In The Dappled Light
In March 2025, our show ‘In The Dappled Light’ opened at the Sarmaya archive in Fort Mumbai. The exhibition focused on how India’s natural world has inspired artists, scientists, healers and seekers across the centuries.
In March 2025, our show ‘In The Dappled Light’ opened at the Sarmaya archive in Fort Mumbai. The exhibition focused on how India’s natural world has inspired artists, scientists, healers and seekers across the centuries.
“The wall paintings at Fathpur were first catalogued by E W Smith in 1895. Exactly a century later, I photographed them. Some that Smith saw have since disappeared; some not recorded by him, are now visible. What survives gives us a good idea of the Mughals’ worldview and their attempts at founding an all-inclusive culture.”… Read more »
“Set in Agra, 1627, Mansur: A Novel reimagines a day in the life of an imperial Mughal atelier. Ustad Mansur belonged to a distinguished group of master painters in the service of Jahangir. He specialised in watercolour life-studies—of unmatched realism and finesse—of flora and fauna, both native and exotic.” – Vikramajit Ram for Sarmaya Talks.… Read more »
Over 2,000 years ago, a new technique of minting coins was introduced to India. We still use it today, both to study history and write it
In conversation with professional geographer Dr Manosi Lahiri about the ways in which travellers have helped to draw the map of India
Along the ancient Silk Road and the historic Grand Trunk Road lay a series of rest-stops and inns called sarais where caravans of travellers, pilgrims and traders could break their journey
“Delhi in the time of the last Mughal emperors was the site of extraordinary intellectual activity, laying the foundations of a modernity that drew on both Western and Indian ideas.” Swapna Liddle is a historian with a special interest in Delhi. As a scholar, she has studied the development of Delhi as an imperial capital… Read more »
This double-die-struck silver coin from the Gwalior Mint (Madhya Pradesh) was issued by Alamgir II in 1753-54. Mughal Emperor Alamgir II (1699–1744), also referred to as Aziz–ud–Din Muhammad, ruled Delhi between 1754 and 1759. Regarded as a “puppet” monarch, Alamgir II was manipulated by other court officials and rulers. His four-year tenure saw a rise… Read more »
This photograph of the Nautch Bungalow at the Shalimar garden in Kashmir was taken by Burke and Baker in the late 19th century. Mughal king, Jahangir (r. 1605-1627) built the Nautch Bungalow for his beloved wife Nur Jahan in 1616. The garden is one of the few surviving Mughal gardens, based on the Persian ‘charbagh’ style. To… Read more »
Mughal emperors considered gardens as one of the most important architectural components of their state—so what made a garden adequately ‘Mughal’? Here are 10 clues
When Arjumand Banu Begum (1593-1631), principal consort of Mughal emperor Shah Jahan, passed away, a marble mausoleum was constructed to house her mortal remains on the south bank of the Yamuna. The Taj Mahal, originally named Rauza-i-Munawarah, took fifteen years from 1632 to be completed. Marble from Makrana, jasper from Punjab and jade from China… Read more »
What the chain of diamonds trickling from the marketplaces of Golconda tells us about the dynasties that branded and traded, and won and lost them
Opulently gilded and calligraphed, filled with a patchwork of intricately detailed imagery, evoking wonder and awe, the muraqqa’ tells unforgettable tales of royalty
The rulers of a bygone India put their likenesses on coins to announce in unambiguous terms their absolute dominance over the land. What else do these tiny metal portraits tell us about the subject in question? Let’s peel back the layers
Mirza Aziz Koka aka Kotaltash was Emperor Akbar’s foster-brother—or more accurately, his milk brother, so-called because he was the son of the Emperor’s wet nurse, Jiji Anga. Kotaltash’s father was Ataga Khan, Akbar’s prime minister, upon whose death a grand mausoleum was constructed in near the dargah of the Sufi, Nizamuddin. Built in the early… Read more »
Following in the footsteps of the Daniells was Thomas Bacon, who painted romantic scenes from ‘Hindostan’ for the paying public back home in Victorian England. It was not uncommon for artists to have help from army officers in recreating landscapes they had never visited—perhaps this artwork too was the result of such a collaboration because… Read more »
The Diwan-e-Khas is inside the Red Fort, which was built between 1639 and 1648 CE by the Mughal emperor Shah Jahan at his newly minted capital, Shahjahanabad. With its white marble pavilions inlaid with precious gemstones, Diwan-e-Khas was reserved for meetings between the Emperor and courtiers, government officials and foreign dignitaries. The famous Peacock Throne… Read more »
After discussion sped towards the end of the zoom call, the part where people start talking candidly and share recipes or book and binge recommendations, we were mildly concerned that we were all consuming the same things. Faced with the possibility that we were caught up not in a trend, but an echo chamber, we… Read more »
Among the Mughals, Jahangir was undoubtedly the greatest patron of the arts, the man with The Eye. To him, even an object of prosaic commerce like the coin deserved to have beauty poured upon it. Jahangiri currency encompasses a remarkable variety of coins with interesting calligraphy and portrait designs. Because he was passionate about poetry,… Read more »
Ujjain has been a prominent urban centre stretching back to 600 BCE. In ancient India, it was one of the most important hubs connecting all the major trade routes, including those from Pataliputra (Bihar), Shravasti (Near Sopara in present-day Maharashtra) and Bharuch in Gujarat. Ujjain was the capital of power and learning, from where the… Read more »