Worship, Preserve, Witness – The role of art in the Anthropocene
Nourished for millennia by the infinite variety of nature and its boundless capacity for renewal, artists today show us how to forge a more equitable connection with the earth
Zarina Hashmi
Sarmaya X Ojas Art present ‘Echoes of the Land’
Highlights from our two-week exhibition at Ojas Art, Delhi, which showcased the works of 20 artists from the Sarmaya collection
Delhi III
This composition is part of Zarina Hashmi’s (1937-2020) series of woodcut prints. Delhi III is part of Zarina Hashmi’s celebrated Delhi series. This striking woodcut shows the river Yamuna, a lifeline of her beloved city. The artist drew the river from memory, fashioning it as geographic border. Witness to the horrors of the India-Pakistan partition… Read more »
Whose land is it anyway?
We examine the themes presented in Saju Kunhan’s work as they are represented in our collection of rare 19th-century portraits, war photography, engravings, contemporary art and Warli painting
Zarina Hashmi and the idea of home
Witness to the horrors of Partition as a child, Zarina dedicated her decades-long career to exploring the idea of home and belonging, and the lingering pain of displacement
Art Jargon and What It Really Means
Using works from our modern and contemporary art collection, we decipher terms used very often by critics and art insiders
Delhi II
Zarina Hashmi, who goes only by her first name, is a master of the art of printmaking. Born in 1937 in Aligarh, she studied mathematics and statistics before finding her artistic calling on the road. While accompanying her husband on various diplomatic missions around the world, Zarina studied the art of printmaking and woodblock printing… Read more »