“The wall paintings at Fathpur were first catalogued by E W Smith in 1895. Exactly a century later, I photographed them. Some that Smith saw have since disappeared; some not recorded by him, are now visible. What survives gives us a good idea of the Mughals’ worldview and their attempts at founding an all-inclusive culture.”… Read more »
“Set in Agra, 1627, Mansur: A Novel reimagines a day in the life of an imperial Mughal atelier. Ustad Mansur belonged to a distinguished group of master painters in the service of Jahangir. He specialised in watercolour life-studies—of unmatched realism and finesse—of flora and fauna, both native and exotic.” – Vikramajit Ram for Sarmaya Talks.… Read more »
We welcome some priceless miniature paintings into our collection, including the Mughal Hamzanama by exploring the many traditions of this practice in the Sarmaya collection
Opulently gilded and calligraphed, filled with a patchwork of intricately detailed imagery, evoking wonder and awe, the muraqqa’ tells unforgettable tales of royalty
Banker by profession and numismatist by passion, Paul maps the expanse of the Mughal empire and the breadth of its ambition through its coinage
Designer and entrepreneur Pavitra Rajaram on the indelible footprint of the Mughal taste-makers on India’s art, culture, architecture and fashion
Spirituality, sensuality and everything in between—what animals represent in a select few of Sarmaya’s contemporary art works
It’s a symbol of romantic love the world over. But what do the historians have to say about Mughal India’s most famous legacy? We examine new theories and pair them with rare vintage photographs of the Taj Mahal from our archive
Starting in the 16th century, Christian themes went viral in traditional Indian art. Shubhasree Purkayastha explains how it all began
“Modern, contemporary, ancient, folk. All of these terms really dissolve in the face of art-making.”
Exploring the magnificent, mammoth traditions of Indian ‘miniatures’
The Issanama may be the story of Jesus, but it draws from a syncretic narrative of history as embodied by Emperor Akbar’s incredible Hamzanama folios
This painting is an interpretation, Jesus prays to his father on the night before his crucifixion. The artist Manish Soni has employed a distinctive Hamzanama trope to convey the intensity and pathos of this scene.
This folio titled ‘Raising of Lazarus’ is a part of the Issanama series. The Issanama commission lies at the intersection of art and history, and offers lush evidence of the plurality and syncretism inherent in Indian culture. It’s an artistic collaboration between the founder of Sarmaya, Paul Abraham and traditional miniaturist and third-generation artist, Manish… Read more »
This folio titled ‘Calming the Storm III’ is a part of the Issanama series. The Issanama commission lies at the intersection of art and history, and offers lush evidence of the plurality and syncretism inherent in Indian culture. It’s an artistic collaboration between the founder of Sarmaya, Paul Abraham and traditional miniaturist and third-generation artist, Manish… Read more »
This folio titled ‘Calming the Storm II’ is a part of the Issanama series. The Issanama commission lies at the intersection of art and history, and offers lush evidence of the plurality and syncretism inherent in Indian culture. It’s an artistic collaboration between the founder of Sarmaya, Paul Abraham and traditional miniaturist and third-generation artist, Manish… Read more »
This folio titled ‘Calming the Storm I’ is a part of the Issanama series. The Issanama commission lies at the intersection of art and history, and offers lush evidence of the plurality and syncretism inherent in Indian culture. It’s an artistic collaboration between the founder of Sarmaya, Paul Abraham and traditional miniaturist and third-generation artist, Manish… Read more »
This intricately detailed triptych tells the story of Jesus calming the storm. The first of the panels, Jesus stands at the bank of the river, pointing towards the boat which will take him and his disciples to the island where they can rest.
This folio titled ‘The Temptation of Christ’ is a part of the Issanama series. The Issanama commission lies at the intersection of art and history, and offers lush evidence of the plurality and syncretism inherent in Indian culture. It’s an artistic collaboration between the founder of Sarmaya, Paul Abraham and traditional miniaturist and third-generation artist,… Read more »
This folio titled ‘The First Miracle at Cana’ is a part of the Issanama series. The Issanama commission lies at the intersection of art and history, and offers lush evidence of the plurality and syncretism inherent in Indian culture. It’s an artistic collaboration between the founder of Sarmaya, Paul Abraham and traditional miniaturist and third-generation… Read more »