Vahanvati Mata is one of the folk goddesses, worshipped by the Vaghri community of Gujarat. She is iconographically represented as sitting on a goat, which in turn is placed inside a ship. She is primarily a goddess that protects travellers and merchants crossing the seas. In this Pachedi, the goddess is represented with eight hands… Read more »
A jatri poti or jatra patta is essentially a pilgrimage scroll that a devotee brings back with him as a souvenir that also acts as a mobile shrine for anyone unable to visit the original site. This particular patta is of Lord Jagannatha, an incarnation of Vishnu, with his worship centered in the Jagannatha temple… Read more »
A talapattachitra (incised palm leaf manuscript) detailing episodes from the Ramayana and the life of Krishna. Prominent panels include the Rama-Durbar (court of Rama), the war in Lanka, Krishna playing his flute as a cowherd and Kaliya-daman, among others. Smaller roundels depicting smaller episodes from the stories cover up the rest of the space.
Primarily located in the villages of Bengal’s Midnapore region, the chitrakar community or patuas have been creating exquisite narrative scrolls on handmade paper for generations. These scrolls (or patas) depict stories from various religious myths and local legends. This object, the Manasa pata, is a contemporary take on the traditional scrolls. It uses a largely… Read more »
The tradition of Mata ni Pachedis (Gujarati for ‘behind the goddess’) was developed by the nomadic tribe of Vaghris in Gujarat. It is believed that because the tribe was barred from entering village temples, they came up with the ingenious solution of painting the Goddess Durga on a cloth, hanging it at the back of… Read more »
The Gond community is regarded as one of the oldest and largest surviving adivasi communities of India. The term Gond is derived from the word ‘Kond’ meaning ‘green mountains’; a majority of the people live in the lush forested regions of Madhya Pradesh, but there are also some Gonds to be found in pockets of… Read more »
The Pattachitra tradition practiced in Odisha and West Bengal is the art of creating religious paintings on fabric, walls, palm leaves or manuscripts. The tradition grew out of ornamenting the sanctum sanctorum of the Jagannatha Temple in Puri, Odisha and eventually spilled out onto different surfaces. Pattachitras were originally created by the chitrakara class of… Read more »
The patachitra tradition practiced in Orissa and West Bengal is the art of creating religious paintings on cloth, wall, palm-leaf or manuscripts. The tradition grew out of ornamenting the sanctum sanctorum of the Jagannatha Temple in Puri, eventually branching out into other domains. They were originally created by the artist (chitrakara) class of Orissa called… Read more »
This pattachitra describes Krishna and Balarama leaving Vrindavan to go to Dwarka – where Krishna settled and ruled as king. Gopis can be seen lining ahead of the chariot and bidding him farewell. Since this a modern rendition of the legend the figures are actually shown waving to each other – a gesture borrowed from… Read more »
This is a Gond painting created in the tribal regions of Madhya Pradesh. A ritualistic mural tradition of the Gondi tribe, Gond paintings are done on paper with synthetic colours now. This image created by Rajkumar Shyam depicts a tribal goddess called “Maindo Mai”. She holds a broom and a trident in her two arms,… Read more »
The Bengal Pattachitra is a visual and oral art tradition practised by the Patuas or Chitrakars of West Bengal. They earn their livelihood by telling stories from Hindu Mythology, local folklores, Sufi tradition and contemporary themes through paintings and songs. The unfolding or playing of the Pata is called ‘Pat Khelano’, and the song through… Read more »
This is an Orissa Pattachitra detailing the Jagannath temple in Puri, along with other scenes from the Ramayana and the Mahabharata. The pattachitra tradition is an indegenous artform of Orissa, where religious paintings are done on a canvas created with cotton cloth (called patta). The colours emploed are also natural – derived from various minerals… Read more »
This artwork is a Mithila painting of Shiva, Sati and her ten forms called the ‘Dasa Mahavidyas’ created by Mithila artist Poonam Devi. Madhubani or Mithila painting is part of the cultural identity of Bihar and Mithila, a historical region that folded in parts of present-day Nepal. Originally ritualistic murals done on the interior walls… Read more »
This is a pattachitra created by Akshaya Kumar Bariki, and dealing with the theme of Krishna Raas Lila. The centre of this painting depicts Krishna and Radha sitting under the Kadamba tree, being attended to by gopis. Around the main image are two circular registers occupied by figures of Krishna and the gopis dancing. The… Read more »
The Mithila or Madhubani painting tradition originated in Bihar, and is claimed to be around 1200 years old. It is primarily practiced by women, who used to create these works on the walls of their house interiors. It was only by chance in 1934, when a massive earthquake destroyed of the artists’ mud homes, that… Read more »
This composition showing a harvest is a Warli painting on a cow-dung-washed canvas by Jivya Soma Mashe (1934-2018). The artist depicts the harvesting season and its corresponding activities in this painting. Wagobha, the community’s tiger god, has a dedicated shrine in the composition’s bottom centre. For the Warli community, farming is a vital source of… Read more »
This is a Gond painting created in the tribal regions of Madhya Pradesh. A ritualistic mural tradition of the Gondi tribe, Gond paintings are done on paper with synthetic colours now. This image is created by Kaushal Prasad Tekam on paper. His signature style is creating a texture through using dashes in various tonalities of… Read more »
This is a Gond painting created in the tribal regions of Madhya Pradesh by Durga Bai in her signature style of small dashes, which replace continuous lines. It depicts two symmetrically placed deers, facing against each other and looking at a smaller animal, which look like blue foxes, on their backs. The stags have horns… Read more »
This image is created by Durga Bai shows three figures who look like Ganesha dancing with two elephants. The painting is monochromatic, and the artist has experimented with the execution style including a wavy pattern, apart from the traditional dashes and the dots. One of the three Ganeshas stands atop the composite trunk of two… Read more »
Warli painting, traditionally mural art, is practised by members of the Warli community residing in Maharashtra and parts of Gujarat. Warli art often depicts scenes and aspects from occupations such as agriculture, fishing, hunting, and significant occasions such as festivals, weddings, and births to commemorate the community’s culture and beliefs. Jivya Soma Mashe (1934-2018) was… Read more »