Museum objects, artifacts, and archival items from the Sarmaya collection.
This is the 1st Ed. No. LXXII, in the Second series of the Bombay in the Days of Queen Anne. As a official of the East India Service, John Brunell arrived to the subcontinent in the latter half of the 17th century. This book has an introduction by Samuel T. Sheppard and includes Brunell’s two… Read more »
The etching titled ‘Resurrection’, was made by the Delhi-based mural artist Achutan Ramachandran (b. 1935) in 1968. This work is reminiscent of Ramchandran’s earlier works (from 1960-1980s), where he created a series of etchings that significantly drew inspiration from the Bible to convey his agony in response to the societal injustice and bloodshed that followed… Read more »
This composition is an Untitled piece by Gopa Trivedi (b.1987) made from Gouache and Silver foil on Wasli. This work is inspired by a Hindi poem by Pash, the pen-name of Avtar Singh Sandhu. मैं घास हूँ (I am grass) is an anthem of dissent. In Gopa Trivedi’s painting, the gradual progress of the grass… Read more »
This composition is a 23 carat gold on paper titled ‘The Canopy’ by Jethro Buck (b. 1986). Jethro Buck attempts to draw our attention away from ourselves and into a contemplation of treetops and the limitless space beyond. Through the canopy, we get a glimpse at the profound infinity of the universe. To the artist,… Read more »
This Warli artwork titled ‘Kansari’ is by Tushar Vayeda (b.1987) and Mayur Vayeda (b.1992), artists based in Ganjad, Maharashtra. The Warli way of life is the way of the forest. The spirits worshipped by the tribe are personifications of natural phenomena. One such spirit is the subject of Tushar and Mayur Vayeda’s painting, Kansari, named… Read more »
This Warli artwork titled ‘The Wave’ is by Tushar Vayeda (b.1987) and Mayur Vayeda (b.1992), artists based in Ganjad, Maharashtra. Tushar and Mayur Vayeda retell a Warli legend in this work. There’s a belief in the community that in each life cycle of the earth, waves of natural and man-made disasters will strike until eventually,… Read more »
This composition is a 2018 ‘Untitled’ work in gouache on Japanese paper by Dibin K. Thilakan (b. 1989). Created after the catastrophic 2018 Kerala floods, Dibin Thilakan’s painting obscures boundaries between land and water. The floods caused widespread displacement and damage across the state. While he highlights the helplessness of the average citizen awaiting relief… Read more »
This composition is an Untitled work by Gopa Trivedi (b. 1987) made from gold and graphite on wasli. Gopa Trivedi’s work illuminates our individual and collective anxieties about a slow degradation eating at the ground beneath our feet. The stork in this composition symbolises apathy. Gopa is inspired by Indian miniature painting traditions to create… Read more »
This woodcut print by Chandan Bez Baruah (b. 1979) is titled ‘Somewhere in Northeast India Pt-I’ and was created in 2020. The desolation of Chandan Bez Baruah’s landscape speaks volumes. It bears witness to an ecosystem brutalised by rampant urbanisation. To the artist, there’s a close link between the collapsing of natural and political diversities… Read more »
This Bhil painting titled Ploughing (Hal Chalana), is an acrylic on canvas work, made by artist Subhash Amliyar (b.1985) For the Bhil tribe of Madhya Pradesh, art is a device for marking events, preserving memories and capturing the community’s deep connection with nature. In Subhash Amliyar’s composition, a figure reminiscent of Lord Ganesha is seen… Read more »
This Gond-Pardhan painting (set of 5 panels) titled the ‘Transport Series (Train I-V)’ is an acrylic on canvas work, made by artist Mayank Shyam (b. 1987) Mayank Shyam is from the Gond-Pradhan community in Madhya Pradesh. His art is never purely observational. Behind each painting is a philosophy, message or story. In the Transport series, he draws… Read more »
This Gond-Pardhan painting (set of 5 panels) titled the ‘Transport Series (Plane I-V)’ is an acrylic on canvas work, made by artist Mayank Shyam (b. 1987) Mayank Shyam is from the Gond-Pradhan community in Madhya Pradesh. His art is never purely observational. Behind each painting is a philosophy, message or story. In the Transport series,… Read more »
The Untitled Gond-Pardhan painting is a Gouache and ink on paper work, made by artist Durgabai Vyam (b. 1972) The Mahua is considered the tree of life among the Gond-Pradhans of Madhya Pradesh. It plays a central role in the rituals and ceremonies of the community. Durga Bai Vyam conveys this bond in her Untitled work.… Read more »
The Untitled Gond-Pardhan painting is an acrylic on paper work, made by artist Sukhnandi Vyam (b. 1983) To see the world as it really is, our eyes must first be ‘awakened’ to enlightenment. Sukhnandi Vyam explores this idea using his signature motif of human eyes, which surround the omniscient third eye of Lord Shiva. In the… Read more »
This photograph of the Nautch Bungalow at the Shalimar garden in Kashmir was taken by Burke and Baker in the late 19th century. Mughal king, Jahangir (r. 1605-1627) built the Nautch Bungalow for his beloved wife Nur Jahan in 1616. The garden is one of the few surviving Mughal gardens, based on the Persian ‘charbagh’ style. To… Read more »
This undated work is a still life painting by K H Ara (1914-1985). His artistic expressions were characterised by robust nudes and still lifes, marked by a life-affirming positivity and zeal. He was a self-taught artist who ran away from home to pursue his artistic career in Bombay. Born in 1913 in Andhra Pradesh, KH… Read more »
This detailed map of Nagapattinam (previously spelt, Negapatam) was created by the Office of the Trigonometric Branch, Survey of India, Dehra Dun. The map gives a complete overview of the city, highlighting its water tanks, churches, and temples. Owing to the enormous endeavours of the Survey of India, precision in documenting became more important as mapping… Read more »
This coloured engraving shows an assemblage at the Travancore royal court with James Outram and his staff and Maharaja of Travancore, Uthram Thirunal Marthanda Varma (1814-1860). General James Outram was appointed as a political agent in Lucknow in 1854 and became the region’s first commissioner after the annexation of Oudh State. He was a British… Read more »
This photograph of the British Residency in Hyderabad is attributed to Lala Deen Dayal (1844-1905). The British Residency, located on the banks of the Musi river, was built between 1803–1806 as a Palladian palace by Samuel Russell of Madras Engineers. It served as the official residence of the British officers appointed as the Resident at… Read more »
The Untitled Gond-Pardhan painting is an ink-on-paper work by artist Jangarh Singh Shyam (1962-2001). Gond is a celebrated, shared art tradition practised by the Gond-Pradhan community in India. It was first ‘discovered’ by Jagdish Swaminathan, searching for original artworks from Indian tribes in the 1970s. The search ended with him meeting the talented artist Jangarh Singh Shyam,… Read more »