orissa District Gazetteers: Shahabad | L. S. S. O'Malley, J. F. W. James | | 1924 | Patna: : Bihar and Orissa Government Printing |
| History of Jehangir | Beni Prasad | | 1940 | The Indian Press, Allahabad |
| Statisical Account of Junagadh bein The Junagadh Contribution to the Kathiawar Portion of the Bombay Gazetteer | Major J.W. Watson | | 1880 | Education Society's Press, Bombay |
| Historical Records of Medals & Honorary Distinctions, Conferred on the British Navy, Army and Auxiliary Forces... | George Tancred | | 1891 | Spink and Son |
| The Commercial Policy of the Moguls | D. Pant | | 1930 | D. B. Taraporevala |
| Akbar- Volume 2 | J.M. Shelat | K.M. Munshi/R.R. Diwakar | 1959 | Bharatiya Vidya Bhavan |
| Minutes Of Evidence Taken Before The Royal Commission On The War In South Africa, Vol. 1 | | | 1903 | Wyman and Sons |
| The Times History of the War Vol. 02, Part 25, 26, Vol. 3-Part, 27, 28, 29, 30 | | | 1915 | The Times Printing Square House |
| The Times History of the War Vol. 15 | | | 1918 | The Times Printing Square House |
| Puratattva- Bulletin Of The Indian Archaeological Society No. 8 | | B.K. Thapar | 1976 | Indian Archaeological Society |
| Census of India Vol XIIIPart VII B | | | | R. L. Anand |
| History of Kanauj to the Moselum Conquest | R. S. Tripathi | | | |
| The Indian Annual Register Jan. -June 1933 Vol. 01, An Annual Digest of Public Affairs of India, Affairs of India Recording the Nation's Activities each year in matters Political, Economic, Industrial, Educational,Social etc. being issued in 2 six - month | Mitra, Nripendra Nath (Ed. ) | | 1933 | The Annual Register Office |
| Wilderness Trails In Three Continents: An Account Of Travel, Big Game Hunting And Exploration In India, Burma, China, East Africa And
| | | | |
| 1931 | Heath Cranton Limited | History | | |
| Ajanta Murals | | A. Ghosh | 1967 | Archeaological Survey of India |
| | | | |
| Delhi, A Living Heritage | | Swapna Liddle & Annabel Lopez | 2010 | IGNCA & INTACH |
| Bombay, The Cities Within | Sharda Dwwivedi, Rahul Mehrotra | | 1995 | India Book House |
| Indian Arms and Armour Volume 3 | Dr. G. N. Pant | | 1983 | Army Educational Stores |
| Indian Arms and Armour Volume 2 | Dr. G. N. Pant | | 1980 | Army Educational Stores |
| Indian Arms and Armour Volume 1 | Dr. G. N. Pant | | 1978 | Army Educational Stores |
| India Discovered, the achievement of the British Raj | John Keay | | | Windward |
| Jaipur, the Last Destination | Aman Nath | | 1994 | India Book House |
| Mahatma Gandhi | | | | Ministry of Information and Broadcasting Government of India |
| The Calcutta Municipal Gazette, Tagore Memorial Special Supplement | | Amal Home | 1941 | The Calcutta Municipal Co-orporation |
| Ruling Princes & Chiefs of India | Aijazuddin, F. S. Lawrence, Sir Walter | | 2005 | Sang-E-Meel Publications |
| The Apparatus of Empire, Awards of Ranks, Offices and titles to the Mug |
