Jamini Roy was probably the first artist to depict Christ in an Indian vocabulary. He was looking to test the effectiveness of his bold line and flat colour technique on a subject which was remote from his personal life. Being an orthodox Hindu who had never read the old or new testaments, Roy saw the… Read more »
Something is daunted when one attempts to remember the bequests of India’s early multi-hyphenate on his death anniversary. A good profile should be a seamless whole of the inner and outer life of the poet, Rabindranath Tagore had said, commenting on Tennyson’s biography by his son, which he admonished for being full of trivialities. But… Read more »
A highly subjective list of reads to wrap you snugly in a cocoon of Calcutta-coloured threads
Bengal Patuas or Chitrakars are bearers of an ancient storytelling tradition that is fast disappearing. Islamic by faith, Patua artists represent a unique and secular art tradition, earning their livelihood by telling stories from Hindu mythology, local folklore, Sufi tradition and contemporary themes, through paintings and song. READ MORE Song sung true In this video… Read more »
Storytelling itself has survived centuries of transformation, but Bengal Patuas or Chitrakars are bearers of an ancient storytelling tradition that is fast disappearing
A brief history of the extraordinary role of Bengal in shaping the destiny of modern India
The richest province of one of the richest empires in the world, Bengal was a smorgasbord of irresistible little luxuries. Sumptuous chintzes that never lost the roses in their cheeks. Creamy cottons that felt like the caress of spring. Muslins so fine, they were given names like shabnam (evening dew), abraban (running water) and tanjeb… Read more »
Tracing the conundrum of Modernism in India through the works of Bengal’s great painters, as they discovered themselves, both reflecting and shaping the world around them
Once a seat of great power, the ancient city of Gaur lies in ruin, its hollowed-out walls holding stories, secrets and echoes of eminence
Immortalised by British artists, Calcutta and its people were seen through a colonial lens that presented India not as it was, but as they wanted it to be
Visiting a riverside town in Bengal that carried great promise and flourishing French grandeur, only to be finally unmade by war
What is life without the succour and comfort of a steaming cup of chai? From the elegant tea rooms of Calcutta to the milky concoctions of corner shops, tea is our lifeblood. We trace its history, equal parts tragic and romantic, dark and wondrous, and always full of flavour
East India Company was a highly influential force in Britain by the end of the 18th century. It was fabulously wealthy, and the British leaders were among its stockholders. Naturally, then, there was curiosity among the ordinary Britons about the people in a faraway land whose politics and culture was suddenly part of the national… Read more »
Author and historian Dr Anirudh Deshpande talks to us about a defining period from 1707 to 1858 that saw seismic shifts in the power balance of the Subcontinent
The Korewahs are a tribe from the central region of India, near the sources of the rivers Son, Narmada and Ib and other tributaries of the Mahanadi. They are populous in the hills between Sirgoojah (Surguja) and Jushpur (Jashpur) in present-day Chhattisgarh. The Korewahs were shifting cultivators. They grew rice, millet, pulses, pumpkin, cucumber and… Read more »
This Pattachitra by Laltu Chitrakars depicts the ‘Santhal Janam Katha’, the birth story of the Santhal tribe. The festival of Makar Sankranti, known as Sakrat, is an important celebration in the community. This is an occasion for the Santhal community to go about singing songs from house to house and engage in festivities. Several songs are performed, including… Read more »
Manimala Chitrakar brings a strong point of view to her compositions, whether it’s the Santhal legend of creation or tales from the Ramayana
Primarily located in the villages of Bengal’s Midnapore region, the chitrakar community or patuas have been creating exquisite narrative scrolls on handmade paper for generations. These scrolls (or patas) depict stories from various religious myths and local legends. This object, the Manasa pata, is a contemporary take on the traditional scrolls. It uses a largely… Read more »
The theme of this painting is the ‘Crucifixion of Christ’. The artwork deliberately shifts our focus to Christ’s harsh, pained facial expressions by eliminating his nailed hands and legs, bleeding on the cross. Jogen Chowdhury’s Christ conveys intense human emotions of distress, agony and pain through both the body and the face. A white halo… Read more »
The subject of this painting is a semi-nude female figure lying on her bed with a love letter. But for the breasts, there would be no way to identify the gender of the subject. The artist has whittled away all extraneous details, not to mention colours, to present a languid, wistful mood. Jogen Chowdhury’s nudes… Read more »