It’s a word that makes us cringe today, but the ‘Orient’ was a place of infinite charm for artists of Victorian England. To them, the British colonies of the East were exotic regions of smouldering intrigue, where dark-eyed, inscrutable people went about their mysterious ways. Of course, now we know this attitude to be ignorant—at… Read more »
Samuel Bourne was a banker with itchy feet. Paintings of India so enamoured him that he quit his job in Nottingham and arrived in Calcutta in 1863. Now regarded as one of the earliest travel photographers in the world, Bourne started exploring Indian landscapes in the hills of Shimla and spent months in Kashmir, returning… Read more »
This is an engraving after an older one by Jean Bellin, the official engraver and cartographer of the king of France. It is a town plan of Goa in the panorama view including mountains, trees, buildings, elephants, ships in the harbor, boats resting on the shore, and religious buildings. It depicts the fort of Goa,… Read more »
This Johnson and Henderson image shows the outer facade of one fo the caves at the Elephanta Cave Complex in Maharashtra. The primary entrance to the gateway is guarded by two seated stone liones, while military men in unifrom and two kids pose on the steps.
This is a photograph of the Nakki talao, Mount Abu, from James Burgess’ book ‘Photographs of Architecture and Scenery in Gujarat and Rajputana’ taken by Colin Murray in 1872. The hill station of Mount Abu is an important place of worship for Jain pilgrimages. It is a popular tourist attaraction, renowned for the group of… Read more »
Photograph of a glacier in Kashmir taken by Samuel Bourne in 1863. During his three Himalayan expeditions, Bourne photo documented landscapes in compoistions and artistic styles that appealed to the Victorian notions of the ‘picturesque’ and unusual landscapes such as this image formed a category in itself.
This ethnographic photograph is of the distinctive huts of a Toda Mund (village) at Ootacamund in the Nilgiri Hills of Tamil Nadu. Traditionally pastoralist, the Todas in the past lived in thatched houses spread over the slopes of the Nilgiris. This picture is one of many examples of ethnographic photographs captured at the end of… Read more »
This photograph taken in the 1860s shows the imposing walls of Shaniwar Wada, which was once the royal residence of the Peshwas. In 1828 a great fire started inside the palace complex tarnished most of the fort, leaving only the heavy granite ramparts, teak gateways and some building ruins. The view looks towards the entrance… Read more »
This image shows a townscape interspersed with buildings and trees. The primary colours here are yellow, green, black and ash – while the signature ‘Souza-esque’ style of blunt, cruel humour is lent by the powerful strokes of green and yellow, fierce lines and bold swaths of ash. Souza believed that art offered the only respite… Read more »
This watercolour depicts a singular house, in front of which stands a white unicorn. The detailing on certain sections of the house such as the turn of the staircase and the outer brick-wall are inspirations derived from extremely detailed Indian miniature paintings. There are two trees on either side of the building. However, the unicorn… Read more »
This is an engraving on Hand-made paper, after Hilippus Baldaeus (1632 – 1672). Craganor is the Anglisised name of the region of Kodungallur, a municipality in the Thissur district of Kerala. In history, the place was one of the leading ports and commercial centres of South India, also associated with the ancient port town of… Read more »
This is an engraving of the hill fort of Vellore by J. Cheevers. The image shows a full-scale view of the fort, complete with walls and walkways leading up along the mountain. Vellore Fort is an important landmark in the history and culture of the state of Tamil Nadu, being built in the 16th century… Read more »