Din ne jab dhoop kou siyaahi mein badalte dekha is part of a suite of seventeen works called Naguftaha – e – Hawwa (The unspoken words of Hawwa) created by Arshi Irshad Ahmadzai (b.1988). The Koh-e Asmaai (mountain of Goddess Asmai) in front of the artist’s apartment in Kabul served as the inspiration for this work. To… Read more »
In this essay, Arshi Irshad Ahmadzai takes us into the beating heart of her art practice that carries the fragrance of Najibabad and Kabul, and the poetry of Rumi and Ghalib
Why do we collect what we do? The inexorable pull of nostalgia. The simple human need to draw closer to beauty. The undeniable thrill of acquisition. All these influence the act of collecting. At our archive, each potential addition to the collection is judged by one other criteria: Can this object expand our understanding of the Indian subcontinent and its inexhaustible vault of stories?
Havva ki Nakahi is part of a suite of seventeen works called Naguftaha – e – Hawwa (The unspoken words of Hawwa) that, in gallerist Mortimer Chatterjee’s words, “explores the relationship of Adam and Eve (Havva ) in the Islamic tradition and the ejection of Eve from heaven”. The work is a typical example of… Read more »