Kalal Laxma Goud is a master of many mediums. He works with drawings, etchings, silkscreen, watercolours and gouache, as well as clay, ceramic, terracotta and bronze sculptures. He took to printmaking shortly after he graduated from Baroda School, and says he draws immense pleasure from the medium, the tools and especially the drawing of the… Read more »
K Laxma Goud is a master of many mediums. He works with drawings, etchings, silkscreen, watercolours and gouache, as well as clay, ceramic, terracotta and bronze sculptures. He took to printmaking shortly after he graduated from Baroda School, and says he draws immense pleasure from the medium, the tools and especially the drawing of the… Read more »
This untitled portrait of two ethnically dressed women engaging in conversation is very much in keeping with Kalal Laxma Goud’s typical subject matter and style of painting. Born in 1940 in Telangana, Andhra Pradesh, the artist began his career under the tutelage of KG Subramanyam in Baroda. Early on in his career, Goud was known… Read more »
This untitled portrait of a lady is very much in keeping with Kalal Laxma Goud’s typical subject matter and style of painting. Born in 1940 in Telangana, Andhra Pradesh, the artist began his career under the tutelage of KG Subramanyam in Baroda. Early on in his career, Goud was known for his erotic figures, which… Read more »
Discovering the portraiture of four Modern artists from the Sarmaya collection — F.N. Souza, Laxma Goud, Dhruvi Acharya and Alexander Gorlizki
Four masters of modern Indian art with one city in common. From the aesthetic to the spiritual, Hyderabad has affected these artists’ oeuvres in a multitude of ways
In this etching of watercolor and ink on paper, Laxma Goud sketches erotic studies of the human female form. They appear to be quick contour drawings that were then worked on more to add details and colours. These sketches surround the main black and white etching, which comprises of a man and a woman lying… Read more »
From Ara to Souza and from infatuation to disillusionment, we examine the nudes in our collection of modern Indian art