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|---|---|---|---|---|
| Eastern Indian School Of Medieval Sculpture | R.D. Banerji | 1981 | Ramanand Vidya Bhawan | |
| Masterpieces Of Indian Sculpture | Rustam J. Mehta | 1968 | D.B. Taraporevala Sons & Co. Pvt. Ltd. | |
| Rampur Raza Library, Monohgraphs | W.H. Sidiqi | 1998 | Rampur Raza Library | |
| Masterpieces of Indian Terracottas | M.K. Dhavalikar | 1977 | D.B. Taraporevala Sons & Co. | |
| Art Of Terracotta | Arputha Rani Sengupta | 2005 | Agam Kala Prakasha | |
| Indian Art and Connoisseurship Essays in Honour of Douglas Barrett | John Guy | 1995 | Mapin Publishing Pvt. Ltd. | |
| Rock Art Studies in India | Somnath Chakraverty | 2003 | Dilip Coomer Ghose, General Secretary, The Asiatic Society | |
| The Ethno-archaeological view of Indian Terracottas | Vidula Jayaswal, Kalyan Krishna | 1986 | Agam Kala Publishers | |
| Catalogue Of Primitive Art And Indian Sculpture | 1969 | Sotherby & Co. | ||
| Ritual Bronzes Of Maharashtra And Karnataka: Including the Bhuta Region | Leo S Figiel | (published by author) | ||
| Temple Vahanas of Tamil Nadu (in English and Tamil) | Pradeep Chakravarthy | 2010 | Kalamkriya Limited | |
| Bhormadev | Sitaram Sharma | 1989 | Madhya Pradesh Hindi Granth Academi | |
| Pranchin Bharatiya Murthi Vigyan | Dr. Neelkanth Purushotham Joshi | 2000 | Bihar Rashtra Bhasha Parishad | |
| Pranchin Bharatiya Murthi Vigyan | Dr. Neelkanth Purushotham Joshi | 2000 | Bihar Rashtra Bhasha Parishad | |
| A Carreira Da India: The India run | Francisco Contente Domingues | 1998 | CTT Correios | |
| Agroha Ki Mranmurtiya | Virjanand Devkarni | 2008 | Haryana Prantiiya Puratatva Sangrahalaya | |
| Exhibition of Ancient Art of India (In Chinese) | ||||
| Bhartiya kala ko Bihar ki Den | Vindyeshwari Prasad Sinha | 1920 | Bihar Rashtrabhasha Parishad | |
| Bhartiya kala ko Bihar ki Den | Vindyeshwari Prasad Sinha | 1920 | Bihar Rashtrabhasha Parishad | |
| Mewar ki Lekh Kala: Phad | Vandana Joshi | 2012 | Pashchim Chetra Sanskritik Kendra, Himanshu Publication | |
| Shan-E-Awadh | Dr.Guru Sharan Lal | 1666 | Bharat Book Centre | |
| Prachin Bharat Mein Yaudheya Ganarajaya | Dr. Yoganand Shastri | 1999 | Prachin Bharatiya Ithihas Shod Parishad | |
| Kushan Prastar Murtiyon Mein Samaj Evam Dharma | Srivastav, Dr. Rani | 1990 | Pratibha Prakashan | |
| Bharatiya Kala Ka Ithihas | Bhagvath Saran Upathyay | 1981 | Peoples Publishing House Pvt. Ltd | |
| Manifestations of Shiva | Stella Kramrisch | George H. Marcus | 1981 | Philadelphia Museum of Art |
| Animals in Indian Sculpture | K. Bharatha Iyer | 1997 | Taraporevala | |
| A Dictionary of Buddhist and Hindu Iconography Illustrated | Fredrick W. Bunce | 2014 | DK. Printwworld | |
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| Art of the Vijayanagara-Nayakas: Architecture & Iconography | R.K.K. Rajarajan | 2006 | Sharada Publishing House | |
| Studies in Indian Iconography | P.K. Agarwala | 1994 | Publication Scheme | |
| Images, Attributes and Motifs: Studies in Early Indian Art and Numismatics, Vol. 1 | Arundhati Banerji | 1993 | Sundeep Prakashan | |
| Images, Attributes and Motifs: Studies in Early Indian Art and Numismatics, Vol. 1 | Arundhati Banerji | 1993 | Sundeep Prakashan | |
| Images, Attributes and Motifs: Studies in Early Indian Art and Numismatics, Vol. 2 | Arundhati Banerji | 1993 | Sundeep Prakashan | |
| Images, Attributes and Motifs: Studies in Early Indian Art and Numismatics, Vol. 2 | Arundhati Banerji | 1993 | Sundeep Prakashan | |
| Hanuman in Art, Culture, Thought and Literature | Shanti Lal Nagar | 1995 | Intellectual Publishing House | |
| Elephant in Indian Art And Mythology | SK Gupta | 1983 | Abhinav Publications | |
| Buddhist Iconography In The National Museums Of Tokyo And Kyoto | A.K. Bhattacharyya | 2006 | Indian Museum,Calcutta | |
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| Studies in Buddhist Iconography | DC Bhattacharyya | 1978 | Manohar Publishers & Distributors Pvt. Ltd. | |
| Iconography of Southern India | Jouveau-Dubreuil G. & Martin, A.C. | 1978 | Bharatiya Publishing House | |
| Vaisnava Iconology in Nepal (original done in1970) | Pratapaditya Pal | 1985 | The Asiatic Society Publication | |
| Elements of Indian Art: Including Temple Architecture, Iconography & Iconometry | S.P. Gupta, Shashi Prabha Asthana | 2007 | Indraprastha Museum of Art & Arch | |
| The Lotus Symbol in Indian Literature and Art | Santona Basu | 2002 | Low Price Publications | |
| Horse in Early Indian Art | T K Biswas | 1987 | MRML | |
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| Symbols in Art and Religion | Karel Werner | 1991 | Motilal Banarsidass Publishers Pvt. Ltd. | |
| Mythical Animals in indian Art | Krishna Murthy | 1985 | Abhinav Publications | |
| Sculpture Inspired by Kalidasa | C. Sivaramamurti | 1984 | KAnak Publications | |
| Sculpture Inspired by Kalidasa | C. Sivaramamurti | 1984 | Kanak Publications | |
| Myths and Symbols in Indian Art and Civilization | Heinrich Zimmer | Joseph Campbell | 1962 | Harper Torchbooks the Bollingen Library Harper & Brothers, |
| S.V.University Oriental Series No. 21- Hayagriva The Horseheaded Deity in Indian Culture | Babu, Prof. D. Sridhara | 1990 | Sri Venkateswara University - Oriental Research Institute | |
| Myths and Deities: Some Aspects of Hindu Iconographic Traditions | Rao, G. Satyanarayana | 1993 | New Era Publications | |
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| Temples and Sculptures of Bhubaneshwar | Kanwar Lal | 1970 | Arts & Letters | |
| Temples and Sculptures of Bhubaneshwar | Kanwar Lal | 1970 | Arts & Letters | |
| The Vaikuntha Perumal Temple at Kanchipuram | D. Dennis Hudson | 2009 | Prakriti Foundation | |
| Elephanta: The Island Of Mystery | Owen C. Kail | 1984 | Taraporevala | |
| Markandi Temples | Deo, S. B. | 1973 | Nagpur University | |
| Masterpieces of Indian Temples | R.J. Mehta | 1974 | Taraporevala Sons & Co. Pvt. Ltd. | |
| Later Chola Temples Kulottunga I to Rajendra III ( A.D. 1070 - 1280) | Balasubrahmanyam, S.R. | 1979 | Mudgala Trust | |
| Temple Art Under The Chola Queens | B. Venkataraman | 1976 | Thomson Press (India) Ltd. | |
| Early Chalukyan Temples: Art, Architecture & Iconography (with special reference to Aihole) | J. Soundararajan | 2009 | Sharada Publishing House | |
| Saptarsisvara Temple in the Lower Kaveri Delta: A Study of History Architecture and Sculpture | R. Ramasamy | 2003 | Book India Publishing Co. | |
| Cave Temples of Pandya Country: Art and Ritual | V. Latha | 2005 | Sharada Publishing House | |
| BrahmÄ Worship: Tradition and Iconography | Rajani Mishra | 1989 | Kanishka Publishing House | |
| Indian Temples | Monod-Bruhl, Levi | 1952 | OUP | |
| Musical Instruments in Sculpture in Karnataka | B. Chaitanya Deva | 1989 | Motilal Banarsidas | |
| Route Guides to the Study of Indian Temple Architecture | Shankar A. Aiyar | 1974 | The Book Centre Centre Pvt. Ltd. | |
| Costume Coiffure And Ornaments In The Temple Sculpture Of Northern Andhra | B. Sree Padma | 1991 | Agam Kala Prakashan | |
| Buddha Gaya Temple: Its History | Dipak K. Barua | 1981 | Buddha Gaya Temple Management Committee | |
| Temples of South India, India the Land and the People | Srinivasan, K. R. | 1993 | National Book Trust | |
| Badami・Aihole ・ Pattadakal | George Michell | 2011 | Pictor | |
| Hampi Vijayanagara | John M Fritz & George Michell | 2014 | Jaico Publishing House | |
| Elephanta | Geroge Michell | 2002 | Jaico Publishing House | |
| Rhythms In Stone: The Temples Of South India | Indira Menon | 2013 | Ambi Knowledge Resources | |
| A Monograph On Temples Of Srikalahasti | G. Chandraiah | Lal Rosem | 1998 | Government of Andhra Pradesh |
| Architectural And Sculptural Imagery Of Lauriya-Nandangarh | Balarka Batabyal | 2003 | Bharatiya Vidya Bhavan | |
| Architectural And Sculptural Imagery Of Lauriya-Nandangarh | Balarka Batabyal | 2003 | Bharatiya Vidya Bhavan | |
| Gujarat University These Publication Series 3 Some Medieval Sculptures of North Gujarat | H. A. Majumdar | 1968 | Gujarat University Ahmedabad | |
| Life of Buddha in Indian Sculpture | Asita Maha Pratiharya & Ratan Parimoo | 1982 | Kanak Publications | |
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| Cire Perdue Casting in India | Krishnan, M.V. | 1976 | Kanak Publications | |
| New Satavahana Sculptures | P. Sitapati | 1980 | The govt of andhra pradesh | |
| Epic Scenes in Indian Plastic Art | Kala, Jayantika | 1988 | Abhinav Publications | |
| Mathura Sculptures: A Catalogue of sculptures of Mathura School in the Indian Museum, Kolkata | Mangala Chakrabarti | 2006 | Indian Museum Kolkata | |
| Mathura Sculptures: A Catalogue of sculptures of Mathura School in the Indian Museum, Kolkata | Mangala Chakrabarti | 2006 | Indian Museum Kolkata | |
| Terracotta Figurines From Kausambi | S C Kala | 1950 | The Municipal Museum, Allahabad | |
| Nolamba Sculptures | C. Sivaramamurti | 2000 | Madras Government Museum | |
| Kushana Sculptures from Sanghol vol 1 | S P Gupta | 1985 | National Museum | |
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| Rare Sculptures, Selections from some Indian Museums Exhibited in Japan | Sihare, Laxmi P. | 1984 | National Museum | |
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| Sixty Four Yogini Temple Hirapur | Suresh Balabantaray | 2010 | Intach | |
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| Rati-Lila | Guiseppe Tucci | 1969 | Nagel Publishers | |
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| Ajanta: Ajanta painting of the sacred and the secular | Madanjeet Singh | 1965 | Edita Lausanne | |
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| The Great Tradition: Indian Bronze Masterpieces | ||||
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| Horse Brasses | Peter Brears | 1981 | Country Life Books | |
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| Banganga- Sacred tank on Malabar Hill | Rahul Mehrotra/Sharada Dwivedi | 1996/2006 | Eminence Designs Pvt. Limited | |
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| Indian Costume (Bharatiya Vesabhusa) | G.S. Ghurye | 1951 | G.R. Bhatkal, Popular Book Depot | |
| Etched Beads In India | Moreshwar Gangadhar Dikshit | 1949 | Deccan College & Postgraduate Research Institute | |
| Indo-Greek Jewellery | Chandra, Rai Govinda | 1973 | Abhinav Publishing | |
| Dress and Jewellery of Women: Satavahana to Kakatiya | C.S. Uma Maheshwari | 1995 | New Era Publications | |
| Dress and Jewellery of Women: Satavahana to Kakatiya | C.S. Uma Maheshwari | 1995 | New Era Publications | |
| Jade Collection in the Salar Jung Museum | Dr.M.L.Nigam | 1979 | Salar Jung Museum Board, Hyderabad | |
| Silk Brocades | Agrawal, Yashodhara | 2006 | Roli Books Pvt Ltd | |
| By My Sword and Shield' Traditional weapon of the Indian Warrior | E. Jaiwant Paul | 1995 | The Lotus Collection | |
| Ancient Indian Costume | Roshen Alkazi | 1996 | Art Heritage | |
| Ancient Indian Costume | Roshen Alkazi | 1996 | Art Heritage | |
| Great Diamonds of India | Monisha Bharadwaj | Monisha Ahmed | 2002 | India Book House Private Limited |
| Meissen Porcelain Plauen Lace | Hoffman, Hans-Joachim | 1983 | GDR Centre for Art Exhibitions | |
| Oriental carpets | Michele Campana | Paul Hamlyn | 1969 | The Hamlyn Publishing Group Limited |
| A Knight and His Armour | Oakeshott, R. Ewart | 1961 | Lutterworth Press | |
| Woven Wonders: The Tradition of Indian Textiles | Ashna Mathur | 2002 | Rupa & Co. | |
| Geometric Patterns | Pepin Press | |||
| Textiles for Temple, Trade and Dowry | Jyotindra Jain | Sankriti Museum of Everyday Art, New Delhi | ||
| Oriental Rugs: A Buyers Guide | Lee Allane | 1988 | Thames and Hudson Ltd, London | |
| Important English Furniture and Decorations | 1986 | Sotheby's | ||
| Indian Kaleen | The Handicrafts and Handlooms Exports | |||
| Oriental Rugs, Care and Repair | Majid Amini | 1981 | Orbis Publishing Ltd. | |
| Handmade Rugs From Practically Anything | Laury, Jean Ray & Aiken, Joyce | 1971 | Thomas Nelson Ltd. | |
| Carpets and Floor Coverings of India | Kamaladevi Chattopadhyay | 1969 | Russi Jal Taporevala for D.B. Taporevala | |
| Carpets and Floor Coverings of India | Kamaladevi Chattopadhyay | D.B. Taporevala | 1976 | Russi Jal Taporevala for D.B. Taporevala |
| Oriental Carpets | Ulrich Schurmann | 1979 | Ebeling Publishing Ltd. | |
| All Colour Book of Oriental Carpets and Rugs | Stanley Reed | 1972 | Octopus Books Limited | |
| Rugs and Carpets from the Caucasus | Liatif Kerimov, Nonna Stephanian, Tatyana Grigoliya, David Tsitsivili | 1984 | Allen Lane/ Penguin Books | |
| Oriental Carpet Identifier | Ian Brennet | 1996 | Granze Books | |
| A Study Of Stone Beads In Ancient India | Niharika | 1993 | Bharatiya Kala Prakashan | |
| The Ring of Truth, Myths of Sex and Jewelry | Wendy Doniger | 2017 | Speaking Tiger Publishers | |
| Kama Sutra | 1996 | Lustre Press, Roli Books Pvt. Ltd | ||
| Erotica: The Art of Loving | Dr. Prakash Kothari | Rachna Kothari | 2010 | VRP Publications |
| Erotica: The Art of Loving | Dr. Prakash Kothari | Rachna Kothari | 2010 | VRP Publications |
| Ancient Indian Massage: Traditional Massage Techniques Based of the Ayurveda | Harish Johari | 1988 | MRML | |
| The Kamasutra of Vatsyayana | Aditya Patankar | 1988 | Lustre Press | |
| The Erotic Sentiment in the Paintings of India and Nepal: The Pillow Book, Volume One | Nik Douglas, Penny Slinger | 1989 | Park Street Press | |
| The Perfumed Garden | Fowkes, Ches Ed. Burton, Sir Richard | 1989 | Hamlyn | |
| The Religion of Love | Lal, Kanwqar | 1971 | Arts & Letters | |
| The Love Teachings of Kama Sutra With Extracts from Koka Shastra, Ananga Ranga and other Famous Indian Works on Love | Sinha, Indra | 1996 | Bookwise India Pvt Ltd. | |
| Kamayoga | Mulk Raj Anand | 1991 | Arnold Publishers (India) Pvt Ltd. | |
| The Perfumed Garden | Fowkes, Ches Ed. Burton, Sir Richard | 1989 | Hamlyn | |
| The Cult of Desire: An Interpretation of Erotic Sculpture of India | Kanwar Lal | 1966 | Asia Press | |
| The Cult of Desire: An Interpretation of Erotic Sculpture of India | Kanwar Lal | 1966 | Asia Press | |
| Temples of Love: Khajuraho | Pramila Poddar, Pramod Kapoor | 1992 | Lustre | |
| Kamasutra | 2002 | Oxford University Press | ||
| Kama Kalpa Or The Hindu Ritual Of Love | P. Thomas | 1959 | D.B.Taraporevala Sons & Co. Private Ltd. | |
| Sexual Secrets | Nik Douglas/Penny Slinger | 1979 | Arrow Books Limited | |
| The Joy of Sex- A Gourmet Guide to Love-making | Alex Comfort | 1986 | Pocket Books | |
| Arts of People 1, From Goddess to Pin-up: Icons of Femininity in Indian Calender Art | 2000 | Fukuoka Art Museum | ||
| Pundole's: The Works On Paper Sale | 2018 | Pundole's | ||
| Classical And Modern Indian Art | 2016 | Pundole's | ||
| Indian Art: Classical To Modern | 2015 | Pundole's | ||
| The Fine Art Sale: Including Works From The Collections Of Roshan Sabavala And Emanuel Schlesinger | 2015 | Pundole's | ||
| Pundole's: The Fine Art Sale | 2017 | Pundole's | ||
| Art Of The Himalayas: From The Collection Of Roshan Sabavala | 2014 | Pundole's | ||
| Property From The Estate Of The Late Ernevaz K. Dubash | 2015 | Pundole's | ||
| Tree Matters | Gangu Bai, Gita Wolf, B. Geeta | 2014 | Tara Books Private Limited | |
| Tree Matters | Gangu Bai, Gita Wolf, B. Geeta | 2014 | Tara Books Private Limited | |
| Bhimayan | Bhimrao Ramji Ambedkar | Navayana | ||
| The Enduring Ark | Joydeb Chitrakar, Geeta wolf | 2012 | Tara Books | |
| Sita's Ramayan | Samhita Arni, Moina Chitrakar | 2015 | Tara Books | |
| Sultana's Dream | Durga Bai (Illustration) | 2014 | Tara Books Private Limited | |
| 8 ways to draw fish | Luisa Martela with various artists | |||
| Satrangi: A Gond Expression | 2015 | Ojas Art Ward | ||
| Mattancherry Mix | Sosa Joseph | Galerie Mirchandani + Steinruecke | ||
| The Art of Banking: The art collection of the Internationale Nederland Bank | NMB Bank | |||
| Aditi | 1982 | The Handicrafts and Handlooms Exports Corporation of India Ltd | ||
| Aditi | 1982 | The Handicrafts and Handlooms Exports Corporation of India Ltd | ||
| Treasure house of Medieval Cairo Life | The Genzah Collection of the Ben Ezra Synogogue | |||
| Art Exhibit 2016: Masters of Modern Art | Global Art Hub | |||
| The Museum of Art & Photography | MAP | |||
| The Prado Guide | Maria Dolores Jimenez- Blanco | Museo Nacional Del Prado | ||
| Catalogue of the exhibition of paintings of Rampur Raza Library held at India Inyernational Centre, New Delhi | Dr. W.H. Siddiqi | 2006 | Dr. W.H. Siddiqi | |
| Varunika Saraf: The Chair in the Cloud | 2010 | Galerie Mirchandani + Steinruecke | ||
| Akshaya Kumar Maitreya Museum Incorporating Raja Rajaram Museum Collection North Bengal University Catalogue Part II (Sculptures) | Pranab Kumar Bhattacharyya | 2005 | K.P. Bagchi & Company | |
| Francisi Awadhi Ta'allugaat | ||||
| Art Exhibit 2017: Indian Modern and Contemporay Works on Paper (The Highlights) | 2017 | Global Art Hub | ||
| Such Treasure and Rich Merchandize | Annamma Spudich | 2008 | NCBS | |
| Such Treasure and Rich Merchandize | Annamma Spudich | 2008 | NCBS | |
| Revisiting Gandhi: The art of Shelly Jyoti 2009-2018 | Shelly Jyoti | 2018 | Archana Advertising Pvt. Ltd. | |
| Revisiting Gandhi: The art of Shelly Jyoti 2009-2018 | Shelly Jyoti | 2018 | Archana Advertising Pvt. Ltd. | |
| The Craft Traditions Of India | Jaya Jaitly | 1990 | Lusture Press | |
| Handicrafts In India | T.M. Abraham | 1964 | Graphics Columbia | |
| Sixty Years of Writing on Art & Crafts in India (from Roopa-lekha 1928-88) | Ram Dhamija | 1988 | Sterling Publishers | |
| Sixty Years of Writing on Art & Crafts in India (from Roopa-lekha 1928-88) | Ram Dhamija | 1988 | Sterling Publishers | |
| The Handicrafts Of Tamil Nadu | The Tamilnadu Handicrafts Development Corp. Ltd. | |||
| Handicrafts Of West Bengal | S. Chakraborty, R.K. Bari | 1991 | Institute of Art And Handicraft | |
| Finding My Way | Venkat Raman Singh, Shyam S. Anand | 2016 | Navayana Publishing | |
| Census of India 1961, Vol. 05, Part-07-A, Selected Crafts of Gujarat | R.K. Trivedi | 1968 | Superintendent of Census Operations | |
| Auspicious Designs: Batik for Peranakan Altar | Lee, Kerlogue, Chiesa, Joseph | 2015 | Asian Civilisations Museum | |
| Crafts Of Jammu, Kashmir & Ladakh | Kamal Sahai (photography) | Jaya Jaitly | 1990 | Mapin Publishing Pvt Ltd |
| Handicrafts of India | Kamaladevi Chattopadhyay | 1985 | Indian Council For Cultural Relations | |
| Handicrafts of India | Kamaladevi Chattopadhyay | 1975 | Indian Council For Cultural Relations | |
| Arts And Crafts Of India | Ilay Cooper, John Gillow | 1996 | Thames & Hudson | |
| Pottery Techniques In Peasant India | Baidyanath Saraswati, Nab Kishore Behura | 1966 | Anthropological Survey Of India | |
| Handcrafted Indian Enamel Jewellery | Rita Devi Sharma, M. Varadarajan | 2004 | Roli Books | |
| Indian Handicrafts | Kamaladevi Chattopadhyaya | 1963 | Allied Publishers | |
| Industrial Arts of India | B.K. Bhattacharjee | 1998 | Indian Publishers Distributors | |
| Jangarh Kalam | Udayan Vajpeyi | 2008 | Tribal Welfare Department, Madhya Pradesh | |
| Jangarh Singh Shyam- A Conjuror's Archive | Jyotindra Jain | 2018 | Mapin Publishing, Ahmedabad | |
| Many Indias | Dr. Alka Pande (Curator) | 2016 | The Kanha Museum of Life and Art, Gallerie AK, Must Art Gallery | |
| Waterlife | Rambharos Jha | 2015 | Tara Books Pvt. Ltd. | |
| Alone In The Forest | Bhajju Shyam, Gita Wolf, Andrea Anastasio | 2012 | Tara Books | |
| Hope Is A Girl Selling Fruit | Amrita Das | 2013 | Tara Books | |
| Tribal Art And Craft | A.K. Das | 1979 | Agam Kala Prakashan | |
| Now That The Trees Have Spoken | Ranjit Hoskote | 2009 | Pundole Art Gallery | |
| The Painted World of the Warlis: Art and Ritual of the Warli Tribes of Maharashtra | Yashodhara Dalmia | 1988 | Lalit Kala Akademi, New Delhi | |
| Jangarh Singh Shyam: Drawings & Paintings from the Crites Collection | 2015 | Mitchell S. Crites | ||
| Following My Paint Brush | Dulari Devi, Gita Wolf | 2010 | Tara Books | |
| between Memory and Museum: a dialogue with folk and tribal arts | Arun Wolf and Gita Wolf | 2015 | Tara Books Private Ltd. | |
| Do! | Gita Wolf | 2014 | Tara Books | |
| Pata-Painting Of Orissa | B. Mohanty | 1984 | Publications Division, Ministry of Information & Broadcasting | |
| The Art of Bhajju Shyam Master Gond Artist | 2016 | Ojas Art | ||
| Paramparik Karigar: an association of craftspersons | 2011 | Spenta Multimedia | ||
| Paramparik Karigar: an association of craftspersons | Brinda Gill | Seetha Natesh, Lipi Mehta | 2013 | Maneek Daveer, Spenta Multimedia |
| Handmade in India: A Geographical Encyclopedia Of Indian Handicrafts | Aditi Ranjan, M.P Ranjan | 2007 | Mapin Publishing | |
| The Night Life of Trees | Bhajju Shyam, Durga Bai, Ram Singh Urveti | 2015 | Tara Books | |
| The Night Life of Trees | Bhajju Shyam, Durga Bai, Ram Singh Urveti | 2006 | Tara Books | |
| Indian Crafts: Development and Potential | D.N. Saraf | 1985 | Vikas Publishing House | |
| Crafts Atlas of India | Jaya Jaitly | 2012 | Niyogi Books | |
| Crafts Atlas of India | Jaya Jaitly | 2012 | Niyogi Books | |
| Gobble You Up! | Gita Wolf | 2013 | Tara Books Pvt. Ltd. | |
| Creation | Bhajju Shyam, Gita Wolf | 2014 | Tara Books | |
| Creation | Bhajju Shyam, Gita Wolf | 2014 | Tara Books | |
| The Fabric of India | 2015 | V&A Publishing | ||
| Paramparik Karigar: Gadwakam, Kalamkari, Mithila Kala, Mitti Kam, Tana Bana | 2005 | Paramparik Karigar Publication | ||
| The Cloth of the Mother Goddess | Jagdish Chitara | 2015 | Tara Books | |
| Aranyakas | Dr Alka Pande | 2016 | The Kanha Museum of Life and Art | |
| Signature: Patterns in Gond Art | Gita Wolf, Bhajju Shyam, Jonathan Yamakami | 2010 | Tara Books | |
| Ganjifa The Playing Cards of India a general survey, with a catalogue of the Victoria and Albert Museum Collection | Rudolf Von Leyden | 1982 | Victoria & Albert Museum | |
| Jangarh Kalam: Contemporary Art of the Adivasis | Udayan Vajpeyi | 2010 | Art Alive Gallery | |
| Tribal Ornaments | 2009 | Tribal Research & Development Institute | ||
| Rerouted Realities: Santosh Kumar Das, Exhibition Catalogue | Kathryn Myers | 2018 | ||
| Village of Painters: Narrative Scrolls from West Bengal | Frank J. Korom | 2006 | Museum of New Mexico | |
| Satrangi: Bengal Patachitra | Ojas Art | Ojas Art | 2018 | |
| Satrangi: The Art Of Bheel | Ojas Art | Ojas Art | 2017 | |
| Satrangi: Art of the Warlis | Ojas Art | Ojas Art | 2019 | |
| Beasts of India | Kanchana Arni and Gita Wolf | 2017 | Tara Books Private Limited | |
| Indian Art Series: Madhubani Art | Bharti Dayal | 2015 | Niyogi Books, Museum of Sacred Art (MOSA) | |
| A Picturesque Tour Along the River Ganges and Jumna in India : Consists of twenty four highly finished and coloured views, a map, and vignettes, from original drawings made on the spot; with illustrations, historical and depictive | Lieutenant-Colonel Forrest | Rackermann | ||
| Indian Painting for the British 1780-1880 | Niall Hobhouse | 2001 | Walpole Gallery | |
| India of Rajahs | Louis Rousselet | 1985 | Franco Maria Ricci | |
| The Vision Of Kings | Michael Brand | 1996 | National Gallery Of Australia | |
| Maps of Delhi | Pilar Maria Guerrieri | 2017 | Niyogi Books | |
| Adapting the Eye: An Archive Of The British In India, 1770-1830 | 2011 | Yale Centre For British Art | ||
| Indian Painting during the British Period | 1986 | Hobhouse Limited | ||
| Gaekwad Cenotaphs | Gupte, Taramati | 1947 | Baptist Mission Press | |
| Kashmir Painted by Major E Molyneux as described by Sir Francis Younghusband | Sir Francis Younghusband | 1908 | A&C Black | |
| Impossible Picturesqueness Edward Lear's Indian Watercolors, 1873-1875 | Dehejia, Vidya | 1989 | Mapin Publishing Pvt. Ltd. | |
| Picturesque Views of India Sita Ram: Lord Hastings's Journey from Calcutta to the Punjab, 1814-15 | J.P. Losty | Lustre Press, Roli Books | ||
| Faces Of Colonial India: The Work of Goan Artist Antonio Xavier de Trindade | Fatima da Silva Gracias | 2014 | Fundacao Oriente | |
| Indian Painting for British Patrons 1770-1860 | Niall Hobhouse | 1991 | Hazlitt, Gooden & Fox | |
| Room for Wonder: Indian Painting During the British Period 1760-1880 | Stuart Cary Welch | 1978 | The American Federation of Arts | |
| Indian Art at Delhi 1903 (Being the Official Catalogue othe Delhi Exhibition 1902-1903) | George Watt | 1987 | Motilal Banarsidass | |
| Visions of India The Sketchbooks of William Simpson 1859-62 | Archer Mildred, and Theroux Poul | 1986 | Alfalak Scorpion | |
| Indian Painting for the British 1770-1880 | M & W. G. Archer | 1955 | Oxford University Press | |
| Art and Nationalism in Colonial India, 1850-1922 | Mitter | 1994 | Cambridge University Press | |
| Indian Painting for the British 1770 - 1880: An Essay by Mildred And W.G. Archer | Mildred And W.G. Archer | 1955 | Oxford University Press | |
| Temple Tents for Goddesses in Gujarat, India | Dr. Eberhard Fischer | 2014 | Niyogi Books | |
| Indigenius Artist India | Sunita Nair | 2003 | Author, Taj | |
| Indian Life and the People in the 19th Century: Company Paintings in the Tapi Collection | J.P. Losty | 2018 | Roli Books | |
| Asian Art Museum of San Francisco- Collection Highlights | Jay Xu | Clare Jacobson | 2018 | Asian Art Museum |
| Armenia- Art, Religion and Trade in the Middle Ages | Helen C.Evans | Yale University Press | ||
| Revisiting Gandhi: The Art Of Shelly Joshi 2009-2018 | Shelly Joshi | 2018 | Archana Advertising Pvt. Ltd. | |
| The Museum Newsletter-Special Issue: Indian and the world- a History in Nine Stories | CSMVS | 2018 | Chhatrapati Shivaji Maharaj Vastu Sanghrahalaya | |
| The Museum Newsletter-Special Issue: Indian and the world- a History in Nine Stories | CSMVS | 2018 | Chhatrapati Shivaji Maharaj Vastu Sanghrahalaya | |
| Spiegel, Der Mensch im Widerschein | Museum Rietberg | Wienand | ||
| Kalamkari Temple Hangings | Anna L. Dallapiccola | 2015 | Mapin Publishing | |
| Armours Delight: The Amarushataka Palm Leaf Manuscript | Eberhard Fischer, Dinanath Pathy | 2006 | Artibus Asiae | |
| Cosmology to Cartography | Dr Vivek Nanda, Dr. Alexander Johnson | Narional Museum | ||
| Indian Textiles | John Gillow and Nicholas Barnard | Thames and Hudson | 2014 | Om Books International |
| Textile motifs of India | The Pepin Press | Pepin van Roojen | 2008 | Agile Rabbit | |
| Indian Texties: The Karun Thakar Collection | John Guy, Rosemary Crill, Karun Thakar | HALI Publications ltd | 2014 | HALI publications ltd. |
| Speaking With Pictures: Folk Art and the Narrative Tradition in India | Roma Chatterji | 2019 | Routledge India | |
| Light Of Asia Buddha Sakyamuni in Asian Art | Pratapaditya Pal | 1984 | Los Angeles County Museum of Art | |
| Views in India, China and on the Shores of the Red Sea Vol. 1 and 2 | From Original Sketches by Commander Robert Elliot | 1986 | Gian Publishing House | |
| Folk Heritage Of Pakistan | 1977 | Institute of Folk Heritage | ||
| Prints 1400-1800 A Loan Exhibition from Museums and Private Collections | Harold Joachim | 1957 | Minneaplois Institute of Arts | |
| The Collector's Encyclopaedia of English Ceramics | 1986 | Abbey Library | ||
| Living Traditions Of Iran's Crafts | Jasleen Dhamija | 1979 | Vikas Publishing House | |
| Living Traditions Of Iran's Crafts | Jasleen Dhamija | 1979 | Vikas Publishing House | |
| A Gift Of Sunlight: The Fortune and Quest of the Davies sisters of Llandinnam | Trevor Fishlock | 2014 | Gomer | |
| History of Indian and Indonesian Art | Coomaraswamy, A. K. | 1965 | Dover Publications, Inc. | |
| History of Indian and Indonesian Art | Coomaraswamy, A. K. | 1972 | MRML | |
| Great Monuments of India, Bhutan, Nepal, Pakistan and Shri Lanka | Shobita Punja | 1994 | The Guidebook Company, Hong Kong | |
| Exploring Mysterious Kathmandu | Katharine Hoag | Avalok | ||
| The Art and Architecture of the Indian Subcontinent | J. C, Harle | 1986 | Penguin Books | |
| A History of Greek Art With an introductiory on Art in Egypt and Mesopotamia | Tarbell, F. B. | 1896 | The Chautauqua Centurp Press | |
| Escape To Egypt According to Coptic Tradition | 1993 | Lehnert & Landrock | ||
| Treasures From Italy: Gold And Hardstone Objects From Antiquity And The Renaissance | 1995 | National Museum New Delhi | ||
| Roman and Palaeo-Christian Painting | Geral Gassiot-Talabot | Claude Schaeffner | 1968 | Heron Books |
| Byzantine And Russian Painting | Kostas Papaioannou | Claude Schaeffner | 1968 | Heron Books |
| A History of European Picture Frames | Paul Mitchell, Lynn Roberts | 1996 | Merrell Holberton Publishers Ltd. | |
| The King's Pictures | Francis Haskell | Karen Serres | 2013 | Yale University Press |
| Old Macau | Tom Briggs, Colin Crisswell | 1984 | China | |
| Muslim Art Heritage of Pakistan | Dr. Ahmad Nabi Khan | Ministry of Information and Media Development, Pakistan | ||
| The Wonders of France | 1961 | Thames and Hudson | ||
| The Flowering of the Middle Ages | Joan Evans | 1985 | Thames & Hudson | |
| The Quest For Eternity: Chinese Ceramic Sculptures from the Peoples Republic of China | Susan L. Caroselli | 1988 | Thames & Hudson | |
| The Encyclopedia of Tibetan Symbols and motifs | Robert Beer | 1999 | Shambala Publications/Serindia Publications | |
| The Iconography of Tibetan Lamaism | Antoinette K. Gordon | 1959 | Tuttle | |
| The British as art collectors: From the Tudors to the Present | James Stourton, Charles Sebag-Montefiore | 2012 | Scala Publishers | |
| The Crossroads of Asia of Transfromation in Image and Symbol in the Art of Ancient Afghanistan and Pakistan | Errington, Cribb | 1992 | The Ancient India and Iran Trust | |
| Moorcroft Pottery: A Guide to the Pottery of William and Walter Moorcroft, 1897-1986 | Paul Atterbury | 1987 | Richard Dennis and Hugh Edwards | |
| The Freemasons - Unlocking the 1000 - year-old mysteries of the Brotherhood: the Masonic rituals,codes,signs and symbols explained with over 200 photographs and illustrations | Jeremy Harwood | 2006 | Hermes House( Anness Pub. Ltd.) | |
| The Freemasons - Unlocking the 1000 - year-old mysteries of the Brotherhood: the Masonic rituals,codes,signs and symbols explained with over 200 photographs and illustrations | Jeremy Harwood | 2006 | Hermes House( Anness Pub. Ltd.) | |
| Yugoslavia A journey through her Art | Miodrag Kolaric | Nada Miljkovic | 1973 | |
| Christian Themes in India Art from Mogul times till today | Anand Amaladass SJ, Gudrun Lowner | 2012 | Ajay Kumar Jain | |
| Indian Art Treasures Suresh Neotia Collection | Sharma, R.C., Giri, K. & Chakraverty, A. | 2006 | Mosaic Books | |
| India's Contribution to World Thought and Culture | Lokesh Chandra | 1970 | Vivekananda Rock Memorial Committee | |
| India's Contribution to World Thought and Culture | Lokesh Chandra | 1970 | Vivekananda Rock Memorial Committee | |
| Treasures of indian Art Germany's Tribute to india's Cultural Heritage | Saryu Doshi | National Museum | ||
| Indian Art The Royal Bequest | Saryu Doshi | 1995 | ||
| The Art Of India | Stella Kramrisch | 1954 | Phaidon Press | |
| The Art Of India | Stella Kramrisch | 1954 | Motilal Banarsidass | |
| Art Of India Prehistory to the Present | Frederick M. Asher | 2003 | Encyclopedia Britannica | |
| The Anand-Vana of Indian Art | Dr.Anand Krishna | Naval Krishna & Manu Krishna | 2004 | Indica Books and Abhidha Prakashan |
| The Indian Experience | Barret, Ken & Sharma , Suresh (Ed) | 1982 | Media TransAsia | |
| Ethical Fragrance In Indian Art And Literature | C. Sivaramamurthi | 1980 | Kanak Publications | |
| Ethical Fragrance In Indian Art And Literature | C. Sivaramamurthi | 1980 | Kanak Publications | |
| Ethical Fragrance In Indian Art And Literature | C. Sivaramamurthi | 1980 | Kanak Publications | |
| The Colour Library Of Art- Indian Art- 48 plates in full colour | Margaret-Marie Deneck | 1967 | Hamlyn | |
| Indian Art | V.S. Agrawala | 2003 | Prithivi Prakashan | |
| Aesthetic Theories Of India | Dr. Padma Sudhi | 1988 | Intellectual Publishing House | |
| Approach to Nature in Indian Art and Thought | C. Sivaramurti | 1980 | Kanak Publications | |
| Approach to Nature in Indian Art and Thought | Sivaramamurthi, C. | 1980 | Kanak Publications | |
| Approach to Nature in Indian Art and Thought | Sivaramamurthi, C. | 1980 | Kanak Publications | |
| Approach to Nature in Indian Art and Thought | Sivaramamurthi, C. | 1980 | Kanak Publications | |
| Approach to Nature in Indian Art and Thought | Sivaramamurthi, C. | 1980 | Kanak Publications | |
| Indian Art | H.G. Rawlison, K. de B. Codrington, J.V.S. Wilkinson, John Irwin | Sir Richard Winstedt | 1947 | Faber and Faber Limited |
| Celebration of the Human Image: The Human Figure in Indian Contemporary Painting | Yvette Kumar (compiled) | 2000 | thinking eye | |
| Private Mythology: Contemporary Art from India | 1998 | The Japan Foundation Asia Centre | ||
| Fifty-One Flowers: Botanical Watercolour from Bengal | Niall Hobhouse | 2006 | Colnaghi | |
| Contemplative Colour: A Photographer's Tribute to Abstract Painting | Ashvin Mehta | 2007 | Archer | |
| Contemporary Indian Art: Glenbarra Art Museum Collection | Masanori Fukuoka (Director) | 1993 | Glenbarra Art Museum | |
| India and Modern Art | W.G. Archer | 1959 | George Allen & Unwin Ltd. | |
| Valley of Flowers | Dileep Sharma | Institute of Contemporary Indian Art | ||
| Contemporary Expressions: Art Of The Jogi Family | Tulika Kedia | 2016 | Limited Editions | |
| The Vertical Women, Reminisscences of B. C. Dayal (1902-1947) | Santo Datta | 1998 | National Gallery of Modern Art | |
| Roerichs: Collections of paintings with Karnataka chitrakala parishath | 1997 | Karnataka Chittrakala Parishad | ||
| From Miniature To Modern | 2010 | Pundole | ||
| K.H. Ara: A Private Collection | 2017 | The Viewing Room | ||
| Kanwal Krishna and Devyani Krishna: Contemporary Indian Art Series | 1994 | Lalit Kala Akademi | ||
| Museum Bhavan | Dayanita Singh | Steidl Publishers, Germany | ||
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| Collecting Contemporary Art | Adam Lindemann | Taschen | ||
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| Memories of the First Impressionist Art Dealer (1831-1922) | Paul Durand-Ruel | 2014 | Flammarion | |
| Icones Americaines | 2015 | Grand Palias | ||
| Bengal And Modernity: Early 20th Century Art in India | Landrus, Bhandare, Mitter, Pal, Lahiri | 2015 | Ashmolean Museum of Art, Oxford | |
| Modern Indian Painting | Rob Dean, Giles Tillotson | 2019 | Mapin | |
| Dancing For Themselves | Mohan Khokar | 1987 | Himalayan Books | |
| The Royal bequest: Art Treasures of the Baroda Museum and Picture Gallery | Saryu Doshi | Saryu Doshi | 1995 | India Book house Limited |
| India Art and Culture- 1300-1900 | Stuart Cary Welch | John P.O'Neill | 1985 | The Metropolitan Museum of Art |
| India Art and Culture 1300-1900 | Stuart Cary Welch | John P. O'Neill | 1985 | The Metropolitan Museum of Art |
| The Steins Collect: Matisse, Picasso, and the Parsian Avant-Garde | Bishop, Debray, Rabinow | 2011-2012 | Yale University Press, San Francisco Museum of Modern Art | |
| A Tale Of Thangkas | Pia and Louis Van der Wee | Ethnographic Museum of Antwerp | ||
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| Special Exhibition to Honour the 1400th Anniversary Celebrations of the Hijra Era: Islamic Heritage of India | 1981 | National Museum, New Delhi | ||
| Special Exhibition to Honour the 1400th Anniversary Celebrations of the Hijra Era: Islamic Heritage of India | 1981 | National Museum, New Delhi | ||
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| Dr D R Bannerjee | 1967 | Publication Division Ministery of I. & B., Govt. of India | ||
| Treasures of the National Museum | Dr D R Bannerjee | 1967 | Publication Division Ministery of I. & B., Govt. of India | |
| Treasures of the National Museum | Dr D R Bannerjee | 1967 | Publication Division Ministery of I. & B., Govt. of India | |
| Masterpieces of Mathura Museum | Jitendra Kumar | 1989 | Mathura Museum | |
| Masterpieces of Mathura Museum | Jitendra Kumar | 1989 | Mathura Museum | |
| Masterpieces of Mathura Museum | Jitendra Kumar | 1989 | Mathura Museum | |
| Masterpieces in the State Museum Lucknow | Dr S. D. Trivedi | 1989 | State Museum | |
| Masterpieces in the State Museum Lucknow | Dr S. D. Trivedi | 1989 | State Museum | |
| Tibet House Museum | 1965 | Tibet House Museum | ||
| Tibet House Museum | 1965 | Tibet House Museum | ||
| Schatze Indischer Kunst | 1984 | Forum Des Niedersachsischen Landesmuseum | ||
| Beautiful inside my head forever | 2008 | Damien Thurst | ||
| Tenth Anniversary | 1999 | Gallerie Ganesha | ||
| Sacred India | Annc Boger, Joellen K Deoreo | 1985 | Cleeveland Museum of Arts | |
| Sanskriti | 1991 | |||
| Madras Govt. Museum Guide to The Principal Exhibition in the Govt. Museum, Pudukkothai | M S Chandrashekhar | 1966 | Government of Madras | |
| Handbook of the Madras Government Museum | Satyamurti, S. T. | 1998 | Commissioner of Museums, Government of Tamil Nadu | |
| Guide to Bharat Kala Bhavan | 1998 | Banaras Hindu University | ||
| Guide to Bharat Kala Bhavan | 1998 | Banaras Hindu University | ||
| Museums | Joan Miro | Ediciones Aldeasa | ||
| Tibetan Thankas in the Indian Museum | Sipra Chakravarti | 1980 | Indian Museum, Calcutta | |
| Tibetan Thankas in the Indian Museum | Sipra Chakravarti | 1980 | Indian Museum, Calcutta | |
| A Catalogue on Phulkari Textiles | Devyani Mitra Dutta | 1985 | Indian Museum Calcutta | |
| Victoria and Albert Museum- Indian Art | 1969 | London: Her Majesty's Stationery Office | ||
| Kala: The Journal of Indian Art History Congress Vol.VIII | Maruti Nandan Tiwari, Kamal Giri | 2003 | Dr. R. D. Choudhary, Indian Art History Congress | |
| Masterpieces of Indian Craftsmaship in Marble and Sandstone | Rustam J.Mehta | 1980 | D.B.Taraporevala Sons & Co. Private Ltd. | |
| The Power of Love | Kalpana shah | 2010 | Tao Art Gallery | |
| The K. R. Cama Oriental Institute Seminar On The Shahnameh | 2011 | |||
| Indien Als Bilderbuch Die Konstruktion Der Pittoresken Fremde: Einhundert indische Gouachen um 1800 aus Lindenaus Kunst-bibliothek | Kraus, Viswanathan Peterson, Jena, Hofman | 2011 | Lindenau- Museum Altenburg | |
| The Foundation Maeght | Connaissance des Arts | 2014 | Societe Francaise de Promotion Artistique | |
| art Issue: Heritage (Centenary Volume 1994-1995) | Dr. R. N. Mehta | 1996 | Department of Museums, Vadodara | |
| Inside the Egyptian Museum | Zahi Hawas | 2009 | Heitage World Press Ltd. | |
| Ackhout: Volta Ao Brasil 1644-2002 (Return to Brazil) | Albert Eckhout | 2002 | Nationalmuseet | |
| Indian Paintings In The Sarabhai Foundation | B.N. Goswamy | 2010 | Sarabhai Foundation | |
| The City Palace Museum Udaipur: Painting of Mewar Court Life | Andrew Topsfield | 2009 | Mapin Publishing | |
| The Emperors' Album | Stuart Cary Welch, Annemarie Schimmel, Marie L. Switochowski, Wheeler M. | |||
| The Metropolitan Museum Of Art | Art & Architecture | |||
| Cézanne en Provence | 2006 | Washington National Gallery of Art | ||
| Museum of Christian Art: Convent of Santa Monica, Goa, India | 2011 | Calouste Gulbenkian Foundation | ||
| Mughal Paintings, Drawings, And Islamic Calligraphy in the Jagdish and Kamla Mittal Museum of India Art | John Seyller, Jagdish Mittal | 2013 | Jagdish and Kamal Mittal Museum of Indian Art | |
| Mughal Paintings, Drawings, And Islamic Calligraphy in the Jagdish and Kamla Mittal Museum of India Art | John Seyller, Jagdish Mittal | 2013 | Jagdish and Kamal Mittal Museum of Indian Art | |
| Sublime Delights Through Works Of Art | Jagdish Mittal | 2007 | Jagdish and Kamal Mittal Museum of Indian Art | |
| Shatabda-Kaumudi | Multiple Authors | 1964 | Centenary Celebrations Committee, Central Museum, Nagpur | |
| Art Musings | Jayasri Burman | 2014 | Art Musings | |
| Prakriti: The Creative Feminine | Tulika Kedia | 2017 | Must Art Private Limited | |
| Frida Kahlo: Making Herself Up | Claire Wilcox, Circe Henestrosa | 2018 | V&A Publishing | |
| Golden Goa | Dr. Mulk Raj Anand, Dr. Jose Pereira, Dr. Richard Lannoy | 1980 | MARG Publications | |
| Bodhgaya: the Sight of Enlightenment | Janice Leoshko | 1988 | MARG Publications | |
| In Praise of Aihole, Badami, Mahakuta, Pattadakal | Dr. Mulk Raj Anand, S. Settar, Carmel Berkson, George Michell | MARG Publications | ||
| A Mirror for Princes from India | Grube, Ernst J. (Ed. ) | 1991 | MARG Publications | |
| Splendours of Vijaynagara Empire: Hampi | George Michell, Vasundhara Filliozat | 1981 | MARG Publications | |
| Homage of Karnataka | Dr Sarayu Doshi | 1982 | MARG Publications | |
| Homage to Shravana Belgola | Dr Sarayu Doshi | MARG Publications | ||
| Changing Visions, Lasting Images: Calcutta Through 300 years | Pratapaditya Pal | 1990 | MARG Publications | |
| The Golden Age | Karl Khandalavala | 1991 | MARG Publications | |
| Splendours of Tamil Nadu | 1980 | MARG Publications | ||
| Lucknow: Then and Now | Rosie Lewellyn-Jones, Mukul Mangalik, Sudipta Dev, Ian Shepherd, Christopher W. London, Neeta Das, Lucian Harris | Rosie Llewellyn-Jones | 2010 | MARG Publications |
| Orchha and Beyond: Design at the Court of Raja Bir Singh Dev Bundela Vol. 63 | Edward Leland Rothfarb | Pratapaditya Pal | 2012 | MARG Publications |
| Chidambaram: Home of Nataraja Vol. 55 | Vivek Nanda, George Michell | 2004 | MARG Publications | |
| Kanara: A Land Apart, The Artistic Heritage of Coastal Karnataka | George Michell | MARG Publications | ||
| Jannat: Paradise in Islamic Art | Mumtaz Currim | 2012 | MARG Publications | |
| Jannat: Paradise in Islamic Art | Mumtaz Currim | 2012 | MARG Publications | |
| The Great Temple At Thanjavur: One Thousand Years, 1010-2010/ Vol. 62. No.1 | George Mitchell, Viswanathan | |||
| MARG Publications | Art & Architecture | |||
| The Great Temple At Thanjavur: One Thousand Years, 1010-2010/ Vol. 62. No.1 | George Mitchell, Viswanathan | |||
| MARG Publications | Art & Architecture | |||
| Indus Civilisation Sites in Delhi: New Discoveries | Dilip Chakrabarti, Madhu Bala, Jagat Pati Joshi, Nayanjot Lahiri, D.P. SHarma, Rakesh Tiwari, Vasant Shinde, V.H. Sonawane, Gregory L. Possehl, Y.M. Chitawala, Kuldeep Bhan | Dilip K. Chakrabarti | 2004 | MARG Publications |
| Indus Civilisation Sites in Delhi: New Discoveries | Dilip Chakrabarti, Madhu Bala, Jagat Pati Joshi, Nayanjot Lahiri, D.P. SHarma, Rakesh Tiwari, Vasant Shinde, V.H. Sonawane, Gregory L. Possehl, Y.M. Chitawala, Kuldeep Bhan | Dilip K. Chakrabarti | 2004 | MARG Publications |
| The Idea of Delhi Vol. 56 | Romi Khosla | 2005 | MARG Publications | |
| Murshidabad: The Forgotten Capital of Bengal | Rosie Llewellyn-Jones | MARG Publications | ||
| Lahore: Paintings, Murals and Calligraphy | Barbara Schmitz | MARG Publications | ||
| Thanjavur's Gilded Gods | Anna L. Dallapiccola | 2018 | MARG Publications | |
| In Pursuit of the Past: Collecting Old Art in Modern India circa 1875-1950 | Pratapaditya Pal | Jyotindra Jain, Naman Ahuja | 2015 | MARG Publications |
| Kizil on the Silk Road: Crossroads of Commerce & Meeting of Minda | Rajeshwari Ghose | 2008 | MARG Publications | |
| Scent upon a Southern Breeze | Kavita Singh | 2018 | Marg | |
| Marg- A Magazine of the Arts- The Weight of a Petal- Ars Botanica | Jyotindra Jain, Naman Ahuja | 2018/2019 | Marg | |
| Marg- A Magazine of the Arts- Cloth and India: 1947-2015 | Jyotindra Jain, Naman Ahuja | 2016 | Marg | |
| Indian Pictorial Education | Photos by the Times of India, Central Publicity Bureau | |||
| MARG: A Magazine of the Arts Vol. 1 | Mulk Raj Anand | 1946 | MARG Publications | |
| No.1: Planning And Dreaming Editorial | The Editor, Marg | |||
| No.1: Architecture and You | M.A.R.G. | |||
| No.1: The Story of a Town (The Growth of Jamshedpur) | M.A.R.G. | |||
| No.1: Historical Survey (Mohenjodaro) | M.A.R.G. | |||
| No.1: Worker's Housing | Kanji Dwarkadas | |||
| No.1: Notes on some Paintings from the Collection of the late B.N. Treasuryvala | Karl Khandalavala | |||
| No.1: Amrita Sher Gill | Francis Thompson | |||
| No.1: Reminiscenses of Amrita Sher Gill | Baldoon Dhingra | |||
| No.1: The Sculpture of Ambernath | R.Van Leyden | |||
| No.1: Notes on Indian Jewellery | ||||
| No.1: Book Reviews | Herman Goetz and R.V.I. | |||
| No.1: Notes- Art In Industry | ||||
| No.1: The Need for Urban Planning | Percy Marshall of A.R.I.B.A. | |||
| MARG: A Magazine of the Arts Vol. 2 | Mulk Raj Anand | MARG Publications | ||
| No.1: Reflections on Sculpture: Editorial | George Keyt | |||
| No.1: A Review of the Greater Bombay Plan | Dr.Otto Koenigsberger | |||
| No.1: Ahmedabad | Homi Dallas | |||
| No.1: Jamini Roy | Shahid Suhrawardy | |||
| No.1: Textiles | Premalata Jayakar | |||
| No.1: An Approace to Hindu Erotic Sculpture | Alain Danielou | |||
| No.1: Book Reviews | F.Antia, A.deS., M.R.A. | |||
| No.1: Notes-Exhibitons an Lectures | ||||
| No.1: Rajput Plate | ||||
| No.2: Editorial: Letter to an Englishman | The Editor, Marg | |||
| No.2: Architecture: New Bearings in Indian Architecture | A.B. Schwarz | |||
| No.2: Historical- John Company Architecture | Hilary & Ruth Waddington | |||
| No.2: Landscape Gardening- Gardens and Cement | ||||
| No.2: Painting: Birds in Moghul Art | Kumar Saraswati | |||
| No.2: Nicholas Roerich | L.Andreyev | |||
| No.2: Sculpture: Konarak | ||||
| No.2: Crafts- Experiments In Ceramic | ||||
| No:2: Book Reviews- Books Received | ||||
| No.2: Notes: Exhibitions | ||||
| No.3: Editorial: Architectural Education | MARG | |||
| No.3: Architecture: Trees and Open Spaces | ||||
| MARG: A Magazine of the Arts Vol. 3 | Mulk Raj Anand, P. Richardson | MARG Publications | ||
| No.1: Editorial: Renaissance or Revival | MARG | |||
| No.1: Architecture: Ceylon's First University | ||||
| No.1: Painting: Indian Miniatures in the Berling Museum | E.Kuehnel | |||
| No.1: Crafts: Frayed Fabrics of Old Bengal | Ajit Ghose | |||
| No.1: Sculpture: Medieval Sinhalese Wrestling | P.E.P. Deraniyagala | |||
| No.1: Photography: Photography in India and the Far East | Sam Tata | |||
| No.1: Proposed Academy of Arts | ||||
| No.2: Editorial: The Problems of Aesthetics | Mlle.J.Auboyer | |||
| No.2: Planning a New Hospital In India | A.T.W. Simeons | |||
| No.2: Flexgarh | John Terry | |||
| No.2: Offices and Stores | S.Moloobhoy | |||
| No.2: Kanthas of Bengal | Stella Kramrisch | |||
| No.2: Some Dance Poses in the Chidambaram Temple | Shirin Vajifdar | |||
| No.2: Kathakali Dance Drama | Fernau Hall | |||
| No.2: An Introductuiion to Indian Dancing | Ramgopal | |||
| No.2: Rathin Motra | R.Chatterjee | |||
| No.2: Jana Gana Mana | ||||
| No.3: Editorial: An Approach to Modern Indian Architecture | Andrew Boyd | |||
| No.3: Town Planning in Britain: A Compilation | ||||
| No.3: On Planning | Patrick Geddes | |||
| No.3: Maithil Painting | W.G. Archer | |||
| No.3: Rebel, Artist: Francish Newton | Dr.H.Goetz | |||
| No.3: Colour While you Work | G.H.Gates Reed | |||
| No.4: Editorial: The Changing Conceptions of Art | Herbert Reed | |||
| No.4: The Charter of Athens- The C.I.A.M. Thesis on Town Planning | ||||
| No.4: Jaipur | Durga Shankar Bajpai | |||
| No.4: Vande Mataram | ||||
| No.4: "The Way of Pleasure"- The Kishangarh Paintings | Eric Dickenson | |||
| No.4: Ganjifa: The Playing Cards of India | R and N. Von Leyden | |||
| No.4: The Calico Museum | Dr.H.Goetz | |||
| MARG: A Magazine of the Arts Vol. 4 | Mulk Raj Anand | 1950, 1951 | MARG Publications | |
| No.1: Editorial: Art of Tibet | W.G. Raffe | |||
| No.1: Solar and Lunar Symbolism | Lama Anagarika Govinda | |||
| No.1: Some Nepalese & Tibetan Bronzes | Karl Khandalaval | |||
| No.1: A Painted Scroll From Nepal | Dr.Moti Chandra | |||
| No.1: A Note on two Nepalese Wooden Sculptures | Karl Khandalavala | |||
| No.1: Ram Jor: A Modern Tibetan Painting | Alain Danielou | |||
| No.1:Commentary on Taranatha's Chapter on Buddhist Art | Karl Khandalavala | |||
| No.2: Editorial: Lalita Kala | Dr.V.S. Agrawala | |||
| No.2: Design for Living: Present Trends in Architecture | Solus | |||
| No.2: On Making Our India | Paul Zils | |||
| No.2: Aldous Huxley on the Taj Mahal | ||||
| No.2: The Amsterdam Nataraja | John Irwin | |||
| No.2: Jean Renoir films the RIver | T. Gupta | |||
| No.2: Three Hoysala Temples | Marcella Hardy | |||
| No.2: Decline and Rebirth of Medieval Indian Art: Western Indian Painting | Dr.H.Goetz | |||
| No.3: Editorial: Leaves from Rajasthan | Karl Khanadalvala | |||
| No.3: The Victory Hall at Bangalore | ||||
| No.3: The Great Adventure | Eric Mendelsohn | |||
| No.3: Some Contemporary Artists | ||||
| No.3: Votive Lamps | V.M. Narasimhan | |||
| No.3: The Significance of Andolan | Jag Mohan | |||
| No.3: Editorial: Co-operative Housing | Durga Bajpai | |||
| No.3: Masterpieces in South Indian & Nepalese Bronze Images | Karl Khandalavala | |||
| No.3: Two Rare Pallave Metal Images | K.J.K. | |||
| No.3: Indian Dolls and Toys | Ajit Mookerjee | |||
| No.3: The Problem of Molaram | Prof. O.C.Gangoly | |||
| No.3: Cotton Prints of Gujarat and Kathiawar | Pupul Jayakar | |||
| No.3: Puppets on the Screen | Dr.P.V. Pathy | |||
| No.3: Exhibition Notes: Bombay and Delhi | ||||
| MARG: A Magazine of the Arts Vol. 5 | Mulk Raj Anand | 1951 | MARG Publications | |
| No.1: Editorial: Present-Day Art Criticism | J.P. Hodin | |||
| No.1: The Problems of Bikaner Paintings | W.G. Archer | |||
| No.1: A Controversy; Letters from Dr.H,Goetz and Mr.K.J. Khanadalavala | ||||
| No.1: Portraits of Ibrahim Adil Shah II | Dr.Moti Chandra | |||
| No.1: Action Drawings at Recent Dance Recitals | S.Chavda | |||
| No.1: Colonel Tod On: The Achalgar Sculpture of a Pramana King | ||||
| No.1: The Sun Temple | Silloo Bharucha | |||
| No.1: In my Bad Books | Cyprian Blagden | |||
| No.2: Editorial: Architecture and Painting | John Summerson | |||
| No.2: The Crystal and The Fruit | R.Von Leyden | |||
| No.2: West Asiatic Ancestors of India | Phyllis Ackerman | |||
| No.2: Five Miniatures: From The Collection of Sir Cowasji Jehangir | Karl Khandalaval | |||
| No.2: Pattadakal: A Short Historical Note | ||||
| No.2: A Landmark In Indian Art History | Dr.H.Goetz | |||
| No.2: Rupa-Sattra | Dr.V.S. Agrawala | |||
| No.2: Bharata Natya Shastra | P.Srinivasalu Naidu | |||
| No.3: Editorial | ||||
| No.3: The Selalhini Sandesa | Totagamuve Sri Rahula | |||
| No.3: Anuradhapura | C.W. Nicholas & L.C. Van Geyzel | |||
| No.3:Polonnarua | Elspeth Huxley | |||
| No.3: Baur Building | P.M. Goldschmid | |||
| No.3: A Bronze Image | P.E.P. Deraniyagala | |||
| No.3: A Note on Siha-Giri: And Some Frescoes from Ceylon | ||||
| No.3: Modern Movement, In Sinhalese Art | Jag Mohan | |||
| No.3: Contemporary Artists | ||||
| No.3: Souvenirs from Kandyan Dances | Beryl de Zoete | |||
| No.3: Sinhala Folk Art and Mask of Ceylon | ||||
| MARG: A Magazine of the Arts Vol. 6 | Mulk Raj Anand | MARG Publications | ||
| No.1: The Need for Open-Air Theatres | G.D.Sondhi | |||
| No.1: In Memoriam- Eric Dickinson | Iqbal Singh | |||
| No.1: Gandhara Art | Eric Dickinson | |||
| No.1: Indian Painting in the Punjab Hills | Dr.Moti Chandra | |||
| No.1: Seven Contemporaries | Notes and Reproductions | |||
| No.1: The Kashmir Shawl | John Lewis | |||
| No.1: Design in Tradtional Jewellery: 1.The Punjab | ||||
| No.1: Recent Trends in European Art | J.P. Hodin. | |||
| No.2: Role of Cottage Industries | Pupul Jayakar | |||
| No.2: Indian Influence on the American Architecture of the XIX Century | Clay Lancaster | |||
| No.2: Archaic Indian Terracottas | Dr.Ananda Coomaraswamy | |||
| No.2: Intermingling of Mogul & Rajput Art | Basil Gray | |||
| No.2: Masterpieces of Mogul Painting- The Album of Emperor Jehangir | Dr.H.Goetz | |||
| No.2: Some Action Drawings: Uday Shankar | Eilean Pearcey | |||
| No.2: A Note on Tibetan Religious Art | Peter Fingesten | |||
| No.2: Studies in Development of K.H. Ara, M.F. Husain and J.Sabavala | ||||
| No.2:Design in Traditional Jewellery-2. Bengal | ||||
| No.2: Some hair Styles of Ancient India | ||||
| No.3: Editorial: Le Corbusier on Town Planning | ||||
| No.3: A House at Kandy | ||||
| No.3: Some Indian Images in the Worcester Art Museum | ||||
| No.3: The Development of Painting in India In the 16th Century | Basil Gray | |||
| No.3: A Review of Kangra Paintings | Karl Khandalavala | |||
| No.3: The Drawings of Homi Bhabha | R.V. Leyden | |||
| No.3: A Survey of Modern Mexican Art | Guillermo Garces Contreras | |||
| No.3: The Little Ballet Troupe- Scenes from The Ramayana | ||||
| No.3: Design in Traditional Jewellery- 3. Central India | ||||
| No.4: Conversation with Stella Kramrisch | Dorothy Norman | |||
| No.4: A Note on Le Corbusier | B.Doshi | |||
| No.4: Urbanism | Le Corbusier | |||
| No.4: Jane Drew, on the Chandigrah Scheme | ||||
| No.4: Chandigarh: The First and the Revised Projects | Otto Koenigsberger | |||
| No.4: The Laud Ragmala Miniatures | ||||
| No.4: Guler: Birthplace of Kangra Art | M.S. Randhawa | |||
| No.4: An old Indian Swing | J.Auboyer | |||
| No.4: Nritya Darpana: A Study In Modern Choreography | Fernau Hall | |||
| No.4: Report on the I.C.A. Sculture Competition- With a Review and Some letters on the Controversy | ||||
| No.4: The Calcutta Group | Dr.Klaus Fischer | |||
| No.4: Exhibitions: Bombay-Delhi | ||||
| MARG: A Magazine of the Arts Vol. 7 | Mulk Raj Anand | 1953, 1954 | MARG Publications | |
| No.1: The Dust of Prejudice | ||||
| No.1: The Recent Worls of Frank LLoyd Wright | Wayne Andrews | |||
| No.1: The Temples of Eastern Bengal | S.Mookerjee | |||
| No.1: Ballet Costumes- In Akbar's Time | Dr.C.L. Fabri | |||
| No.1: The Mogul Room, in the Victoria and Albert Museum | John Irwin | |||
| No.1: Some Terracotta Figurines | Pupul Jayakar | |||
| No.1: Indian Sculpture- Selections from Madanjeet SIngh Photographs | ||||
| No.1: Indian Theatre- 2200 years old | K.Deva | |||
| No.1: Modern Indian Painting- Book Review | ||||
| No.1: A Report on Modern Religious Art | Joseph Pereira | |||
| No.2: Editorial: Problems of Art Display | ||||
| No.2: Mathura of the Gods | C.L. Fabri | |||
| No.2: Painting Under the Sikhs | Mulk Raj Anand | |||
| No.2: Three Contemporary Painters | Laxman Pai, S.B. Palsikar, Mohan B.Samant | |||
| No.2: A Report on Abstract Art | ||||
| No.2: Special Supplement on Low Cost Housing Exhibition | ||||
| No.2: Some-Indian Postage Stamps- Saint-Poet, Poet Series | ||||
| No.2: Exhibitions: Delhi-First Quarter | ||||
| No.3: Editorial: Air Conditioning | ||||
| No.3: Picture and Architecture | Erik Thelaus | |||
| No.3: Sujanpur Tira: The Cradle of Kangra Art | M.S.Randhawa | |||
| No.3: Three Contemporaries (Abroad) | ||||
| 1. George Keyt | ||||
| 2. Akbar Padamsee | ||||
| 3. Chinatomoni Kar | ||||
| No.3: Journey Into Rajasthan (Kanswa and Paranagar) | Pupul Jayakar | |||
| No.3: Rangoli: Some Reproductions from the Book | Bhaktiben Shah | |||
| No.3: Prithvi Raj Kapoor- An Estimate | Herbert Marshall | |||
| No.3: Exhibtions Delhi-Second Quarter | ||||
| No.4: Editorial: On Seeing a Natural Object | ||||
| No.4: Rajput Portraits | O.C. Ganguly | |||
| No.4: Chamba Rumals | Mulk Raj Anand | |||
| No.4: A Review of Pupul Jayakar's Indian Printed Textiles | John Irwin | |||
| No.4: A Special Supplement on Ellora | ||||
| No.4: Contemporary Australian Art | Maie Casey | |||
| No.4: Some Contemporary Painters of Delhi | Jaya Appaswamy | |||
| No.4: Book Review: Art and Architecture of India | ||||
| No.4: Exhibitions- Delhi-Third Quarter | ||||
| No.4: Judgement on the Trial of Akbar Padamsee for Alleged Obscene Paitings | ||||
| MARG: A Magazine of the Arts Vol. 8 | Mulk Raj Anand | 1954, 1955 | MARG Publications | |
| No.1: Editorial: The Place of Christian Art In India | ||||
| No.1: The Significance and Originality of Goan Art | Jose Pereira | |||
| No.1: Thematic Symbols of the Main Emotional Trends in Goan Art: Portfolio | ||||
| No.1: Aspects of the Religious Architecture in Portuguese India | Mario Taveres Chico | |||
| No.1: Some Contemporary Painters of Goa: | Albano Francisco Couto | |||
| No.1: Goan Furniture | Dr.Jorge De Andrade | |||
| No.1: Goan Minor Arts: Cloth and Gold | Estanislau Lobo | |||
| No.1: Indo-Portuguese Ivories | ||||
| No.1: Some Impressions of the Cunbi Dances | Aires Menezes | |||
| No.1: The Love Song of Goa | Lucio Rodrigues | |||
| No.1: The Mando Dance | Floriano Barreto | |||
| No.1: The History and Evolution of Goan Music | Prof.Antsher Lobo | |||
| No.1: The Mando- A Note on Some of the Musical Charecteristics | Micael Martins | |||
| No.1: Representative Examples of the Classical Vocal Music of Goa | ||||
| Section 1: Mandos | ||||
| Section 2: Hymns and Antiphones | ||||
| No.1: Baroque And Roccoco in Latin America: Book Review | ||||
| No.2: Editorial: On Inheriting The Past | ||||
| No.2: Editorial: On Inheriting The Past | ||||
| No.2: Anthology | ||||
| No.2: Chronological Chart of the History of Kashmir | ||||
| No.2: Portfolio | ||||
| 1. Cartier Bresson | ||||
| 2. D.R.D. Wadia | ||||
| 3. Soli Batliwala | ||||
| 4. R.R. Bharadwaj | ||||
| 5. S.Chavda | ||||
| No.2: Architecture of Kashmir (Hindu & Buddhist) | Percy Brown | |||
| No.2: Akhnur Terracottas | C.L. Fabri | |||
| No.2: Mediaeval Sculptures | Dr.H.Goetz | |||
| No.2: Muhammadan Architecture | J.R. Nichols | |||
| No.2: Mogul Gardens | ||||
| No:2: 4 Contemporaries | ||||
| No.2: Arts and Crafts | John Irwin | |||
| 1. Shawls | ||||
| 2. Jewellery | ||||
| 3. Wood Carving | ||||
| 4. Brass Ware | ||||
| No.2: Music | M.L. Aima | |||
| No.3: Editorial: A Building is an Experience | Emily Polk | |||
| No.3: Some Nurpur Paintings: A Symposium | W.G. Archer & M.S. Randhawa | |||
| No.3: Some Ramayana and Bhagwata Drawings of Chamba | Jagdish Mittal | |||
| No.3: Garhwal Painting: A Review | Prof O.C. Ganguly | |||
| No.3: The Wall Paintings of Chamba | Jagdish Mittal | |||
| No.3: Contemporaries, Dhanraj Bhagat, Amarnath Sehgal, Jagdish and Kamala Mittal | ||||
| No.3: Phulkaris- A Folk Art of the Punjab | Adris Banerji | |||
| No.3: Glimpses of Mughal Architecture- An Essay | Jadunath Sarkar | |||
| No.3: Dance Festival- Sketches | Chittaprasad and Tana | |||
| No.3: Music Festival- Sketches | Tana | |||
| No.3: Homage to Henri Matisse | M.H. Murcia | |||
| No.3: City Planning and Architecture in India Today | Richard Neutra | |||
| No.4: Editorial: Homage to Orissa | ||||
| No.4: Stanzas from the Gita-Govinda of Jayadeva | ||||
| No.4: Portfolio: Photos | ||||
| No.4: A Note on Khandgiri & Udayagiri Caves: Buddhist Art In Orissa | Prof. Nabin Kumar Sahu | |||
| No.4: Orissan Art In The Evolution of Post Classical Indian Culture | Klaus Fischer | |||
| No.4: Orissan Temple Architecture: Symposium | Deva Prasad Ghose & Nand Kumar Bose | |||
| No.4: Sculpture Photos | Bhogilal Mistry & Sunil Janah | |||
| No.4: Summary Survey of Orissan Paintings | Prof. O.C. Gangoly | |||
| No.4: Frescoes of Keonjargarh | T.N.Ramachandran | |||
| No.4: Some Saora Drawings | Courtesy of Verrier Elwin | |||
| No.4: Prefatory on the survival of Ancient Arts and Crafts in Orisssa | Pandit Sadash Rath Sharma | |||
| No.4: The Hirakud Dam | M.S. Thirumal Iyengar | |||
| No.4: New Capital at Bhubaneshwar | R.R. Handa & J.L. Vaz | |||
| MARG: A Magazine of the Arts Vol. 9 | Mulk Raj Anand | 1955, 1956 | MARG Publications | |
| No.1: Editorial- In Praise of Early Buddhist Art | ||||
| No.1:: The Continuity of Tradition: Portfolio | ||||
| No1: Glimpses of Buddhist India | T.W. Rhys Davies | |||
| No.1: Evolution of Buddhist Architecture & Sculpture In The Time of Satavahanas | Krishna Gairola | |||
| 1. Preliminary: Historical Note | ||||
| 2. Architecture: Sanchi, Bhaja, Kondane, Bedsa, Ajanta, Nasik, Kanheri, Amaravati | ||||
| 3. Sculpture: Bhaja, Kondane, Bedsa, Karle, Kanheri, Sanchi, Ajanta, Amaravati | ||||
| No.1: Painting: The Charm of Ajanta | S.L. | |||
| No.1: Frescoes of Ajanta: An Essay | C.L. Fabri | |||
| No.1: Some motifs from Ancient Indian Jewellery | ||||
| No.2: Editorial- in Praise of Later Buddhist Art | ||||
| No.2: Buddha and the Gospel of Buddhism | Alice Getty | |||
| No:2: Links between Early and Later Buddhist Art | ||||
| 1. Preliminary | M.R.A. | |||
| 2. bharhut | Kalapriya | |||
| 3. Bodh-Gaya | B.Barua | |||
| 4. Sanchi | Stella Kramrisch | |||
| No.2: Gandhara and it's Grassroots | Dr.C.L. Fabri | |||
| No.2. Mathura of the Gods | R. De B Coddington | |||
| No.2: The Road to Central Asia | ||||
| 1. Afghanistan | Agasteya | |||
| 2. Central Asia | N.D. | |||
| 3. Kashmir | S.D. | |||
| No.2: The Golden Age of Buddhist Art | ||||
| 1. Amravati | Douglas Barret | |||
| 2. Nagarjunakonda | Dr.C Shivaramamurti | |||
| 3. Gupta Period | Benjamin Rowland | |||
| 3a. Preliminary | ||||
| 3b. Architecture | ||||
| 3c. Sculpture | ||||
| 3d. Painting: Ajanta | Dr.H.Goetz | |||
| No.2: Medieval Buddhist Art and It's Offshoots | ||||
| 1. Preliminary: Pala Sena Period | ||||
| 2. Nalanda | Prof.A.S. Altekar | |||
| 3. Nepal | Dr.C.Krishna Gairola | |||
| 4. TIbet | George Roerich | |||
| 5. Ceylon | ||||
| No.3: Editorial: In Praise of Buddhist Art In Burma | ||||
| No.3: The Cultural Background of Burma | Reginald Le May | |||
| No.3: Ananda Temple at Pagan | ||||
| 1. Architecture | Sir Richard Temple | |||
| 2. Sculpture | Nihar-Ranjan Roy | |||
| 3. Frescoes | Nihar-Ranjan Roy | |||
| No.3: The Fantastic World of the Thirrty-Seven Nats | ||||
| No.3: A Buddhist Building for 20th Century, Burma | Benjamin Polk | |||
| No.4: Editorial: In Praise of Buddhist Art In Cambodia, Champa, Laos, Siam Borobudur | ||||
| No.4: Cambodia, Champa and Laos | ||||
| 1. Preliminary | Tara Ali Baig | |||
| 2. Notes on Buddhist Sculptures | Jean Boisselier and Victor Golobew | |||
| No.4: Siam | ||||
| 1. Preliminary | Prof.George Coedes | |||
| 2. Buddhist Sculpture in Siam | Reginald Le May | |||
| No.4: Borobudur | ||||
| 1. Preliminary; A Brief Historical Survey of Buddhist Art in Indonesia | Dr.H.Goetz | |||
| 2. The Influence of Tantric Buddhism in Ancient Indonesian Civilization | Dr.P.H. Pott | |||
| 3. Borobudur Stupa | Dr.C.Shivaramamurti | |||
| MARG: A Magazine of the Arts Vol. 10 | Mulk Raj Anand | 1956, 1957 | MARG Publications | |
| No.1: Editorial: The Nature of Space | ||||
| No.1: Murshidabad Painting | Robert Skelton | |||
| No.1: Indian Temple Sculpture | ||||
| No.1: Contemporaries | ||||
| 1.Amina Ahmed | Rita Reignier | |||
| 2. Jehangir Sabavala | Richard Lannoy | |||
| 3. Pradosh Das Gupta | M.R.A. | |||
| 4. Lain Singh Barnodel | C.Krishna Gairola | |||
| 5. The International Exhibition of Iranian Art at Rome | H.Goetz | |||
| 6. Art Chronicle: Autumn 1955-56 | Shirin Sabavala | |||
| American Supplement | ||||
| No.1: Twentieth Century in the United States | Holger Cahill | |||
| 1.Painting | ||||
| 2. Sculpture | ||||
| No.1: U.S. Embassy Building | ||||
| No.1: Stanvac Building in Bombay | ||||
| No.2: Editorial: Heritage of the Punjab | ||||
| No.2: Ancient Period: Archeaology of the Punjab | Charles Fabri | |||
| No.2: Medieval Period: Preliminary | ||||
| 1. Antiquities of the Punjab Hill Districts of Chamba | Hermann Goetz | |||
| 2. Splendours of Mughal Architecture- Notes | S.A.L. | |||
| 3. Remnants in the Kangra Valley | Dr. V.Ph.Vogel | |||
| 4. Synthesis of Hindu and Muslim Influences in the Sikh Shrines- Notes | P.B. | |||
| No.2: Problems of Painting in the Punjab Hills | W.G. Archer | |||
| No.2: Specimens of Paintings, Under the Sikhs | Mulk Raj Anand | |||
| No.2: Conremporary: | ||||
| 1. Chandigarh Symposium | ||||
| a. Pierre Jeannert | ||||
| b. T.J. Manickam | ||||
| c. Manish M.Rana | ||||
| 2. Bhakra Nangal Dam | Marg | |||
| 3. Shamaspur | Marg | |||
| 4. Jallianwalla Bagh Memorial | Benjamin Polk | |||
| 5. Paintting and Sculpture | ||||
| a. Amrita Sher Gill | ||||
| b. K.C.Aryan | ||||
| c. Dhanraj Bhagat | ||||
| d. Satish Gujral | ||||
| e. Har Kishan Lal | ||||
| f. Krishan Khanna | ||||
| g. Kanwal Krishna | ||||
| h. Ram Kumar | ||||
| i. Prannath Mago | ||||
| j. Prashar | ||||
| k.Bhabesh Sanyal | ||||
| l.Amarnath Sehgal | ||||
| m. Shobha Singh | ||||
| n. Thakur Singh | ||||
| 6. Pottery | ||||
| 7. Dance: Bhangra and Giddha | ||||
| 8. Music: Sheila Bhatia's Opera on Heer Ranja | ||||
| No.3: Editorial: Homage to Khajuraho | ||||
| No.3: Portfolio: Life's Daily Round from Dawn to Dusk | ||||
| No.3: Reflections on the House and Body of God | Stella Kramrisch | |||
| No.3: Shrines in the Landscape of the Absolute | A.C. | |||
| No.3: Of Kamakala- Some Notes on the Philosophical Basis of Hindu Erotic Sculpture | Mulk Raj Anand | |||
| No.4: Editorial: In Praise of Bharata Natyam | ||||
| No.4: The Spiritual Background of Bharata Natyam | Rukmini Devi | |||
| No.4: A Brief Historical Survey | E.Krishna Iyer | |||
| No.4: The Musical Content of Bharata Natyam | Prof. Sambamoorthy | |||
| No.4: Nritt: | ||||
| 1. Hastas (Samyukta) | ||||
| 2. Karanas | ||||
| 3. Adavus Text by Mohan Khokar & Poses by M.K. Saroja | ||||
| 4. Nrittya | ||||
| 1. Hastas (Asamyukta) | ||||
| 2. Padams | ||||
| 3. Sabdas | ||||
| 4. Slokas | ||||
| No.4: Bhagavata Mela and Kuchipudi | Mohan Khokar | |||
| No.4: Geneologies of Gurus | E. Krishna Iyer | |||
| No.4: A Note on the Repertory from Alaripu to Tillana | E.Krishna Iyer | |||
| MARG: A Magazine of the Arts Vol. 11 | Mulk Raj Anand | 1957, 1958 | MARG Publications | |
| No.1: Editorial: Kathakali-Theatre of Imagination | ||||
| No,1: The Tradition: A Brief Survey | Mohan Khokar | |||
| No.1: Angikabhinaya: An Actor Prepares | ||||
| 1. The Movements of the Eye | ||||
| 2, Physical Exercise and Massage | ||||
| 3. Mudras or Hand Gentures | ||||
| No.1: Rasabhinayas: Navarasas or Moods | ||||
| No.1: Aharyabhinaya | Ragini Devi | |||
| 1.Rhythm of the Greenroom | ||||
| 2. Costumes and Jewellery | ||||
| No.1: The Orchestra | V.Madhavan Nair | |||
| No.1: The Play | Rasika | |||
| No.1: Atta Katha | Dr.S.K.Nair | |||
| Scenes from Kathakali | ||||
| 1. Bali's Victory | ||||
| 2. Duryodhana's Slaughter | ||||
| 3. Nalacharitam | ||||
| The Episode of Damayanti and the Golden Swan | Unnayi Varier | |||
| No.1: Ottam Thullal: The Poor Man's Kathakali | Mohan Khokar | |||
| No.1: Contemporaries: | ||||
| a. Vallathol Narayan Menon | ||||
| b. Chenganoor Raman Pillai | ||||
| c. Kunchu Kurup | ||||
| d. Krishnan Nair | ||||
| e. Vazenkhata Kunchu Nair | ||||
| f. Mankulam Vishnu Namboodiri | ||||
| g. Asan Ramunni Nair | ||||
| h. Champakulam Pachu Pillai | ||||
| i. Kudamaloor Karunakaran Nair | ||||
| j. Raghavan Pillai | ||||
| k. Krishnan Kutty | ||||
| l. Kurichi Kunjan Panickar | ||||
| m. Raman Kutty Nair | ||||
| n. Gopinath | ||||
| o. Anandashivram | ||||
| No.1: Mohini Attam | ||||
| i. Shanta Rao | ||||
| ii. Mrinalini Sarabai | ||||
| iii. Roshan Vajifdar | ||||
| No.2: Editorial: The Heroic Encounter | ||||
| No.2: Problems of Rajasthani Paintings | ||||
| 1. The Origin and Development of Rajasthani Painting | Karl Khandalavala | |||
| 2. Some Pre-Akbari examples of Rajasthani Illustrations | Rai Anand Kishan | |||
| 3. Rajasthani Portraits | O.C. Gangoly | |||
| 4. Ragamala Paintings of Rajasthan | Rasika | |||
| 5. Some Playing Cards of Rajasthan | R.Von Leyden | |||
| No.2: General Survey of Rajasthani Styles | ||||
| 1. An Outline of Early Rajasthani Painting | Pramod Chandra | |||
| 2. Mewar | Hermann Goetz | |||
| 3. Mewar (with some paintings of Jodhpur from Kumar Sangram Singh) | Hermann Goetz | |||
| 4. Bundi | Moti Chandra | |||
| 5. Jaipur | Hermann Goetz | |||
| 6. Kishangarh | Eric Dickenson | |||
| 7. Bikaner | Hermann Goetz | |||
| 8. Kotah | W.G. Archer | |||
| No.3: Editorial: The Master Builder | ||||
| No.3: Architecture: | ||||
| 1. Background of Indo Islamic Architecture- Notes | John Terry | |||
| 2. Beginnings of Mughal Architecture- Note | Marg | |||
| 3. Mughal Architecture: Synthesis of Hindu and Islamic Forms- Fatehpur Sikri | ||||
| No.3: Painting: | ||||
| 1. Introduction to the Study of Indo-Persian Painting | Shahid Suhrawardy | |||
| 2. The Background of Mughal Painting | Mulk Raj Anand | |||
| 3. Miniatures from a 16th Centure Manuscript- "Babur Namah Manuscript" | Professor S.I. Tulayev | |||
| 4. Scenes from the Akbar Nama | ||||
| 5. Miniatures from a Manuscript of the Diwan-i-Hafiz | Stewart C.Welch Jr. | |||
| 6. Miniatures from a Razm Namah | Ernst Cohn-Wiener | |||
| No.4: Editorial: Problems of Later Mughal Art | ||||
| No.4: Architecture: | ||||
| 1. Transition from Stone to Marble | ||||
| 2. Later Mughal Architecture | Dr.Herman Goetz | |||
| No.4: Painting: | ||||
| 1.Jehangir the Epicurean | ||||
| 2. The Early Muraqqa's of the Emperor Jehangir | Dr.Herman Goetz | |||
| 3. Portraits | ||||
| 4. Birds and Animals | ||||
| 5. Shah Jahan | A. Hidayat | |||
| 6. The Decline | M.Ashraf | |||
| 7. Eighteenth Century Mughal Paintings (Some Charecteristics and Some Misconceptions) | Karl Khandalavala | |||
| MARG: A Magazine of the Arts Vol. 12 | Mulk Raj Anand | 1958, 1959 | MARG Publications | |
| No.1: Editorial: Homage to Konarak | ||||
| No.1: Portfolio: The Rising Splendour of the Sun | ||||
| No.1: Reflections on the Wonder and Enigma of Konarak | M.Mansimha | |||
| No.1: The Sculpture of the Sun Temple- A Study in Styles | Charles Fabri | |||
| No.1: The Great Delight- An Essay on the Spiritual Background of the Erotic Sculptures of Konarak | Mulk Raj Anand | |||
| No.2: Editorial: Rajasthani Sculpture | ||||
| No.2: On the Origins of the Descendants of the Sun: Some Notes on the Historical Background of Rajasthan | Mulk Raj Anand | |||
| No.2: Remnants Shores Against the Ruin: Portfolio With notes | R.C. Agarwala, U.C. Bhattacharya, S.P. Srivastava, MARG | |||
| No.2: Early Terracottas: | ||||
| 1. Sunga, Kushan, Gupta, Suratgarh, Rangmahal, Bharatpur, Bairat, Rairh with Notes | H. Goetz | |||
| 2. Nagari- Notes | H.D.Sankalia | |||
| No.2: Medieval Sculptures: | ||||
| 1. Abaneri | Pupul Jayakar and R.C. Agrawala | |||
| 2. Atru | L.K. Jha | |||
| 3.Abu | S.Bharadwaj | |||
| 4.Baroli | C.Verma | |||
| 5.Chandravati | H.C.Chaturvedi | |||
| 6.Chitorgarh | H.Goetz | |||
| 7. Kiradu | R.C.Agrawala | |||
| 8.Kishan Vilas | L.K. Jha | |||
| 9.Nagda (Sas Bahu) | Brij Narayan | |||
| 10.Osian | Pupul Jayakar | |||
| 11.Paranagar | Pupul Jayakar | |||
| 12.Ramgarh | D.S. | |||
| 13.Ranakpur | P.L.Mathur | |||
| 14.Sikar | R.C.Agrawala | |||
| No.3: Editorial: In Praise of Mandu | ||||
| No.3: Architecture: | ||||
| 1. Chronological Chart of Mandu | ||||
| 2. Preliminary: Survey of Important Monuments of Mandu | Ghulam Yazdani | |||
| 3. The Development of Mandu Architecture | MARG | |||
| 4. The First Phase: | ||||
| a.Lat Masjid, Dhar | ||||
| b.Dilawar Khan's Mosque | ||||
| c. Mosque of Malik Mughith | ||||
| 5. The Secon Phase: | ||||
| a. Jami Masjid | ||||
| b. Ashrafi Mahal | ||||
| c. Tower of Victory | ||||
| d. Hoshangs's Tomb | ||||
| e. Hindola Mahal | ||||
| f. Jahaj Mahal | ||||
| g. Champa Baoli and Ujala Baoli | ||||
| 6. The Third Phase | ||||
| a. Baz Bahadur's Palace | ||||
| b. Rupmati's Pavilions | ||||
| c. Nilkanth Palace | ||||
| d. Chisti Khan's Tomb | ||||
| e. Gada Shah's Shop and Gada Shah's House | ||||
| No.4: Painting | ||||
| 1. The Bustan Manuscript of Sultan Nasir Shah Khalji | RIchard Ettinghausen | |||
| 2. The Ni'mat Nama: A Landmark in Malwa Painting | Robert Skelton | |||
| 3. Notes on Mandu Kalpasutra | Pramod Chandra | |||
| No.4: Editorial: In Praise of Kathak | ||||
| No.4: Historical Survey | ||||
| 1. Background of Kathak | D.G. Vyas | |||
| 2. Technical Terms pertaining to Dance in general and used in Kathak | Nirmala Joshi | |||
| 3. The Schools of Kathak: | ||||
| a.Lucknow Gharana | Mohan Khokar | |||
| b.Jaipur Gharana | S.K.Saxena | |||
| c. Benaras Gharana | Natavara | |||
| 4. Nautch Girl | Baijnath | |||
| 5. Raigarh Raja's contrubution to Kathak | Rasdhari | |||
| 6.'Menaka', Pioneer of Kathak Dance Drama | Shirin Vajifdar | |||
| No.4: The Techniques of Kathak: | ||||
| 1. Nritta | M.S.Kalyanpurkar | |||
| 2.Nritya | Mohan Khokar | |||
| 3. Hastas in Kathak | Maya Rao | |||
| No.4: Music, Theme and Costume: | ||||
| 1. The Role of Rhythm in Kathak | S.K. Saxena | |||
| 2. Raslila- An Operatic Drama | S.Awasthi | |||
| 3. The Kathak costumes in Mughal TImes | C.L. Fabri | |||
| 4. Some songs of Binda Din Maharaj | Nirmala Joshi | |||
| MARG: A Magazine of the Arts Vol. 13 | Mulk Raj Anand | 1959, 1960 | MARG Publications | |
| No.4: Editorial: Folk Dances of India | Mulk Raj Anand | |||
| No.4: Regional Dances: | ||||
| 1.Andhra | Mohan Khokar | |||
| 2.Assam | Maheshwar Neog | |||
| 3.Bengal | ||||
| 4. Bihar | Hari Uppal | |||
| 5. Gujarat | Banwari | |||
| 6.Himachal Pradesh | M.K. | |||
| 7.Kanara | K.S. Karanth | |||
| 8. Kerala | Mohan Khokar | |||
| 9. Kashmir | Rasika | |||
| 10. Maharashtra & Konkan | S.S.Paranjape | |||
| 11. Madhya Pradesh | Verrier Elwin | |||
| 12. Orissa | Verrier Elwin | |||
| 13. Punjab | Balwant Gargi & M.K. | |||
| 14.Rajasthan | Baijnath | |||
| 15. Saurashtra | Satyawan | |||
| 16. Uttar Pradesh | Projesh Banerji | |||
| No.2: Editorial: Reflections on Orissi Dance | ||||
| No.2: Introduction to Orissi Dance | Charles Fabri | |||
| No.2: Historical Survey: Preliminary Note | ||||
| 1. The Evidence of Dance Sculptures from Orissan Temples | P.Misra | |||
| 2. Myths, Legends and Historical Facts | Mohan Khokar | |||
| 3. A Note on Maharis and Gotipuas | M.K. | |||
| 4. Some Notes on Manuscripts on Orissi Dance | Sadashiv Rath Sharma | |||
| 5. The Cult of Jagganath | Harekrishna Mahtab | |||
| No.2: Technique and Repertory | Mohan Khokar | |||
| 1. A Note on Hastas | Dhirendra Nath Pattnaik | |||
| No.2: Musical Instruments in Orissi dance and Temple Sculpture | Sadashiv Rath Sharma | |||
| No.2: Songs in Orissa that are Danced Away | Mayadhar Mansinha | |||
| No.2: Costumes, Ornaments and Make-Up in Orissi | Dhirendra Nath Pattnaik | |||
| No.2: Orissi Dance Today and It's Exponents | Nilmadhab Bose | |||
| No.3: Editorial: Short Films of India | ||||
| No.3: Historical Survey: | ||||
| 1. The Background of the short film in India and future of Documentary | Mohan Bhavnani | |||
| 2. Panorama of the Private Sector of Indian Short Film Industry | Jag Mohan | |||
| MARG: A Magazine of the Arts Vol. 14 | Mulk Raj Anand | 1960, 1961 | MARG Publications | |
| No.1: Editorial: Photography as an Art Form | ||||
| No.1: Conversation with Henri Cartier-Bresson | ||||
| No.1: Indian Photography-50 years | J.N. Unwalla | |||
| No.1: The Amatuer and His Camera | Shama Kilanjar | |||
| No.1: Contemporary Trends in Indian Photography | R.J. Chinwalla | |||
| No.1: Portfolio | ||||
| 1. Birth | ||||
| 2, Marriage | ||||
| 3. Work | ||||
| 4. Rhythm | ||||
| 5. Festival | ||||
| 6. Woman | ||||
| 7. Love | ||||
| 8. Marriage | ||||
| 9. Family | ||||
| 10. Faith | ||||
| 11. Pain | ||||
| 12. Old Age | ||||
| 13. Death | ||||
| 14. New Beginning | ||||
| No.1: Symposium- What Makes a Photograph | ||||
| No.2: Paintings of Rabindranath Tagore | Mulk Raj Anand | |||
| No.2: Prelimnary | ||||
| No.2: The Background | ||||
| No.2: Rhythm as the Essence of his approach to Paintin | ||||
| No.2: Unconscious as the Source of his Paintings | ||||
| No.2: Transition from Child Art to Man Art | ||||
| 1. (a) Scribble | ||||
| (b) Forms | ||||
| (c) Composition | ||||
| 2. Symbolism | ||||
| 3. Crystal Form | ||||
| 4. Expressionism | ||||
| 5. Supernatural | ||||
| 6. Transition | ||||
| No.2: Supplement: | ||||
| 1. Tradition and creative evolution in Indian Art | Hermann Goetz | |||
| 2. Book Reviews | ||||
| 3. Exhibition Notes | ||||
| No.3: Editorial: Space, Time and Clay | ||||
| No.3: Evolution of Pottery Forms and Fabrics in India | Z.D. Ansari | |||
| No.3: Ceramics of the Indus Valley in Gujarat (2500 B.C. to 800 B.C.) | S.R. Rao | |||
| No.3: The Copper and Stone age Pottery of Maheshwar-Navdatoli | H.D. Sankalia | |||
| No.3: Northern Black Polished Ware | J.S.Nigam | |||
| No.3: Decorated Pottery of North India (200 B.C. to 650 A.D.) | J.S. Nigam | |||
| No.3: a Note on Ceramic Industry in Bihar | Sita Ram Roy | |||
| No.3: Islamic Pottery | Dr.Mohammed Baqir | |||
| No.3: A Note on Folk Pottery | ||||
| No.3: Contemporary Pottery: A Note By Primula Pandit | ||||
| i. Gurucharan Singh | ||||
| ii. Ratna Fabri | ||||
| iii. Primula Pandit | ||||
| iv. Nirmala Patwardhan | ||||
| v. Ira Chaudhari | ||||
| vi. B.K. Barua | ||||
| vii. Hari Haran | ||||
| viii. Vimoo Sanghvi | ||||
| ix. Malti Divecha | ||||
| No.4: Editorial: In Praise of Manipuri | ||||
| No.4: Myths, Legends, and History | Mohan Khokar | |||
| No.4: Technique | Nayana Jhaveri | |||
| No.4: "Abhinaya" | Guru Bipin Singh | |||
| No.4: Lai Hairaoba | E. Nilkanta Singh | |||
| No.4: Rasleela | Ranjana Jhaveri | |||
| No.4: Sankirtan and Choloms | Surachand Sharma | |||
| No.4: Tagore and Manipuri Dances | Shantidev Ghosh | |||
| No.4: Music | Suvarna and Darshana Jhaveri | |||
| No.4: Manipuri Costume, Ornaments and Make-Up | Ritha Devi | |||
| No.4: Guru Pranalika | Surachand Sharma | |||
| No.4: Contemporary Gurus and Artists | E. Nilkanta Singh | |||
| MARG: A Magazine of the Arts Vol. 15 | Mulk Raj Anand | 1961, 1962 | MARG Publications | |
| No:1: Editorial: New Planned City | ||||
| No.1: The Master Plan | Le Courbusier | |||
| a. The Secreteriat | ||||
| b. High Court | ||||
| c. The Assembly | ||||
| No.1: Problems of Chandigarh Architecture | E.Maxwell Fry | |||
| No.1: Living | ||||
| a. Sector 22 | Jane B.Drew | |||
| b. High Cost Housing and Anteriors | U.E. Choudhary | |||
| c. Low Cost Housing | Jeet Malhotra | |||
| d. Architectural Control- Shops, Flats, etc. | Aditya Prakash | |||
| No.1: Working | ||||
| a. Educational Institutions | B.P. Mathur | |||
| b. Public Building- Library, Polytechnic, Atomic Energy Monument, Printing Press, Chandigarh Club, etc. | M.N. Sharma, P.Jeanneret, E.Maxwell Fry, and Jeet Malhotra | |||
| c. Industrial Area | N.S. Lamba | |||
| No.1: Care of Body and Spirit: Landscape Gardening | M.S. Randhawa | |||
| No.1: Miscellanous: | ||||
| a. Engineering in the Service of the Community | G.R. Nangea | |||
| b. The City Centre | A.R. Prabhawalkar | |||
| No.1: Aesthetic: Reflections on beauty of Line Shape and form | P. Jeanneret | |||
| No.2: Editorial: Mathura of the Gods | ||||
| No.2: Chronology | ||||
| No.2: Historical Background: Kanishka and the Saka Era | Prof D.D.Kosambi | |||
| No.2: Origin of the Buddha Image | ||||
| (a) by Mulk Raj Anand | ||||
| (b) by Y.Krishan | ||||
| (c) Portfolio | ||||
| No.2: The Kusana Art of Mathura | Prof K.D.Bajpai | |||
| No.2: Kusana Art And The Historic Effigies of Mat (India) and Surkh Kotal (Afghanistan) | C.M. Kieffer | |||
| No.2: The Gupta Art of Mathura | V.N. Srivastava | |||
| No.2: Bibliography | ||||
| No:2: Supplement | ||||
| a. Book Reviews | ||||
| b. Exhibition Notes | ||||
| No.3: Editorial: Homage to Africa: | ||||
| Discourse I | Tristan Tzara | |||
| Discourse II | Mukraj Raj Anand | |||
| Discourse III | James Johnson Sweeney | |||
| No.3: Tribes of Africa: | ||||
| I. Sudan: | ||||
| 1. Bambara | ||||
| 2. Bobo | ||||
| 3. Dogon | ||||
| 4. Mossi | ||||
| II. Sierra Leone: | ||||
| Mende | ||||
| III. Ivory Coast | ||||
| 1. Baule | ||||
| 2. Dan | ||||
| 3. Guro | ||||
| 4. Senulo | ||||
| IV. Ghana: Ashanti | ||||
| V. Dohemey | ||||
| VI. Nigeria | ||||
| 1. Ibibio | ||||
| 2. Ibo | ||||
| 3. Ijo | ||||
| 4. Yaruba | ||||
| VII. Cameroon Grasslands: | ||||
| 1. Bamende | ||||
| 2. Bamum | ||||
| 3. Duala | ||||
| VIII. Guinea Coast: | ||||
| 1. Baga | ||||
| 2. Benin | ||||
| 3. Ekoi | ||||
| 4. Fang | ||||
| 5. Ogoni | ||||
| 6. Ife | ||||
| IX. Congo | ||||
| 1. Azande | ||||
| 2. Bajokwe | ||||
| 3.Bakota | ||||
| 4. Baluba | ||||
| 5. Bakongo | ||||
| 6. Basonge | ||||
| 7. Basuku | ||||
| 8. Bayaka | ||||
| 9. Bateke | ||||
| 10. Bushongo | ||||
| 11. Basundi | ||||
| 12. Mangbetu | ||||
| 13. Ourua | ||||
| 14. Bena Lulua | ||||
| 15. Bapende | ||||
| No.4: Editorial: Homage to the Handlooms | Mulk Raj Anand and Pupul Jayakar | |||
| No.4: Indian Textiles in Historical Perspective | John Irwin | |||
| No.4: Traditional Textiles of India: | Pupul Jayakar | |||
| Introduction | ||||
| 1; Himroo, Paithan- (Maharashtra) | ||||
| 2. Patola, Gharchola (Saurashtra) | ||||
| Dhabla- (Gujarat) | ||||
| 3. Tasar, Chanderi (Madhya Pradesh) | ||||
| 4. Daccai Jamdani, Baluchar- (West Bengal) | ||||
| 5. Bandhani- (Rajasthan) | ||||
| 6. Phulkari (Punjab) | ||||
| 7. Vichitrapuri Sari (Orissa) | ||||
| 8. Varanasi Brocades (Uttar Pradesh) | ||||
| 9. Telia Rumals of Pochampalli, Chirali, Kalamkari-(Andhra) | ||||
| 10. Kanchipuram Saris- (Madras) | ||||
| 11. Manipur, Naga and Assam Fabrics, Bleeding Madras | M.P. Nachimuthu Mudaliar | |||
| No.4: Contemporary Design Development in Handlooms: | K.G. Subramanyam | |||
| (a) Contemporary Weaves of Nelly Mehta | ||||
| (b) Contemporary Designs of Rangjyot | ||||
| No.4: Symposiums: | ||||
| 1. Handloom Industry in the Third Plan | W.R. Natu | |||
| 2. Looms | D.S.V. Iyer | |||
| 3. Weaver's Service Centres of the All India Handloom Board | Pupul Jayakar | |||
| 4. Export Organization | S.Ratnam | |||
| 5. Quality Control | C.S. Ramanathan | |||
| 6. Internal Marketing | M.Somappa | |||
| 7. Display | Ratna Fabri | |||
| 8. Appendix: Important Information on Handloms | ||||
| MARG: A Magazine of the Arts Vol. 16 | Mulk Raj Anand | 1962, 1963 | MARG Publications | |
| No.1: Editorial: Confusion Worse Confounded | ||||
| No.1: The Background | ||||
| No.1: Transformation in the West | ||||
| No.1: Indian Contemporaries: | ||||
| 1. Abindranath Tagore | ||||
| 2. D.P. Roy Chaudhari | ||||
| 3. Prodosh Das Gupta | ||||
| 4. Ramkinkar | ||||
| 5. Chintamani Kar | ||||
| 6. Shanko Chowdhury | ||||
| 7. Dhanraj Bhagat | ||||
| 8. Amarnath Sehgal | ||||
| 9. S.L.Prashar | ||||
| 10.Dharmani | ||||
| 11. Piloo Pochkhanawala | ||||
| 12. A Davierwalla | ||||
| 13. Raghvan Kaneria | ||||
| 14. Raja Ram | ||||
| 15. Dhanapala | ||||
| 16. Rajnikanth Panchal | ||||
| 17. Nagajibhai Patel | ||||
| 18. Raman Patel | ||||
| No.2: Editorial | Mulk Raj Anand | |||
| No.2: Portfolio: Text and Pictures By: | ||||
| 1. Stuart C.Welch Junior | ||||
| 2. Richard Ettinghausen | ||||
| 3. Jagdish Mittal | ||||
| No.2: Reflections on Deccani Painting | Karl Khandalavala | |||
| No.2: Part One: | ||||
| 1. Ahmednagar | Marg | |||
| 2. Bijapur | ||||
| Text and Pictures by | ||||
| (1). Robert C.Welch | ||||
| (2). Richard Ettinghausen | ||||
| (3). Robert Skelton | ||||
| 3. Golconda | Muhammed Ashraf | |||
| No.2: Part Two | ||||
| 1. Paintings of the Hyderbad School | Jagdish Mittal | |||
| 2. Glass Paintings of Hyderbad | J.M. | |||
| 3. Deccani Painting at the Samasthans of Wanparthy, Gadwal and Shorapur | Jagdish Mittal | |||
| 4. Kurnool (Cudappa) | M.A. | |||
| 5. Arcot | M.A. | |||
| No.2: Chronology: Rulers of Centres of Deccani Painting | V.K. Bawa and Syed Mohiddin | |||
| No.2: Bibliography | Jagdish Mittal | |||
| No.2: Book Supplement | ||||
| 1. Pigments. | ||||
| 2. Book Reviews: | ||||
| Stuart C.Welch | ||||
| Amita Ray | ||||
| W.G. Archer | ||||
| B.Das Gupta Mulk Raj Anand | ||||
| No.3: Editorial | Amita Ray | |||
| No.3: Portfolio: The Development of Carving from Buddhsit Primitive Art to the Early Medieval Period | ||||
| No.3: The Lesser Vehicle. The Greater Vehicle and the Worshippers of the Many Gods | Mulk Raj Anand | |||
| No.3: Sculptures in Aurangabad | Amita Ray | |||
| No.4: Editorial: Three Answers from the Dalai Lama | ||||
| 2. The Land and It's People | Raghu Vira | |||
| 3. The Many Precious Thigs in the Story of Tibetan Lamaism | Mulk Raj Anand | |||
| The Arts: Preliminary | ||||
| No.4: Architecture: Solar and Lunar in the Development of Stupa Architecture | Lama Anagarika Govinda | |||
| No.4: Painting: Preliminary | ||||
| 1. Buddhist Painting in TIbet | Rahula Sankrityayana | |||
| 2. Technique in Tibetan Painting | Rahula Sankrityayana | |||
| 3. Buddha and the sixteen Great Arhats- Seven Thangka's of the Province of Khams in Tibet | George Roerich | |||
| 4. Chart of Iconography | ||||
| No,4: Bronzes | ||||
| No.4: Ritual Objects | ||||
| No.4:Metalware and Brassware | ||||
| No.4: Calligraphy and Books | ||||
| MARG: A Magazine of the Arts Vol. 17 | Mulk Raj Anand | 1963, 1964 | MARG Publications | |
| No.1: Editorial | M.R.A. | |||
| No.1: Architecture and You | Marg | |||
| No.1: Reflections on the House, The Stupa, The Temple, The Mausoleum, from the Earliest Times till Today | Mulk Raj Anand | |||
| No.1: Living | ||||
| No.1: Working | ||||
| No.1: Care of Body and Spirit | ||||
| No.2: Editorial | Kamladevi Chattopadhyaya | |||
| No.2: Origin and Development of Embroidery in our Land | Kamladevi Chattopadhyaya | |||
| No.2: The Survey of Embroidery Traditions | Jasleen Dhamija | |||
| No.2: Place of Embroidery in Indian Crafts | Kamala Dongerkery | |||
| No.2: The Commercial Embroidery of Gujerat in the 17th Century | John Irwin | |||
| No.3: Editorial: World of Colour | M.R.A. | |||
| No.3: Vaishnamvism: Inspiration of Rajput Painting | M.S. Randhawa | |||
| No.3: Some notes on the Composition of Pahari Murals | Mulk Raj Anand | |||
| No.3: Technical Notes | K.C. Aryan, T.R. Gairola | |||
| No.3: Akki | M.S.R. | |||
| No.3: Chamba | Jagdish Mittal | |||
| No.3: Dada Siba | B.N. Goswamy | |||
| No.3: Dharamsal (Hoshiarpur Dist) | B.N. Goswamy | |||
| No.3: Jammu | Khajuria | |||
| No.3: Kankhal | Jagdish Mittal | |||
| No.3: Kulu | Jagdish Mittal | |||
| No.3: Mandi | M.R.A. | |||
| No.3: Nadaun | B.N. Goswamy | |||
| No.3: Nurpur | K.C. Aryan | |||
| No.3: Sujanpur TIra | M.R.A. | |||
| MARG: A Magazine of the Arts Vol. 18 | Mulk Raj Anand | 1964, 1965 | MARG Publications | |
| No.1: Editorial: Revival or Transformation | ||||
| No.1: Glimpses of Evidence of Ancient Handicrafts of Rajasthan Based on Excavations | R.C. Agrawala | |||
| No.1: The Background | Satya Prakash Srivastava | |||
| No.1: Survey of Arts and Crafts of Rajasthan | Jasleen Dhamija | |||
| 1. Textile | Jasleen Dhamija | |||
| 2. Metal | P.N. Mago | |||
| 3. Stone | Surendra Kalia | |||
| 4. Pottery | Jasleen Dhamija | |||
| 5. Woodwork | Jasleen Dhamija | |||
| 6. Toys | Jasleen Dhamija | |||
| 7. Leatherwork | Jasleen Dhamija | |||
| 8. Jewellery | P.N. Mago | |||
| No.1: Folk Instruments | Komal Kothari | |||
| No.1: Tribal Culture | J.D. Mehra | |||
| No1: Architecture | Ranjit Sabikhi | |||
| No.2: Editorial: Old Criticism and New Criticism | ||||
| No.2: Conversation in Nagarjunakonda | Mulk Raj Anand | |||
| No.2: Sculptures of Nagarjunakonda | Amita Ray | |||
| No.2: The Plastic Situation | Mulk Raj Anand | |||
| No.3: Editorial: In Dreams Begins Responsiblity | ||||
| No.3: Splendours and Miseries of Bombay | Mulk Raj Anand | |||
| No.3: Symposium: Observation on the Development Plan for Greater Bombay | V.N. Modak | |||
| No.3: Symposium: The Future of Our City | Dr.Jal F.Balsara | |||
| No.3: Municipal Plan | ||||
| No.3: Planning for Bombay | Charles M.Correa, Pravina Mehta and Shirish B.Patel | |||
| No.4: Editorial: Carpets are Works of Art | K.C. | |||
| No.4: Origin of Pile Carpets and their Development in India | Kamladevi Chattopadhyaya | |||
| No.4: Historical Carpets | Charles Grant Ellis, John Irwin | |||
| No.4: Survey of Pile Carpet Industry | Jasleen Dhamija | |||
| MARG: A Magazine of the Arts Vol. 19 | Mulk Raj Anand | 1965, 1966 | MARG Publications | |
| No.1: Editorial: Museum- The House of Muses | ||||
| 1. Survey of Some Important Museums in India | ||||
| 1. Ashutosh Museum | D.P.Ghosh | |||
| 2. Baroda Museum | V.L. Devkar | |||
| 3. Bharat Kala Bhavan | Anand Krishan | |||
| 4. Crafts Museum | Ajit Mookerjee | |||
| 5. Indian Museum (Calcutta) | A.K.Bhattacharyya | |||
| 6. Mathura Museum | A.M. | |||
| 7. Madras Museum | A.Aiyappan | |||
| 8.National Museum | Grace Morley | |||
| 9.Prince of Wales Museum | S.V.Gorakshkar | |||
| 10. Rabindra Sadana | Sobhanlal Ganguli and Sisirkumar Ghose | |||
| 11. Salar Jung Msueum | V.L. Devkar | |||
| 12. Teen Murti Museum | M.V. Rajan | |||
| 13. Industrial and Technical Museums | ||||
| a. Viswesvarayya Industrial Museum | ||||
| b. Birla Industrial & Technical Musuem | ||||
| No.1: Problems of Technical Display | Grace Morley | |||
| No.1: Preservation, Conservation of Museum Objects | T.R. Gairola | |||
| No.2: Editorial: Invitation to the Dance: Bhagavat Mela Yakshagana, Kuchipudi,Krishnattam | ||||
| No.2: Tamil Nad | ||||
| a. Classical Bhagavata Mela Dance Drama | E.Krishna Iyer | |||
| b. Therukoothu or Street Play | E.Krishna Iyer | |||
| No.2: Karnatak | ||||
| a. Yakshagana | K.S. Karanath | |||
| No.2: Andhra | ||||
| a. The Kuchipudi Dance Drama | Banda Kanakalingeshwara Rao | |||
| b. The Revival of Kuchipudi Nritya | Ragini Devi | |||
| No.2: Kerala | ||||
| a. Krishnattam | Mrinalini Sarbhai | |||
| b. Festivals of the Goddess Bhagvati in Kerala | Ragini Devi | |||
| No.2: Book Supplement | ||||
| a. In memoriam: Homi Bhabha | ||||
| b. Book reviews and notes | ||||
| No.3: Editorial: Research in Lacquer Magic | M.R.A. | |||
| No.3: Lac and It's Antiquity | ||||
| No.3: Portfolio | ||||
| No.3: Lac-Turnery | ||||
| No.3: Art Conceptions | ||||
| No.3: Production Centres | ||||
| 1. Mysore | ||||
| 2. Rajasthan | ||||
| 3. Madhya Pradesh | ||||
| 4. Andhra Pradesh | ||||
| 5. Bihar | ||||
| 6. Punjab | ||||
| 7. Uttar Pradesh | ||||
| 8. Gujarat | ||||
| 9. Navrangpur | ||||
| No.3: Sales and Exports | ||||
| No.4: Poem | ||||
| No.4: Part 1: Genesis, Task, Techniques: | ||||
| i. Genesis of Graphics | Mulk Raj Anand | |||
| ii. The Task | Bhupendra Karia | |||
| iii. Technique | Bhupendra Karia | |||
| No.4: Part II: Contemporary Graphic Artists | Bhupendra Karia | |||
| i. Dilip Bakshi | ||||
| ii. Jyoti Bhatt | ||||
| iii. Arun Bose | ||||
| iv. Roy Dalgarno | ||||
| v. Somnath Hore | ||||
| vi. Bhupendra Karia | ||||
| vii. Kanwal Krishna | ||||
| viii. Sailen Mitra | ||||
| ix. Krishna Reddy | ||||
| x. Magen Soma | ||||
| No.4: Appendix: UNESCO I.A.P.A. Report | ||||
| MARG: A Magazine of the Arts Vol. 20 | Mulk Raj Anand | 1966, 1967 | MARG Publications | |
| No.1: Editorial: Handicrafts in the Nations Economy | Mulk Raj Anand | |||
| No.1: Historical-Cultural Heritage | J.C. Mathur | |||
| No.1: Ancient Handicrafts | P.L. Gupta | |||
| No.1:Survey of Crafts | Jasleen Dhamija | |||
| 1. Terracotta and Pottery | ||||
| 2. Sikri and Moonj Work | ||||
| 3. Brass and Bell Metal | ||||
| 4. Bamboo Craft | ||||
| 5. Wood and Stone Carving | ||||
| 6. Lacquerware | ||||
| 7. Embroidery | ||||
| 8. Jewellerry | ||||
| 9. Masks | Ram Dhamija | |||
| No.1: Domestic Arts of Mithila | ||||
| 1. General Note | J.C. Mathur | |||
| 2. Notes on Painting | Mildred Archer | |||
| No.1: Bazaar Style | Mildred Archer | |||
| No.1: Tribal Culture | Sachchidananda | |||
| No.2: Editorial: Ajanta to Ellora- Shapes of the Unknown | ||||
| No.2: Historical Background | ||||
| I: Architectural Features: Groundplans and Pillars | ||||
| II: Buddha Images | MARG Publications | |||
| III: Female Figures | MARG Publications | |||
| IV: Doorways | ||||
| V: Dwarfs | ||||
| VI: Guardians | ||||
| VII: Old Men | ||||
| VII: Pilasters | ||||
| IX: Seated Couples | ||||
| No.3: Design for Living | Mulk Raj Anand | |||
| I: Design for Living: | ||||
| 1. A Project for UNESCO action, sponsored by Consensus at the Nehru Round Table, New Delhi, September 1966. | ||||
| 2. Draft resolution submitted to UNESCO, 14th General Assembly by Czechoslovakia, Finland, India, Japan, Mexico,Poland and Yugoslavia | ||||
| II: Reflections on the crisis of Human Civilization and the possibilities of an integral programme for design for living. | Mulk Raj Anand | |||
| III. The National Institute of Design | ||||
| 1. National Institute of Design Campus | ||||
| 2. Eames Report | ||||
| 3. Educational Programme | ||||
| 4. Architecture | ||||
| 5. Work for Clients: A Multi-storeyed building comprising offices and flats | ||||
| 6. Indian Institute of Management, Ahmedabad | ||||
| 7. A Scheme for the Indian Pavilion at the Osaka World Fair | ||||
| 8. Landscape | ||||
| 9. A Preliminary Report for Palam Airport | ||||
| 10. Research Project: Studies for a Student Dormitory | ||||
| 11. Educational Programme: | ||||
| a. Visual Communication | ||||
| b. Excercises in Topography | ||||
| 12. Work For Clients | ||||
| a. Nehru Exhibition | ||||
| b. Multiple Projections at Indian Pavilion Expo' 67 Montreal | ||||
| 13. Animated FIlms: | ||||
| a. "Swimmy" | ||||
| b. "The Three Rooms" | ||||
| 14. Devanagari | ||||
| 15. Documentation of Rural Crafts in a Village of Saurashtra | ||||
| 16. Educational Programme: | ||||
| a. Product design | ||||
| b. Textile Workshop | ||||
| 17. Mass-produced Low-cost Furniture | ||||
| 18. Research Product: Fan | ||||
| 19. Work For Clients: | ||||
| a. Electronic Instruments | ||||
| b. Shaping Machine | ||||
| 20. Interior Design and Tableware for a Restaurant | ||||
| Supplement | ||||
| No.4: Preliminary: Rhythmic Fury of the Ancient Cities | ||||
| I. The Many Delhis: | ||||
| 1. The River, the Ridge, the Forests, and the Many Delhis | ||||
| 2. Myth, legend and the Vertical History fo Indraprashtha | ||||
| 3. Qila-i-Rai Pithaura | ||||
| II. Delhi Under the Sultanates: | ||||
| 1. The Might of Islam and the Highest Victory Tower | ||||
| 2. 'Sultan of the Cave' and the Iltutmish Mosque | ||||
| 3. The True Arch in Balban's Tomb | ||||
| 4. Alai Darwaza of Ala-ud-din Khilji | ||||
| 5. Tughlakabad | ||||
| 6. The 'Mad' Tughlak's Dream turned into Nightmares | ||||
| 7. Firoz Shah Kotla and a thousand fruit gardens | ||||
| 8. 'Not a Bird roved in Delhi after Timur' | ||||
| 9. The First Sayyid | ||||
| 10. The Struggle for the Keys of the Elephant Stables | ||||
| 11. Bahlol Lodi's Tomb | ||||
| III. Under the Mughals: Delhi | ||||
| 1. Babur's Essays in Architecture | ||||
| 2. The Brief interlude under Humayun and the beginning of Hindu-Muslim Synthesis | ||||
| 3. Akbar's Agra | ||||
| 4. Fatehpur Sikri | ||||
| 5. Sikandra: Under Akbar and the Transition from Stone to Marble under Jehangir | ||||
| 6. Itmud-ud-Daula | ||||
| 7. Delhi Under Shah Jehan | ||||
| 8. The Taj Mahal | ||||
| 9. Delhi: Later Mughal- Safdarjung | ||||
| MARG: A Magazine of the Arts Vol. 21 | Mulk Raj Anand | 1967- 1968 | MARG Publications | |
| No.1: Editorial: The Breakthrough: Notes on the Modern Movement in Sculpture | Mulk Raj Anand | |||
| No.1: Supplement: | ||||
| 1. Indian Art in the 1940's | Prodosh Das Gupta | |||
| 2. Indian Art in the 1950's | Jaya Appaswamy | |||
| 3. Indian Art in the 1960's | Geeta Kapur | |||
| No.2: Editorial: Question from Vol.XXI, No.1, The Modern Movement in Sculpture | Mulk Raj Anand | |||
| Preliminary | ||||
| No.1: The Contemporaries | Mulk Raj Anand | |||
| 1. Argentina | ||||
| 2. Australia | ||||
| 3. Austria | ||||
| 4. Brazil | ||||
| 5. Bulgaria | ||||
| 6. Canada | ||||
| 7. Chile | ||||
| 8. Colombia | ||||
| 9. Czechoslovakia | ||||
| 10. Denmark | ||||
| 11. Federal Republic of Germany | ||||
| 12. Finland | ||||
| 13. France | ||||
| 14. German Democratic Republic | ||||
| 15. Great Britain | ||||
| 16. Greece | ||||
| 17. Hungary | ||||
| 18. India | ||||
| 19. Italy | ||||
| 20. Japan | ||||
| 21. Lebanon | ||||
| 22. Luxembourg | ||||
| 23. Netherlands | ||||
| 24. Norway | ||||
| 25. Poland | ||||
| 26. Spain | ||||
| 27. Switzerland | ||||
| 28. Turkey | ||||
| 29. United States of America | ||||
| 30. Union of Soviet Socialist Republics | ||||
| 31. Yugoslavia | ||||
| No.3: Editorial: The Creator, The Creation and the Sutradhara | Mulk Raj Anand- M.C. | |||
| No.3: Various Types of Traditional Puppets of India | Meher Contractor | |||
| 1. Rajasthan | ||||
| 2. Orissa | ||||
| 3. South India | ||||
| a. String Puppets of South India | ||||
| b. Yakshagana Puppets | ||||
| 4. Rod Puppets of Bengal | ||||
| 5. Glove Puppets of India | ||||
| 6. Shadow Puppets | ||||
| a. Shadow Play in Malabar | K.B. Iyer | |||
| b. Karnataka Shadows | ||||
| c. Andhra Shadows | ||||
| 7. Contemporaries | ||||
| a. The Darpana Academy, Ahmedabad- The Ramayana Revived with Andhra Shadow Puppets | ||||
| b. Contemporary Puppeteers | ||||
| No.4: The Pictorial Situation In Pahari Painting | Mulk Raj Anand | |||
| No.4: Pahari Painting: The Family as the Basis of Style | B.N. Goswamy | |||
| 1. The Argument | ||||
| 2. The Clue | ||||
| 3. The Family | ||||
| 4. The Style | ||||
| MARG: A Magazine of the Arts Vol. 22 | Mulk Raj Anand | 1968-1969 | MARG Publications | |
| No.1: Editiorial: Chhau Dance- Anandam | Mulk Raj Anand | |||
| No.1: Chhau Dances of Saraikella | Sunil Kothari | |||
| No.1: Technique | ||||
| No.1: A Note on Masks | ||||
| No.1: A Note on Music | ||||
| No.1: Chhau Dances of Mayurbhanj | Jivan Pani | |||
| No.1: Technique | ||||
| No.1: Presentation | ||||
| No.2: Bhitargaon | Mulk Raj Anand | |||
| No.2: Bhitargaon: The Technique of Architecture | R.Nath | |||
| No.3: Shah Jehan | Mulk Raj Anand | |||
| No.3: The Taj Mahal: Dream in Marble | R.Nath | |||
| No.4: Editorial: Gandhi on Art | Mulk Raj Anand | |||
| No.4: The Hand on the Heart | Mulk Raj Anand | |||
| No.4: Architecture | Rasika | |||
| No.4: Sculpture | Ajit Mookerjee | |||
| No.4: Painting | Pupul Jayakar | |||
| No.4: Decorations | Priya Das Gupta | |||
| No.4: The Present State of Handicrafts | Ashok Mitra | |||
| MARG: A Magazine of the Arts Vol. 23 | Mulk Raj Anand | 1969-1970 | MARG Publications | |
| No.1: Editorial | Mulk Raj Anand | |||
| No.1: Beauties in the Mud of the Potter's Yard | Mulk Raj Anand | |||
| No.1: Portfolio | Ananda Coomaraswamy, K.P. Jayaswal, Stella Kramrisch, S.K. Saraswati, Mulk | |||
| S.P. Srivastava | R.Das Gupta" | |||
| No.1: The Terracotta Art of India | Dr.H.D. Sankalia & M.K. Dhavalikar | |||
| No.2: Editorial: Himachal Heritage | Mulk Raj Anand | |||
| No.2: Architecture and Sculpture | ||||
| 1. Masrur | P.N. Mago | |||
| 2. Bajnath | Marg | |||
| 3. Bajaura | Marg | |||
| 4. Nirth | Marg | |||
| 5. Kushala | Marg | |||
| 6. Chamba | Marg | |||
| No.2: Wall Paintings | Marg | |||
| No.2: Wood Carving | Marg | |||
| No.2 : Arts & Carfts | Jasleen Dhamija | |||
| 5. Pottery- P.N. Mago | ||||
| No.3: Editorial: Hymn to Mahalbalipuram | ||||
| No.3: The Ballad and the Source | ||||
| No.3: Arjuna's Penance | ||||
| No.3: The Vision of the Rock and the Plastic Situation of the Panels | Mulk Raj Anand | |||
| No.3: Mammalapuram | T.N. Ramachandran | |||
| No.4: The Great Wrestler: The Continuity Under the Mahamalla | Mulk Raj Anand | |||
| No.4: The Cave-Temples and the Rathas Under Narasimhavarman Mahamalla | T.N. Ramachandran | |||
| No.4: The Temples and Sculptures under Rajasimha | ||||
| MARG: A Magazine of the Arts Vol. 24 | Mulk Raj Anand | 1970-1971 | MARG Publications | |
| No.1: Editorial: Afghanistan: Cross Roads | M.R.A. | |||
| No.1: Editorial: Ariana | Dr. Mustamandi | |||
| No.1: Space, time and Deity | ||||
| No.1: Colour, Form and Design in Islamic Architecture | Mulk Raj Anand | |||
| No.1: The Development of Islamic Architecture in Afghanistan | Mulk Raj Anand | |||
| No.1: Minar at Jam, Chist, Balkh, Minar at Daulatabad | ||||
| No.1: Mazar-I-Sharif | ||||
| No.1: Herat | ||||
| No.1: Interrelations of Islamic Architecture in Afghanistan | ||||
| No.2: Editorial: The Buddha as Cosmos | Mulk Raj Anand | |||
| No.2: Editorial: Bamiyan: Past and Present | B.B. Lal | |||
| No.2: Bamiyan | ||||
| 1. Historical | Mulk Raj Anand | |||
| 2.The Development of the Standing Buddha from Hoti Mardhan to Bamiyan | M.R.A. | |||
| 3. The Colossal Buddha and the Monastic Grottos | Nancy Hatch Dupree | |||
| No.2: The Wall Paintings of Bamiyan | Benjamin Rowland | |||
| No.2: Fondukistan | ||||
| No.2: Kakrak | ||||
| No.3: Editorial Glimpses of Wonder and Beauty in Ivory | Mulk Raj Anand | |||
| No.3: Conversation in Kapisa | Mulk Raj Anand | |||
| No.3: Begram Ivories: The Transition of the Mastercraftsmen | C.Sivaramamurti | |||
| No.3: Portfolio | ||||
| No.3: Begram Ivories and Indian Stones | J.LeRoy Davidson | |||
| No.3: Private Life In Ancient India as Seen from the Ivory Sculptures of Begram | Jeannine Auboyer | |||
| No: 4: Guest Editorial: Achaemenid Persia: Mauryan India | Karl Khandalawala | |||
| No. 4: The Background | Mulk Raj Anand | |||
| No. 4: Chronological Development of Pasargadae, Persepolis and Naqsh-e-Rustam | ||||
| No.4: The Transformation of Persepolis Architectural Motifs into Sculpture Under The Indian Mauryan Dynasty | Sir. Mortimer Wheeler | |||
| MARG: A Magazine of the Arts Vol. 25 | Mulk Raj Anand | 1971-1972 | MARG Publications | |
| No.1: The Metamophosis of Magic and Art in Hittite Civilization | Mulk Raj Anand | |||
| No.1: The Hittites | Kurt Bittel | |||
| No.1: Portfolio | ||||
| 1. Paleolithic (9000-8000 B.C.) | ||||
| 2. Neolithic (7000 B.C.) | ||||
| 3. Chalcolithic (5000-3000 B.C.) | ||||
| 4. Early Bronze Age (3000-2500 B.C.) | ||||
| 5. Old Assyrian Colony Age (1950-1750 B.C.) | ||||
| 6. Old Hittite; New Hittite (1650-1450 B.C.) | ||||
| a. Bogazkoy | ||||
| b. Yazilikaya | ||||
| c. Alacahoyuk | ||||
| 7. Late Hittite Period (1450-700 B.C.) | ||||
| 8. Phrygian Period (800-500 B.C.) | ||||
| 9. Urartian Period (1000-600 B.C.) | ||||
| No.1: The Importance of Hittite Art | Ekrem Akurgal | |||
| No.3: Rhythm of Dance and Music in the Bagh Caves | Mulk Raj Anand | |||
| No.3: Bagh Caves: Historical And Descriptive Analysis | John Anderson | |||
| 1. Architecture | ||||
| 2. Sculpture | ||||
| 3. Painting | ||||
| No: 4: Appreciation of Art In India Today | Mulk Raj Anand | |||
| 1. "All Art is Useless" | ||||
| 2. The Place of Art is in Civilization | ||||
| 3.The Montage Man | ||||
| No. 4: What is Architecture? | ||||
| 1. Space, Time and Deity | ||||
| 2. The Questions of the Buddha | ||||
| 3. Monuments of the Age of the Gods | ||||
| 4. Islamic Architecture | ||||
| 5. The Model City of Jaipur | ||||
| 6. Indo-Colonial Architecture | ||||
| 7. Twentieth Century Compulsions | ||||
| No.4: What is Sculpture?. | ||||
| 1. Sculpture of the Age of the Gods | ||||
| 2. Contemporary Sculptures | ||||
| No. 4: What is Painting?. | ||||
| 1. Paintings of the Age of the Gods | ||||
| 2. Sultanate Paintings | ||||
| 3. Mughal Painting | ||||
| 4. Rajashtani Painting | ||||
| 5. Pahari Painting | ||||
| 6. Contemporary Paintings | Ashok Mitra, Geeta Kapur, J.Swaminathan & Biren De | |||
| MARG: A Magazine of the Arts Vol. 26 | Mulk Raj Anand | 1973 | MARG Publications | |
| No.1: Treatment of Environment By the Mughals | Mulk Raj Anand | |||
| Preliminary: Gardening and Waterr Sites of the Ancient Hindus | ||||
| Part 1 | ||||
| 1. Babur's Innovations | ||||
| 2. Akbar | ||||
| 3. Jehangir | ||||
| 4. Shah Jehan | ||||
| 5. Aurangzeb | ||||
| Part 2- Tomb Gardens of the Mughals | ||||
| 1. Under Akbar: Humayun's Tomb | ||||
| 2. Akbar's Tomb at Sikandra | ||||
| 3. Itmad-ud-daula under Jehangir and Nur Jahan | ||||
| 4. Jehangir's Tomb | ||||
| 5. Under Shah Jahan | ||||
| Part 3- Indoor Water-devices in Palace Gardens of the Mughals: | R. Nath | |||
| 1. Sikri | ||||
| 2. Agra Fort | ||||
| 3. Red Fort, Delhi | ||||
| No.2: Editorial: Mohiniattam: Nature or Synthesis | Mulk Raj Anand | |||
| I, The Charm of Mohiniattam | Y.G. Doraiswamy | |||
| II. Myth | Kanak Rele | |||
| III. The Origins | Kanak Rele | |||
| IV. Historical Survey | Balakrishna Kurup | |||
| V. Technique | ||||
| VI. Repertoire | ||||
| VII. The Three Surviving Traditional Dancers | ||||
| VIII. Contemporary Exponents | ||||
| IX. Costume and Makeup | ||||
| X. Musical Content and Instruments | ||||
| XI. Kamsa Natakam | Kanak Rele | |||
| No.3: Editorial: Souvenirs of Madhya Pradesh Scuptures | Mulk Raj Anand | |||
| I. Portfolio | Mulk Raj Anand | |||
| II. Madhya Pradesh Sculpture Through the Ages | Prof. K.D. Bajpai | |||
| 1. Historical | ||||
| (i) Pre and Proto-history | ||||
| (ii) Early History | ||||
| (iii) The Gupta Period | ||||
| (iv) Early Medieval | ||||
| (v) Late Medieval | ||||
| 2. Scupltural: | ||||
| (i) Early Stages | ||||
| (ii) Gupta Art | ||||
| (iii) Medieval Sculpture | ||||
| (iv) Jaina Pantheon | ||||
| No.4: The Turkish Heritage in Painting | ||||
| I. Portfolio | ||||
| II. Development of Fourteenth-Fifteenth Century Painting in Khorasan, Iran and Turkey | Norah TItley | |||
| III. Ottoman Turkish Miniatures | Filiz Cagman | |||
| Book Supplement | ||||
| MARG: A Magazine of the Arts Vol. 27 | Mulk Raj Anand | 1973-1974 | MARG Publications | |
| No.1: Editoral: A Foregtten Culture | Mulk Raj Ananda | |||
| No.1 The Mask and the Smile: Chronology | ||||
| No.1 The Glory that Was Angkor | T.Narayanan | |||
| 1. Historical Background | ||||
| 2. Civilization and Culture in the Mekong Valley | ||||
| 3,The Thirteen Styles | ||||
| 1. Ambor (Seventh Century A.D.) | ||||
| 2. Prei Khmeng (first halfof eigth century .A.D.) | ||||
| 3. Kompong Preah (Second half of the eigth century A.D.) | ||||
| 4. Kulen (First half of the Ninth Century A.D.) | ||||
| 5. Preah Koh (Second Half of the Ninth century A.D.) | ||||
| 6.Bakong (Second Half of the Ninth Century A.D.) | ||||
| 7. Phnom Bakheng (end of the ninth century and beginning of the tenth century A.D.) | ||||
| 8. Koh Ker (about the middle of the tenth century A.D.) | ||||
| 9.Banteay Sreay (second half of the tenth century A.D.) | ||||
| 10. Kleang (End of the tenth century and first half of the eleventh century A.D.) | ||||
| 11. Baphuon (second hald of the elevnth century A.D.) | ||||
| 12. Angkor Wat (End of the eleventh and first half of the twelfth century A.D. | ||||
| 13. Bayon (End of the twelfth and beginning of the thirteenth century A.D.) | ||||
| No.2: Bangladesh Heritage | ||||
| No.2: Green and Gold and Blue and Grey: The Background | Syed Ali Khan | |||
| No.2: Architecture without Architects | ||||
| No.2: Space Relations According to the law of the Near and Far | ||||
| 1. Mahasthan | ||||
| 2. Paharpur | ||||
| 3. Mainamati | ||||
| No.2: Return to the Native Country: Preliminary to Islamic Architecture | ||||
| No.2: Islamic Architecture | ||||
| 1. Mamluk Style | ||||
| 2. The Ilyas Shahi Style | ||||
| 3. The Classical Phase of Architecture in Guar | ||||
| 4. The Husain Shahi Style | ||||
| 5. Mughal Style | ||||
| No.2: Regional Religious Architecture in Bengal: A Study of the Sources of Origin and Character | Hitearanjan Sanyal | |||
| No.3: Preface | ||||
| No,3: Buddhist Art In Licchavi Nepal | Pratyapaditya Pal | |||
| A. Introduction | ||||
| B. Buddhism in Licchavi Nepal and the Monastery | ||||
| C. Licchavi Caitya | ||||
| D. The Buddha Image | ||||
| E. The Bodhisattvas | ||||
| F. Conclusion | ||||
| No.4: Editorial: Haryana Heritage | ||||
| No.4: I: Pre-Historic | ||||
| 1. Pre-Harappan | ||||
| Banawali | ||||
| Mitahal | ||||
| 2. Harappan | ||||
| Banawali | ||||
| Mitahal | ||||
| 3. Late Harappan | ||||
| Daulatpur | ||||
| II. Historical | ||||
| 1.Raja Karna-ka-Qila | ||||
| 2. Topra-Delhi Pillar of Ashoka | ||||
| 3. Tosham | ||||
| III. Early Medieval | ||||
| 1. Thanesar | ||||
| 2. Kalayar | ||||
| 3. Pinjuar Sculptures | ||||
| 4. Asthal Bohr (Rohtak) | ||||
| 5. Remains of Fortifications | ||||
| 6. Suraj Kund | ||||
| 7. The Sun Image | ||||
| 8.Hansi | ||||
| IV.Medieval | ||||
| 1. Fatehabad | ||||
| 2. Tosham | ||||
| 3. Jhajjar | ||||
| 4. The Lat of Firoz Shah at Fatehabad | ||||
| 5. Hansi | ||||
| 6. Narnaul | ||||
| 7. Pinjaur Garden | ||||
| 8. Tomb of Sheikh Chilli | ||||
| 9. Paintings and Marble screen in the Dargah-i-Qalandar | ||||
| 10. Farouknagar | ||||
| 11. Sohna | ||||
| 12. Badkal Lake | ||||
| MARG: A Magazine of the Arts Vol. 28 | Mulk Raj Anand | 1974-1975 | MARG Publications | |
| No.1: Editorial: Folk Art Versus Fine Art | ||||
| I. The Background | ||||
| II. The Art of Living in the Punjab VIllage | ||||
| 1. The House | ||||
| 2. Carpentry | ||||
| 3. Pottery | ||||
| 4. Weaving | ||||
| 5. Embroidery | ||||
| 6. Utensil making | ||||
| 7. Leatherwork | ||||
| No.2: Pahari Miniatures: A Concise History | W.G. Archer | |||
| No.2: Introduction | ||||
| 1. Mankot and Basohli | ||||
| 2. Kulu | ||||
| 3. Jammu, Jasrota, Bhota and Bandralta | ||||
| 4. Mandi, Kahlur, Baghal, Hindur and Suket | ||||
| 5. Nurpur and Chamba | ||||
| 6. Guler, Garhwal and Sirmpur | ||||
| 7. Kangra, Siba and Datarpur | ||||
| No.2: Book Supplement | ||||
| No.3: Editorial: Homage to Amir Khusrau | Mulk Raj Anand | |||
| No.3: I: Persian Paintings of the 14th, 15th, 16th Centuries and it's influence on Indian Painting | Norah Titley | |||
| No.3: II: Miniature Paintings Illustrating the Works of Amir Khusrau: 15th, 16th, 17th Centuries | Norah Titley | |||
| No.4: Editorial: Bhimbetka | ||||
| No.4: I: Pre-Historic Cave Paintings | V.S. Wakankar | |||
| No.4: II: Indian Rock Paintings- Study in Symobology | S.K.Pandey | |||
| MARG: A Magazine of the Arts Vol. 29 | Mulk Raj Anand | 1975-1976 | MARG Publications | |
| No.1: Editorial: Haryana Crafts | Mulk Raj Anand | |||
| No.1: I: Sheafs Gleaned from the Harvests in Haryana | ||||
| No.1: II: Rhythm of Life in Crafts | ||||
| 1. Building | ||||
| 2. Pots and Pans | ||||
| 3. The Warp and the Woof | ||||
| 4. The Needle and Thread | ||||
| 5. Jewellery | ||||
| 6. Decorative Art or Rhytmic Vitality | ||||
| 7. Leather Work | ||||
| No.2: Editorial: The Green City | Mulk Raj Anand | |||
| No.2: I: Splendours of Samarkand Architecture | Prof. Pugacinkova | |||
| No.2: II: Monuments | ||||
| 1. Shah Zindeh | ||||
| 2. Bibi Khanum | ||||
| 3. Gur Emir | ||||
| 4. Registan | ||||
| a. Ulug Beg | ||||
| b. Shir Dor | ||||
| c. Tillya Kari | ||||
| 5. Abdu-Darun | ||||
| 6. Ishrat Khan | ||||
| 7. Ak-Serai | ||||
| No.3: Introduction | Richard Ettinghausen | |||
| No.3: Sources of Arab Painting | Marg | |||
| No.3: Arab Painting, 358 A.H./996 A.D.- 1112 A.H./1700 A.D. | David James | |||
| No.3: Introduction | ||||
| 1. Fatimid Painting, 358 A.H./969 A.D. - 567 A.H./1171 A.D. | ||||
| 2. Syria and Mesopotamia- 545 A.H./1150 A.D.- 654 A.H./1128 A.D. | ||||
| Southern Mesopotamia | ||||
| The Baghdad Maqamat Manuscripts, Mosul. | ||||
| 3. Developments after 656 A.H./1258 A.D. | ||||
| 4. The Bahri Mamluks 648 A.H./1250 A.D. - 792 A.H./1390 A.D. | ||||
| 5. Spain and North Africa. | ||||
| North Africa. | ||||
| 6. Painting after- 772 A.H./1370 A.D. | ||||
| Foreign Influence | ||||
| Christian Painting | ||||
| New Styles | ||||
| No.4: Indian Art in The Victoria and Albert Museum | John Irwin | |||
| 1. Phase 1: 1791-1858 | ||||
| 2. Phase 2: 1858-1879 | ||||
| 3. Phase 3: 1879-1911 | ||||
| 4. Phase 4: 1911-1949 | ||||
| 5. Phase 5: 1949-1975 | ||||
| No.4: The Human Form in Indian Sculpture | John Irwin | |||
| No.4: Notes By Marg | ||||
| (a). The Treatment of Space in Indian Painting | ||||
| (b). Paintings of the Hamza Nama | ||||
| (c) Paintings of the Akbar Nama | ||||
| No.4: Indian Textiles in Historical Perspective | John Iriwn | |||
| No.4: Fremlin Carpets | John Irwin | |||
| No.4:Shah Jehan's Cup | S.D. | |||
| MARG: A Magazine of the Arts Vol. 30 | Mulk Raj Anand | 1976-1977 | MARG Publications | |
| No.2: Bilzad and the Herat Renaissance | MARG | |||
| No.2: The Sources of poetic imagination in the Fifteenth Century Persian Painting | Mulk Raj Anand | |||
| No.2: Fifteenth Century Persian Miniature Painting | Norah Titley | |||
| No.2: Herat Under the Timurid Sultan Husayn Beyqara | Basil Gray | |||
| No.2: Bihzad: An Album | Mulk Raj Anand | |||
| No.2: Bihzad and His School | B.W. Robinson | |||
| No.3: Homage to Amritsar | Mulk Raj Anand | |||
| No.3: The Pool of Nectar | K.C. Aryan | |||
| No.3: Sri Hari Mandir Sahib: Evolution of the Shrine | Madanjit Kaur | |||
| No.3: Art and Architecture of the Golden Temple | ||||
| No.3: Akal Takht | ||||
| No.3: Gurudwara Baba Atal Sahib | Kunwarjit Kang | |||
| No.3: Painting and Prayer: A Note on the Heiratic Pictorial Art under the Sikhs | Mulk Raj Anand | |||
| No.3: Survivals of the Wall Paintings in Amritsar | Kanwarjit Kang | |||
| No.3: Janam Sakhis: A Guler Series | MARG | |||
| No.3: Paintings under court Patronage, Folk Paintings | K.C. Aryan | |||
| No.3: Metalware, Woodwork and Ivories | K.C. Aryan | |||
| No.4: Homage to Jaipur | ||||
| No.4: I: An Epistle Dedicatory to the Master Builder Sawai Jai SIngh | Mulk Raj Anand | |||
| No.4: II: Architecture | ||||
| 1. The Dream and the Plan | Ashim Kumar Roy | |||
| 2. Album: Amber to Badal Mahal | ||||
| 3. 'A Filigree city spun out of Nothingness' | Satish Davar | |||
| 4. Jantar Mantar: Time, Space and Deity | Mulk Raj Anand | |||
| No.4: III: Sanskriti: Cultivation of the Soil | ||||
| 1. Albums of Wall Paintings | Kunwarjit Kang | |||
| 2. Miniatures | Ashok Kumar Das | |||
| 3. Costumes and Textiles | Chandramani | |||
| 4. Enamels and Jewellery | Jamila Brij Bhushan | |||
| MARG: A Magazine of the Arts Vol. 31 | Mulk Raj Anand | 1977-1978 | MARG Publications | |
| No.1: Editorial: In Praise of Hoysala Art | Mulk Raj Anand | |||
| No.1: The Hoysala Legacy | Robert J.Del Bonta | |||
| 1. Historical Background | ||||
| 2. Stylistic Background | ||||
| 3. The Architectural Style | ||||
| (a). The Temple Plan | ||||
| (b) Spatial Organization within the Compound | ||||
| (c) Articulation of the Wallsl | ||||
| 4. The Artists | ||||
| 5. A Note on Iconography | ||||
| 6. The Hoysala Legacy | ||||
| No.1: Notes on Plates | Carmel Berkson | |||
| No.2: Editorial- Glimpses of Wonder and Beauty- Indian Heritage | ||||
| I. The Nude Godess in Indian Art | H.D. Sankalia | |||
| II. Warli Pictographs | Pupul Jayakar | |||
| III. The Best of Lovers- the Krishna Lila | Mulk Raj Anand | |||
| IV. Souvenirs from Indian Jade | M.L. Nigam | |||
| V. A Dream House in the Rocks- the Vision of Mehdi Nawaz Jung | Mulk Raj Anand | |||
| VI. The Camera Eye- Six Visionaries | ||||
| VII. Some new trends in Indian Sculpture | Janak Jhankar Narzary | |||
| VIII. New Contemporaries | Gulam Mohammed Sheikh | |||
| No.3: Editorial: Homage to Dinkar Kelkar | Mulk Raj Anand | |||
| No.3: The House | Mulk Raj Anand | |||
| a. Music | ||||
| b. Toilet | ||||
| c. Cooking | ||||
| d. Working | ||||
| e. Leisure | ||||
| No.3: My Past is my Future | Dinkar Kelkar | |||
| I. Daily Worship: The Icons and Ritual Accesories | ||||
| II. The Light: Lamps of the Temple and the House | ||||
| III, Wood Carving | ||||
| IV. Artifacts for use in Writing: Ink wells and Pen Cases | ||||
| V. The Culture of Tambula: Betel boxes, Lime containers and Nut-crackers | ||||
| VI. Artefacts of Beauty Culture: Vajris, combs and Textiles | ||||
| VII. Miscellaneous Utilities: | ||||
| a. Kitchen utensils and implements | ||||
| b. Smoking Pipes | ||||
| c. Spitoons | ||||
| d. Gunpowder Cases | ||||
| e. Locks | ||||
| f. Musical Instruments | ||||
| g. Indoor Games | ||||
| VIII. The Gaitra-Gauri Pata | Jutta-Jain Neubauer | |||
| No.4: Editorial: Homage to Kalamkari | Mulk Raj Anand | |||
| No.4: I: Towards a definition of Kalamkari | Lotika Varadarajan | |||
| No.4: II: Gaiety in Colour and Form: Painted and Printed Cloths | Pupul Jayakar | |||
| No.4: III: Spring Feeling: The Vasanta Vilasa (three vignettes) | Saryu Doshi | |||
| No.4: IV: Painted Banners on Cloth: | ||||
| 1. Vividha-tirtha-pata of Ahmedabad | Sridhar Andhare | |||
| 2. The Pancha-kalyanaka Pata, School of Aurangabad | Saryu Doshi | |||
| No.4: V: Dazzling to the Eye: Pichhvais from the Deccan | Saryu Doshi | |||
| No.4: VI: Matano Chandarvo: Textile pieces for godess worship in Gujarat | Eberhard Fischer, Jyotindra Jain & Haku Shah | |||
| No.4: VII: Patachitra of Orissa | J.P. Das | |||
| No.4: VIII:The Significance of Chintz | John Irwin | |||
| No.4: IX: Some Important Indian Chintzes | Katherine Brett | |||
| No.4: X: Painters of Cotton: A Note on the Floorspread in the collection of the Victoria and Albert Museum, London | ||||
| N.4: XI: Kalamkari: Transformation | Nelly Sethna, Yashodara Dalmia | |||
| MARG: A Magazine of the Arts Vol. 32 | Mulk Raj Anand | 1978-1979 | MARG Publications | |
| No.1: Editorial: In Praise of Aihole, Badami, Mahakuta and Pattadakal | Mulk Raj Anand | |||
| No.1: The Continuity of Symbols and Images | Mulk Raj Anand | |||
| No.1: Roots, Relations and Relevance: The Chalukyan Backdrop | Mulk Raj Anand | |||
| No.1: Temples of Early Chalukyas: Aihole, Badami, Mahakuta, and Pattadakal | George Mitchell | |||
| No.2: Editorial: In Praise of Kerala Heritage | ||||
| No.2: Architectural Developments of Kerala Temples | Ronald Bernier | |||
| No.2: The Tradition of Wall Painting in Kerala | Mulk Raj Anand | |||
| No.2: The Theatre of the Imagination | ||||
| 1. Kathakali: The Sacred Dance: Drama of Kerala | Sunil Kothari | |||
| 2. Kudiyattam: Fantasy and Poetry in Dance | D. Appukuttam Nair | |||
| 3. Mohiniattam: The Dance of the Enchantress | Geeta Radhakrishna | |||
| 4. Ecstasy of the Folk Dance: Mystical Rhythms of the Village Community | Kavalam Naryana Panikkar | |||
| No.2: The Mosques of Kerala | T.P. Kuttiaummu | |||
| No.2: The Synogogue: The Jewish Heritage | Carmel Berkson | |||
| No.2: The Churches: Christian Heritage | D.Babu Paul | |||
| No.3: Editorial: In Praise of Bharat Natyam | Mulk Raj Anand | |||
| No.3: Spritual Background | Rukmini Devi | |||
| No.3: Musical Content | Prof P.Sambamoorti | |||
| No.3: History, Roots, Growth & Revival | Sunil Kothari | |||
| No.3: Nritta | Sunil Kothari | |||
| No.3: Nritya | Sunil Kothari | |||
| No.3: Repertoire | E. Krishna Iyer | |||
| No.3: Natya | Sunil Kothari | |||
| No.3: Mysore School of Bharat Natyam | Sunil Kothari | |||
| No.3: Guruparampara | Sunil Kothari | |||
| No.3: Contemporaries | Sunil Kothari | |||
| No.4: Editorial: In Praise of Christian Art in Goa | Mulk Raj Anand | |||
| No.4: Portfolio | ||||
| No.4: Shrines and Mansions of Goa | Jose Pereira | |||
| 1. Panorama of Indian Baroque | ||||
| 2. Rome of Asia | ||||
| 3. Lost Seminary of Goa's Culture: Sao Paulo de Los Arcos | ||||
| 4. Masterpiece of Indian Baroque: The Santana at Tallauli | ||||
| 5. Rococo Goa | ||||
| 6. Retables | ||||
| MARG: A Magazine of the Arts Vol. 33 | Mulk Raj Anand | MARG Publications | ||
| No.1: Warp and Woof | Mulk Raj Anand | |||
| No.1: The Story of the Calico Museum | Martand Singh | |||
| No.1: Costumes through the Ages | Dr. Moti Chandra, Saryu Doshi & Marg | |||
| No.1: Indian Textiles through the century | Pupul Jayakar | |||
| No.1: The Romance of Indo-European Textile Trade | Marg | |||
| No.2: Editorial: Splendours of Tamil Nadu | Mulk Raj Anand | |||
| No.2: Tamil Temple Architecture and Art | K.V. Soundara Rajan | |||
| No.2: On going Tamil Nadu Sculpture | Marg | |||
| No.2: South Indian Bronzes | C. Sivaramamurthy | |||
| No.2: Tamil Paintings | R.Nagaswamy | |||
| No.3: Editorial: In Praise of Gomateshwara Shravana Belgola | Mulk Raj Anand | |||
| No.3: The Pilgrim's Path at Shravana Belgola | Saryu Doshi | |||
| No.3: The Three Jewels of Jain Philosophy | T.G. Kalghatgi | |||
| No.3: The Legend of Bahubali, the Quintessence of Quest and Conquest | L.C. Jain | |||
| No.3: Shravana Belgola in Legend and History | L.K. Srinivasan | |||
| No.3: The Mahamastakabhisheka | Vilas A. Sanghave | |||
| No.3: The Art Treasures of Shravana Belgola | Saryu Doshi | |||
| No.3: Jain Metal Images from the Deccan Karnataka | Sadashiv Gorakshkar | |||
| No.4: The RIse and Fall of the Vijayanagara Empire | Mulk Raj Anand | |||
| No.4: History and Myth (Part I) | George Mitchell | |||
| No.4: Man in Nature- Town Planning (Part II) | George Mitchell | |||
| No.4: From Power to Pleasure (Part III) | George Mitchell | |||
| No.4: God and Men (Part IV) | George Mitchell | |||
| No.4: Muslim Influence (Part V) | Antony Hutt | |||
| MARG: A Magazine of the Arts Vol. 34 | Mulk Raj Anand | MARG Publications | ||
| No.1: Editorial: Maharjah Ranjit Singh as Patron of the Arts | Mulk Raj Anand | |||
| No.1: Transformation of Folk Images into Awareness of Beauty in Art Expression | Mulk Raj Anand | |||
| No.1: Architecture | M.R.A. | |||
| No.1: Wall Paintings under the Sikhs | Kanwarjit Singh Kang | |||
| No.1: A Matter of Taste: Some Notes on the Context of Painting in Sikh Punjab | B.N. Goswamy | |||
| No.1: Changing Faces of Maharajah Ranjit Singh in Sikh Punjab | Man Mohan Singh | |||
| No.1: Maharajah Ranjit Singh's Court: Painters and the Painted | Man Mohan Singh | |||
| No.2: Shivaji- The Founder of the Maratha Kingdom | A.R. Kulkarni | |||
| No.2: Temple Architecture | M.S. Mate | |||
| No.2: Maratha Manors | G.H. Khare | |||
| No.2: Tradition of Painting- it's origin and continuity | M.S. Mate | |||
| No.2: Miniature Painting | M.S. Mate | |||
| No.2: Mural Tradition | Kamal Chavan | |||
| No.2: The Tanjore Marathas | R.Nagaswamy | |||
| No.3: Performing Arts- A Definition | Narayana Menon | |||
| No.3: Gita Govinda- Processes of Diffusion | Kapila Vatsyayan | |||
| No.3: Bharata Natyam | T.Balasaraswati | |||
| No.3: Kalarpayattu of Kerala | G. Sankara Pillai | |||
| No.3: Martial Dances of Manipur | E. Nilakanta Singh | |||
| No.3: Gods and Ghosts- Teyyam and Bhuta Rituals | Bulan Nambiar | |||
| No.3: Chaitra Parva Rituals- Chhau Dances | Mohan Khokar | |||
| No.3: Indian Theatre Today- Grappling with New Realities | Kumud Mehta | |||
| No.4: From The Editor | ||||
| No.4: Architectural Decoration and Clothing Convention | Jan Pieper | |||
| No.4: Temple Terracotta Decoration: Interaction between monumental and vernacular traditions | George Michell | |||
| No.4: Traditional Woodwork in Secular Architecture | V.S. Pramar | |||
| No.4: Wall Decorations of a Mobile People | Jutta Jain-Neubauer & Jyotindra Jain | |||
| No.4: Haveli Facades: Concepts of Embellishments | Kulbhushan Jain | |||
| No.4: Traditional Motifs in house ornamentation | G.K. Kanhere | |||
| No.4: Newar Widows as elements of Architecture | Niels Gutschow | |||
| No.4: Barber Shops of Madurai | Jan Pieper | |||
| MARG: A Magazine of the Arts Vol. 35 | Dr Saryu Doshi | MARG Publications | ||
| No.1: From the Editor | ||||
| No.1: Vestiges of Buddhist Art | S.Nagaraja | |||
| No.1: Jaina Centre of Worship | Saryu Doshi and A.Sundara | |||
| No.1: The Hindu Heritage | L.K. Srinivasan | |||
| No.1: Traditions in Painting | B.V.K. Sastry | |||
| No.1: The Islamic Legacy | Catherine B.Asher | |||
| No.1: Monuments of Tipu Sultan | Radhika Sabavala | |||
| No.2: The Heritage of Islamic Art in India | Karl Khandalavala | |||
| No.2: The Snake and the Camel-Rider | Rai Anand Krishna | |||
| No.2: Illustrated Islamic Manuscripts | Narindar Nath and Karl Khandalavala | |||
| No.2: Indo-Islamic Arms & Armour | G.N. Pant | |||
| No.2: Indo-Islamic Metal and Glassware | Jagdish Mittal | |||
| No.2: Islamic Coinage in India | R.Vanaja | |||
| No.2: The Mughal Jades of India | M.L.Nigam | |||
| No.2: Glimpses of Muslim Architecture in India | R.Nath | |||
| No.3: Introduction | Saryu Doshi | |||
| No.3: The Hindu Past: Sculpture and Architecture | Gritli V.Mittervallner | |||
| No.3: Temple Sanctuaries: Expressions of Devotion | Saryu Doshi & P.P. Shirodkar | |||
| No.3: Christian Impress: Churches and Cloisters | J.Velinkar, S.J. | |||
| No.3: Icons of Faith: Wood and Ivory | Kalpana S.Desai | |||
| No.3: Of Silks and Embroidery: Indo-Portuguese Textiles | Lotika Varadrajan | |||
| No.4: Continuity and Change: The Festival of India in Great Britain | ||||
| No.4: Introduction | Saryu Doshi | |||
| No.4: Ganjifa: The Playing Cards of India | Rudolph Von Leyden | |||
| No.4: In the Image of Man: The Indian Perception of the Universe through 2000 years of Painting and Sculpture | Kapila Vatsyayan, Thomas Stuart Maxwell, George Michell, Linda Leach | |||
| No.4: The Indian Heritage: Court Life and Arts under Mughal Rule | Rosemary Crill | |||
| No.4: Six Indian Painters: Rabindranath Tagore, Jamini Roy, Amrita Sher-Gill, M.F. Husain, K.G. Subrmanyam, Bhupen Khakhar | Geeta Kapur | |||
| No.4: Aditi | Priya Devi and Rajiv Sethi and Priya Devi | |||
| No.4: The Living Arts of India: Craftsmen at Work | Swantantrata Prakash, Colin Ford | |||
| No.4: The Master Weavers | Jyotindra Jain | |||
| MARG: A Magazine of the Arts Vol. 36 | Dr Saryu Doshi | MARG Publications | ||
| No.1: Introduction | Saryu Doshi | |||
| No.1: Continuity and Change | Mildred Archer | |||
| No.1: The Art of the Book in India | Jeremiah P.Losty | |||
| No.1: Contemporary Indian Art | Geeta Kapur | |||
| No.1: Indian Art at Oxford | Ebraham Alkazi, Brian Durrans | |||
| No.1: Vasna: Inside an Indian Village | Brian Durrans, Haku Shah | |||
| No.1: Design In India | Nimesh Bhatt and S.Balaram | |||
| No.2: Introduction: The Identity Crisis in the Visual and Performing Arts | Saryu Doshi | |||
| No.2: Painting: Paintings and Sketches of Nandalal Bose | Ratan Parimoo | |||
| No.2: Iconography: Metamorphosis in Myth, composite and animal forms in Vaishnava Art | Nandini and Haridas Swali | |||
| No.2: Metalware: Ornamental Pandans of the Mughal Age | Mark Zebrowski | |||
| No.2: Dance: Dance in Tradition, The Pioneers | Mohan Khokar | |||
| No.3: Introduction | ||||
| No.3: Manuscript Tradition | ||||
| No.3: Miniature Painting | ||||
| 1. Early Articulations: 1050-1350 A.D. | ||||
| 2. Regional Interpretations: 1350-1550 A.D. | ||||
| No.3: Legends | ||||
| 1. Adi-Purana | ||||
| 2. Kalpa Sutra | ||||
| No.4: Introduction | Saryu Doshi | |||
| No.4: Everyday Art | Anjali Munshi | |||
| No.4: Crafts | Roshan Kalapesi | |||
| No.4: Coins | Kalpana Desai | |||
| No.4: Jewellery | R.S. Morwanchikar | |||
| No.4: Ancient Metal Images | S. Gorakshkar | |||
| No.4: Miniature Paintings | Saryu Doshi | |||
| No.4: Contemporary Art | Baburao Sandwelkar | |||
| MARG: A Magazine of the Arts Vol. 37 | Dr Saryu Doshi | MARG Publications | ||
| No.1: Introduction | Surya Doshi | |||
| No.1:Rock-cut Temples | Karl Khandalavala | |||
| No.1: Ancient Structures | A.P. Jamkhedkar | |||
| No.1: Medieval Monuments | Shankar Menon | |||
| No.1: Bombay | ||||
| 1. Perspective | P.M. Joshi and S.S. Rege | |||
| 2. Landmarks | Foy Nissen | |||
| 3. Charisma | Behram Contractor | |||
| No.2: Foreword | George A.Sioris | |||
| No.2: Introduction | Saryu Doshi | |||
| No.2: The Sublime and the Infinite | Lokesh Chandra | |||
| No.2: Traditions | ||||
| 1. The Emblems of Empire | R.Vanaja | |||
| 2. Prophesy of Planets | M.C. Joshi | |||
| 3. The Arrested Moment | Lolita Nehru | |||
| No.2: A Cultural Diffusion | Chhaya Haesner | |||
| No.3: Preface | George Michell | |||
| No.3: Introduction | Annemarie Schimmel | |||
| No.3: Chronological Maps and Chart | ||||
| 1. Bahmani Coinage | Marie H.Martin | |||
| 2. Daulatabad | John Burton-Page | |||
| 3. Gulbarga | Elizabeth Merklinger | |||
| 4. Bidar | George Michell | |||
| 5. Bijapur | John Burton-Page | |||
| 6. Golconda and Hyderabad | George Michell | |||
| No.4: Guest Editor's Preface | ||||
| No.4: Introduction | Pratapaditya Pal | |||
| No.4: Charles Lang Freer (1856-1919) | Robert E.Fisher | |||
| No.4: Avery Brundage (1887-1975) | Clarence F.Shangraw | |||
| No.4: John D.Rockefeller, 3rd (1906-1978) | Robert L.Brown | |||
| No.4: Selections from the Pan-Asian Collection | Pratapaditya Pal | |||
| MARG: A Magazine of the Arts Vol. 38 | Pratapaditya Pal | MARG Publications | ||
| No.1: Nasli M.Heeramaneck (1902-1971) | Nancy Thomas | |||
| No.1: Edward Binney, 3rd (1925-1986) | Thomas W.Lentz,Jr. | |||
| No.1: Norton Simon (1907- ) | Pratapaditya Pal | |||
| No.2: The Study of Fatehpur-Sikri | Milo C.Beach | |||
| No.2: Urban Structures and Functions | Glenn D.Lowry | |||
| No.2: The Geometry of Power: The City's Planning | Attilio Petruccioli | |||
| No.2: The Imperial Capital | John.F.Richards | |||
| No.2: The Economic and Social Setting | Irfan Habib | |||
| No.2: The City as an Intellectual Center | Bruce B.Lawrence | |||
| No.2: The City as an Artistic Center | Micheal Brand | |||
| No.2: Conserving Fatehpur-Sikri: The Designer's Role | Ashoke Chatterjee | |||
| No.3: A Glorious Awakening | Karl Khandalavala and Saryu Doshi | |||
| No.3: Sculptures | Karl Khandalavala and Archana Roy | |||
| No.3: Terracottas | Karl Khandalavala and Archana Roy | MARG Publications | ||
| No.3: The Tradition of Manuscript Illumination | Saryu Doshi | MARG Publications | ||
| No.4: Differing Concepts of Art: An Introduction | Ursula Bickelmann | |||
| No.4: Remembering The Encounter | Nissim Ezekiel | |||
| No.4: Art- East and West | George Lechner | |||
| 1. Ernst Fuchs | ||||
| 2. S.H. Raza | ||||
| 3. Bikash Bhattacharjee | ||||
| 4. Mark Prent | ||||
| 5. Francis Newton Souza | ||||
| 6. Peter Nagel | ||||
| 7. Piloo Pochkhanawala | ||||
| 8. Balan Nambiar | ||||
| 9. G.R. Santosh | ||||
| 10. Jeram Patel | ||||
| 11. Wolfgang Laib | ||||
| 12.Peter Kinley | ||||
| 13. Claude Lagoutte | ||||
| 14. Manjit Bawa | ||||
| MARG: A Magazine of the Arts Vol. 39 | Karl Khandalavala, Roshan Sabavala, Sadashiv Gorakshar | MARG Publications | ||
| No.1: Introduction | Kapila Vatsayayan | |||
| No.1: Patronage Under The Medici and The Mughals Cultural Parallels and Artistic Exchanges | Dalu Jones | |||
| No.1: Pietre Dure and Other Artistic Contracts Beteween The Court of The Mughals and That of of The Medici | Ebba Koch | |||
| No.1: The CIty as an Image of the King- Some notes on the Town-Planning of Mughal Capitals in the Sixteenth an Seventeenth Centuries | Attilio Petruccioli | |||
| No.1: Hanging Gardens In the Princely Capitals of Rajasthan and In Early Renaissance Italy Sacred Space, Earthly Paradise, Secular Ritual. | Jan Pieper | |||
| No.1: Metaphysical And Ephemeral Architeture | Guisto Puri Purini | |||
| No.2: Patron, Artist and Temple- An Introduction | Vidya Dehejia | |||
| No.2: Munificient Monarch and a Superior Sculptor- Eighth Century Chamba | Pratapaditya Pal | |||
| No.2: Inspired Patron of Himalayan Art- Eighth Century Kashmir | Robert E.Fisher | |||
| No.2: Kalachuri Monarch and His Circular Shrine of Yoginis- Tenth Century Bheraghat | Vidya Dehejia | |||
| No.2: Lord of Kalanjara and His Shrine of the Emerald Linga- Eleventh Century Khajuraho | Devangana Desai | |||
| No.2: Scholar Emperor and a Funerary Temple | Kirit Mankodi | |||
| No.3: Maps | ||||
| No.3: Historical Context | John Burton-Page | |||
| No.3: Urban Context | R.N. Mehta & Rasesh Jamindar | |||
| No.3: Mosques and Tombs | John Burton-Page | |||
| No.4: A Pre-Kushan Buddha Image from Mathura | Pratapaditya Pal | |||
| No.4: A Gandharan Bronze Buddha Statuette: It's Place in the Evolution of the Buddha Image in Gandhara | Martha L.Carter | |||
| No.4: The Case of the two Witnesses to Buddha's Enlightenment | Janice Leoshko | |||
| No.4: The Pesistence of Buddhism in Tamilnadu | Vidya Dehejia | |||
| MARG: A Magazine of the Arts Vol. 40 | Karl Khandalavala, Roshan Sabavala, Sadashiv Gorakshar | 1988-1989 | MARG Publications | |
| No.1: Introduction | Janice Leoshko | |||
| No.1: The Mahabodhi Temple | Geri H.Malandra | |||
| No.1: The Vajrasana Buddha | Janice Leoshko | |||
| No.1: Gaya: Monuments of the Pilgrimage Town | Frederick M.Asher | |||
| No.1: Bodhgaya and South-east Asia | Robert L.Brown | |||
| No.2: The Enigma of Harwan | Robert E.Fisher | |||
| No.2: Buddhist Architecture | Robert E.Fisher | |||
| No.2: Stone Temples | Robert E.Fisher | |||
| No.2: Early Stone and Terracotta Sculpture | John Siudmak | |||
| No.2: Kashmir and the Tibetan Connection | Pratapaditya Pal | |||
| No.4: Introduction | Pauline Rohatgi & Pheroza Godrej | |||
| No.4: The Peoples of India | Mildred Archer | |||
| No.4: A Floral Paradise | Ray Desmond | |||
| No.4: William Hodges and the Daniells at Agra | Pauline Rohatgi | |||
| No.4: The Tipu Mania: Narrative Sketches of the Conquest of Mysore | Anne Buddle | |||
| No.4: The Travels of Henry Salt And Lord Valentia In India | Pheroza Godrej | |||
| MARG: A Magazine of the Arts Vol. 41 | Karl Khandalavala, Roshan Sabavala, Sadashiv Gorakshar | 1990 | MARG Publications | |
| No.1: Introduction | Paulin Rohatgi and Pheroza Godrej | |||
| No.1: A Bountiful Ark | Ray Desmond | |||
| No.1: Amatuer Artists in Western India: James Forbes and Robert Melville Grindlay | Pauline Rohatgi | |||
| No.1: Eating Habits of the British In India | Shalini Devi Holkar | |||
| No.1: Some Monuments of Old Madras | S.Muthiah and Pauline Rohatgi | |||
| No.1: A Gallery of Governors-General | Pheroza Godrej | |||
| No.2: Editorial | Saryu Doshi | |||
| No.2: Introduction | Kapila Vatsyayana | |||
| No.2: History: The Celestial Inheritage | E. Nilakanta Singh | |||
| No.2: Lai-Haroba: The Gods Rejoice | R.K. Achoubsiana SIngh | |||
| No.2: Sankirtan: The Dance of Devotion | Surachand Sharma | |||
| No.2: Rasa-Lila: The Sacred Circle | Angana Jhaveri | |||
| No.2: Technique: Choreographic Content | Ranjana Jhaveri and Darshana Jhaveri | |||
| No.2: Abhinaya: The Aesthetics of Expression | Guru Bipin Singh and Kalavati Devi | |||
| No.3: Introduction | Sheila R.Canby | |||
| No.3: "Zenith of the Time" The Painter Pir Ahmed Bagshimali | B.W. Robinson | |||
| No.3: Siyah Qalam | J.M. Rogers | |||
| No.3: Changing Worlds: Bihzad and the New Painting | Thomas W.Lentz | |||
| No.3: Sultan Mohammed Tabrizi: Painter at the Safavid Court | Priscilla Soucek | |||
| No.3: Age and Time in the Work of Raza | Sheila R.Canby | |||
| No.4: Kali, Calcutta, and Kalighat Pictures | Pratapaditya Pal | |||
| No.4: Indian Artists and British Patrons in Calcutta | Pratapaditya Pal | |||
| No.4: Early Photography in Calcutta | SIddharth Ghosh | |||
| No.4: Calcutta and the Early Growth of the Bengal School of Painting | Amita Ray | |||
| MARG: A Magazine of the Arts Vol. 42 | Karl Khandalavala, Roshan Sabavala, Sadashiv Gorakshar | MARG Publications | ||
| No.1: Foreword | Roy C.Craven, Jr. | |||
| No.1: The Reign of Raja Dalip Singh (1695-1741) and the Siege of Lanka Series of Guler | Roy C.Craven, Jr. | |||
| No.2: Foreword | ||||
| No.2: Myths, Legends and History | ||||
| No.2: Dance Sculptures | ||||
| No.2: The Palm-leaf Manuscripts and the Sangita Texts | ||||
| No.2: The Living traditions: The Maharis and the Gotipuas | ||||
| No.2: Contemporaries | ||||
| No.3: Editorial | Karl Khandalavala | |||
| No.3: The Rulers of the Gupta Dynasty | Parmeshwari Lal Gupta | |||
| No.3: Towards Understanding Gupta Sculpture | J.C. Harle | |||
| No.3: Buddhist and Brahmanical Gupta Sculptures from Mathura | R.C. Sharma | |||
| No.3: Jaina Art of the Gupta Period | M.N.P. Tiwari | |||
| No.3: Gupta Coinage | R.Vanaja | |||
| No.3: Gupta Bronzes | Sadashiv Gorakshar | |||
| No.3: Kalidas in the Light of Gupta Art | D.C. Bhattacharya | |||
| No.3: Dinna-The Mathura-Gupta Artist | Savitri Subrahmanyam | |||
| No.4: Introduction | Pratyapaditya Pal | |||
| No.4: Basawan | Anima Okada | |||
| No.4: Miskin | Philippa Vaughan | |||
| No.4: Mansur | Ashok Kumar Das | |||
| No.4: Manohar | Terence McInerney | |||
| MARG: A Magazine of the Arts Vol. 43 | Karl Khandalavala, Roshan Sabavala, Sadashiv Gorakshar | 1991 | MARG Publications | |
| No.1: Introduction | Ernst J.Grube | |||
| No.1: Burzoy's/Burzayah's Voyage to India | ||||
| No.1: The Panchatantra: From India to the West- and Back. | ||||
| No.1: The Earliest Illustrations to Kalilah wa Dimmah | Julian Raby | |||
| No.1: The Early Illustrated Kalilah Wa Dimnah Manuscripts | Ernst J.Grube | |||
| No.1: The Istanbul University Library Kalilah wa Dimnah and other 14th century Persian Manuscripts | Ernst J.Grube | |||
| No.2: Introduction | George Michell | |||
| No.2: Vahanas: Conveyors of the Gods | Joanne Punzo Wagborne | |||
| No.2: Chariot Panels from Tamil Nadu | George Michell | |||
| No.2: Doors and Woodcrafts of Chettinad | Deborah Thiagarajan | |||
| No.3: Christian Altar Figures | George Michell | |||
| No.3: Carvings in Kerala Temples | George Michell | |||
| No.3: Bhuta Figures of South Kanara | Nima Poovaya-Smith | |||
| No.4: A Tradition in Transformation | Saryu Doshi | |||
| No.4: Tribal Societies of India | Malti Nagar | |||
| No.4: North-East India | A.K. Das | |||
| No.4: Bengal | Sahita Ranjan Sarkar | |||
| No.4: Orissa | S.K.Mohapatra | |||
| MARG: A Magazine of the Arts Vol. 44 | Karl Khandalavala, Sadashiv | |||
| Art & Architecture | ||||
| No.4: The Deccan: A Nucleus of Culutre | Shehbaz H,Safrani | |||
| No.4: Hyderabad: Garden to a City | S.P. Shorey | |||
| No.4: Golconda Picchwais: Epxressions of Devotion | Shehbaz H. Safrani | |||
| No.4: Bidri ware: Lyric Patterns | Stephen M.Markel | |||
| No.4: Deccani Drawings Reflections on Life | Shahbaz H.Safrani | |||
| No.2: Introudction | Stephen Markel | |||
| No:2:Early Chinese Jades | Robert E.Fischer | |||
| No.2: The Working of Jade in the Ming and Qing Dynasties | James C.Y. Wan | |||
| No.2: Jades from the Islamic World | Ralph Pinder-Watson | |||
| No.2: Inception and Maturation in Mughal Jades | Stephen Markel | |||
| No.3: Introduction | George Michell | |||
| No.3: Kanchipuram | Dennis Hudson | |||
| No.3: Thiruvannamalai | Francouse L'Hernailt | |||
| No.4. Chidambaram | Daviid Smith | |||
| No.3: The Philosdpjy of Kathakali | ||||
| No.4: Three-dimensional Poetic Art. | ||||
| No.4: Textual Scores for Performances | K.Ayyappa Panikkar | |||
| No.4: Patrons, Troupes and Performers | Chitra Pannikar | |||
| No.4: Major Kathakali Institutes: | ||||
| Kerala Kalamandalam | Olapamma Subrahmaniam Nambudirippad | |||
| No.4: Margi: An Art Resource Centre | G.S. Warrier | |||
| No.4: Initiatiion and Training | Kalamandalam Padmanabhan Nair | |||
| No.4: Textual Sources for Performances | ||||
| MARG: A Magazine of the Arts Vol. 45 | Pratapaditya Pal | 1993-1994 | MARG Publications | |
| No.1: An Introduction to Abhinaya | Kalamandalam Ramankutty Nair | |||
| No.1: The Visual Dimension | ||||
| No.1: Aharyaabhinaya | Kamandalam Govinda Warrier | |||
| No.1: Angikabhinaya | Kamandalam Gopi | |||
| No.1: Sattwikaabhinaya | Sudha Gopalakrihnan | |||
| No.1: Rasabhinaya | D.Appukuttan Nair | |||
| No.2: Influences and Interactions | Saryu Doshi | |||
| No.2: The Lotus and the Seed | Geeti Sen | |||
| No.2: Interactions in Art | Mervat Seif-el-DIn | |||
| No.2: Commerce and one Faith | Sahar Abdel Aziz Salem | |||
| No.2: Colour, Motif and Arabesque | Saryu Doshi | |||
| No.3: Rama: Hero and Avatar | Vidya Dehejia | |||
| No.3: The Universe of Rama: Valmiki's Epic Poem | Barbara Stoler Miller | |||
| No.3: Royal Legitmition: Ramayana Reliefs on the Papanatha Temple at Pattadakal | Helen J.Wechsler | |||
| No.3: Ramayana Portraits: The Nageshwara Temple at Kumbakonom | David T.Sandford | |||
| No.3: Akbar's Imperial Ramayana: Mughal Persian Manuscript | Ashok Kumar Das | |||
| No.3: A Sub-Imperial Mughal Manuscript: The Ramyana of Abd al-Rahim Khankhanan | John Seyller | |||
| No.4: Introduction | Parmeshwari Lal Gupta | |||
| No.4: India's First Coinage: Punch-Marked Coins | Parmeshwari Lal Gupta | |||
| No.4: Artistry and Realism: Coinage of the Indo-Greeks and Scytho-Parthians | B.N. Mukherjee | |||
| No.4: Coins and Kingship: Kanishka and the Kushana Dynasty | Martha L.Carter | |||
| No.4: Invention and Innovation: Royal Gupta Gold Coins | Ellen M.Raven | |||
| No.4: Rupar Bangla: The Politics and Religion of Medieval Bengal Through coins | John Deyell | |||
| MARG: A Magazine of the Arts Vol. 46 | Pratapaditya Pal | 1994-1995 | MARG Publications | |
| No.1: The Formative Period (Circa 1856-1910), Sir J.J. School of Art and the Raj | Partha Mitter | |||
| No.1: Orientalizing the Raj, Indo-Saracenic Fantasies | Giles H.R. Tillotson | |||
| No.1: Edwardian Architects of Bombay, George Wittet and John Begg | Christopher W.London | |||
| No.1: A Poet's Vision: The Houses of Rabindranath Tagore | Andrew Robinson | |||
| No.1: The Myth of the Monuments, Public Commemorative Statues | Mary Ann Steggles | |||
| No.2: Princes of the Houses of Timur: The Written Record | Toby Falk | |||
| No.2: Who Painted Princes of the House of Timur? | Heather Elgood | |||
| No.2: Iranian Artists in the Service of Humayun | Robert Skelton | |||
| No.2: Recycled Images: Overpainting in Early Mughal Art | John Seyller | |||
| No.3: Introduction: Woven Silks of India | Jasleen Dhamija | |||
| No.3: A Group of Early Silks: The Tree Motif | Steven Cohen | |||
| No.3: Vaishnavite Silks: The Figured Textiles of Assam | Rosemary Crill | |||
| No.3: Mughal Silks: The Metropolitain Museum Collection | Daniel Walker | |||
| No.3: Paithani Weaves: An Ancient Tapestry Art | Jasleen Dhamija | |||
| No.3: Kanchivani: The Saris of Kanchipuram | ||||
| No.4: Introduction | Pauline Rohatgi and Pheroza Godrej | |||
| No.4: The East India Company's Settlement Pictures- George Lambert and Samuel Scott | Brian Allen | |||
| No.4: Sketching from Nature- Soldier Artists in India | Patricia Katterhorn | |||
| No.4: Preface to a Lost Collection: The Pioneering Art of Francis Swin Ward | Pauline Rohatgi | |||
| No.4: A Fair Picture: Hodges and Daniells at Rajmahal | G.H.R. Tillotson | |||
| No.4: The Poet's Eye: The Intimate Landscape of George Chinnery | Patrrick Conner | |||
| MARG: A Magazine of the Arts Vol. 47 | Pratapaditya Pal | 1995-1996 | MARG Publications | |
| No.1: Editorial | ||||
| No.1: Introduction | Susan Strange | |||
| No.1: Early Jewellery of Bengal: The Shunga Period | Zulekha Haque | |||
| No.1: The Sacred ans the Secular: Jewellery in Buddhist Sculpture in the Northern Kushan Realm | Carolyn Woodford Schmidt | |||
| No.1: Jewellery in the Temples of Karnataka | Choodamani Nanda Gopal | |||
| No.1: Jewels and Gems in Goa from the Sixteenth to Eighteenth Century | Nuno Vassallo e Silva | |||
| No.1: The Royal Jewels of Tirumala Nayaka of Madurai (1623-1659) | Jean-Francois Hurpre | |||
| No.2: The Dual Role of Ganesh in the Buddhist Art of South Asia | Gouriswar Bhattacharya | |||
| No.2: Abscences and Transformations: Ganesh in the Shvetamabara Jain Tradition | John E.Cort | |||
| No.2: Images of Ganesh from South-East Asia | Robert L.Brown | |||
| No.2: Spirit King, Demon, and God of Wealth: Ganesh in East Asia | Teresa Tse Bartholomew | |||
| No.2: Collecting Ganesh Images | Vasant Chowdhury | |||
| No.3: In Memoriam: Karl J. Khandalavala | ||||
| No.3: From the General Editor's Desk | ||||
| No.3: Introduction: Sanchi and the Art of Buddhism | Vidya Dehejia | |||
| No.3: Discovery and Restoration of the Monuments | Deabala Mitra | |||
| No.3: Constructing a Buddhist Ritual Site: Stupa and Monastery Architecture | Kevin Trainor | |||
| No.3: The Animated World of the Toranas | Vidya Dehejia | |||
| No.4: Foreword by His Holiness the Dalai Lama | ||||
| No.4: From the Editors Desk | ||||
| No.4: Early TIbetan Sculpture | Micheal Hens | |||
| No.4: The Sacred Enclave of Gyantse | Erberto F.Lo Bue | |||
| No.4: Sino-Tibetan Sculpture: The TIbetan Legacy | Sheila C. Bills | |||
| No.4: TIbetan Bronzes: Techniacal Observations | Chanra L.Reddy | |||
| MARG: A Magazine of the Arts Vol. 48 | Pratapaditya Pal | 1996-1997 | MARG Publications | |
| No.1: Foreward By His Holiness the Dalai Lama | ||||
| No.1: From the Editors Desk | ||||
| No.1: Early Thankas: Eleventh-Thirteenth Centuries | Jane Casey Singer | |||
| No.1: Wall-Paintings in Western Tibet | Michael Henss | |||
| No.1: Murals in the Early Temples of Alchi | Roger Goepper | |||
| No.1: Fabric Images and their Special Role in TIbet | Valrae Reynolds | |||
| No.2: From the General Editor's Desk | ||||
| No.2: Introduction | Gayatri Sinha | |||
| No.2: Gogi Saroj Pal: "Between Myth and Reality" | Uma Nair | |||
| No.2: Nalini Malani: "Memory Stress and Recall" | Kamala Kapoor | |||
| No.2: Latika Katt: Towards Demateralization of the Material | ||||
| No.2: Navjyot: Of Response and of Respnsibility | ||||
| No.2: Apana caur: Connecting Womanhoood | Gayatri SInha | |||
| No.3: From the General Editor's Desk | ||||
| No.3: Introduction | Farooq Ameen | |||
| No.3: Social Institutions and a Sense of Place | Bal Krishna Doshi | |||
| No.3: Land, Water and Man in Bengal, Themes for a Deltaic Architecture | Kazi Khaleed Ashraf | |||
| No.3: Vernacular, Religion,and the Contemprary expression in Pakistan | Kamil Khan Mumtaz | |||
| No.3.The Use of Traditon in Architecture and Urban Form | Raj Rewal | |||
| No.4: From the General Editor's Desk | ||||
| No.4: When We Get There: Bombay In Early Maps | Susan Gole | |||
| No.4: Defining a Unique City: Surveying and Mapping Bombay after 1800. | Matthew H.Edney | |||
| No.4: Early Impressions of the Islands: James Forbes and James Wales in Bombay 1766-95 | Paulin Rohatgi | |||
| No.4: Whither the Towers?, The Changed view of Malabar Hill | Pheroza J.Godrej | |||
| MARG: A Magazine of the Arts Vol. 49 | Pratapaditya Pal | 1997-1998 | MARG Publications | |
| No.1: From the General Editor's Desk | ||||
| No.1: Evolution, Involution, and The City's Future: A Perspective on Bombay's Urban Form | Rahul Mehrotra | |||
| No.1: Artless Objects: Post-Independence Architecture In Bombay | Himanshu Burte | |||
| No.1: Bombay Shows the Way: Pioneering Urban Conservation | Cyrus Guzder | |||
| No.1: New Bombay: Marg As An Urban Catalyst | Charles Correa | |||
| No.2: From the General Editor's Desk | ||||
| No.2: Introduction | Philippa Vaughan | |||
| No.2: A Visible Monument: Architectural Policies and the Victoria Memorial Hall | G.H.R. Tillotson | |||
| No.2: The Last of the Augustans: Lord Curzon and Indian Architecture | Derek Linstrum | |||
| No.2: India and the European Cultural Inheritance: The Victoria Memorial Hall | ||||
| No.2: Curzon's "National Gallery": The Art Collections | Deborah Swallow | |||
| No.2: New Insights through Restoration: Oil Paintings of India by European Masters Circa 1760-1830 | Rupert Featherstone | |||
| No.3: From the General Editor's Desk | ||||
| No.3: The Painted Scrolls of the Garoda Picture and Showmen of Gujarat | Jyotindra Jain | |||
| No.3: Itinerant Images: Embodiments of Art and Narrative in Telangana | Kirtana Thangavelu | |||
| No.3: To Show, To See, To Tell, To Know: Patuas, Bhopas and their Audience | Kavita Singh | |||
| No.3: The Persistence of Romance in the Paintings of Gulammohammed Sheikh | Geeta Kapur | |||
| No.3: Mumbai: Looking Ahead | Charles Correa | |||
| No.3: Culture Cut Apart? Rural Indian Embroideries and Commoditization | Victor Z.Rivers | |||
| No.3: Newsletters | ||||
| 1. From India | Monisha Ahmed | |||
| 1. From Europe and Japan | John Siudmak | |||
| 3. From the U.S.A. | Shehbaz H.Safrani, Tushara Bindu Gude | |||
| No.3: From the General Editor's Desk | ||||
| No.3: Kesu Das: The Impact of Western Art on Mughal Painting | Amina Okada | |||
| No,3: Farrrukh Beg: Studies of Adorable Youths and Venerable Saints | Ashok Kumar Das | |||
| No,3: Bishandas "Unequalled in his age in Taking Likenesses" | Ashok Kumar Das | |||
| No.3: Govardhan: "Servant of Jehangir" | Milo C.Beach | |||
| No.3: The Nyatapola Temple of Bhaktapur: A Mark of Nepalese Temple Design | Raimund O.A. Becker-Ritterspach | |||
| No.3: The Afsarwali Majid and Afsarwala Gumbad at Nizamuddin, Delhi | Subhash Parihar | |||
| No.3: Newsletters | ||||
| From Mumbai- Monisha Ahmed | ||||
| From London- John Siudmak | ||||
| From the USA- Tushara Bindu Gude | ||||
| Exhibition News from Prague- Hana Knizkova | ||||
| MARG: A Magazine of the Arts Vol. 50 | Pratapaditya Pal | 1998-1999 | MARG Publications | |
| No.1: From the General Editors Desk | ||||
| No.1: Nikka and Ranjha at the Court of Raj Singh of Chamba | Vishwa Chander Ohri | |||
| No.1: Harkhu and Chhajju: Two Guler Artists in Chamba | Jagdish Mittal | |||
| No.1: Gursahai: A Guler Painter at Basohli | Surwacha Paul | |||
| No.1: Chaitu at Tehri Garhwal | Usha Bhatia | |||
| No.1: The Guler Painter Fattu at Mandi | Vijay Sharma | |||
| No.1: The Bohrawads of Sidhpur | Zoyab A.Kadi | |||
| No.1: Renovated Textile Gallery at the National Museum, New Delhi | Anamika Pathak | |||
| No.2: From the General Editor's Desk | ||||
| No.2: Early Chinese Buddhist Architecture and It's Indian Origins | Nancy Shatzman Steinhardt | |||
| No.2: Foreigners in Early Chinese Buddhist Art: Disciples, Lohans, and Barbarian Rulers | Janet Baker | |||
| No.2: Avalokiteshwara in Sixth-Century China | Denise Patry Leidy | |||
| No.2: Two Kushan Period Buddhist Sculptures | Pratyapaditya Pal | |||
| No.2: The Conservation of Mohenjo-Daro | Shereen Ratnagar | |||
| No.2: Architecture as a Second Nature- A Feminine Discourse? The Work of Itsugo Hasegawa | Udo Kultermann | |||
| No.3: From the General Editor's Desk | ||||
| No.3: Portraits of Birds and Animals Under Jehangir | Som Prakash Verma | |||
| No.3: The Use of Flora and Fauna Imagery in Mughal Decorative Arts | Stephen Markel | |||
| No.3: The Elephant in Mughal Painting | Ashol Kumar Das | |||
| No.3: Mythical Animals in Mughal Art: Images, Symbols and Allusions | Philippa Vaughan | |||
| No.3: The Fourteenth-Century Adina Mosque in Pandua | Naseem A. Banerji | |||
| I. Connection between the Koranic Sura of Light, sufi Light Mysticism, and the Motif of a "Lamp within a Niche" | ||||
| II. The Mihrabs in the Adina Mosque: Evidence of the Reuse of Late Pala-Sena Remains | ||||
| No.3: Le Corbusier: Symbolic Themes at Chandigarh | Steven W.Hurtt | |||
| No.4: From the General Editor's Desk | ||||
| No.4: The Art of Pyu and Mon | John Guy | |||
| No.4: Vishnu in Burma | Pamela Gutman | |||
| No.4: Between India and Burma: The "Andagu" Stelae | Claudine Bautze-Picron | |||
| No.4: Pagan Bronzes: Fresh Observations | Donald M.Stadtner | |||
| No.4: Mahayana Buddhism in Sri Lanka | Ulrich Von Schroeder | |||
| No.4: A General's Act of Piety: a Newly Discovered Buddhist Monastery of Ancient Bengal | Gautam Sengupta | |||
| MARG: A Magazine of the Arts Vol. 51 | Pratapaditya Pal | 1999-2000 | MARG Publications | |
| No.1: From the General Editor's Desk | ||||
| No.1: Tiruchirapalli and the Sacred Island of Srirangam | Crispin Branfoot | |||
| No.1: Tanjavur: Capital of the Delta | Daud Ali | |||
| No.1: Temple City of Kumbakonam | Vivek Nanda | |||
| No.1: Baolis of Punjab and Haryana | Subhash Parihar | |||
| No.1: Studies in Indian Art and Culture: Some Avoidable Presumptions and Speculative Theories | Ziyaud-Din A.Desai | |||
| No.2: From the General Editor's Desk | ||||
| No.2: Indian Symbols in a Southeast Asian Setting: Coins and medals of Ancient Dwarvati | Robert S.Wicks | |||
| No.2: Early Buddhist Sculpture of Thailand: Circa Sixth-Thirteenth Century | Nandana Chutiwongs | |||
| No.2: Vishnu Images from Ancient Thailand and the Concept of Kingship | Virginia Dofflemeyer | |||
| No.2: Symbolism of Ashokan Pillars: A Reappraisal in the Light of Textual and Visual Evidence | Gautama V.Vajracharya | |||
| No.3: From the General Editor's Desk | ||||
| No.3: Early Painting at Bundi | Joachim K.Bautze | |||
| No.3: The Saving Power of Soron: Sahibdin of Udaipur and the Surakshetra Mahatmya | Andrew Topsfield | |||
| No.3: Court Paintign for the Amber Rulers, circa, 1590-1727 A.D. | Ashol Kumar Das | |||
| No.3: New Discovieries | ||||
| I. Exposition of the Bijamandaal Temple in Khajuraho | Phani Kanta Mishra | |||
| II. Significance of a New FInd at Khajuraho: Gahapati Kokkala's Vaidyanath Temple?. | Devangana Desai | |||
| No.3: The Splendours of Wood Carving in Vaso-Haveli, North Gujarat | V.S. Pramar | |||
| No.3: Portraint of Muktambal, Swordwife fo Sarfoji II | Ramaa Nsrsysns | |||
| No.3: New Asian Galleries at the Sorton Simon Museum, Pasadena | Jyotindra Jain | |||
| No.4: From the General Editor's Desk | ||||
| No.4: A Glorious Heritage: Maharao Lakhpatji and the Aina Mahal | Pramod J.Jethi and Christopher W.London | |||
| No.4: The Aina Mahal: An Early Example of Europeanerie | Amin Joffer | |||
| No.4: The Prag Mahal and Henry St.Clair Wilkins Architecture | Christopher W.London | |||
| No.4: Architecture as Reinterpretation fo Context: Housing in Kutch | Sanjay Udamale | |||
| No.4: The Looting of Antiquities | Dilip K.Chakrabarti | |||
| MARG: A Magazine of the Arts Vol. 52 | Pratapaditya Pal | 2000-2001 | MARG Publications | |
| No.1:From the General Editor's Desk | ||||
| No.1: Sculptural Embodiments: Unmaking and Remaking Modernity | Anshuman Das Gupta | |||
| No.1: Towards a "Genre" Theory of Figurative Sculpture | Benoy P.J. | |||
| No.1: Abstraction: Nature and the Numinous | Suresh Jayram | |||
| No.1: Shifts in Medium: Trends, Tendencies and Breakthroughs | Sudhir Kumar Duppati | |||
| No.1: Deorkothar Stupa: New Light on Early Buddhism | Phani Kanta Mishra | |||
| No.2: From The General Editor's Desk | ||||
| No.2: From Raga to Fusion: Hindustani Music | Sandeep Bagchee | |||
| No.2: The State of Classical Dance: 2000. | Sunil Kothari | |||
| No.2: "We need a House of Our Own": The Impasse of Indian Theatre after Independence | Rustom Bharucha | |||
| No.2: The Enduring Allure of the Big Screen: A Century of Indian Cinema | Shyam Benegal | |||
| No.2: The Power of the Small Screen: Television as Purveyor of Culture | Amita Malik | |||
| No.2: Rediscovered: A Rare Portrait of Raja Rammohun Roy | Alyssa L.Langlais Dodge and Susan S.Bean | |||
| No.3: Bhubaneshwar (Ekamra-kshetra), Temple Town and Cultural Centre | Thomas Eugen Donaldson | |||
| No.3: Jaipur (Viraja-Kshetra) and Shakta Art | Thomas Eugen Donaldson | |||
| No.3: Conserving the Temple of Lord Jagganath | Gopal C.Chauley | |||
| No.3: Closer to heaven than the Gods: Jain Monks in Pre-Kushan Mathura | Sonya Rhie Quintanilla | |||
| No.3: Tomb of Subhan: A Little Known Monument in the Lodi Period | Subhash Parihar | |||
| No.4: From the General Editor's Desk | ||||
| No.4: Of Buildings and Books: The Theory and the Practice of the Architect Madan | Rima Hooja | |||
| N0:4: Mandala by Design: The Courtyard of a Haveli Temple in Jaipur | Vibhuti Sachdeva | |||
| No.4: Palaces of the Rajput Kings | Giles TIlotson | |||
| No.4: Dating the Natraja Dacne Icon: Technical Insights | Sharada Srinivasan | |||
| No.4: On the God Mask in the Dionysia and Indra Jatra | Francois Pannier | |||
| MARG: A Magazine of the Arts Vol. 53 | Pratapaditya Pal | 2001-2002 | MARG Publications | |
| No.1: A Message fron the General Editor's Desk | ||||
| No.1: Architecture and Royal Authority under the Early Sangamas | Phillip B.Wagoner | |||
| No,1: The Temple District of Vitthalapura | Alexandra Mack | |||
| No.1: Memorial Stones | Anila Verghese | |||
| No.1: Revisiting Narnaul's Architectural Legacy | Jyoti and Janhwij Sharma | |||
| No.1: The Portrai of Kunga Gyatsenpel Sanpo | E.V.Ganevskaya, E.D. Ogneva, and A.F. Dubrovin | |||
| No,2: From the General Editor's Desk | ||||
| No.2: Kochi: Begginings of European Architecture in India | Jayaram Poduwal | |||
| No.2: The Portuguese in Bengal | Gautam Sengupta | |||
| No.2: Codice Casanatense: An Indo-Portuguese Portrait of Life in 16th-Century India | Maria Manuela Mota | |||
| No.2: The End of the "Catholic Era" in Mughal Painting: Jehangir's dream Pictures, English Painting, and the Renaissance Frontispiece | Gauvin Alexander Bailey | |||
| No.2: Jangarh Singh Shyam and the Great Machine | Kavita Singh | |||
| No.3: From the General Editor's Desk | ||||
| No.3: Culture Specificity, Art Language, and the Practice of Modernism: An Indian Perspective | R.Siva Kumar | |||
| No.3: Abindranath Tagore: A New Context | Ella Dutta | |||
| No.3: Folk Artists of Bengal and Contemporary Images: A Case of Reverse Appropriation | Jyotindra Jain | |||
| No.3: Bagh Caves- Predicament for Conservators | Panikant Mishra and Ritu Mishra | |||
| No.3: Hakoti- Religious Sactity and Cultural Heritage | Hari Chauhan | |||
| No.3: Photo Essay: On Stage | Namai Ghosh | |||
| No.4: Editorial | ||||
| No.4: Mughal Painting during the Reign of Muhammed Shah | Terence McInerney | |||
| No.4: Towards a New Naturalism: Portraiture in Murshidabad ad Avadh, 1750-80 A.D. | J.P.Losty | |||
| No.4: Important Illustrated Manuscripts in the National Museum, New Delhi | Barbara Schmitz and Nasim Akhtar | |||
| No.4: An Album with Miniatures by the Persian Safavid Painter Sultan Muhammed | Ziyaud-Din A.Desai | |||
| No.4: The Unique Wood-Carved Muslim Havelis of Patan | V.S.Pramar | |||
| No.4: Photo Essay: My Sangeet Yatra | ||||
| MARG: A Magazine of the Arts Vol. 54 | Pratapaditya Pal | 2002-2003 | MARG Publications | |
| No.1: From the General Editor's Desk | ||||
| No.1: Terracotta of the Harappan Civilization with Special Reference to Indian Sites | Dilip K.Chakrabarti | |||
| No.1: Creative Legacy of the Nilgiri Hills: Terracotta Offerings from South Indian Megalithic Burials | Corinna Wessels-Mevissen | |||
| No,1: Terracotta Sculpture from the Ancient Northwest: 300 BCE- 60 CE | John Siudmak | |||
| No.1: Dating of Akhnur Terracotta in the Light of the Recent Excavations at Ambaran | B.R. Mani | |||
| No.1: Dating of the Bundi-style Chunar Ragamala: A New Approach | Lakshmi Dutt Vyas | |||
| No.1: Photo Essay: The Third Eye | Praful C.Patel | |||
| No.2: From the General Editor's Desk | ||||
| No.2: The Marraige Customs of the Jewish Community in Cochin | Samuel H.Hallegua | |||
| No.2: The Ritual Cycle of Cochin Jewish Holidays: A Malabari Perspective | Galia Hacco | |||
| No.2: Bene Isreali Rites and Routines | Shalva Wiel | |||
| No.2: Photo Essay: Jews of Cochin | Ketaki Sheth | |||
| No.2: Stone, Sweat & Inspiration: The Restoration of Elphinstone College | Abha Narain Lambha | |||
| No.2: Professor Herbert Hartel and the Museum fur Indische Kunst Berlin | Adalbert J.Gail | |||
| No.3 From the General Editor's Desk | ||||
| No.3 Bishnupur: Land of Wrestlers | Ashok K.Bhattacharya | |||
| No.3 Hooghly: The Common Emporium | Gautam Sengupta | |||
| No.3: Murshidabad: Capital of Fleeting Glory | Pratyapaditya Pal | |||
| No.3 Harijan Painting of Mithila | Neel Rekha | |||
| No.3 Photo Essay: I am as I am | Dayanita Singh | |||
| No.4: Editorial | ||||
| No.4: Brick by Sacred Brick: Architectural Projects of Guru Arjan and Guru Hargobind | Gurmeet Rai and Kavita SIngh | |||
| No.4: Illustration and Illumination in Sikh Scriptural Manuscripts | Jeevan Singh Deol | |||
| No.4: Allegories of Good Kingship: Wall Paintings in the Qila Mubarak at Patiala | Kavita Singh | |||
| No.4: A Tale of Two Animal Paintings and a Drawing | Divyabhanusinh | |||
| No.4: Relics and Represnetation in Gandhara | Kurt Behrendt | |||
| MARG: A Magazine of the Arts Vol. 55 | Pratapaditya Pal | 2003-2004 | MARG Publications | |
| No.1: From The General Editor's Desk | ||||
| No.1: Off the Tourist Trail: The "Unknown" Lucknow | Rosie Llewelyn-Jones | |||
| No.1: Lucknow Food, Streets and Bazaars | Muku; Manglik | |||
| No.1: Arts and Crafts: Lucknow's Living Traditions | Sudipta Dev | |||
| No.1: New Documentary on Pahari Painter Families | Vijay Sharma | |||
| No.1: Kabuli Bagh Mosque: Babur's Unknown Masjid | Abha Narain Lambha | |||
| No.1: The Crossroads of Paradise: Islamic Art in a Hawaiian Home | Sharon Littlefield. | |||
| No.2: Editorial | ||||
| No.2: Innovation in Kathak | Kumudini Lakhia | |||
| No.2: Manipuri Dances: Extending the Boundaries | Sunil Kothari | |||
| No.2: Navanritya- Contemporary Methodology: History, Theory, Practice | Ranjabari Sircar | |||
| No.2: Atmospheric Gestation: Dicephering Ajanta Ceiling Paintings and Other Related Works (Part 1) | Gautam V.Vajracharya | |||
| No.2: Bertram H.Schaffner: A True Rasika | Amy G.Potter | |||
| No.2: New Galleries for Indian Art at the Peabody Museum | Susan S.Bean | |||
| No.3: From the General Editor's Desk | ||||
| No.3: Saurashtra and the Harappan Sites of Padri and Kuntasi | Vasant Shinde | |||
| No.3: Nageshwar: A Centre of Harappan Shell Craft in Saurashtra | V.H. Sonawane | |||
| No.3: Rojdi: A Sorath Harappan Settlement in Saurashtra | Gregory L.Possehl | |||
| No.3: The Spread of the Harappan Civilization in Kutch and Saurashtra | Y.M. Chitalwala | |||
| No.3: Atmospheric Gestation: Deciphering Ajanta Ceiling Paintings and Other Related Works (Part 2) | Gautama V.Vajracharya | |||
| No.3: A Unique Chamba Rumal on the Gajantaka Theme | Anamika Pathak | |||
| No.4 From the General Editor's Desk | Indira Vishwanathan Peterson | |||
| No.4 Chidabambaram and the Dance of Shiva in South Indian Myth and Poetry | B.Natarajan | |||
| No.4 Ritual Life of the Nataraja Temple | Paul Younger | |||
| No.4: Discovering the Anthropomerphic Lion in Indian Art | Raja Deekshitar | |||
| No.4: Medieval Sirhind and It's Monuments | Subhash Parihar | |||
| No.4: Point of View: Retrieving the Connections | Carmel Berkson | |||
| MARG: A Magazine of the Arts Vol. 56 | Pratapaditya Pal | 2004-2005 | MARG Publications | |
| No.1: Editorial | ||||
| No.1: Delhi: Dargah of Shaykh Salim Chishti | Abdur Rahman Momin | |||
| No.1: Fatehpur Sikri: Dargah of Shaykh Salim Chishti | Micheal Brand | |||
| No.1: Ajmer: Dargah of Khwaja Muinuddin Chishti | Ali S.Anani | |||
| No.1: Mapping Space, Mapping Identity: Imagining Hyderabad's Walled City in the 19th Century | Alison Mackenzie Shah | |||
| No.1: Pilgrimage to Yamuna Riverfront, Agra: A Cultural Heritage Landscape | Terence Harkness and Amita Sinha | |||
| No.1: An Unknown Prabhavali from Himachal | Subhashini Aryan | |||
| No.1: Photo Essay: Kailash Temple at Ellora | Praful C.Patel | |||
| No.2: In Memoriam: Mulk Raj Anand | ||||
| No.2: Crown Jewel of Newar Painting: Discovery of a Masterpiece | Gautama V.Vajracharya | |||
| No.2: Musical Miniatures from Nepal: Two Newar Ragamalas | Gert-Mathias Wegner and Richard Widdess | |||
| No.2: Gods and Monuments in Late Malla Period Paintings | Anne Vergati | |||
| No.2: The Aesthetic Ascetic: Abhinavagupta's Perspective on Poetry, Religion and Visual Art | Gerald James Larson | |||
| No.2: Bastar's Adivasi Women and their Art | Subhlakshmi Shukla | |||
| No.2: Watson's Esplanade Hotel: A Birdcage gone to Seed?. | Abha Narain Lambha | |||
| No.2: Photo Essay: Bombay Jadoo | Betsy Karel | |||
| No.3: From the General Editor's Desk | ||||
| No.3: Rambling through Some of the Pasts of Delhi | Romila Thapar | |||
| No.3: The Delhi that Once Was | Akhilesh Mithal | |||
| No.3: The Glory of Empire: Imperial Delhi | Romi Khosla | |||
| No.3: Delhi Cityscapes: 19th Century Lithographs from Urdu Books | Som Prakash Verma | |||
| No.3: Cement, Design, and the Spectral Architect | Curt Gambetta | |||
| No.3: Leo Figiel: A Passion for Sharing | Sasha Atlaf | |||
| No.4: From the Generla Editor's Desk | ||||
| No.4: Mulk and Modern Indian Architecture | Mustansir Dalvi | |||
| No.4: Mulk Raj Anand at 100 | Charles Correa | |||
| No.4: Colonial Bhuleshwar: Community, Locality, and Cultures of Migration | Kaiwan Mehta | |||
| No.4: Photo Essay: Kamsale in Focus | Naramsimha Suryanarayana and Jayant Prabhakar | |||
| MARG: A Magazine of the Arts Vol. 57 | Pratapaditya Pal | 2005-2006 | MARG Publications | |
| No.1: From the General Editor's Desk | ||||
| No.1: The Turquoise Headdress of Ladakh | Ravina Aggarwal | |||
| No.1: Textile Arts of Ladakh: Nomadic Weaves to Silk-Brocade | Monisha Ahmed | |||
| No.1: Reshaping Tradition: The Life and Work of Nawang Tsering | Clare Harris | |||
| No.1: Photo Essay | Sonam Dorje | |||
| No.1: A Decorated Kavacha in a Temple at Chamba | Vijay Sharma | |||
| No.1: Profile: Sharan Rani and the Divine Sarod | Irfan Zuberi | |||
| No.2: From the General Editors Desk | ||||
| No.2: Mosques and Tombs of Banaras | Klaus Rotzer | |||
| No.2: Ghats and Riverside Places | Julia A.B. Hegewald | |||
| No.2: Temple Styles in Banaras | George Michell | |||
| No.2: General Bibliography on Banaras | ||||
| No.2: Kangra Painting and Manaku of Guler | Vishwa Chander Ohri | |||
| No.2: Some Unique Wood-carved Haveli-temples of Gujarat | V.S. Pramar | |||
| No.3: From the General Editor's Desk | ||||
| No.3: A Metallic Mirror: Changing Repesentations of Sovereignty during the Raj | Shailendra Bhandare | |||
| No.3: Conducting Excavations and Collecting Coins: Maharaja Ranjir Singh's Kindgom | Jean-Marie Lafont | |||
| No.3: Coins: Some Persistence Issues | Indira Ramarajan | |||
| No.3: Images of Brahma Found in Thane District, Maharashtra | Kumud Kanitkar | |||
| No.3: Profile: Pandit T.D.Janorikar: Torchbearer of the Bhendi Bazaar Gharana | Irfan Zuberi | |||
| No.3: Photo Essay: Champaner | Abraham Mathai | |||
| No.4: From the General Editor's Desk | ||||
| No.4: "Madras Manade": How Chennai Remained with Tamil Nadu | A.R.Venkatachalapathy | |||
| No.4: Geography of a Lingua Franca, History of a Lunguistic Fracas | Pushpa Arabindoo | |||
| No.4: Urban Mobility and the History of Cinama-Going in Chennai | Stephen Hughes | |||
| No.4: Woodcarvings from Pabbar Valley, Himachal | Hari Chauhan | |||
| No.4: Madhu Krishna Chitrakar | Gert-Mathias Wegner | |||
| MARG: A Magazine of the Arts Vol. 58 | Pratapaditya Pal | 2006-2007 | MARG Publications | |
| No.1: From the General Editor's Desk | ||||
| No.1: From the Sharqis of Jaunpur | Abha Narain Lambah | |||
| No.1: Building a Legacy: Sher Shah Sur's Architecture and the Politics of Propaganda | Catherine B.Asher | |||
| No.1: From Province to Sultanate: The Architecture of Gujarat during the 12th through 16th Centuries | Alka Patel | |||
| No.1: Arab Sarai at Nizamuddin, Delhi | Subhash Parihar | |||
| No.1: Adivasi Churches in South Gujarat: An Interplay between Inculturation and Syncretism | Jothi F.Xavier | |||
| No.2: Editorial | ||||
| No.2: The Furniture of Play: Games Boards and Boxes in India | Amin Jaffer | |||
| No.2: Games and Puzzles of Maharaja Krishnaraja Wodeyar of Mysore: "Broadcast them to the World" | Vasantha Rangachar | |||
| No.2: Some Mysore Games in British Collections | Andrew Topsfield | |||
| No.2: The Dynamics of Gaze in Mughal Paintings | Gregory Minissale | |||
| No.2: Lesser-Known Textiles of Punjab: An Overview of the 19th and early 20th Centuries | Jasvinder Kaur | |||
| No.3: From the General Editor's Desk | ||||
| No.3: The Representation of the Buddha's Birth and Death in the Aniconic Period | J.E. Van Loihuizen de Leeuw | |||
| No.3: Observations on "The Representation of the Buddha's Birth and Death in the Aconic Period | Sonya Rhie Quintanilla | |||
| No.3: An Unusual Naga-Protected Buddha from Thailand | Pratyapaditya Pal | MARG Publications | ||
| No.3: Seeing Eye-to-Eye with Mughal Miniatures: Some Observations on the Outward-Gazing figure | Gregory Minissale | MARG Publications | ||
| No.3: Vidushi Dhodhutai Kulkarni: Stalwart of the Jaipur Atrauli Gharana | Irfan Zuberi | |||
| No.4: From the General Editor's Desk | ||||
| No.4: Embroidered Gardens of Flowers: Bagh and Phulkari of Punjab | Jasleen Dhamija | |||
| No.4: Weaving a Vision: Doria of Chinnur | Uzramma and Annapurna M. | |||
| No.4: Kashimiri Embroidery | Jenny Housego | |||
| No.4: A Remakable Kushana Image- Linga from Mathura discovered by Bhagwanlal Indraji | Devangana Desai | |||
| No.4: Scupltures of Kalji from Kerala: Two Hitherto Underscribed Forms | Preeta Nayar | |||
| No.4: Photo Essay: Indian Portraits | Gerald Appel | |||
| MARG: A Magazine of the Arts Vol. 59 | Pratapaditya Pal | 2007-2008 | MARG Publications | |
| No.1: From the General Editor's Desk | ||||
| No.1: Reading and Riding: Horses in Image and Text | Vibhuti Sachdev | |||
| No.1: Tod as an Observer of Landscape in Rajasthan | Florence D'Souza | |||
| No.1: Visual Narratives of the revolt of 1857. | Som Prakash Verma | |||
| No.1: A Triumphant Homecoming: The Freize Programme on Maharaja Sawai Madho Singh II's Cenotaph | Melia Belli | |||
| No.1: Photo Essay | Mukunda De | |||
| No.2: Editorial | ||||
| No.2: Optics for the Stage: Curtains of the Surabhi Company | Anuradha Kapoor | |||
| No.2: India's Republic Day Parade: Restoring identities, constructing the Nation | Jyotindra Jain | |||
| No.2: Models and Copies in Pahari Paintings: New Insights | Vijay Sharma | |||
| No:2: Discovery of a Pre-Pala Monastic Complex at Moghalmari, West Bengal | Ashok Datta | |||
| No,2; Conversation Newsletter: restoration of the Maitreya Buddha temples, Bagso, Ladakh | Abha Narain Lambha | |||
| No,2: Book Feature- Bombay Mix by Ketaki Sheth | Sadanand Menon | |||
| No.3: From the General Editor's Desk | ||||
| No.3: Maitreya in Literatrure and in the Art of Xinjiang | Marianne Yaldiz | |||
| No.3: The Ceiling Murals of Kizil as Symbol of the Buddhist Universe | Miao Lihui | |||
| No.3: Uncovering Histories: Iconic and not so Iconic Images and their Little-known Authors | Sabeena Gadihoke | |||
| No.3: A Delhi Nabob's Pursuit of Leisure: The Transformation of Built-heritage into a Pleasure Retreat | Jyoti P.Sharma | |||
| No.3: Book Feature- Geet Govinda: Paintings in Kanheri Style by Narmada Prasad | Kapila Vatsyayan | |||
| No.4: From the General Editor's Desk | ||||
| No.4: Artists from Afar: Company Painters in the Princely Courts of India, 1770-1900 | Charles Greig | |||
| No.4: Portraits of the Nawabs: Images from the Lucknow Court, 1775-1856 | Rosie Llewellyn-Jones | |||
| No.4: The Colonial Project and the Shifting Gaze | Sophie Gordon | |||
| No.4: Frescos Unveiled: Maharajah Ranjit Singh;s Samadhi in Lahore | Nadhra Shabbaz Naeem | |||
| No.4: Forts on a Sacred Hill: Champaner-Pavagadh in Gujarat | Amita Sinha | |||
| MARG: A Magazine of the Arts Vol. 60 | Pratapaditya Pal | 2008-2009 | MARG Publications | |
| No.1: From the General Editor's Desk | ||||
| No.1: The Living Textile Traditions of Sindh | Noorjehan Bilgrami | |||
| No.1: Picturing Sindh: Britisih Representations | Rosemary Raza | |||
| No.1: Kalachi, Kurrachee, Karachi: A Bibliography of a Metropolis | Nandita Bhavnani | |||
| No.1: The "Light" of the Timuria: Jahan Ara Begum's Petronage, Piety, and Poetry in the 17th-Century Mughal India | Afshan Bokhari | |||
| No.1: "Magni Mogolis Imperium": An Early Manuscript Map of India | Anirban Sadhu | |||
| No.2: Editorials | ||||
| No.2: The Mughal Port Cities of Surat and Hugli | Farhar Hasan | |||
| No.2: Mapping the Landscape of Pondicherry in the 17th Century | S.Jeyaseela Stephen | |||
| No.2: Of Merchants, Monarchs, and Monks: An 18th Century Patolu Re-examined | Shilpa Shah | |||
| No.2: The Toddler Saint of Tamil Nadu | Pratyapaditya Pal | |||
| No.2: Dancing in the Dark: Robert Heinecken's "Manifestations of Shiva" | Colin Westerbeck | |||
| No.3: From the General Editor's Desk | ||||
| No.3: Changra and Changpa: Pashmina Goats and their Herders | Monisha Ahmed | |||
| No.3: Pashmina Spinners, Weavers and Needleworkers | Janet Rizvi | |||
| No.3: Innovation and Continuity: A New Temple for Kala Bhairava at Adichunchanagiri, Karnataka | Corinna Wessels-Mevissen | |||
| No.3: Photo Essay: Images from Ladakh's Monasteries | A.Khambata | |||
| No.4: From the General Editor's Desk | ||||
| No.4: The Kashmir Shawl in the Mughal Period | Janet Rizvi | |||
| No.4: Travelling with the Mughals: A Survey of the Agra-Lahore Highway | Subhash Parihar | |||
| No.4: Review Article: Vande Mataram | Pratyapaditya Pal | |||
| No.4: Photo Essay: Ahmedabad | Aryan Ghosh | |||
| MARG: A Magazine of the Arts Vol. 61 | Pratapaditya Pal | 2009-2010 | MARG Publications | |
| No.1: From the General Editor's Desk | ||||
| No.1: Aperture and Identity: Early Photography in India | Rahaab Allana | |||
| No.1: Ephemeral Encounter: Three Artists in India, 1857-59 | Rahaab Allana | |||
| No.1: The Camera's Beloved H.H. Nawab Mir Mahboob Ali Khan- Patron of Photography | Anita M.Jacob | |||
| No.1: A Different Stage of Existence: The Canning Album | Deepthi Shashidharan | |||
| No.1: The Photograph as Field-Note: The Visual Trace and Transitions within Early Anthropology in India | Akshaya Tankha | |||
| No.1: Master of Ajanta: A Study of Major Robert Gill- An Artist, Draughtsman and Photographer | Divia Patel | |||
| No.1: Found Pictures and Lost People: Seven Photographs from 19th Century Kashmir | Shuddhabrata Sengupta | |||
| No.1: Panoramas of Mumbai | Sharada Dwivedi | |||
| No.1: Centre and Periphery: Photography's Spatial Field | Christopher Pinney | |||
| No.1: A Photographer's Thoughts: Interview with Madan Mehta of Mahatta Studio | Akshaya Tankha | |||
| No.1: The Photography Archive at the City Palace Museum, Udaipur | Pramod Kumar A.G. | |||
| No.2: Editorial Note | ||||
| No.2: Of Echoes and Silent Raptures: The Zamindari Mansion of North Calcutta | Kamalika Bose | |||
| No.2: Three Hunting Pictures from 19th Century Nepal | Gautam V.Vajrachaya | |||
| No.2: An Art Without Tradition: A Survey of Indian Comics | Bharat Murthy | |||
| No.2: Modernity at the Crossroads: Ravi Varma's "Shakuntala Looks Back in Love" | Niharika Dinkar | |||
| No.2: Chaam: Listener's Tale | Arghya Basu | |||
| No.2: An Interesting Bronze from Kohlapur, Maharashtra | Vaishaili Welankar | |||
| No.2: Making a Mohra | Alka Hingorani | |||
| No.3: Editorial Note | ||||
| No.3: Introduction | Sanjay Jhaveri | |||
| No,3: Mumbai's Cinema Halls | Zubin Pastakia & Erika Balsom | |||
| No.3: At a Tambu Near You: The Tent Cinemas of Maharashtra | Amit Madheshiya & Shirley Abraham | |||
| No.3: Hindi FIlms and Their Audiences | Rachel Dwyer | |||
| No.3: Ray and the Shadow of Political Cinema | Mainak Biswas | |||
| No.3: A Significant Abscence: The Colonial State and the Globalization of Mass Entertainment in Early 20th Century South Asia | Kaushik Bhaumik | |||
| No.3: It's Snowing in Mumbai: The Cinema of Ashim Ahluwalia | Kaunteya Shah | |||
| No.3: Let My Promise be Met: Star | Sanjay Jhaveri | |||
| No.3: Our Phantom Friends | Shumona Goel and Dale Cannedy-Azim | |||
| No.4: Editorial Note | ||||
| No.4: Rama Retold without a Pause: Ayodhya's Anavarat Ramlila | Scharada Dubey | |||
| No.4: Kothi Bega, Samru: A Tale of Transformation in 19th Century Delhi | Jyoti P.Sharma | |||
| No.4: No Holds Barred: The Garadimanes (Gymnasiums) of Gadag | Kamala Vasudevan | |||
| No.4: Slow Loss | Aria Abraham | |||
| No.4: The Mughal Scenic Animal Carpet in the National Gallery of Art, Washington, D.C. | Syamali Das | |||
| No.4: Two Rare Works by Olinto Ghilardi (1848-1930) | Anirban Sadhu | |||
| No.4: "To This Day I feel That I Touched Time" | Chadralekha and Sadananda Menon | |||
| No.4: Imagining India: An Odd Trilogy | Geral James Larson | |||
| MARG: A Magazine of the Arts Vol. 62 | Pratapaditya Pal | 2010-2011 | MARG Publications | |
| No.1: Editorial Note | ||||
| No.1: Abstract Paintings of Assamese Bhagavata Purana | Samiran Boruah | |||
| No.1: Fabric and Tradition- Textiles of the Northeast | Latika Varadrajan | |||
| No.1: Golden Peaks and Tinkling Bells: Gilt Metal Craft in Kathmandu Valley Architecture | Raimund O.A. Becker-Ritterspach | |||
| No.1: Critical Modernism in Raymond's "Golconde" | Smita Dalvi | |||
| No.1: Nizamuddin at Night | Alexander Keefe | |||
| No.1: The Case of the Bhim ki Chauri Ruins at Mukandara | Jagat Narayan and K.L.Mankodi | |||
| No.1: Decoding the Talim | Peter Harris | |||
| No.1: Romancing AjantA: Ajanta: History and Development by Walter M.Spink | Pratyapaditya Pal | |||
| No.2: Editorial Note | ||||
| No.2: Introduction | Ashrafi S.Bhagat | |||
| No.2: Pioneering Vistas: Conflation of Modern And Regional Cultures at Madras | Ashrafi S.Bhagat | |||
| No.2: The Intuitive Fusion of the Native and the Modern: Changing Trends of Andhra Art in the 20th Century | Avani Rao Gandra | |||
| No.2: Frameworks of Artistic Modernity in Kerala: Cross-Cultural Vibes | Kavitha Balakrishnan | |||
| No,2: New Voices, New Directions | Ashrafi S.Bhagat | |||
| No.2: The Pop Palette of the Urban Carvans: Contemporary Truck Art in Kerala | George K. | |||
| No.2: The Icon Maker: P.V.Jankiram (1930-95) | Renu Nayar | |||
| No.2: The Gestural Abstractions of L.Munuswamy | Ashrafi S.Bhagat | |||
| No.2: Reconfiguring the Miraculous: Deities and Devotees in South Indian Devotional Film Posters | Vaishnavi Ramanathan | |||
| No.3: Editorial Note | ||||
| No.3: Gothic Revival at Faridkot | Subbash Parihar | |||
| No.3: Ananda's Tandava "The Dance of Shiva" Reconsidered | Saskia Kersenboom | |||
| No.3: Led Up The Garden Path: The Rose Garden Hidden By History | Peter Blohm | |||
| No.3: Mahadeva Temple at Tambdi Surla, Goa | Kumud Kanitkar | |||
| No.3: Photo Essay- "The Simple Grace of His Being" E.O. Hoppe's Photographs of Rabindranath Tagore | Pratyapaditya Pal | |||
| No.3: Shivaji Designs for Stained-Glass Windows: The Art of Ervin Bossanyi | Raju Sobhag Shah | |||
| No.3: Arrangiamenti | Michele Miegge | |||
| No.4: Editorial Note | ||||
| No.4: Framing Women: Gender Modernity in Colonial India | Niharika Dinkar | |||
| No.4: Staging the Self: Photographic Representations of Benodini Dasi | Swati Chattopadhyaya | |||
| No.4: Photographing the Feminine | Suryanandini Narain | |||
| No.4: Orientalizing Gender, Sexuality, and Identity: Photogrphs of the Seventh Nizam's Zenana | Gianna M.Carotenuto | |||
| No.4: Letter from an Unknonw Woman: The Film Actress in Laten Colonial Bombay | Debashree Mukherjee | |||
| No.4: Reform and Sartorial Styles in 19th Century Bengal | Malavika Karlekar | |||
| No.4: Amrita Sher-Gill "Two Girls", 1939 | Niharika Dinkar | |||
| No.4: Setting Gender Roles in Early Indian Print Advertisement | Latika Gupta | |||
| No.4: Sidelines: The Courtesans of Lucknow | Yousuf Saeed | |||
| MARG: A Magazine of the Arts Vol. 63 | Pratapaditya Pal | 2011-2012 | MARG Publications | |
| No.1: Editorial Note | ||||
| No.1: Narrative Reliefs in Kanaganahalli: Their Importance for Buddhis Sculptures | Monika Zin | |||
| No.1: Living Beyond Death: Chola Sepulchres | Pradeep Chakravarthy | |||
| No.1: Memorial Parks in Lucknow | Amita Sinha | |||
| No.1: Johann Zoffany: The Last Supper,1787 | Pradip Kumar Das | |||
| No.1: Cinema Play House | Nandita Raman | |||
| No.1: Little-known Antiquities of Farrukhnagar | Ranbir Singh | |||
| No.2: Introduction | Corinna Wessels-Mevissen | |||
| No.2: Visualizing the Gods | Gilles Tarabout | |||
| No.2: The Buddha Revisited: Ritualizing and Visualizing Sacred Places | Karel R.Van Kooij | |||
| No.2: Bhadramandalas: Invoking Divinities in Smarta Rituals | Gudrun Buhnemann | |||
| No.2: Jhanki: Ritual Visualization of Hindu Deities in Himachal Pradesh | Brigitte Luchesi | |||
| No.2: Chandreshvara, the "Fierce Lord": Gaurdian of Temples, Eater of Offerings, Chastiser of Transgressions | Dominic Godall | |||
| No.2: Shila, Shilpa, Devata: Invoking the Divine in South Indian Sculpture | Parul Pandya Dhar | |||
| No.2: The Divine Play on Earth: The Sirha tradition of Orissa | Cornelia Mallebrein | |||
| No.2; Rite and Representation: Recent Discoveries of Pallava Goddesses of the Tamil Land | Charlotte Schmid | |||
| No.3: Editorial Note | ||||
| No.3: Ars Erotica: "Visualizing" Sufism in Mughal Paintings and the Mystical Memoirs of Jahan Ara Begam (1614-81) | Afshan Bokhari | |||
| No.3: Holy Metamorphosis! The Incremental Urbanism of the Hindu Temple | Vinayak Bharne | |||
| No.3: A Century of Conservation at the Mumbai Caves; Learning in Retrospect | Brinda Gaitonde-Nayak | |||
| No.3: Mughal Wall-Paintings at Doraha | Subhash Parihar | |||
| No.3: The Maker and the Made | Sarah E.Braddock Clarke | |||
| No.3: A Terracotta Buddha Image from Anturli, Maharashtra | Chetan Shankar Sali | |||
| No.3: The Buddhist Caves at Aurangabad by Pia Branaccio | Walter Spink | |||
| No.4: Editorial Note | ||||
| No.4: Introduction | ||||
| No.4: Arunachal Pradesh: Myth, Memory, Meaning: The Ancient Civilization of Kojum Koje | ||||
| No.4: Nagaland: Tenyimia Festivals: The Basis of the Socio-Cultural Life of the Community | ||||
| No.4: Meghalaya: Nature as a Metaphor: Khasi Rice Myths | ||||
| No.4: The Use of Bamboo, Can and Timber in A'chik Culture | ||||
| No.4: Manipur: Beyond the Spectrum: The Tradition of Lai Haraoba | ||||
| No.4: Arunachal Pradesh: Folksongs of the Siang Valley | ||||
| No.4: Mizoram: Time for a Change of Mindset | ||||
| No.4: The Intangible as Cultural Heritage | ||||
| No.4: Assam: Phaneng: A Journey into Personal Engagement | ||||
| MARG: A Magazine of the Arts Vol. 64 | Vidya Dehejia | 2012-2013 | MARG Publications | |
| No.1: Editorial Note | ||||
| No.1: Monument, Memory, and Meaning: Heterotopia at Borobudur, Indonesia | Swati Chemburkar | |||
| No.1: Between Local Community and Global Nation: The Predicament of Afghanistan's Cultural Heritage | Alka Patel | |||
| No.1: Afghanistan Impressions | Jaroslav Poncar | |||
| No.1: New "Galleries" for "Islamic Art" at the Metropolitain Musuem of Art, New York | Barbara Schmitz | |||
| No.1: Lightness and Being: The Museum of Islamic Art, Doha, Qatar | Sean S.Anderson | |||
| No.1: Wonders of the Ages: A Review of Indian Art Exhibitions and Catalogues in the West in 2011 | Pratyapaditya Pal | |||
| No.1: Newari Woodcarvings | Gautama Vajracharya | |||
| No.2: Editorial Note | ||||
| No.2: Introduction | Savia Viegas | |||
| No.2: Literature from the Konkan Coast | ||||
| No.2: Writing in Goa | Maria Aurora Cuoto | |||
| No.2: Notes of a Native Son | Damodar Mauzo | |||
| No.2: The Sounds of Music: From Ghumott and Violin to Trance | Francisco C.Colaco | |||
| No.2: Destined Journeys: The Paintings of Angelo da Fonseca and Vamona Navelcar | Savia Viegas | |||
| No.2: Revisiting the Colonial Archive | Savia Viegas | |||
| No.2: Tiatr: Living in the Love of the Common People | Jose Lourenco | |||
| No.2: Clothes in TIme: The Warp and the Weft | Wendell Rodricks | |||
| No.2: Into the Melting Pot | Fatima da Silva Gracias | |||
| No.3: Editorial Note | ||||
| No.3: The Temple Door of Lachuse: Early Wood Art From Ladakh | Heinrich Poell | |||
| No.3: The Enigma of Jantar Mantar at Delhi | Anisha Shekhar Mukherji | |||
| No.3: The Tender Shoots: Some Early Drawings of Rabindranath Tagore | Pratyapaditya Pal | |||
| No.3: Kalachuri Heritage: Temple Remains and Rock-Cut Caves at Hara Chauka | A.K.Singh | |||
| No.3: Blue Gold | Ratna Raman | |||
| No.3: Being Italian in British India in 1940: Father Luca and the Artist Nino La Civita | Luca Zordan | |||
| No.3: Recyling in Sri Lanka | Keith Andrew | |||
| No.4: Editorial Note | ||||
| No.4: Introduction | Kaushik Bhawmik | |||
| No.4: Towards New Genealogies for Histories of Bombay Cinema: The Career of the Sagar Film Company (1929-1940) | Virchand Dharamsey | |||
| No.4: On "Disreputable" Genres: B-Movies and Revisionary Histories of Bombay Cinema | Subhajit Chatterjee | |||
| No.4: The "Pirate" DJ | Vebbuti Duggal | |||
| No.4: 100 Years of the Bombay Cinema Hero: A Brisk Review | Kaushik Bhawmik | |||
| No.4: The Politics of Re-Presentation: Distribution and Exhibition of Indian Cinema in Turkey | Ahmet Guerata | |||
| No.4: Stitches for the Stars | Clare M.Wilkinson-Weber | |||
| No.4: Fourteen Stations | Atul Dodiya | |||
| MARG: A Magazine of the Arts Vol. 65 | Vidya Dehejia | 2013-2014 | MARG Publications | |
| No.1: Editorial Note | ||||
| No.1: The Naga's: Prakriti's Proctectors | Maureen Drdak | |||
| No.1: Clowning Politics: The Bhand in Kashmir | Ria Basu | |||
| No.1: Preservation of India's Intangible Cultural Heritage: The Case of Chhau Dance | Shubha Srinivasan | |||
| No.1: The Sahmat Collective: Art and Activism in India since 1989 | Siddhartha V.Shah | |||
| No.1: Priests in Retirement | Anisha Crasto | |||
| No.1: Scattered Vishnu Sculptures from the Konkan Coast | Kumud Kanitkar | |||
| No.2: Editorial Note | ||||
| No.2: Foreword | Kasturi Gupta Menon | |||
| No.2: Only Connect | Jenny Balfour-Patel | |||
| No.2: Recalculating Colour: Thomas Wardle's Remarkable Dye Experiments | Brenda King | |||
| No.2: Rangeen: Colours of Life | Ruby Ghaznavi | |||
| No 2: Indigo: From Bengal to Blue Jeans | Jenny Balfour-Patel | |||
| No.2: The Colours of Chinz: Empirical Knowledge of Chimistry in 18th-Century India | Dominique Cardon | |||
| No.2: A Calcutta Florilegia: William Roxburgh's Flore Indica Drawings | Pramod Kumar K.G. | |||
| No.2: Chay Red: The Forgotten Dye of the Coromandel Coast | Bessie Cecil | |||
| No.2: Ajit Kumar Das: Using Natural Dyes in Art | Kanika Mukherji | |||
| No.2: Unexpected Treasures from the Sea | Rex Cowan | |||
| No.2: Indian Dyes and Textiles at the Royal Botanical Gardens, Kew | Mark Nesbitt | |||
| No.3: Editorial Note | ||||
| No.3: The Painting of Charles Rollier: Influence of Indian Culture on a European Artist | Erberto La Blue | |||
| No.3: The Hermetic Nomadology of Jehangir Sabavala: National and Diasporic Strategies of Homecoming | Debashish Banerji | |||
| No.3: The China Feeling: Experiments with Clay in the Middle Country | Anjani Khanna | |||
| No.3: A Early Photographer in Ladakha- Rupert Wilmot | Roger Bates | |||
| No.3: Badge of Honour, Men and Valour: The Sherpas of Darjeeling | Meher Marfatia | |||
| No.3: Restoration of the Gomti Riverfront in Lucknow- Claude Martin's Legacy | Anita Sinha | |||
| No.3: An Emerging Model in Auction House Sales: Footsteps of the Buddha | Siddhartha V.Shah | |||
| No.4: Editorial Note | ||||
| No.4: Introduction | Prava Rai | |||
| No.4: The Newars in Sikkim: Culture and Identity in the Diaspora | Bal Gopal Shreestha | |||
| No.4: Negotiating Lepcha Identity in Multi-Ethnic Sikkim | Jenny Bentley | |||
| No.4: Lamas and Shamans of the Sacred Hidden Land | Anna Balikci Denjongpa | |||
| No.4: The Denjong Kho of Sikkim | Sanam Tashi Gyaltsen | |||
| No.4: The Artist Within: Tashi Namgyal | Tenzin C.Tashi | |||
| No.4: Through Whose Eyes? The Work of Patuman Lohrung Rai | Prava Rai | |||
| No.4: Hee Gyathang: Restoration fo the 12 Village Monastery | Chetan Raj Shreestha | |||
| No.4: Ancient Roots of Modern Sikkim | Shital Pradhan | |||
| MARG: A Magazine of the Arts Vol. 66 | Vidya Dehejia | 2014 | MARG Publications | |
| No.1: Master of Swirling Skies an Anonymous Painter of Jammu | Steven Kossak | |||
| No.1: Mithila Painting: 1949-2014 | David Szanton | |||
| No.1: The Clock is Ticking: The Blue Shores Prison Art Project | Margaret Mascarenhas & Swatee Nair | |||
| No.1: Mughal Mystic: The Khalili Collection of Islamicn Art | Anjali Devidyal | |||
| No.1: The Ass Curse Stele Tradition: Gaddhegal of Ancient Maharashtra | Rupali Mokashi | |||
| No.1: Hindu Symbolism in Sikh Art: Brickwork in Haveli Naunihal Singh | Humaira Iftikhar & Shaukat Mahmood | |||
| No.1: The Magic of India | Nicoletta Celli | |||
| No.2: Introduction | Aniruddha Sen Gupta | |||
| No.2: Telling Stories and Building Community: Making Comics in India | Jeremy Stoll | |||
| No.2: Panels Registers and Frames: Creative Engagements with traditional Visual Narrative forms | Vidyun Sabhaney | |||
| No.2: Art in Comics | Gokul Gopalakrisnan | |||
| No.2: Narmada Sketchbooks: Comics and Making of River of Stories | Orijit Sen | |||
| No.2: City of the Ninth Art | Amruta Patil | |||
| No.2: Growing Up (and raising kids) with Comic Books | Vivek Menezes | |||
| No.2: Grassroots Comics: An Indigenous Global Movement | Sharad Sharma | |||
| No.2: Issued in the Public Interest | Amitabha Kumar | |||
| No.2: Shut up About the Market and Show me your Internal Organs | Rakesh Khanna | |||
| No.3: Fragile Legacy: The Paintings of Ajanta Caves 9 and 10 | William Dalrymple | |||
| No.3: Dating the Hamzanama: A re-examination | Zahar Faridany-Akhavan | |||
| No.3: The Temple at Thirukurungudi:Flights of Fancy in Stone, Wood and Words | Pradeep Chakravarthy | |||
| No.3: The Diverse facts of Burma | Andre Baldeck | |||
| No.3: An Early Woman Artist at Shantiniketan: Chatraniva Chowdhury | Latika Gupta | |||
| No.3: Journeys into the Sublime: V.Ramesh's Works, 2003-2013 | Soma Sen | |||
| No.3: What's in a Name?, The Arts of Islam" at the Louvre | Ashrafi S.Bhagat | |||
| No.3: Sahib, Bibi, Nawab: Baluchar Silks of Bengal, 1750-1900 | Monisha Ahmed | |||
| No.4: Introduction: Art In Bhutan | Susan S.Bean | |||
| No.4: Wangduechhoeling Palace: The Birthplace of Bhutan's Monarchy | Ugen Choden | |||
| No.4: A Cultural Epiphany: Religious Dances of Bhutan and their Costumes | Francoise Pommaret | |||
| No.4: Bhutanese Fashion and Textiles in the 21st Century | Dian K.Myers | |||
| No.4: The Emerging Contemporary Artscape of Bhutan | Kinley Wangmo | |||
| No.4: A Passion for Preservation: The Photography of Yeshey Dorji | Madeline Drexler | |||
| No.4: What is Bhutanese about Paintings from Bhutan | Christian Luczanits And Dorji Namgyel | |||
| MARG: A Magazine of the Arts Vol. 67 | Jyotindra Jain, Naman P. Ahuja | 2015 | MARG Publications | |
| No.1: Subaltern Rustle: Raqs Media Collective, the Colour Blue and the Colonial Archive | Natasha Eaton | |||
| No.1: Book Art: Contemporary Practices in the Indian Subcontinent | Amit Kumar Jain and Ruhania Perera | |||
| No.1: The (Un)Making of a Man: The Work of Baptist Coelho | Janice Pariat | |||
| No.1: Finding Home: The Worlds of Siona Benjamin | Ori Z.Soltes | |||
| No.1: The Maarak and the Tradition of Imambadas in Kashmi | Hakim Sameer Hamdani | |||
| No.1: The Digital Reunification of a 17th-century Ramayana Manuscript from Mewar | Roda Ahluwalia | |||
| No.1: Collecting Paradise: Buddhist Art of Kashmir and Its Legacies | Monisha Ahmed | |||
| No.2: Introduction | ||||
| No.2: Serpent-enthroned Buddha of Angkor | Peter D.Sharrock | |||
| No.2: Indic Epics in Khmer Art: Narrative Reliefs of Baphuon | Rachel Loizeau | |||
| No.2: Indigenous Roots of the Cambodian Dance Drama | Paul Cravath | |||
| No.2: Khmer Traditional Dresss and Textiles: Early Manifestations of Indian Styles and Motifs | Gillian Green | |||
| No.2: The Bayon: Interpretations Continue | Olivier Cunin | |||
| No.2: Pola-Inspired Vajryana Buddhism Bronzes from the Korat Plateau: The Khmer-Pala Link | Emma C.Bunker | |||
| No.2: Angkor: Diary of a Modern Explorer | Kenison Kwok | |||
| No.3: Icons and Identities: The Work and Lives of Bronzecasters in Swamimalai | Sowparnika Balaswaminathan | |||
| No.3: "Wherrever a Person lives, he ends up belonging there": A Brief Anecdotal History of Upar Kot | Meher Ali | |||
| No.3: Invisible Identities, Uncertain Futures? Upholding the Cultural Heritage of Kolkata's Chinatown | Kamalika Bose | |||
| No.3: Photo Essay: Laura Letinsky- Telephone Game: Photography and Textiles in Translation | Colin Westerbeck | |||
| No.3: The Condition of Tibetan Monasteries in the 1930's and 40's as recorded by Guiseppe Tucci | Erberto Lo Bue | |||
| No.3: Reflections on In the Name of the Goddess | Gayatri Sinha | |||
| No.3: Exhibitions: The Fabric of India | Monisha Ahmed | |||
| No.4: Introduction: Towards Recent Histories of Indian Textiles | Mayank Mansingh Kaul | |||
| No.4: Shaping Textile Futures: Those who Led the Way | Ritu Sethi | |||
| No.4: Revivalism and Revivalists | Laila Tyabji | |||
| No.4: Textiles in India: Fashioning the Contemporary | Mayank Mansingh Kaul and Meher Varma | |||
| No.4: The Enduring Sari and It's Metamorphoses | Sujata Assomull | |||
| No.4: Recipes for Re-Enchantment: Natural Dyes and Dyeing | Aarti Kawlra | |||
| No.4: Trends in Embroidery | Vandana Bhandari | |||
| No.4: The Loom as an Ideology: Suraiya Apa's Legacy | Radhika Singh | |||
| No.4: Jadunath Suparkar and Design Revival in Banaras Brocades | Anjan Chakraverty | |||
| MARG: A Magazine of the Arts Vol. 68 | Jyotindra Jain, Naman P. Ahuja | 2016 | MARG Publications | |
| No.1: Preface | Geeta Kapur | |||
| No.1: The Elegant Complexity of Nasreen Mohamedi | Brinda Kumar | |||
| No.1: Zarina's Language Question | Aamir R.Mufti | |||
| No.1: Lala Rukh: Lines of Agency | Natasha Ginwala | |||
| No.1: Revolution in Poetic Language: Manisha Parekh' | Rakhee Balaram | |||
| No.1: Abstracting/Constructing- Sheila Makhijani and Pooja Iranna | Roobina Karode | |||
| No.1: Strategic Abstractions: On Seher Shah's Large-Formar Drawings | Murtaza Vali | |||
| No.1: In the Light of What we See: On Prabhavathi Meppayil and Rana Begum | Deepak Ananth | |||
| No.1: Parul Gupta's Performative Space | Meenakshi Thirukode | |||
| No.1: Archives of Compressed time: Measure and Movement in the Work of Tanya Goel | Amanda Sroka | |||
| No.2: Kochi-Muziris: Biennale as South Asian Form | Natasha Ginwala | |||
| No.2: Muziris and the Many Pasts of Kochi | Riyas Komu | |||
| No.2: Caste Slavery and Structural Violence in Kochi | Sanal Mohan | |||
| No.2: Kochi-Muziris Biennale and the Biennale Phenomenon | Geeta Kapur & Natasha Ginwala | |||
| No.2: A Biennale in the Making | Bose Krishnamachari | |||
| No.2: Impressions on the Second Kochi-Muziris Biennale | Dieter Roelstrate and Abigail Winograd | |||
| No.2: Towards an Open Archealogy: On Vivan Sundaram's Black Gold | Nada Raza | |||
| No.2: Mandalay Hall, in Memoriam: Reflection on a Collateral Project during KMB 2012 | Zasha Colah | |||
| No.2: An Artistic Creed: Responses to Benitha Perciyal's Fires of Faith | Rosalyn D'Mello | |||
| No.2: Imagined Features: Works by Marie Valerdi | Meera Menezes | |||
| No.2: The Eyes Have it: Naeem Mohaimen's Kazi in Nomansland and the Crisis of History | Murtaza Vali | |||
| No.2: Liquid History of Vasco Da Gama | Sarnath Banerjee | |||
| No.2: Make-Beling in Retrospect: The Artists' Cinema at KMB 2014 | Ashish Rajadhakshya | |||
| No.2: Solar: A Meltdown | Ho Rui An | |||
| Bombay to Mumbai: Changing Perspectives | Pauline Rohatgi, Pheroza Godrej, Rahul Mehrotra | 2006 | MARG Publications | |
| Ahmadabad | John-Burton Page | George Michell, Snehal Shah | 1988 | MARG Publications |
| Splendours of Kerala | Mulk raj anand | MARG Publications | ||
| Goa- Cultural Patters | Dr. Saryu Doshi | 1983 | MARG Publications | |
| Marg, India and Greece Connections and Parallels | Dr. Saryu Doshi | 1985 | MARG Publications | |
| India- A Pageant of Prints | Radhika Sabavala | 2006 | MARG Publications | |
| American Collectors of Asian Art | Pratapaditya Pal | 1986 | MARG Publications | |
| American Collectors of Asian Art | Pratapaditya Pal | 1986 | MARG Publications | |
| MARG Publications | ||||
| The Performing Arts | Doshi, Dr. Saryu (Ed. ) & Menon, Narayana (Guest Editor) | 1982 | MARG Publications | |
| The Performing Arts | Doshi, Dr. Saryu (Ed. ) & Menon, Narayana (Guest Editor) | 1982 | MARG Publications | |
| Bharat Natyam | 1957 | MARG Publications | ||
| MARG Publications | ||||
| Marg , Vol.01, No.1, Oct 1946 | Mulk Raj Anand | 1946 | MARG Publications | |
| Marg Vol 01,Jan 1947, Number 02 - | Mulk Raj Anand | 1947 | MARG Publications | |
| Marg Vol 01, Number 03 - | Mulk Raj Anand | MARG Publications | ||
| Marg Vol. 02, No. 3, Journey into Rajasthan | ||||
| Marg Vol 02, Number 04 -Special Dipavali Number | Mulk Raj Anand | MARG Publications | ||
| Marg , Vol. 07, No.03,June 1954 | Mulk Raj Anand | 1954 | MARG Publications | |
| Marg Vol 08, Mar 1955 Number 02 -On Inheriting The Past | Mulk Raj Anand | 1955 | MARG Publications | |
| Marg , Vol. 08, No.03, June 1955 | Mulk Raj Anand | 1955 | MARG Publications | |
| Marg, Vol.9, No.1- In Praise of Early Buddhist Art | Mulk Raj Anand | 1955 | MARG Publications | |
| Marg Vol 10, June 1957 Number 03 -Homage To Khajuraho | Mulk Raj Anand | 1957 | MARG Publications | |
| Marg Vol 10, Sept 1957 Number 04 -Bharata Natyam | Mulk Raj Anand | 1957 | MARG Publications | |
| Marg Vol 11, June 1958 Number 03 -Early Mughal Art | Mulk Raj Anand | 1958 | MARG Publications | |
| Marg: A Magazine of the arts Later Mughal Art | ||||
| Marg Vol 12, Dec 1958 Number 01 -Homage To Konark | Mulk Raj Anand | 1958 | MARG Publications | |
| Marg Vol 12, March 1959 Number 02 -Rajasthani Sculptures | Mulk Raj Anand | 1959 | MARG Publications | |
| Marg Vol 12, June 1959 Number 03 -In Praise Of Mandu | Mulk Raj Anand | 1959 | MARG Publications | |
| Marg - Deccani Kalams Vol. 16 No.2 | Mulk Raj Anand | 1963 | MARG Publications | |
| Marg, Vol. 23, No. 01,1969 Terracottas | Mulk Raj Anand | 1969 | MARG Publications | |
| Marg - The Mystery And Beauty of Hittite Art Vol.25, No.1 | Mulk Raj Anand | 1971 | MARG Publications | |
| Marg, Vol. 28 A Magazine of the Art,Supplyment No. 2 March 1975: Pahari Miniatures | Dr. Archer's .W. | 1975 | MARG Publications | |
| Marg, Vol. 30, No. 02, March 1977, Persian Painting - Fifteenth Century | Mulk Raj Anand | 1977 | MARG Publications | |
| Marg,Vol. 30, No. 03, 1977, Homage to Amritsar | Mulk Raj Anand | 1977 | MARG Publications | |
| Marg,Vol. 30, No. 03, 1977, Homage to Amritsar | Mulk Raj Anand | 1977 | MARG Publications | |
| Marg,Vol. 30, No. 03, 1977, Homage to Amritsar | Mulk Raj Anand | 1977 | MARG Publications | |
| Marg - In Praise of Hoysala Art Vol.31, No.1 | Mulk Raj Anand | 1977 | MARG Publications | |
| Marg, Vol. 31, No. 02, Glimpses of Wonder and Beauty- Indian Heritage | Mulk Raj Anand | 1978 | MARG Publications | |
| Marg, Vol. 31, No. 02, Glimpses of Wonder and Beauty- Indian Heritage | Mulk Raj Anand | 1978 | MARG Publications | |
| Marg, Treasures of Everyday Art- Raja Dinkar Kelkar Museum, Vol. 31, No.3 | Mulk Raj Anand | 1978 | MARG Publications | |
| Marg, Treasures of Everyday Art- Raja Dinkar Kelkar Museum, Vol. 31, No.3 | Mulk Raj Anand | 1978 | MARG Publications | |
| Marg - Vol 32, Number 01- In Praise Of Aihole - Badami- Mahakuta - Pattadakal | Mulk Raj Anand | MARG Publications | ||
| Marg, Vol. 32, No. 04, In Praise of Christian Art in Goa | Mulk Raj Anand | MARG Publications | ||
| Marg, Vol. 33, No. 02. In Praise of Tamil Nadu Heritage | Mulk Raj Anand | MARG Publications | ||
| Marg, Vol. 33, No. 02. In Praise of Tamil Nadu Heritage | Mulk Raj Anand | MARG Publications | ||
| Marg, Vol. 33, No. 04, Homage to Hampi | Mulk Raj Anand | MARG Publications | ||
| Marg, Vol. 33, No. 04, Homage to Hampi | Mulk Raj Anand | MARG Publications | ||
| Marg, Vol. 33, No. 04, Homage to Hampi | Mulk Raj Anand | MARG Publications | ||
| Marg, Vol. 34, No. 01, Appreciation of Creative Arts Under Maharaja Ranjit Singh | Mulk Raj Anand | MARG Publications | ||
| Marg, Vol. 34, No. 02, The Art Of Chhatrapatis and Peshwas | Dr. Saryu Doshi | MARG Publications | ||
| Marg, Vol. 34, No. 02, The Art Of Chhatrapatis and Peshwas | Dr. Saryu Doshi | MARG Publications | ||
| Marg, Vol. 34, No. 04, Rhythms And Accents In Tradtional Indian Architecture | Dr. Saryu Doshi | MARG Publications | ||
| Marg, Vol. 34, No. 04, Rhythms And Accents In Tradtional Indian Architecture | Dr. Saryu Doshi | MARG Publications | ||
| Marg, Vol. 35, No. 01, Heritage Of Karnataka | Dr. Saryu Doshi | MARG Publications | ||
| Marg, Vol. 35, No. 01, Heritage Of Karnataka | Dr. Saryu Doshi | MARG Publications | ||
| Marg, Vol. 35, No. 01, Heritage Of Karnataka | Dr. Saryu Doshi | MARG Publications | ||
| Marg, Vol. 35, No. 03, Goa An Encounter | Dr. Saryu Doshi | MARG Publications | ||
| Marg, Vol. 35, No. 03, Goa An Encounter | Dr. Saryu Doshi | MARG Publications | ||
| Marg, Vol. 35, No. 03, Goa An Encounter | Dr. Saryu Doshi | MARG Publications | ||
| Marg, Vol. 35, No. 04, Continuity And Change- Festival Of India in Great Britain | Doshi, Dr. Saryu (Ed) | MARG Publications | ||
| Marg, Vol. 36, No. 01, Images And Traditions- Festival Of India in Great Britain | Dr. Saryu Doshi | MARG Publications | ||
| Marg, Vol. 36, No. 03, The Iconic And Narrative In Jain Painting | Dr. Saryu Doshi | MARG Publications | ||
| Marg, Vol. 36, No. 04, Maharashtra- Traditions In Art | Dr. Saryu Doshi | MARG Publications | ||
| Marg, Vol. 37, No. 01, Maharashtra- Religious And Secular Architecture | Dr. Saryu Doshi | MARG Publications | ||
| Marg, Vol. 37, No. 01, Maharashtra- Religious And Secular Architecture | Dr. Saryu Doshi | MARG Publications | ||
| Marg, Vol. 37, No. 02, Hind And Hellas | Dr. Saryu Doshi | MARG Publications | ||
| Marg, Vol. 37, No. 02, Hind And Hellas | Dr. Saryu Doshi | MARG Publications | ||
| Marg, Vol. 37, No. 03, Masterpieces of the Deccan Sultanates | Karl Khandalavala | MARG Publications | ||
| Marg, Vol. 37, No. 03, Masterpieces of the Deccan Sultanates | Karl Khandalavala | MARG Publications | ||
| Three American Collections of Asian Art- Freer, Brundage and Rockfeller/ Vol XXXVII, No. 4 | Dr. Pratapaditya Pal | MARG Publications | ||
| Marg, Vol.38, No. 01,Three American Collections Of Asian Art- Heeramaneck,Binney,3rd and Simon | Karl Khandalavala | MARG Publications | ||
| Marg, Vol. 38, No. 03, Treasures Of Indian Art | Dr. Saryu Doshi | MARG Publications | ||
| Marg- Vol. 40, No. 01 Visions of Enlightenment the Heritage of Bodhgaya | Karl Khandalavala | MARG Publications | ||
| Marg, Vol. 40, No. 04, A Selection Of Prints: People,Places and Flora | Karl Khandalavala | MARG Publications | ||
| Marg, Vol. 41, No. 03, Painters Of Persia And Their Art | Karl Khandalavala | MARG Publications | ||
| Marg, Vol. 42, No. 1, Ramayana: Paintings from the hills | MARG Publications | |||
| Marg, Vol. 44, No. 01, The Qutb Shahs Of Golconda | Karl Khandalavala | MARG Publications | ||
| Marg, Vol. 45, No. 02, India And Egypt: Thought,Art, And Trade | Pratapaditya Pal | MARG Publications | ||
| Marg- Humayun's Garden Party Princes of the House of Timur and Ey Mughal Painting Vol.46, No.2 | Sheila Canby | 1994 | MARG Publications | |
| Marg, Vol. 46, No. 03, Woven splendours: Indian Silks | Pratapaditya Pal | MARG Publications | ||
| Marg Vol. 46, No. 04, Of Kings and Coins | Carter, Martha L. | 1994 | MARG Publications | |
| Marg, Vol. 48, No. 02, Contemporary Women Artists | Pratapaditya Pal | MARG Publications | ||
| Marg-A Magazine of the Arts, Vol. 48. No. 3 | Farooq Ameen | 1997 | MARG Publications | |
| Marg, Vol. 50, No. 03,1999 | Pratapaditya Pal | 1999 | MARG Publications | |
| MARG: A Magazine of the Arts, Vol. 50 | Pratapaditya Pal | 2010 | MARG Publications | |
| Marg, Vol. 51, No. 02, 1999, | Pratapaditya Pal | 1999 | MARG Publications | |
| MARG: A Magazine Of The Arts Vol. 59, No. 4 | Mulk Raj Anand | 2008 | MARG Publications | |
| MARG: A Magazine Of The Arts Vol. 59, No. 4 | Mulk Raj Anand | 2008 | MARG Publications | |
| Marg, Vol. 62, Contemporary Art of South India | MARG Publications | |||
| MARG: A Magazine of the Arts Vol. 65 | Mulk Raj Anand | 2013 | MARG Publications | |
| MARG: A Magazine of the Arts: India-France: Artistic Exchanges, Vol. 69, No. 1 | Jyotindra Jain, Naman P. Ahuja | 2017 | MARG Publications | |
| Marg - Homage to Jaipur | Mulk Raj Anand | MARG Publications | ||
| material history, material memory | Sarya Doshi | 1982 | MARG Publications | |
| A Treasury of Indian Coins | Carter, Martha L. | 1994 | MARG Publications | |
| A Treasury of Indian Coins | Carter, Martha L. | 1994 | MARG Publications | |
| A Treasury of Indian Coins | Carter, Martha L. | 1994 | MARG Publications | |
| Coins in India: Power and Communication | Himanshu Prabha Ray | 2006 | MARG Publications | |
| Coins in India: Power and Communication | Himanshu Prabha Ray | 2006 | MARG Publications | |
| Coins in India: Power and Communication | Himanshu Prabha Ray | 2006 | MARG Publications | |
| Marg, Maharaja Ranjit Singh as Patron of the Arts | Mulk Raj Anand | 1981 | MARG Publications | |
| Maharaja Ranjit Singh as a Patron of the Arts | Mulk Raj Anand | 1981 | MARG Publications | |
| Maharaja Ranjit Singh as a Patron of the Arts | Mulk Raj Anand | 1981 | MARG Publications | |
| Unseen Presence: The Buddha and Sanchi | Dehejia, Vidya | 1996 | MARG Publications | |
| Marg, Bodhgaya - the Site of Enlightenment | 1988 | MARG Publications | ||
| Marg, Golconda and Hyderabad | Safrani, Shehbaz H. (Ed. ) | 1992 | MARG Publications | |
| Marg, Splendours of the Vijayanagara Empire Hampi | Michell, George & Filliozat, Vasundhara (Guest Editors) | 1981 | MARG Publications | |
| Marg, The Art of the Burma New Studies | Stadtner, Donald M. (Ed. ) | 1999 | MARG Publications | |
| Eternal Kaveri : Historical Sites Along South India's Greatest River | George Michell | 1999 | MARG Publications | |
| Marg, Odissi, Indian Classical Dance Art | Kothari, Sunil & Pasricha, Avinash | 1990 | MARG Publications | |
| Marg - Bharata Natyam | Mulk Raj Anand | 1997 | MARG Publications | |
| Marg - Bharata Natyam | Mulk Raj Anand | 1997 | MARG Publications | |
| Marg- Kathakali- The Art of the Non-Worldly | Nair, D.Appukuttan & Paniker K. Ayyappa | 1993 | MARG Publications | |
| Marg- Contemporary Women Artists, Experessions and Evocations | Pratapaditya Pal | 1996 | MARG Publications | |
| Marg, Master Artist of the Imperial Mughal Court | Pratapaditya Pal | 1991 | MARG Publications | |
| Marg -Contemporary Architecture And City Form The South Asian Paradigm | Farooq Ameen | 1997 | MARG Publications | |
| Marg, the World of Jade | Markel, Stephen | 1992 | MARG Publications | |
| Marg- Pageant of Indian Art Festival of India in Great Britain | Dr. Saryu Doshi | 1983 | MARG Publications | |
| Water Design: Environment and Histories | Jutta Jain-Neubauer | 2016 | MARG Publications | |
| Dargahs: Abodes of the Saints, Vol. 56. No.1 | Mumtaz Currim, George Michell | 2004 | MARG Publications | |
| The Architecture of the Indian Sultanates | Abha Narain Lambah, Alka Patel | 2006 | MARG Publications | |
| Wonders of Nature: Ustad Mansur at the Mughal Court | Asok Kumar Das | Vidya Dehejia | 2012 | MARG Publications |
| The Story of Asia's Lions | Divya Bhanusinh | 2005 | MARG Publications | |
| Living Jewels From The Indian Jungle | Ashok S. Khotari, Boman F. Chhapgar | 2009 | Oxford University Press, Bombay Natural History Society | |
| Living Jewels From The Indian Jungle | Ashok S. Khotari, Boman F. Chhapgar | 2009 | Oxford University Press, Bombay Natural History Society | |
| The Story Of Indian Unicorns | Jotindra Jain, Naman P. Ahuja | 2018 | Marg Publication | |
| A Mirror for Princes from India | Grube, Ernst J. (Ed. ) | 1991 | MARG Publications | |
| Buddhist Art Form and Meaning | Pratapditya Pal | 2007 | MARG Publications | |
| Masterpieces of Indian Modern Art | Kishore Singh | 2016 | DAG | |
| Masterpieces of Indian Modern Art: Edition II | Kishore Singh | 2017 | DAG | |
| Masterpieces of Indian Modern Art: Edition II | Kishore Singh | 2017 | DAG | |
| The Printed Picture: Four Centuries of Indian Printmaking Vol. 1: Essays | Paula Sengupta | Kishore Singh | 2012 | DAG |
| The Printed Picture: Four Centuries of Indian Printmaking Vol. 1: Essays | Paula Sengupta | Kishore Singh | 2012 | DAG |
| The Printed Picture: Four Centuries of Indian Printmaking Vol. 2: Exibitin Plates | Paula Sengupta | Kishore Singh | 2012 | DAG |
| The Printed Picture: Four Centuries of Indian Printmaking Vol. 2: Exibitin Plates | Paula Sengupta | Kishore Singh | 2012 | DAG |
| Indian Abstracts: An Absence Of Form | Kishore Singh | 2014 | DAG | |
| Indian Portraits: The Face of a People | Kishore Singh | 2013 | DAG | |
| The Naked and the Nude: The Body in Indian Modern Art | Kishore Singh | 2013 | DAG | |
| Indian Landscapes - The Changing Horizon | Kishore Singh | 2012 | DAG | |
| Indian Divine: Gods & Goddesses In 19th Century | ||||
| 2014 | DAG | Art & Architecture | ||
| The Naked and the Nude: The Body in Indian Modern Art Edition Two | Kishore Singh | 2015 | DAG | |
| The Art of Bengal | Kishore Singh | 2012 | DAG | |
| The Art of Bengal | Kishore Singh | 2012 | DAG | |
| Mumbai Modern Progressive Artists' Groups: 1947-2013 | Kishore Singh | 2013 | DAG | |
| Continuum: Progressive Artists' Group | Kishore Singh | 2011 | DAG | |
| India Modern: Narrative from 20th Century Indian Art | Kishore Singh | 2014 | DAG | |
| Awakening: A Retrospective of G.R. Santosh | Kishore Singh | 2011 | DAG | |
| Awakening: A Retrospective of G.R. Santosh | Kishore Singh | 2011 | DAG | |
| Altaf: A Retrospective | Kishore Singh | 2017 | DAG | |
| Chittaprosad: A Retrospective | Kishore Singh | 2011 | DAG | |
| Chittaprosad: A Retrospective | Kishore Singh | 2011 | DAG | |
| India's Rockerfeller Artists | Kishore Singh | 2017 | DAG | |
| Group 1890: India's Indigenous Modernism | Kishore Singh | 2016 | DAG | |
| The Feminine Unbound | Gogi Saroj Pal | 2011 | DAG | |
| The Curious Seeker | Madhvi Parekh | 2017 | DAG | |
| Hungry Bengal: A Tour through Mindapur District, by ChittaProad in November 1943 | 2011 | DAG | ||
| A Sketch book of 30 potraits by Chittaprosad | 2011 | DAG | ||
| Yours Chitta: Translated excerpts from select letters from Chittaprosad | Sanjoy Kumar Malik | 2011 | DAG | |
| Nemai Ghosh: Satyajit Ray and Beyond | Kishore Singh | 2013 | DAG | |
| Memory & Identity: Indian Aritists Abroad | Kishore Singh | 2016 | DAG | |
| India's Neo-Tantrists: G. R. Santosh, Biren De | Kishore Singh | 2017 | DAG | |
| M.V. Dhurandar The Romantic Realist | Suhas Babulkar | 2018 | DAG | |
| Manifestations 5: 20th Century Indian Art | Kishore Singh | 2011 | DAG | |
| Manifestations 6: 75 Artists | Kishore Singh | 2011 | DAG | |
| Manifestations 7: 20th Century Indian Art | Kishore Singh | 2012 | DAG | |
| Manifestations 8: 20th Century Indian Art | Kishore Singh | 2012 | DAG | |
| Manifestations 9: 20th Century Indian Art | Kishore Singh | 2013 | DAG | |
| Manifestations 10: 20th Century Indian Art | Kishore Singh | 2013 | DAG | |
| Manifestations 11: 20th Century Indian Art | Kishore Singh | 2014 | DAG | |
| Ramkinkar Baij: A Retrospective | R Siva Kumar | Sonal Parmar | 2012 | DAG |
| Significant Indian Modern Art | 2014 | DAG | ||
| Significant Indian Modern Art | 2014 | DAG | ||
| Masterpieces I: Stars Above, Stars Below- Avinash Chandra | Kishore Singh | 2016 | DAG | |
| Masterpieces II: In His Office- Bikash Bhattacharjee | Kishore Singh | 2016 | DAG | |
| Masterpieces III: Christ- Dhanraj Bhagat | Kishore Singh | 2016 | DAG | |
| Masterpieces IV: A Still-Life of Kitchen Implements and a Rooster on a Table | Kishore Singh | 2016 | DAG | |
| Masterpieces V: Aspiration- G.R. Santosh | Kishore Singh | 2016 | DAG | |
| Masterpieces VI: Tantra Series- G.R. Santosh | Kishore Singh | 2016 | DAG | |
| Masterpieces VII: Manas Kamal- Hemen Mazumdar | Kishore Singh | 2016 | DAG | |
| Masterpieces VIII: Expectation- Kshitindranath Majumdar | Kishore Singh | 2016 | DAG | |
| Masterpieces IX: Shree Chaitanya Meets His Mother- Kshitindranath Majumdar | Kishore Singh | 2016 | DAG | |
| Masterpieces X: Three Graces- M.F. Husain | Kishore Singh | 2016 | DAG | |
| Masterpieces XI: Queen- M.F. Husain | Kishore Singh | 2016 | DAG | |
| Masterpieces XII: Portrait- M.F. Husain | Kishore Singh | 2016 | DAG | |
| Masterpieces XIV: Shakuntala's Life Story- Radha Charan Bagchi | Kishore Singh | 2016 | DAG | |
| Masterpieces XIII: Figure in Yellow- Rabindranath Tagore | Kishore Singh | 2016 | DAG | |
| Masterpieces XV: The Poet- Ramkinkar Baij | Kishore Singh | 2016 | DAG | |
| Masterpieces XVI: Mask- S.K. Bakre | Kishore Singh | 2016 | DAG | |
| Masterpieces XVII: Jala Bindu- S.H. Raza | Kishore Singh | 2016 | DAG | |
| Masterpieces XVIII: Bharatiya Samaroh- S.H. Raza | Kishore Singh | 2016 | DAG | |
| Masterpieces 31: At A Social Gathering | Vikash Bhattcharjee | |||
| Masterpieces 32: The Starir Of Destiny | Rameshwar Broota | |||
| Masterpieces 33: Untitled | Shanti Dave | |||
| Masterpieces 34: Untilted (Two Figures With Cactus) | M.F. Mussain | |||
| Masterpieces 35: Woman With A Basket Of Fruits | Krishen Khanna | |||
| Masterpieces 36: Untitled (Landscape) | Ram Kumar | |||
| Masterpieces 37: Diagonal | Tyeb Mehta | |||
| Masterpieces 38: Man Acting As King | Ravin Mondal | |||
| Masterpieces 39: Untitled (Christ) | Jamini Roy | |||
| Masterpieces 40: Untitled (tantra) | G.R. Santosh | |||
| Masterpieces 41: Untitled | F.M. Souza | |||
| Still-Life Adaptations in 20th Century Indian Art | Roobina Karode | 2007 | DAG | |
| 20th Century Indian Modern Art | Kishore Singh | 2014 | DAG | |
| Indian Modern Art: A Visual History | Kishore Singh | 2016 | DAG | |
| A Visual History of Indian Modern Art: The Pre-Moderns Vol 1 | Kishore Singh | 2015 | DAG | |
| A Visual History of Indian Modern Art: Birth of Modernism Vol 2 | Kishore Singh | 2015 | DAG | |
| A Visual History of Indian Modern Art: Revivalism & Beyond Vol 3 | Kishore Singh | 2015 | DAG | |
| A Visual History of Indian Modern Art: Bengal Modernists Vol 4 | Kishore Singh | 2015 | DAG | |
| A Visual History of Indian Modern Art: Rise of Modernism Vol 5 | Kishore Singh | 2015 | DAG | |
| A Visual History of Indian Modern Art: A Modern Vernacular Vol 6 | Kishore Singh | 2015 | DAG | |
| A Visual History of Indian Modern Art: Alternate Sensibilities Vol 7 | Kishore Singh | 2015 | DAG | |
| A Visual History of Indian Modern Art: Region and Identity Vol 8 | Kishore Singh | 2015 | DAG | |
| A Visual History of Indian Modern Art: The Sacred & the Sensual Vol 9 | Kishore Singh | 2015 | DAG | |
| A Visual History of Indian Modern Art: In the Round Vol 10 | Kishore Singh | 2015 | DAG | |
| 20th Century Indian Art | 2017 | DAG | ||
| 20th Century Indian Art | 2016 | DAG | ||
| Amitava: The Complete Works | Kishore Singh | 2013 | DAG | |
| Auction Of Indian Art | 2016 | DAG | ||
| Indian Modern Art | 2015 | DAG | ||
| Art Loot Spring 2012 | 2012 | DAG | ||
| Maps Of Mughal India | Susan Gole | 1988 | Manohar Publications | |
| Maps Of Mughal India | Susan Gole | 1988 | Manohar Publications | |
| The Kingdom That Was Kotah | M.K. Briraj Singh | 1985 | Lalit Kala Akademi | |
| Monuments of Assam | 2001 | National Museum, New Delhi | ||
| Manuscript Painting of Assam | 2000 | National Museum, New Delhi | ||
| Art History of Tripura | 2003 | National Museum, New Delhi | ||
| Art History of Tripura | 2003 | National Museum, New Delhi | ||
| Indian Miniature Paintings | 2000 | National Museum, New Delhi | ||
| Ramayana: The Story of Rama in Indian Miniature Paintings | 2004 | National Museum, New Delhi | ||
| Baburnama: Memoirs of Zahiruddin Muhammad Babur Padshah Gazi | 2004 | National Museum, New Delhi | ||
| Kahilipara hoard of Bronzes, Assam | 2004 | National Museum, New Delhi | ||
| Sculptural Heritage of Assam | 2000 | National Museum, New Delhi | ||
| Miniature Paintings of Rajasthan | 2000 | National Museum, New Delhi | ||
| Bhopal | 2003/04/01 | Directorate of Archaeology, Archives and Museum | ||
| Gwalior | 2004 | DAAM / MPM | ||
| Atlas Of Ancient Indian History | Ifran Habib, Faiz Habib | 2010 | Oxford University Press | |
| Munzpragung Des Kusanreiches | Robert Gobl | 1984 | Verlag Der Osterreichischen Akademie Der Wissenschaften | |
| An Atlas of the Mughal Empire | Ifran Habib | 1982 | Oxford University Press | |
| An Atlas of the Mughal Empire | Ifran Habib | 1982 | Oxford University Press | |
| Atlas of the World | 2002 | The Royal Geographical Society | ||
| Indian Paintings In The Los Angeles Museum | Pratapaditya Pal |