This is a photograph of the interiors of the Golconda Fort complex in Hyderabad by an unidentified photographer. During the Qutub Shahi Dynasty (16th-17th centuries), the Golconda Fort became a prominent power house. Ibrahim Qutub Shah (1518-1580) significantly strengthened the fort with stone and mortar during his reign, and it was subsequently fortified throughout succeeding… Read more »
This artwork composed using gold leaf on paper is by Desmond Lazaro (b. 1968). It is inspired by the first modern image of the Milky way produced by William Hershel (1738-1822), a British astronomer, in 1785. Herschel mapped his observations from 600 locations while plotting the night sky section by section to create the model.… Read more »
This hand-painted engraving by an unidentified artist shows a view of the Diwan-e Khas with a red, decorated canopy inside the Red Fort, Delhi. The Diwan-e Khas is a rectangular marble structure that was given the name Shah Mahal by the Mughal emperor Shahjahan (1592–1666) and embellished with gilded gems, inlay work, and floral patterns.… Read more »
This untitled Bhil painting is by contemporary artist Lado Bai (b. 1954) depicting flora, fauna and a human figure. For the Bhil tribe of Madhya Pradesh, art is a device for marking events, preserving memories and capturing the community’s deep connection with nature. The fundamental theme of Lado Bai’s artwork is the symbiotic relationships between… Read more »
This composition in watercolour on wasli paper is by artist Varunika Saraf (b. 1981). Varunika Saraf believes that the only means of combating societal prejudices, bigotry, and discrimination is through the power of love. This work is inspired by the poem “Love is contraband in Hell” written by Assata Shakur(b. 1947), an American civil rights… Read more »
Sarmaya’s first exhibition in Delhi is now online! Experience the sights and sounds of ‘Echoes of the Land’ as it was staged at Ojas Art in Nov 2022
This is the 1st Ed. No. LXXII, in the Second series of the Bombay in the Days of Queen Anne. As a official of the East India Service, John Brunell arrived to the subcontinent in the latter half of the 17th century. This book has an introduction by Samuel T. Sheppard and includes Brunell’s two… Read more »
The etching titled ‘Resurrection’, was made by the Delhi-based mural artist Achutan Ramachandran (b. 1935) in 1968. This work is reminiscent of Ramchandran’s earlier works (from 1960-1980s), where he created a series of etchings that significantly drew inspiration from the Bible to convey his agony in response to the societal injustice and bloodshed that followed… Read more »
From its start in the 19th Century, Indian Railways played a pivotal role in the trade, economy and culture of the Subcontinent. But how did the arrival of trains impact our country’s ecology?
This composition is an Untitled piece by Gopa Trivedi (b.1987) made from Gouache and Silver foil on Wasli. This work is inspired by a Hindi poem by Pash, the pen-name of Avtar Singh Sandhu. मैं घास हूँ (I am grass) is an anthem of dissent. In Gopa Trivedi’s painting, the gradual progress of the grass… Read more »
This composition is a 23 carat gold on paper titled ‘The Canopy’ by Jethro Buck (b. 1986). Jethro Buck attempts to draw our attention away from ourselves and into a contemplation of treetops and the limitless space beyond. Through the canopy, we get a glimpse at the profound infinity of the universe. To the artist,… Read more »
This Warli artwork titled ‘Kansari’ is by Tushar Vayeda (b.1987) and Mayur Vayeda (b.1992), artists based in Ganjad, Maharashtra. The Warli way of life is the way of the forest. The spirits worshipped by the tribe are personifications of natural phenomena. One such spirit is the subject of Tushar and Mayur Vayeda’s painting, Kansari, named… Read more »
This Warli artwork titled ‘The Wave’ is by Tushar Vayeda (b.1987) and Mayur Vayeda (b.1992), artists based in Ganjad, Maharashtra. Tushar and Mayur Vayeda retell a Warli legend in this work. There’s a belief in the community that in each life cycle of the earth, waves of natural and man-made disasters will strike until eventually,… Read more »
This composition is a 2018 ‘Untitled’ work in gouache on Japanese paper by Dibin K. Thilakan (b. 1989). Created after the catastrophic 2018 Kerala floods, Dibin Thilakan’s painting obscures boundaries between land and water. The floods caused widespread displacement and damage across the state. While he highlights the helplessness of the average citizen awaiting relief… Read more »
This composition is an Untitled work by Gopa Trivedi (b. 1987) made from gold and graphite on wasli. Gopa Trivedi’s work illuminates our individual and collective anxieties about a slow degradation eating at the ground beneath our feet. The stork in this composition symbolises apathy. Gopa is inspired by Indian miniature painting traditions to create… Read more »
This woodcut print by Chandan Bez Baruah (b. 1979) is titled ‘Somewhere in Northeast India Pt-I’ and was created in 2020. The desolation of Chandan Bez Baruah’s landscape speaks volumes. It bears witness to an ecosystem brutalised by rampant urbanisation. To the artist, there’s a close link between the collapsing of natural and political diversities… Read more »
This Bhil painting titled Ploughing (Hal Chalana), is an acrylic on canvas work, made by artist Subhash Amliyar (b.1985) For the Bhil tribe of Madhya Pradesh, art is a device for marking events, preserving memories and capturing the community’s deep connection with nature. In Subhash Amliyar’s composition, a figure reminiscent of Lord Ganesha is seen… Read more »
This Gond-Pardhan painting (set of 5 panels) titled the ‘Transport Series (Train I-V)’ is an acrylic on canvas work, made by artist Mayank Shyam (b. 1987) Mayank Shyam is from the Gond-Pradhan community in Madhya Pradesh. His art is never purely observational. Behind each painting is a philosophy, message or story. In the Transport series, he draws… Read more »
This Gond-Pardhan painting (set of 5 panels) titled the ‘Transport Series (Plane I-V)’ is an acrylic on canvas work, made by artist Mayank Shyam (b. 1987) Mayank Shyam is from the Gond-Pradhan community in Madhya Pradesh. His art is never purely observational. Behind each painting is a philosophy, message or story. In the Transport series,… Read more »
The Untitled Gond-Pardhan painting is a Gouache and ink on paper work, made by artist Durgabai Vyam (b. 1972) The Mahua is considered the tree of life among the Gond-Pradhans of Madhya Pradesh. It plays a central role in the rituals and ceremonies of the community. Durga Bai Vyam conveys this bond in her Untitled work.… Read more »