How to read history that hasn’t been written yet
Inspired by a 150-year-old sepia photograph, a museum professional explores how to fill in the blanks of history through an anti-caste perspective
Inspired by a 150-year-old sepia photograph, a museum professional explores how to fill in the blanks of history through an anti-caste perspective
This composition is an Untitled piece by Gopa Trivedi (b.1987) made from Gouache and Silver foil on Wasli. This work is inspired by a Hindi poem by Pash, the pen-name of Avtar Singh Sandhu. मैं घास हूँ (I am grass) is an anthem of dissent. In Gopa Trivedi’s painting, the gradual progress of the grass… Read more »
Drawing from the practices of Rajasthani miniature painting and printmaking, Gopa Trivedi turns abstract concepts—time, decay, renewal—into provocative, fragmented frames
In this essay, Arshi Irshad Ahmadzai takes us into the beating heart of her art practice that carries the fragrance of Najibabad and Kabul, and the poetry of Rumi and Ghalib