Museum objects, artifacts, and archival items from the Sarmaya collection.
This mixed media work by Pradeepkumar charts a landscape in portrait format with a river descending the centre of the picture. Pradeepkumar KP (b. 1970) weaves a narrative centred around the water body to reiterate its power, stillness and ability to destroy and flourish. The work moves beyond notions of the scenic and picturesque to… Read more »
Sawai Madho Singh II (1862-1922) was the adoptive son of Ram Singh II, Maharaja of Jaipur. On 30 September 1880, at the age of twenty, he ascended the throne of Jaipur. This is a hand-painted photograph of the Maharaja photographed by Gobindram and Oodeyram, preeminent photographers in Jaipur in the 1880s. The late 19th century… Read more »
This shadow puppet of Shiva is a Togalu Gombeyatta puppet, a shadow puppet tradition of Karnataka, India. It translates to the dance of leather puppets, with ‘Togalu’ meaning leather, ‘Gombe’ meaning a doll or a puppet and ‘atta’ meaning dance. Shiva, one of the holy trinity in the Hindu Pantheon, is portrayed sitting on Nandi… Read more »
This late-19th century photograph of the Bindusagar lake was published in Antiquities of Orissa, authored by Indologist Rajendralal Mitra (1824 – 1891). The lake dating back to the 8th – 9th century is situated north of the Lingaraja Temple dedicated to Lord Shiva in Bhubaneshwar. It measures about 1300 ft in length and 700 ft… Read more »
French traveller Jean de Thévenot (1633–1677) lived in the seventeenth century. He was also a linguist and naturalist. He was the famed cartographer Melchisédec Thévenot’s (1620–1682) nephew, who is said to have influenced his passion for exploring the world. This travelogue documents his travels across the Ottoman Empire, the Aegean Sea islands, Egypt, Palestine, and… Read more »
Din ne jab dhoop kou siyaahi mein badalte dekha is part of a suite of seventeen works called Naguftaha – e – Hawwa (The unspoken words of Hawwa) created by Arshi Irshad Ahmadzai (b.1988). The Koh-e Asmaai (mountain of Goddess Asmai) in front of the artist’s apartment in Kabul served as the inspiration for this work. To… Read more »
When Arjumand Banu Begum (1593-1631), principal consort of Mughal emperor Shah Jahan, passed away, a marble mausoleum was constructed to house her mortal remains on the south bank of the Yamuna. The Taj Mahal, originally named Rauza-i-Munawarah, took fifteen years from 1632 to be completed. Marble from Makrana, jasper from Punjab and jade from China… Read more »
This is a view of Tellicherry on the coast of Malabar in the Kannur district. This view was originally illustrated by James Forbes (1749-1819) who arrived in Bombay as a 16-year-old in February 1766 and departed 17 years later after occupying several administrative posts with the East India Company. Only around the end of the… Read more »
Goddess Vahanvati is also known as Sikotar Mata. The Goddess is closely associated with the sea, commerce, and traders. She is revered by seafarers and is frequently depicted sitting on a boat with outstretched sails. In this Pachedi, the six-armed Goddess is illustrated on a boat-like structure. Worshippers and deities from the Hindu epics decorate… Read more »
This is a ground plan of the Kannur Fort in Kerala. The map is attributed to François Valentijn (1666-1727), a Dutch Minister and employee of the VOC (Dutch East India Company). Don Francesco de Almedia, the first Portuguese Viceroy of India, constructed the Kannur Fort, also known as St. Angelo’s Fort, in 1505. For more… Read more »
Bhishtis were a community whose traditional occupation was to provide water to people. This included supplying drinking water and water for household use, animal maintenance, and the cooling of blinds in family residences. They were crucial to armies, supplying water to thirsty and wounded soldiers even during the thick of battle. The Bhisti’s trademark bag… Read more »
This artwork titled ‘Shadows under my sky – 4’ is a woodblock created by Soghra Khurasani (b. 1983), contemporary artist based in Vadodara (Baroda), Gujarat. Landscapes are a significant feature in Soghra Khurasani’s work as inspiring, open spaces that can be explored. This woodblock was part of Khurasani’s solo show, Shadows under my sky, at… Read more »
Warli painting, traditionally mural art, is practised by members of the Warli community residing in Maharashtra and parts of Gujarat. Warli art often depicts scenes and aspects from occupations such as agriculture, fishing, hunting, and significant occasions such as festivals, weddings, and births to commemorate the community’s culture and beliefs. This Warli artwork titled ‘Birth’… Read more »
Gond is a celebrated, shared art tradition practised by the Gond-Pradhan community in India. The themes revolve around ritualistic idols and motifs and depictions of the natural world and its harmony and are painted in an elaborate pattern of lines and dots. In this painting titled ‘Pahuna’ (meaning an esteemed guest), artist Japani Shyam has… Read more »
‘Phad’ is a traditional scroll painting unique to the region of Bhilwara, Rajasthan. For many nomadic communities like the Rebari, Phad is a medium to worship their local deities ‘Devnarayan’ and ‘Pabuji’. It is believed that a thousand years ago, Devnarayan and Pabuji were kings of small villages whose stories later morphed into legends. Devnarayan… Read more »
This illustrated historical album of the Rajas and Taaluqdars of Oudh (Awadh, Lucknow) was produced in the late 19th century by Darogha Abbas Alli, an assistant municipal engineer in Lucknow active between 1860-1880. It is an important album that includes a series of portraits of governing land-holders, who were also the collectors of local revenue… Read more »
The Untitled Gond-Pardhan painting is an acrylic on canvas work, made by artist Rajendra Kumar Shyam. The artist paints a streak of tigers, seemingly running around in a loop. Two tigers appear to be adults, while the others look like cubs- one could presume that the artist has painted a family. Tigers are a common… Read more »
This painting represents the Das Mahavidya or the ten forms so Goddess Durga. The idols are painted on cloth using Ink and coloured pigments by Mithila artist Krishnanand Jha. Click here to see how artist Poonam Devi paints the same theme Dasa Mahavidya is associated with the Shakti cult in Hinduism and through it, ‘Tantrism’.… Read more »
This photograph of traders from the Marwari community was taken by William Johnson in late 19th century Bombay. The port city of Bombay attracted early photographers, and the first official Indian photography organisation was founded here in 1854. William was a founding member of the Bombay Photographic Society and one of the first to produce… Read more »
This photograph of the women from the Parsi community was taken by William Johnson in late 19th century. With the British granting freedom of religion and equality before the law to migrants and minority communities, the city saw an influx of Parsis, who went on to play a pivotal role in the making of metropolitan… Read more »