“I would love an unpolluted world blossoming with wildflowers,”says Hima Hariharan, who doesn’t reject the idea of the man-made world but feels more empathy for the natural one. This series reflects the artist’s fascination with the natural world, textures, and colours while also emphasising the self-reflective process of making the paper using natural materials. Through… Read more »
“I would love an unpolluted world blossoming with wildflowers,”says Hima Hariharan, who doesn’t reject the idea of the man-made world but feels more empathy for the natural one. This series reflects the artist’s fascination with the natural world, textures, and colours while also emphasising the self-reflective process of making the paper using natural materials. Through… Read more »
“I would love an unpolluted world blossoming with wildflowers,”says Hima Hariharan, who doesn’t reject the idea of the man-made world but feels more empathy for the natural one. This series reflects the artist’s fascination with the natural world, textures, and colours while also emphasising the self-reflective process of making the paper using natural materials. Through… Read more »
“I would love an unpolluted world blossoming with wildflowers,”says Hima Hariharan, who doesn’t reject the idea of the man-made world but feels more empathy for the natural one. This series reflects the artist’s fascination with the natural world, textures, and colours while also emphasising the self-reflective process of making the paper using natural materials. Through… Read more »
“I would love an unpolluted world blossoming with wildflowers,”says Hima Hariharan, who doesn’t reject the idea of the man-made world but feels more empathy for the natural one. This series reflects the artist’s fascination with the natural world, textures, and colours while also emphasising the self-reflective process of making the paper using natural materials. Through… Read more »
“I would love an unpolluted world blossoming with wildflowers,”says Hima Hariharan, who doesn’t reject the idea of the man-made world but feels more empathy for the natural one. This series reflects the artist’s fascination with the natural world, textures, and colours while also emphasising the self-reflective process of making the paper using natural materials. Through… Read more »
“I would love an unpolluted world blossoming with wildflowers,”says Hima Hariharan, who doesn’t reject the idea of the man-made world but feels more empathy for the natural one. This series reflects the artist’s fascination with the natural world, textures, and colours while also emphasising the self-reflective process of making the paper using natural materials. Through… Read more »
“I would love an unpolluted world blossoming with wildflowers,”says Hima Hariharan, who doesn’t reject the idea of the man-made world but feels more empathy for the natural one. This series reflects the artist’s fascination with the natural world, textures, and colours while also emphasising the self-reflective process of making the paper using natural materials. Through… Read more »
“I would love an unpolluted world blossoming with wildflowers,”says Hima Hariharan, who doesn’t reject the idea of the man-made world but feels more empathy for the natural one. This series reflects the artist’s fascination with the natural world, textures, and colours while also emphasising the self-reflective process of making the paper using natural materials. Through… Read more »
“I would love an unpolluted world blossoming with wildflowers,”says Hima Hariharan, who doesn’t reject the idea of the man-made world but feels more empathy for the natural one. This series reflects the artist’s fascination with the natural world, textures, and colours while also emphasising the self-reflective process of making the paper using natural materials. Through… Read more »
In March 2025, our show ‘In The Dappled Light’ opened at the Sarmaya archive in Fort Mumbai. The exhibition focused on how India’s natural world has inspired artists, scientists, healers and seekers across the centuries.
An exquisite collection of 19th-century botanical art that focuses on common-but-beautiful Indian flowers
Like its culture, the geology of the Deccan too is incredibly diverse and supports a dazzling variety of life
In this talk, Sarmaya Brand Custodian Pavitra Rajaram examines the tensions between the eastern and western perspectives on nature.
The first wave of European immigrants included sailors, emissaries, merchants, and the armed forces, people who could seize the land; the next wave included physicians, cartographers, botanists, and naturalists, people who could research it. In the hope of finding new medicines and new sources of revenue, they studied Indian plants, and created or commissioned thousands… Read more »
Flowers of the Bombay Presidency offers fascinating insights into the botanical beauty of the western states of India in the 1880s, with 202 illustrations of Indian flowers and plants in watercolour painting. Nearly all of the paintings are supplemented by a handwritten pencil inscription with the name of the flower (often in Latin with the… Read more »
The journey of botanical art in India, from 1500s to today—accompanied by luscious botanical art from the Sarmaya collection
A rare book from our collection, ‘Indian Botany’ by Dr Robert Wight combines scientific survey with outstanding illustrations by artists we will never know. Our interview with Dr Henry Noltie throws new light on them