This untitled Bhil painting is by contemporary artist Lado Bai (b. 1954) depicting flora, fauna and a human figure. For the Bhil tribe of Madhya Pradesh, art is a device for marking events, preserving memories and capturing the community’s deep connection with nature. The fundamental theme of Lado Bai’s artwork is the symbiotic relationships between… Read more »
This work illustrates a Fishing Net, also called Paagir, by Warli artist Sadashiv Mashe (b. 1860), son of the celebrated artist and Padma Shri awardee Jivya Soma Mashe (1934-2018). A common subject, this net is portrayed in a twin format, which means it is composed of two paintings of the subject that the artist has… Read more »
To celebrate #InternationalWomensDay, we dedicated March 2019 to the most gifted women artists represented in the Sarmaya collection. We celebrated their often-unsung genius by helping others discover it through the sprawling warrens of Wikipedia. Sarmaya participated in an international campaign by Art+Feminism to get more women editing and featuring on the internet’s favourite reference guide. Sarmaya’s team… Read more »
With each canvas, Durgabai Vyam takes us deeper into the forest of childlike fantasies
The incredible story of how one woman went from laying bricks at an art centre to becoming one of its most celebrated artists
This composition showing a harvest is a Warli painting on a cow-dung-washed canvas by Jivya Soma Mashe (1934-2018). The artist depicts the harvesting season and its corresponding activities in this painting. Wagobha, the community’s tiger god, has a dedicated shrine in the composition’s bottom centre. For the Warli community, farming is a vital source of… Read more »
The ‘phad’ is a tradition of narrative scroll paintings, practiced by the bhopa tribes of Rajasthan. They are primarily made of two icons – Devnarayan and Pabuji. These were village heroes in popular history who were later deified over time – much like the creation of icons in mainstream Hinduism as well. This particular one… Read more »