Kolkata

East India Company, William IV, Silver Rupee of Calcutta Mint

One rupee to unify the British currency. In 1834, the East India Company’s government passed the ‘Uniform Coinage Act’, to establish a single rupee currency across the three Presidencies of Bengal, Bombay and Madras. Accordingly, a machine-struck milled silver rupee was launched in 1835 from the Bombay and Calcutta mints. The design was based on… Read more »

La Mode De Calcutta

The fashion evolution and textile legacy of Calcutta and the Bengal Presidency

Untitled

The subject of this painting is the bust of a young man. The work is expressionist and connects with the viewer directly. The connection is achieved particularly through the soft but direct gaze of the subject. Artist Jogen Chowdhury has achieved mastery in creating figures using only black lines. These lines are almost always distorted… Read more »

Man Kneeling I

The subject of this minimalist painting is a prostrated man. Artist Jogen Chowdhury’s signature style is in use here – fine, seemingly unbroken lines which create figures infused with feelings of social distress. This painting titled ‘man kneeling’ is a famous composition by Chowdhury first made in 2007. He recreates this image several times thereafter.… Read more »

Maharaja of Hutwa

Hutwa Raj was a feudal estate belonging to the Bhumihar Brahmins of Baghochia dynasty and it was located in the Saran Division of present-day Bihar. Read about Indian kings and their fabulous jewels here. This studio portrait of the Maharaja is an albumen print mounted on a cabinet card. The front of the cabinet card… Read more »

Untitled (Crucifixion of Christ)

The theme of this painting is the ‘Crucifixion of Christ’. The artwork deliberately shifts our focus to Christ’s harsh, pained facial expressions by eliminating his nailed hands and legs, bleeding on the cross. Jogen Chowdhury’s Christ conveys intense human emotions of distress, agony and pain through both the body and the face. A white halo… Read more »

Love letter

The subject of this painting is a semi-nude female figure lying on her bed with a love letter. But for the breasts, there would be no way to identify the gender of the subject. The artist has whittled away all extraneous details, not to mention colours, to present a languid, wistful mood. Jogen Chowdhury’s nudes… Read more »