How did the art of a people from the Sahyadri mountains of western India capture the imagination of the nation and the world? The evolution of Warli paintings from Jivya Soma Mashe to the Vayeda Brothers
A member of the Gond-Pardhan community, Sukhnandi Vyam considers his art as an expression of the tribe’s identity and spiritual connection with nature
Highlights from our two-week exhibition at Ojas Art, Delhi, which showcased the works of 20 artists from the Sarmaya collection
Within the mythology of the Mother Goddess there exists a duality. Just as her benevolent aspects are depicted in many forms, here are some of her fiercest and most terrifying forms
A sensorial account of Kalamkari textiles, the masterfully crafted and brilliantly dyed cottons of southeastern India
The road to learning—and earning—is guided by these benevolent goddesses
The devis, matas, ammas and other female divinities who have been called upon, time and time again, to save humanity from disease, death and its own hubris
She predates language, defies borders and annihilates evil. Dhartari, Durga, Lakshmi, Mariamman–meet the mother goddesses of India
The Untitled Gond-Pardhan painting is an ink-on-paper work by artist Jangarh Singh Shyam (1962-2001). Gond is a celebrated, shared art tradition practised by the Gond-Pradhan community in India. It was first ‘discovered’ by Jagdish Swaminathan, searching for original artworks from Indian tribes in the 1970s. The search ended with him meeting the talented artist Jangarh Singh Shyam,… Read more »
This shadow puppet of Duryodhana is a Togalu Gombeyatta puppet, a shadow puppet tradition of Karnataka, India. It translates to the dance of leather puppets, with ‘Togalu’ meaning leather, ‘Gombe’ meaning a doll or a puppet and ‘atta’ meaning dance. Duryodhana is an important personality in the Hindu epic Mahabharata. He is the eldest of… Read more »
In this talk, Sarmaya Brand Custodian Pavitra Rajaram examines the tensions between the eastern and western perspectives on nature.
This work illustrates a Fishing Net, also called Paagir, by Warli artist Sadashiv Mashe (b. 1860), son of the celebrated artist and Padma Shri awardee Jivya Soma Mashe (1934-2018). A common subject, this net is portrayed in a twin format, which means it is composed of two paintings of the subject that the artist has… Read more »
This shadow puppet of Shiva is a Togalu Gombeyatta puppet, a shadow puppet tradition of Karnataka, India. It translates to the dance of leather puppets, with ‘Togalu’ meaning leather, ‘Gombe’ meaning a doll or a puppet and ‘atta’ meaning dance. Shiva, one of the holy trinity in the Hindu Pantheon, is portrayed sitting on Nandi… Read more »
Goddess Vahanvati is also known as Sikotar Mata. The Goddess is closely associated with the sea, commerce, and traders. She is revered by seafarers and is frequently depicted sitting on a boat with outstretched sails. In this Pachedi, the six-armed Goddess is illustrated on a boat-like structure. Worshippers and deities from the Hindu epics decorate… Read more »
Warli painting, traditionally mural art, is practised by members of the Warli community residing in Maharashtra and parts of Gujarat. Warli art often depicts scenes and aspects from occupations such as agriculture, fishing, hunting, and significant occasions such as festivals, weddings, and births to commemorate the community’s culture and beliefs. This Warli artwork titled ‘Birth’… Read more »
Gond is a celebrated, shared art tradition practised by the Gond-Pradhan community in India. The themes revolve around ritualistic idols and motifs and depictions of the natural world and its harmony and are painted in an elaborate pattern of lines and dots. In this painting titled ‘Pahuna’ (meaning an esteemed guest), artist Japani Shyam has… Read more »
‘Phad’ is a traditional scroll painting unique to the region of Bhilwara, Rajasthan. For many nomadic communities like the Rebari, Phad is a medium to worship their local deities ‘Devnarayan’ and ‘Pabuji’. It is believed that a thousand years ago, Devnarayan and Pabuji were kings of small villages whose stories later morphed into legends. Devnarayan… Read more »
The Untitled Gond-Pardhan painting is an acrylic on canvas work, made by artist Rajendra Kumar Shyam. The artist paints a streak of tigers, seemingly running around in a loop. Two tigers appear to be adults, while the others look like cubs- one could presume that the artist has painted a family. Tigers are a common… Read more »
This painting represents the Das Mahavidya or the ten forms so Goddess Durga. The idols are painted on cloth using Ink and coloured pigments by Mithila artist Krishnanand Jha. Click here to see how artist Poonam Devi paints the same theme Dasa Mahavidya is associated with the Shakti cult in Hinduism and through it, ‘Tantrism’.… Read more »
This Bhil painting on canvas is by artist Ramesh Baria, son of celebrated artist Bhuri Bai. Bhil painting, traditionally made on walls, is practised today on canvas by one of the oldest tribal communities of India – the Bhils. Residing in the states of Gujarat, Rajasthan, Madhya Pradesh, etc, they live lives that are intricately… Read more »