Museum objects, artifacts, and archival items from the Sarmaya collection.
This Untitled work is part of a series showcasing Horizon lines by artist Aditi Singh (b.1976), made using Ink on Washi Paper in 2020. The work showcases the horizon line of a city, which Singh explored by walking. The artist took meditative walks in Nepal, Sierra Nevada, the lake district of the UK, and more… Read more »
This Untitled work is part of a series showcasing Horizon lines by artist Aditi Singh (b. 1976), made using ink on Washi Paper in 2015. The work is the artist’s interpretation of the horizon line of Turkey. It has emerged from a long and deep reflection on the natural world and the artist’s imagination. It… Read more »
This Untitled work is part of a series showcasing Horizon lines by artist Aditi Singh (b. 1976), made using Ink on Kozo Paper in 2016. The work is the artist’s interpretation of the horizon line of Delhi and is a product of ‘meditative walking’ by the artist. For Singh, walking in different places worldwide brought… Read more »
This textile celebrates and reveres the folk goddess Meladi Mata, depicted at the centre seated on a black goat. According to legend, Goddess Parvati created Meladi from the dirt on her body and bestowed her divine shakti or strength and a black male goat as her mount. Mata-ni-Pachedi or Chandarvo is a textile painting that… Read more »
Kumbakonam, a temple town in Tanjore district of Tamil Nadu, was an important centre in the Chola kingdom from the 9th through 13th centuries. It is home to twelve major temples dedicated to various Hindu deities, each functioning as a primary centre of ritual throughout the year. Many of the early Chola temples here are… Read more »
Located in the Chittoor District of Andhra Pradesh, the Govindaraja temple in Tirupati is dedicated to Lord Vishnu. It is one of the earliest temples, dating back to the 12th century AD. Photographed here is the eastern gopura, also known as the Rajagopuram. Straight ahead through the seven-storey structure the photograph also captures much smaller gopura… Read more »
The Fort St. David in Cuddalore, Tamil Nadu, was originally a British headquarters for southern India, as seen on this map. It was attacked by the French forces led by Dupleix. The fort was renovated by the French in 1782, but then it was captured by the British in 1785. The map highlights the areas… Read more »
“Cloud over the landscape” is a deep engagement with the subjectivity of maps and their inherent function as history-making devices.Using interventions like painting, erasing and burning the photographic image before it is transferred onto wood, artist Saju Kunhan creates room for accidents, mistranslations and loss of information. In elaborating on his method in the catalogue… Read more »
Mithila painting is a traditional mural artform from Madhubani district, Bihar. The artform is known to be a woman’s preserve, one that has roots in the wedding rituals of the Maithil community. Today, many artists from both genders create canvases filled with depictions of religious gods and symbols, socio-political issues, and rural and natural life.… Read more »
Rithika Merchant’s paintings are allegorical. They occupy the intersections of mythologies from across cultures to generate modern narratives that look into a re-imagined present. She paints the form of her characters with striking attention, using the medium of gouache to her advantage, as she layers washes of colours with opaque textures onto stained papers. With… Read more »
This composition is part of Zarina Hashmi’s (1937-2020) series of woodcut prints. Delhi III is part of Zarina Hashmi’s celebrated Delhi series. This striking woodcut shows the river Yamuna, a lifeline of her beloved city. The artist drew the river from memory, fashioning it as geographic border. Witness to the horrors of the India-Pakistan partition… Read more »
Pictured here is the 239-foot Qutub Minar, the highest brick minaret in the world. Construction on this iconic tower of victory was begun by Qutb-ud-Din Aibak (r.1206-1210), the first Sultan of Delhi and founder of the Slave Dynasty, and later continued by Shams-ud-Din Iltutmish (r.1211-1236). Accompanying the adjacent Quwwat-ul-Islam Masjid, the minaret rises in five… Read more »
Pictured here is the Girnar Rock Edicts in Junagadh, Gujarat, photographed by D. H Sykes in 1869. Located on the foothills of the Mount Girnar in Gujarat, the Girnar Rock Edicts, also known as the Junagadh Rock Inscriptions, are collections of 14 significant Prakrit edicts or inscriptions credited to Ashoka, the 3rd century Mauryan King.… Read more »
This undated photograph from Sri Lanka was taken by photographer WLH Skeen’s eponymous studio – a leading photography studio in the country during the colonial-era. Since the Anuradhapura Kingdom, founded in 377 BCE (and lasting until 1017 CE), and until the Kandyan Kingdom of 1591-1815, Sri Lanka has seen a continual string of monarchies for… Read more »
The photograph documents the north eastern profile of the structure known as the Tomb of Hoshang Shah, a powerful Pathan Sultan ruling the Kingdom of Malwa. A commanding structure in the 16th century, the tomb is seen here in a ruinous condition. The photo is mistakenly identified as the Jama Masjid of Mandoo because the… Read more »
Untitled #55 is part of Chasmawala’s recent series of works, where she employs materials like ink and calligraphy tools that speak of filial as well as political histories of mark-making, to situate them in the present context of drawing as performance. As Skye Arundhati Thomas writes in the catalogue for Chasmawala’s solo show Batin, “It… Read more »
Untitled #54 is part of Chasmawala’s recent series of works, where she employs materials like ink and calligraphy tools that speak of filial as well as political histories of mark-making, to situate them in the present context of drawing as performance. As Skye Arundhati Thomas writes in the catalogue for Chasmawala’s solo show Batin, “It… Read more »
This shadow puppet of Rama and his brother Lakshmana is a Togalu Gombeyatta puppet, a shadow puppet tradition of Karnataka, India. It translates to the dance of leather puppets, with ‘Togalu’ meaning leather, ‘Gombe’ meaning a doll or a puppet and ‘atta’ meaning dance. Southern Indian shadow play is known to be the oldest in the… Read more »
This photograph from the ‘Architecture in Dharwar and Mysore’ was taken by Col. Thomas Biggs. This is the Papanatha Temple in Pattadakal, Karnataka. The Papanatha Temple is an important structure in the Pattadakal group of temples because of its unique style that combines regional architectural elements. The temple combines the Nagara and Dravida architectural traditions… Read more »
“Mother” was painted on Siji Krishnan’s return from a residency at the Koganecho Art Center in Yokohama, Japan. Centred alone in the painting is a lady holding a contemplative expression, evoking a sense of solitude as she seems at complete ease with her body and the cat in her lap. The decision to draw this… Read more »